As Trivium themselves proclaim tonight, it always feels like a homecoming when the Floridian metallers come to the UK. The band grew up on our island and their success has become intrinsically linked to the response of the UK to each release.
Tonight will see the band at the UEA in Norwich playing a tailored set to include a celebration of ‘Shogun’. Their fourth studio album, the record arrived at a crucial time for the band as they navigated a lukewarm response to ‘The Crusade’ – an album which was supposed to take the band to the pinnacle of the industry.
When that didn’t happen, ‘Shogun’ was the reset moment needed for the band to almost start again. Over the course of the subsequent fifteen years the band have matured into one of the most loved and respected metal bands on the planet with a consistent flow of high quality albums which looking back is quite astonishing.
ORBIT CULTURE
Also astonishing is the bands aptitude for selecting support acts and on this run of shows, they have both Orbit Culture and Bleed From Within along for the ride! Swedes Orbit Culture are a decade into their own career and that comes across with an experienced and assured performance to get the crowd engaged early.
BLEED FROM WITHIN
Having formed back in 2005, Bleed From Within certainly can’t be classed as a new band either, but the current momentum behind them is relatively new. Emerging from the pandemic with not one, but two acclaimed albums the band have made of the most of their recent studio time.
They’ve also made the very most of any stage time given to them and again tonight if you didn’t arrive as a fan of the band, you’ll most definitely be leaving as one. The group are able to create an instant connection with the audience and the synergy between them is mightily impressive.
TRIVIUM
With both bands having already turned the venue into a sweatbox, it’s soon enough time for Trivium to arrive on stage and close out the evening with ninety minutes of pure majestic brutality.
‘In The Court of the Dragon’ and ‘Down From The Sky’ quickly ensure that the audience is fully onside as the band flex their muscles early. It isn’t long before the likes of ‘Strife’ and ‘Pull Harder on the Strings of Your Martyr’ absolutely annihilate venue security with a seemingly endless barrage of crowd surfers.
The love between band and audience is clear for all to see and as the band begin to explore ‘Shogun’ with rarities likes ‘The Calamity’ and ‘Insurrection’, an appreciation of the depths of the bands discography is overwhelming.
Newer material like ‘Catastrophist’ and ‘The Heart From Your Hate’ receive just as euphoric responses tonight as classics like ‘A Gunshot to the Head of Trepidation’ and staple set closer ‘In Waves’. This is just further evidence both of the bands connection with the UK audience but most pertinently the intense quality of all their releases.
Ten albums and nearly twenty-five years in the band tease a short break is coming after this tour. Whilst this is very much hard earned, on the form the band find themselves in both on record and onstage as evidenced tonight, you are left praying that the gap isn’t that long!
Welcome everyone to another edition of our weekly music News Report!
We start this week with the 20th Anniversary of Download Festival which just got a whole load bigger! Yes 40+ new acts have now joined headliners Metallica (x2), Bring Me The Horizon and Slipknot across the special four day event.
Newly announced acts include Alter Bridge, Halestorm, Neck Deep, Bob Vylan, Jinjer, Hot Milk, The Amity Affliction, Empire State Bastard, Dinosaur Pile-Up, Deaf Havana and more!
Also on tap will be the likes of Architects, Evanescence, Within Temptation, Pendulum, The Blackout, Nova Twins, Disturbed, Placebo, Ghost and so many more!
Ahead of their appearances at this August’s Reading & Leeds Festivals, You Me At Six will perform two intimate warm-up shows in Leicester and Bournemouth.
Our News Report moves now to the best new releases from the past week and we get things started with the latest single from Bury Tomorrow!
‘Heretic’ featuring While She Sleeps frontman Loz Taylor debuted this week and you can check it out above. It was also revealed that Bury Tomorrow will join WSS at their huge Alexandra Palace show in September.
The track comes from upcoming new album, ‘The Seventh Sun’, which is out March 31st!.
Speaking on Heretic, lead-singer Dani Winter-Bates states “Heretic is here, and we knew from day one of recording that this song was something we wanted the world to hear immediately. It’s right up there with the most aggressive and visceral tracks on the album, with an inherently dark feel, both lyrically and musically, which allowed us to delve into some of the more brutal elements of The Seventh Sun. All in all, we’re extremely proud to showcase this track and can’t wait to see what people think.”
Dani continues “from the off, we knew this song merited a guest vocal spot, and Loz Taylor of While She Sleeps sprang to our minds straightaway. Already an absolute legend in our eyes, working with him on this track has only confirmed that status further. His voice incorporated perfectly and has undoubtedly taken the song to the next level – we couldn’t be happier.”
The Raven Age have announced that their third studio album, ‘Blood Omen’, will be released on July 7th. To coincide with that announcement, the band unveiled their new single, ‘Parasite’, which you can check out above!
‘Parasite’ is bolstered by a blistering solo from guest guitarist Andy James of Five Finger Death Punch. “I’ve known the lads in The Raven Age for years now,” says Andy. “I really like the direction they are heading with this third record and enjoyed doing a guest solo for ‘Parasite’. It’s a heavy but memorable track that hits you right between the eyes.”
For the Essex quintet’s “all-important third album”, as George Harris puts it, they have expanded on every level.
This motivation is written into the album’s concept. Following the theme of its two predecessors, the raven motif looms large, this time centering on the overthrowing of old masters, with the band’s Raven King character coming to prominence. Even in the artwork, things are bolder, a close up of The Raven King, says George, “taking his rightful place on the throne.”
The theme weaves itself throughout ‘Blood Omen’, kicking off with ‘Parasite’ as MJ explains, “There’s the legend about the ravens in the Tower Of London, that if they were ever to leave, the monarchy falls. Without being too political, ‘Parasite’ is hinting at these dark notes of the hierarchy, the bottom feeders that tend to run everything and then screw everything up. Our Raven King, he’s basically ascending to the throne to bring down the monarchy, bring down the establishment, weed out the parasites, as it were.”
“It’s a heavy track,” MJ continues, “We knew we wanted to come back with a real punch between the eyes. It’s the full introduction to our Raven King, and it touches on elements of everything to come. It really shows where we’re going on this album.”
The album also sees the recorded debut of new guitarist Tommy Gentry, the prodigiously talented axeman – whose previous work includes stints with Marco Mendoza and former Judas Priest six-stringer KK Downing.
“Tommy was in our sights from day one,” says George. “He’s, without doubt, the most talented musician I know. Not only is he an amazing guitarist, he’s a grade eight pianist, he can score orchestral music, and all that brings something to the table.”
‘The Price of Progress’, the latest album from The Hold Steady is out on March 31st. This week the band continued to preview the record with new single, ‘Sixers’, which you can check out above.
“‘Sixers’ was written in the first days of the pandemic,” says frontman Craig Finn. “It’s basically a song about knowing your neighbors. Two young professionals meet up in their building late on a Friday night and spend the weekend partying together. They try to find a love connection, but it’s not quite there. It’s hard to make friends when your job is so demanding. Tad and Steve chime in with some beautiful guitar harmonies.”
This week saw The View return with news of their first new album in eight years! ‘Exorcism of Youth’ will be released on June 9th and was preceded this week by the single, ‘Feels Like’, which you can check out above!
Frontman Kyle Falconer says, “Working with Youth on our third album ‘Bread and Circuses’ was one of the best experiences of my career so we jumped at the chance to revisit the opportunity with him in Spain. To be able to go into the studio again as a band with added experience was just magical.”
On the single Falconer adds, “This one felt anthemic from the get go. Even though under the surface it’s about somewhere everyone’s been in their life before: regret of losing someone amazing due to your inner demons and seeing them moving on with their life, when you’re stuck in a ‘nightmare not a dream.’ When I first sat down to write it I had Holden Caulfield from ‘Catcher in the Rye’ in mind. It’s playing out in his mind and it’s his own paranoia destroying him from the inside out when in reality she’s the perfect woman.”
Texan singer-songwriter Ryan Hamilton has shared his latest single, ‘Asshole’, which you can check out above. The track comes from upcoming album, ‘Haunted by the Holy Ghost’, which is out March 10th.
A music video for the track features World Champion Barrel Racer, Ryann Pedone & Conor the badger. Ryan says, “It’s not everyday you shoot a music video with a badger! Why a badger? Because badgers are assholes. They’re adorable assholes. Haha. So proud of this song. The self sabotaging title will keep it off most radio stations… which is a shame, because it deserves to be a big hit.”
The Dollyrots have released a brand new UK single titled ‘Still Holding On’ to kick off their first ever UK co-headline tour with Don’t Panic and special guest Royals.
You can listen to the track above!
““Still Holding On” is the first song we’re releasing off our newest recordings, from the first full album sessions since 2019! It’s a hint of a flavor for the next LP to be released later this year. Since we’ll be touring the UK this month we thought we’d give our friends here a treat and release it exclusive to the United Kingdom.”” says singer Kelly Ogden.
This week saw Millie Manders and the Shutup share their new single, ‘Rebound’, on Valentine’s Day! You can of course listen to the track above!
An ode to toxic online dating, as Millie explains: “Rebound reflects my experience with online dating, but most people I have spoken to have had similar and worse experiences with it. I wanted to write a song that was in solidarity with those on the receiving end of a rebound relationship and let them know they were never the problem.”
The comes ahead of the bands upcoming UK Tour in April.
The steady stream of fantastic new music in our News Report continues to flow from iconic Foo Fighters guitarist Chris Shiflett. You can check out his latest solo effort, ‘Black Top White Lines’, above now!
This week also saw Pet Needs revealed as the special guests on Lottery Winners upcoming UK Tour. That wasn’t the only news for Pet Needs this week however, as they also debuted their video for ‘Ibiza in Winter’, which you can check out above!
New album ‘Primetime Entertainment’ available here.
Watch Episode 11 of The Full Pelt Music Podcast with guests Pet Needs!
The Full Pelt Music Podcast – ‘Episode 11’ – Pet Needs
Glasgow four-piece Spyres return with their new single, ‘Sleep Forever’.
Vocalist/guitarist Keira McGuire explains:
“Sleep Forever is a song about blocking out the realities of life and living in your own world, not wanting to grow up, becoming an adult which puts an end to teenage daydreams and fantasies.”
FUDGE.- ‘Y.F.F.G.’
FUDGE. release their new single, ‘YOUR FALL FROM GRACE’, taken from their forthcoming ‘THAT’S JUST IT, THIS IS NOW’ EP!
Commenting about ‘Y.F.F.G.’ singer Cam says: “It’s different to our usual songs but it’s a fan favourite and shows a very atmospheric, abstract vibe and I see it as a rebellious love song. The feeling I get from this song is the same as the almost surreal sensation you get when you’re on your own late at night or early morning. That may sound strange but some of you might get what I mean.”
Guitarist Otto expands: “I call this our quiet song. I wrote it whilst someone was sleeping in the same room as me, so I picked something sweet sounding and played it with compassion. Luckily, the outcome was one of our most palatable songs for the listener and, honestly, one that I never meant to write but am grateful that I did.”
Drummer Angus adds: “You get to hear Cam’s sensitive side on this song, which is usually hidden behind his radginess. It’s a lot smoother in its ebbs and flows and playing drums to this is actually quite a relaxing experience because, for once, I can sit back and let the song do the work. For that reason, it’s bigger than its constituent parts. A bit of a banger in other words.”
IKONIK – ‘Wall of Stone‘
‘Wall of Stone’ is the debut single from IKONIK, the brainchild of Copenhagen’s Katrine Wachmann.
“‘Wall of Stone’ is a song about commitment issues and being stuck in a relationship that is going nowhere, though knowing that vulnerability might be the only way to make a relationship work. Whatever the listeners get from this song I’m just truly humble, amazed and excited that IKONIK is off on its wings and ready to fly out into the world”.
The live music industry is built on togetherness, built on shared experience and built on the power of emotion. The last 18 months have been highly emotional for all the wrong reasons. Together the world has shared an experience that has terrified and devastated us.
The events of the last 18 months have taken an incomprehensible toll on humanity. The pandemic has destroyed lives and livelihoods. The live music industry was obliterated overnight. The people that make the spectacles that we enjoy happen were forgotten about.
While the world attempts to peek through the curtains at a “new normal”, the live music industry is left waiting. Waiting for support, waiting for proper guidance, waiting for a chance. Well, just four weeks ago that chance arrived.
A Government trial event to test the viability of the return of packed festivals and events you say? Spring into action the incredible people behind the scenes who make the live music industry work! In a short period of time, heaven and earth have been moved and here we are at Download Festival.
A much smaller, makeshift, Pilot version of Download Festival at the hallowed grounds of Donington Park. 10,000 people in a field, no social distancing, no masks, no inhibitions.
Credit goes to all involved for creating an event of that scale on such short notice, and to all the acts playing with no preparation. As the gates open, one thing is for sure, the fans want this, no, the fans needs this.
The reality of the situation is that the organisers could have put an old man playing the spoons on stage and the fans would have lapped it up. The opportunity after all that everybody has been through to witness live music is cathartic.
The fact that this may be the most exciting Download Festival line-up of all time only helps to amplify the anticipation as fans gather in the tented second stage for Death Blooms. Almost every person on site crams in to witness that first taste of live music in far too long.
The band make the most of the atmosphere with a storming set that sees the audience let go of all remaining inhibitions. I doubt the majority of those in the tent knew of the band in advance, but they certainly left with a memory that will last forever.
For this special event there are just two stages. Next to the tent is the outdoor main stage which opens with a raucous set from Hot Milk. Kicking off with their latest single ‘I Just Wanna Know What Happens When I’m Dead’ the band show the crowd just what they’ve been missing.
There is no need to worry about those dreaded clashes at Download Pilot Festival. That’s because the acts on the two stages alternate, allowing the music starved fans the opportunity to watch every single band if they so wish to.
Every band this weekend gets a good sized crowd and a warm reception with it, especially the early bands on Friday. Malevolence are next to grace the second stage and assist the audience in releasing their pent up energy with a heavy hitting set.
A repercussion of the pandemic has been the amazing new albums that have been released without the showcase of the live setting. One such album is ‘Glue’ from Boston Manor. That wrong is righted next however as the band storm the main stage and air the likes of ‘Everything Is Ordinary’.
An early standout performance from the band sees them mix new and old with ‘England’s Dreaming’, ‘Laika’ and ‘Halo’ eliciting some of the first full blown sing-a-long moments of the weekend.
Those sing-a-long moments continue with Holding Absence on the second stage as they get to unleash tracks from their sensational album ‘The Greatest Mistake of My Life’. ‘Afterlife’ in particular is a contender for song of the weekend as the band present their credentials for superstardom!
The Friday action continues with two bands with extremely dedicated fanbases. Neck Deep get the main stage bouncing before Sleep Token captivate the second stage.
It is then down to Frank Carter & The Rattlesnakes to bring the first day to a close on the main stage. Always an unstoppable force of nature on stage, the band make the most of the platform to make a statement. That statement says that this band is ready to headline the regular event.
With a setlist spanning their three albums, the band even treat fans to a selection of new tracks including the catchy ‘My Town’. There are guest appearances from Joe Talbot, Cassyette and Lynks, there is a giant circle pit around the sound tower and there is even a cover of ‘Ace of Spades’.
Frank Carter & The Rattlesnakes saw an opportunity to headline a festival, to headline the first festival back, and they grabbed it with both hands. This was one of those sets that will be talked about forevermore!
After hours entertainment comes from a silent disco as the hastily arranged festival shows the skills and creativity of the music industry. You have to stand back and admire the achievement of those involved to create an event on this scale in the time given.
DOWNLOAD PILOT FESTIVAL – SATURDAY
On to Saturday now and the musical delights continue as Lotus Eater, Conjurer, As Everything Unfolds and Bleed From Within blow the cobwebs of the early morning audience.
Next two young bands with big futures introduce themselves to festival audiences. Both The Hara on the second stage and Wargasm on the main stage elicit strong reactions from those watching.
After a solid showing from Tigercub, one of the veteran acts of the weekend, A, school the up and coming bands on how to engage an audience. An age appropriate walking circle pit being a nice change of pace in the midst of a hectic weekend. Finishing with ‘Nothing’, A show why they are the perfect festival band.
Two things become apparent as the weekend progresses. When dissecting the hastily put together line-up, the quality of British rock music is put in the spotlight and it more than holds its own. Secondly a good deal of that talent is female. Vukovi and Yonaka both deliver set of the weekend contenders next.
Those Damn Crows, Twin Atlantic and Stone Broken all put in crowd pleasing performances before While She Sleeps attract and entertain a huge crowd on the main stage.
Soon though it’s time for the scorecard for band of the weekend to be thrown out the window. Creeper are able to deliver an out of body experience as they headline the second stage. There are goosebump raising moments galore as the band turn the festival into their own theatre of oral and visual magnificence.
It is then left to Enter Shikari to bring the Saturday night party and they don’t disappoint. If there was ever a band born to get you moving it’s Enter Shikari. They do just that as they also get to showcase newer songs live for the first time.
‘satellites**’, ‘{ The Dreamer’s Hotel }’ and ‘THE GREAT UNKNOWN’ fit in perfectly with classics like ‘Sorry, You’re Not A Winner’, ‘Juggernauts’ and ‘Mothership’. Much like Frank Carter & The Rattlesnakes and Creeper, you can see the special treatment Enter Shikari have given this opportunity and that makes for a stunning spectacle.
Come Sunday you’d imagine fatigue would be setting in. All this action after so many barren months, you could forgive the crowd for tiring and the festival atmosphere sapping. Instead energy is pumped in by bands such as Static Dress, Saint Agnes, Cassyette and Employed To Serve.
The fans reciprocate said energy as they continue to let loose to Chubby and the Gang, Loathe and Higher Power. The passion and pure joy of both fans and musicians to be at a festival is at times overwhelming. This event was destined to be an emotive affair but even through that emotion the quality of the music on offer shines.
Next on the main stage is Lonely The Brave complete with change in singer. A set mixed with fan favourites and new tracks from ‘The Hope List’ shows the band are still an exciting prospect. Can the band now finally take that next step? On their showing here, yes they can!
For those fans catching every band the pace is relentless and it’s to the second stage next for Jamie Lenman. Lenman powers through a sublime set that gets the crowd moving and features another appearance from Wargasm.
The quirky goodness of Elvana attracts a huge crowd to the main stage as the festival heads towards its climax. The band show just why they are perhaps the perfect Sunday afternoon festival act as they get the crowd singing along to every word.
Massive Wagons are able to take the second stage by storm before a sadly technically challenged The Wildhearts limp off stage. The Wildhearts are a top quality band and the issues with their sound perhaps show the effects of an enforced hiatus for musicians and crew members alike.
It’s on that note that once again praise must be heaped on the organisers, the crew members, the festival staff and yes the bands for making this event such a success. That is only amplified by the incredibly short timescale.
Realistically this has been a once in a lifetime event (we hope). Download Pilot Festival as an event is excellent and would be a great addition to the main Download Festival. It’s the atmosphere and camaraderie however that makes this festival so special.
We are down then to the final four bands, the final acts before reality is set to strike again. Up first on the second stage are Trash Boat who get the tent bouncing, especially with a stunning cover of Linkin Park classic ‘Given Up’.
If there is a perfect festival band it’s Skindred. Put them on any stage in any slot and they will attract a huge crowd. With a sub-headline slot on the main stage, the field is full as Benji Webbe and co put in a seamless lesson in crowd engagement.
The final act on the second stage is also no stranger to the festival scene. Although Frank Turner has played Download Festival in the past, even he acknowledges he may not be the typical Download act. Nobody cares though, as he puts in a typically euphoric performance.
The crowd are not just treated to the set staples but also to new song ‘The Gathering’ and heavier version of ‘Little Changes’. There are sing-a-longs aplenty as Turner does what he does best and that is entertain!
That just leaves Bullet For My Valentine to close out Download Pilot Festival. A festival which we wish was never needed but are so glad that it happened. Bullet For My Valentine are long time Download favourites and they deliver an apt conclusion to the event.
We are treated to a unique take on ‘Run To The Hills’ from Iron Maiden complete with a perplexing vocal contribution fron Benji Webbe. We get new material in the form of ‘Knives’ and of course we get favourites such as ‘Scream Aim Fire’ and ‘Tears Don’t Fall’.
‘Waking The Demon’ is the final song to ring around Donington Park, and we can only hope and pray that this event can wake the demon that is the festival scene. The fans may have been lab rats, but what a stunning lab it was! Thank you Download Pilot Festival for such a cathartic weekend.
We roundup the best music news from the past week!
Every week we roundup the best music news from the past week in our News Report. To stay up to date with the biggest news be sure to follow us on our social channels:
We start our News Report this week with our tour section of the best music news.
Up first is this huge homecoming show for IDLES. The band will takeover Clifton Downs in Bristol for what is set to be an unmissable show. If you want to be there on Friday 3rd September 2021 then you’ll need to be quick.
Beartooth have announced a run of dates for February 2022. These dates are the bands biggest shows to date and finish up at Brixton Academy. Support will come from Motionless In White and Stray From The Path.
The band will release their next album, ‘Below’, on June 25th. You can pre-order your copy here. For tickets you’ll want to head here.
Pirates rejoice! Another band making their way to Brixton Academy is Alestorm. The band will conclude a massive tour of the UK on December 11th. Along for the ride are Gloryhammer and ÆTHER REALM.
Scottish rockers Gun are set for a lengthy UK tour later this year. ‘The Backstreet Brothers Tour’ will see the band trek around the UK in support of their latest single ‘Whiskey And A Prayer’.
Next on our News Report is the return of Trash Boat for eight dates around the UK this October. The dates will finish up at Camden’s famous Electric Ballroom.
Beans On Toast is coming to an independent venue near you!
Beans On Toast is certainly not adverse to playing shows and he has this week announced a whopping tour of independent venues. This tour will be taking in some of the best small venues the UK has to offer.
London’s Wide Awake Festival just got a load bigger with the addition of a special afternoon set from IDLES! They join a fantastic line-up at Brockwell Park including Black Country, New Road, black midi, Crows, Dream Wife, shame and The Murder Capital.
Bloodstock Festival continues to grow. We featured new additions in last week’s News Report and now we have more to report! This week has seen the additions of Therapy? and Bleed From Within to the Sunday Main Stage line-up!
In need of your metal fix, head here for tickets to Bloodstock!
Eridge Park in Kent is set host a stunning looking Black Deer Festival from 25th – 27th June this summer. The event was already set to feature the likes of Saving Grace, Frank Turner, Emily Barker and Imelda May.
The event has now added Foy Vance, Wildwood Kin and Band of Skulls amongst others. To join the fun head here for tickets.
Glastonbury set for Livestream event from Worthy Farm
Whilst there will be no Glastonbury Festival this year. Organisers have now announced a very special livestream event from Worthy Farm. Live at Worthy Farm will feature sets from Coldplay, Damon Albarn, HAIM, IDLES, Wolf Alice and more.
To be a part of the action you will need to pick up a ticket here.
Garbage return with ‘The Men Who Rule The World’
Garbage – ‘The Men Who Rule The World’
Finally we arrive at the new music section of our weekly News Report. We start this week with the return of Garbage. The band have released their brand new single ‘The Men Who Rule The World’.
The single precedes the bands upcoming album, ‘No Gods No Masters’ which will arrive June 11th. You can pre-order your copy here.
Wayward Sons this week released their latest single ‘Big Day’. You can check out the song above and grab tickets to their upcoming tour here.
The Subways announce ‘Fight’
We conclude this week’s News Report with The Subways. The band have announced that they will release a new single, ‘Fight’, on April 30th. You can pre-order the limited edition splatter 7″ vinyl here.
