LAURAN HIBBERD – GARAGEBAND SUPERSTAR – ALBUM REVIEW
Lauran Hibberd has spent the past few year’s releasing a steady stream of singles and playing an endless run of shows and festival slots. During this time she has built a solid following and garnered much praise from those taking notice.
With a firm groundwork beneath her and anticipation high, it’s now time for her to unleash her debut album, ‘Garageband Superstar’, and complete her world conquering mission.
Despite that stream of pre-album singles, ‘Garageband Superstar’, was always going to be a major hurdle for Hibberd. A debut album for any artist is a statement and whilst there are some famous exceptions, this first impression is often make or break for artists.
LISTEN TO ‘STILL RUNNING (5K)’ FROM LAURAN HIBBERD ON YOUTUBE
Hibberd manages to navigate this hurdle with ease, with her debut album an all out statement of intent. ‘Garageband Superstar’ is brash and in your face yet also vulnerable and relatable. This highly accessible thread runs throughout album standouts such as ‘Still Running (5K)’, ‘Average Joe’ and ‘I’m Insecure’ and adds layers to the pure enjoyability of the album.
Musically the album captures everything that helps Hibberd standout live with a bouncy indie pop vibe making this a very fun record. Lyrically ‘Garageband Superstar’ is brutally honest and completely unashamed. This combination feels like a winning one, with the early hype now justified and that anticipation more than met.
This is no doubt the first step in a very long and prosperous career for the talented garageband superstar!
Welcome everyone to another edition of our weekly music News Report, where we roundup the best news from the past week. We start this week with the latest tour announcements, including the above from The Hunna!
Having just revealed the details of their upcoming new self-titled album, the band have now scheduled in a lengthy UK Tour for later this year. Support comes from Kid Kapichi and Lucy Deakin.
‘Trash’, the lead single from the new album kicks things off by giving the music industry both barrels, taking pot-shots at the execs who told them “TikTok, TikTok or else you get dropped”.
“We’re not calling anyone specific out,“ explains Ryan. “it’s just overall industry suckiness. It highlights things we’ve experienced in the industry over the years and things we see going on and hear about now. There’s a lot of bad shit that still goes on in the industry and a lot of it gets swept under the rug. But we’re in the position where we’re on our fourth album, we feel refreshed and confident and this is what we’re going to say. You either like it or you don’t, it’s cool either way. We are who we are.”
Nile Rodgers & Chic announces End of Summer Parties
The legendary Nile Rodgers and Chic have announced two massive concert appearances at the iconic London venue O2 Academy Brixton, on Monday 19th September 2022 as well as a second show at O2 Victoria Warehouse, Manchester on the 21st of September.
Nile Rodgers said, “After the blues of Covid we’ve had an incredible summer in the UK getting up front and close with all of our incredible fans. What better way to celebrate the last day of summer and the first day of autumn than with our final UK shows of the year at Brixton and Manchester. We want to invite all the Lionesses who’ve made the whole country so proud to get up on stage for what will truly be Good Times!”
Another band with new tour dates to reveal as we continue our News Report is none other than The Wonder Years, who will hit the UK this November!
Speaking of the tour, frontman Dan ‘Soupy’ Campbell, says “Fun Fact: We’ve been touring the UK longer than anywhere in the world, including the US. This year marks 15 years since our first UK tour and the memories we’ve made—from playing literal basements up to Alexandria Palace—have been and continue to be some of our most treasured. So it’s with an immeasurable joy that we get to tell you today that, for the first time since 2019, we’re doing a headlining UK tour this November. We can’t wait to play everything for you—new stuff from THGOF, old favourites, the whole damn thing.”
A single piece of festival news in our News Report this week and it comes from Manchester event Neighbourhood Festival.
The festival has revealed a second wave of acts including Pastel, Himalayas, Michael Gallagher, Planet, Rats, Rosellas, and Youth Sector.
They join the already announced The Snuts, Everything Everything, Sundara Karma, Baby Queen, Lauran Hibberd, Louis Dunford, Stone, Ten Tonnes, The Goa Express, The Royston Club, The Skinner Brothers and Courting!
This week also saw IDLES debut the video for their track, ‘Stockholm Syndrome’.
Speaking on the video, directors Charlotte Gosch and the band’s own Lee Kiernan explain, “The process of making the video was very fulfilling for the both of us as we were able to physically create what we were imagining. Both the masks and shapes were handmade and painted by ourselves and friends.
Working with our DOP Rob French we were also able to realise the long shots of each verse and the opening scene of the dancers. We both love the exhaustive and immediate feeling that a long shot can convey, like in Gus Van Sant’s Gerry, which we referenced quite literally.
The initial idea of the video was to try and visualise the monotony hell of having to work to survive and how the ‘machine’ eventually engulfs you and strips you of your freedoms. But we wanted to achieve this in a metaphorical way that kept the meaning as open as possible. So it becomes rather a visual representation that can be read in many different ways.”
There was also new music from LIFE this week as they debuted new single, ‘Duck Egg Blue’, which you can check out above.
The track will feature on new album, ‘North East Coastal Town’, which is out on August 19th.
Speaking on the new release vocalist Mez says: “‘Duck Egg Blue’ is a realist’s love song. The journey of trying to navigate through each other’s feelings and emotions, the strains of close quarters trapped in a tiny flat, the minutiae of everyday life. The overarching sentiment is that no matter what happens, after all that is said and done, we love each other, and we are there for each other.”
Fellow previous ‘Discover New Music Playlist members Oakman have also released new music this week. You can listen to new single, ‘All The Way Up’, above.
About the song, the band says, “‘All The Way Up’represents this long journey in a life between fear, hesitation and the desire to never stop going further. Since we were born, we all have dreams that we never stop fighting for. For which we will always be regarded as an alien by others because we are often misunderstood and not supported. And when everything else gets in the way, it’s often psychologically hard to continue to find strength. But every day is a new day and every day brings a new strength to keep going all the way up.”
The Lounge Society have shared new track, ‘Upheaval’, the latest track to be taken from their upcoming debut album ‘Tired of Liberty’, out August 26th.
The band comments, “Upheaval has a calmer atmosphere than anything we’ve done before and looking back on the album as a whole, it may in fact be one of the most important tracks on there. In the studio Dan [Carey, producer] really helped us bring a certain vintage feel to life – with deep textured acoustic guitars, heavily impacted by the ambient room mixing we focused on in the closing stages of the album. This song, more than anything else we’ve ever done, feels like us together as four mates playing a song that we love.”
Grave Goods – ‘Source’
Grave Goods have shared their new single, ‘Source’, taken from debut album ‘TUESDAY. NOTHING EXISTS.’, which is out 9th September.
On the track, drummer Sarah Grimes said, “This was the second song we wrote. It was written on drums and guitar first, we wanted it to be really minimal in the verse with drums and vocals and contrasted with louder choruses with the guitar and drums working together with bass added later. When we were structuring the song we took the guitar line from the chorus and used it as the intro to hook people in.
When we wrote the song initially, I had a mic set up beside me and I whispered “ha ha” at the end of each bar during the verses. Those were dropped as we started to play the song live but while we were recording we decided to add it back in – me whispering “Ha Ha” on my tiptoes trying to reach Lois’ mic.”
ENOLA – ‘Strange Comfort’
Melbourne-based singer, songwriter, producer and multi-instrumentalist ENOLA, sharesnew single ‘Strange Comfort’.
ENOLA says of the track, “There is a comfort in knowing that suffering can be a universal experience. We are alone, yet together in our aloneness.”
On the accompanying video they say, “In the film I am not playing a role or character & I’m not playing myself as I am today. I am looking back at a past self and a time & place gone. A time of fearlessness, hopelessness & rebellion.”
Festival season is in full swing, the weather is warm, and the women are setting the standard for football, in many ways life is good. Of course in many other ways things are tough right now.
Music has always been an escape from reality, and we certainly need a distraction right now, so as Y Not Festival open their gates for the first time in three years, it’s time for tens of thousands of fans to let their hair down and celebrate. That is once they can actually get in, with some enormous queues upon entry dampening early spirits.
Now, the last and only time I attended Y Not Festival was the fateful 2017 event which ended in cancellation midway through. I wrote a scathing review for another publication and swore never to return.
Well, watching from a distance the festival has put out some stunning line-ups since then, and organisational changes appear to have improved things and returned the events reputation to pre-2017 levels. This year is in fact billed as their first year back as an independent festival.
Having decided to give the festival a second chance on the basis of their 2020 line-up, I’ve since witnessed the line-up change multiple times for the worse based on my personal preferences. There is no doubting however the overall quality of the line-up at a tough time for festivals.
I’m interested to see how the event will progress and whether it can change my opinion of the festival after the 2017 debacle, so the huge entry queues on Thursday and Friday aren’t the best start.
Thankfully once inside, things pick up quickly! The general layout is well thought out in the main arena, with the main stage, the second stage (The Quarry) and numerous other attractions in the main section of the arena, and the third stage (The Giant Squid) and various other stages and attractions located in a smaller area.
This almost creates two distinct festival areas, with a busy walkway connecting them. The only issue here is that later on in each day this thoroughfare does bottleneck and makes movement very difficult. At one point on Sunday night, this reaches a near dangerous level as fans flood the area trying to catch an Oasis tribute band on one of the smaller stages.
Whilst I quite liked the two separate areas concept, in future additional access would need to be installed at the other end of the second area to avoid any disastrous incidents and make crowd movements flow better.
Now on to the music! Thursday is an add-on day and those to fork out and arrive early are given a splattering of acts to enjoy.
The first such act that we catch is Lucy Spraggan who does a great job in getting the audience into the spirit of things. Spraggan has the crowd singing along to the likes of The Proclaimers cover ‘I’m Gonna Be (500 Miles)’, and fan favourites ‘Last Night (Beer Fear)’ and ‘Wait for Me’.
Next, The Hunna grace the main stage and also deliver a crowd pleasing set. The band’s momentum seems to have stalled slightly, but that upwards trajectory is set to relaunch if the reaction to new single, ‘Trash’, is anything to go by. ‘She’s Casual’ and ‘Bonfire’ serve as a reminder of what the band is capable of, and leaves the audience fully pumped up for our Thursday headliners.
WATCH ‘TRASH’ FROM THE HUNNA ON YOUTUBE
Those headliners are indie stalwarts The Kooks. The band have been celebrating their debut album, ‘Inside In/Inside Out’, whilst they have also recently released a new album, ’10 Tracks to Echo in the Dark’. It’s no surprise then that 15 out of 21 songs tonight come from those two releases.
The new tracks manage to hold up well with the hits such as ‘Ooh La’, ‘She Moves In Her Own Way’, ‘Always Where I Need To Be’ and ‘Naïve’. All in all this equates to a fun headline show which sets the standard for the weekend to come.
Friday on paper is the best day musically for me heading in with a great mix of the new and established acts that Y Not Festival has managed to book so well.
It’s a new act we start with on the main stage as Lauran Hibberd brings her charismatic indie pop to Y Not Festival. The early risers are treated to a glimpse of a star in the making and those that make the effort don’t regret it. Hibberd’s debut album, ‘Garageband Superstar’ is out this month, and based on today’s showing it will be a breakthrough record.
Hibberd has featured previously on our ‘Discover’ New Music Playlist, and next we headed to the ‘Giant Squid’ stage for the first time to catch fellow playlist alumni Daytime TV.
Daytime TV showcase their incredible debut album, ‘Nothing’s On But Everyone’s Watching’, as they quickly blast out the likes of ‘We Can’t Be Friends’, ‘Hush’, ‘Ugly’ and ‘Zombie’. This is another band with a great future, and today they deliver the goods for the early crowd.
Watch our ‘Discover’ New Music Podcast with guests Daytime TV
Continuing the run of fantastic young acts we catch MarthaGunn in the ‘Giant Squid’ and The Skinner Brothers in the ‘Allotment’. Two very different acts, but two more acts that make the very most of their time on stage, clearly winning over any fans not already converted.
We then return to the main stage for another newer act, but one that already feel established. The Snuts burst onto the scene with their debut album, ‘W.L.’, and have dominated festival stages this year. Today fans are treated to a look at what comes next with new songs ‘Burn the Empire’ and ‘Zuckerpunch’ sounding massive. Expect The Snuts to continue to climb festival bills over the next few years, and don’t be surprised when they are eventually headlining the likes of Y Not Festival.
The Pale White continue what has been a consistently brilliant day of music with a powerful set in the ‘Giant Squid’, before we head to the ‘Quarry’ for the first time this weekend.
Festival favourite and all round legend Beans On Toast assembles a huge crowd for a sing-a-long session. The heralded folk singer serenades his crowd with favourites such as ‘The War on War’, ‘M.D.M.Amazing’ and ‘On & On’. Really, there should be a law that dictates that Beans On Toast appears at every single festival.
Watch The Full Pelt Music Podcast with guest Beans On Toast
Even before the major issues struck in 2017, one gripe I had about Y Not Festival was the apparent disorganisation in relation to set times. I worry next that perhaps this issue hasn’t been fixed as Manic Street Preachers fail to appear for their advertised start time. Eventually a message appears on the screens citing technical difficulties, and the band finally arrive almost an hour late on stage.
This of course has a knock on effect to our headliners Stereophonics, and also means when the Manics do arrive, they quickly depart again only playing for half their originally scheduled time. The technical difficulties seemingly continue to dog the band throughout their short time on stage, which causes more set changes on the fly. A lesser band may have given up, but Manic Street Preachers force their way through.
Stereophonics are a safe bet as a festival headliner, guaranteed to deliver the goods and give the audience a good time. That’s exactly what they do to close out Friday night, with a set mixed of hits and deep cuts from throughout their distinguished career.
The double header of of Welsh icons Manic Street Preachers and Stereophonics was a major selling point for many fans, so it’s disappointing that the technical issues leave a sour taste in the mouth.
Saturday soon arrives and we start off on the main stage for another double header of established acts. The Futureheads and Levellers bring the crowds in early as the festival rights the wrongs of last night. Both bands deliver solid sets which the audience lap up, and the party is in full swing as we head deeper into Saturday afternoon.
We refocus next however back to the fresh new acts that help to make this festival so appealing. Do Nothing, King No-One and the excellent The Mysterines all draw big crowds to the ‘Giant Squid’ stage and all three acts are able to produce perfect festival sets to the delight of the packed tent.
Sea Girls are one of the bands leading the new wave of indie and they are next up on the main stage, where they are greeted by an army of their fans. The band and fans then reciprocate energy for the next forty-five minutes and the result is a very enjoyable watch.
Our Saturday night is then spent back in the ‘Giant Squid’ for two bands that personify the festival. First up is a hot new band on the cusp of greatness in the form of Yard Act. This is a band that has been touring solidly and making a name for themselves. Today they put the spotlight on debut album, ‘The Overload’, which gets the entire tent bouncing along.
Lastly is an established act of indie folklore, We Are Scientists! The band finish out the night with a fan pleasing set full of favourites such as ‘It’s A Hit’, ‘The Great Escape’ and ‘Nobody Move, Nobody Get Hurt’.
WATCH ‘THE GREAT ESCAPE’ FROM WE ARE SCIENTISTS ON YOUTUBE
It’s during this time that the heavens open for the first time. Back in 2017 it was the Saturday night when the festival organisers decided enough was enough, come Sunday morning the last day was cancelled and a disorderly evacuation of the site commenced.
One massive criticism of the event that year was a lack of foresight with heavy rain predicted well in advance, the site saw little or no preparation for the weather. It’s great this year then that prior to the rainfall we see straw spread at key points in the arena.
The result is that despite a night of rain, the arena is still in good nick come Sunday morning and we are able to continue with the high quality entertainment. Kudos then to the present organisers for taking proactive action rather than waiting until the horse has already bolted!
So, onto my first Y Not Festival Sunday! We again are on the hunt for new talent early on and catch both Marty and Cucamaras in the ‘Quarry’ and Baby Queen capturing the imagination of the main stage. All three showing that the future is bright.
Sunday really sinks it teeth in on the main stage with back to back performances from Amy MacDonald and Jake Bugg. Two more established acts with stacked back catalogues, two more artists that are able to deliver polished and well received sets as the shine really starts to break through.
After some sing-a-long action with MacDonald and Bugg, it’s back to the fantastic new music offerings as The Hara and Rews in the ‘Giant Squid’, and Vistas and Dream Wife in the ‘Quarry’ all deliver blistering performances which really rile up the audience.
Soon there is a great moment on the main stage where The Vaccines get to announce the incredible result of the Football mid-set. The atmosphere is electric as fans celebrate with more great music.
For us that great music sees us conclude our weekend back in the ‘Giant Squid’, firstly with Blood Red Shoes, who have released one of the albums of the year in ‘Ghosts On Tape’. Their belated set is an intense and ferocious explosion of rock which instantly enters the race for performance of the weekend.
Watch The Full Pelt Music Podcast with guests Blood Red Shoes
That honour is hotly contested as across four days of music we somehow haven’t seen a bad performance. The pure quality on offer despite the multiple line-up changes since 2020 is a testament of the work of the booking team for Y Not Festival.
The last band of the weekend for us is Black Honey, who decide that the crown for set of the weekend belongs to them. They deliver an energetic yet majestic performance that is the perfect way to end what has been a great weekend.
I must admit scepticism coming into the event, and whilst I hoped that a great weekend would be had, I wasn’t sure. The organisers have rectified the issues of 2017 and have earned themselves a clean slate from me.
Whether you just want to chill at the main stage, or go hunting for the best kept secrets in the tents, Y Not Festival had it all this year. The ghosts of the past have been put to bed by the acts of the future!
Welcome one and all to another edition of our weekly music News Report! This week we are starting with the latest tour announcements, so where else to begin, but with Volbeat!
This week saw the group announce a huge UK and European Tour that is set to take place later this year with the UK portion happening in December.
Volbeatcomment, “Finally, after so much time away, we’re thrilled to be able to bring a proper Volbeat headline tour to our friends across mainland Europe and the UK. We are so excited and cannot wait to see everyone out there! We’re extremely lucky to be able to bring Skindred, Napalm Death, and Bad Wolves along for the ride and share this experience with three incredible bands that we are fortunate enough to call friends.”
Support for the UK dates comes from Skindred and Napalm Death.
Killing Joke announced this week that they will be taking over the Royal Albert Hall next March to play their first two albums live!
“We are living in the most dangerous period in human history in which extinction from nuclear war could happen in the next twelve months. If we make it, then Killing Joke at the Albert hall in 2023 will give great meaning and comfort to all of us. Come share a moment in history with the prophetic and legendary Killing Joke.” – Dr. Jaz Coleman
Next, we move onto the new releases section of our News Report, and this week we start with Bad Wolves.
The band have debuted their latest track, ‘The Body’, which you can listen to above.
“When we were writing this song we had a goal of trying new things,” said drummer John Boecklin. “The slap bass and clavichord instantly was new territory for Bad Wolves. It feels good to know this track sounds like nothing we have ever done before. It’s a fun track that feels like a mix of Faith no more with a dash of Daft Punk. Enjoy!”
Fusion metal pioneers Dub War have released a new single titled, ‘Get Back Up’, the fourth track to be taken from their first album of all-new material in over 25 years, ‘Westgate Under Fire’.
Speaking on the new single, Webbe says, “I’ve always wanted to empower and lift those who are going through a tough time, and in days like this, who isn’t.. This is what ‘Get Back Up’ was created for.
I called Mike Bordin about him playing on this particular Dub War track. Mike has been a Dub War fan from way back. He eventually called me back and, with passion, said “I’m in”…
Together with us, Mike really set the pace for all the other drummers on the album. The style and sound of Bordin strikes hard and shines though on ‘Get Back Up’.”
Also speaking on the track Mike Bordin says, “In this time of isolation/alienation, it was such a pleasure to be able to groove and flow with my old friend, the mighty Mr. Benji Webbe. Welcome back Dub War, and thanks for bringing me along on your ride.
Webbe’s lyrics are on time and strongly on point, encouraging and inspirational in a time when we can all use a lift. Being asked to play on this Dub War song ‘Get Back Up’ couldn’t have come at a better time. This album ‘Westgate Under Fire’ is truly bringing the fire…”
You can listen to the track above, and pre-order your album here.
The final new release in this week’s News Report comes from form Delain vocalist Charlotte Wessels. Wessels has debuted new single, ‘Against All Odds’, which you can listen to above.
The track will feature on new album, ‘Tales From Six Feet Under Vol II’, which is out October 7th.
Wessels states: “Since May 2020, I’ve been writing and recording a new song every month down in my basement “Six Feet Under Studio”, fueled by – and released to – my tight-knit Patreon community. This album wouldn’t be there without them. I’m excited to team up with Napalm Records again to release a new collection of these tracks with a wider audience.
With ‘Tales From Six Feet Under’, I released my favorite tracks of the first year of this endeavor onto the world in 2021, and ‘Tales From Six Feet Under Vol II’ is its counterpart, with my favorite tracks from the second year. There are definitely differences between the two, with the second leaning more towards the heavier side, but they do belong together.
Together they represent a time of introspection and solitary songwriting in the basement. A time that has taught me a lot and has been very meaningful to me, but also a time that, as I started this project in the middle of Covid quarantine, has already – thankfully – started changing. Not because I won’t be writing and recording Six Feet Under anymore, but because as the world is opening up again, I too will come out of the basement and out of my shell again with live concerts, and collaborations are on the horizon.”
France based pop/rock trio, Oakman have shared their brand new single, ‘Murder’.
“The meaning of this song is deep and quite tricky to explain. It’s about sexual abuse and everything that is related to it,” says lead singer, Marine.
“I know that ‘Murder’ is a strong word, but I wanted to represent through it the hatred, anger and sadness that the trauma of rape or sexual abuse can leave on a life. The character in the song finds herself constantly imprisoned by her traumas, which end up killing her from the inside.
So in her dreams, she hopes to kill her abuser the same way that he ‘killed’ her. Very often, the extent of such acts is underestimated or even ignored for the abuser, while the victim will have to live with it all their life. I think this song can speak to anyone who has experienced a traumatic situation where they were the victim. The topic doesn’t matter. It’s your life, your experience. We all have dark times in our lives.”
CAT SFX – ‘Binman’
CAT SFX tread toward more infectious territory with their latest single ‘Binman’.
Of the new single, the band’s lead vocalist Cat Speranza explains:
“”Binman’ is about a toxic relationship: the one between me and alcohol. It’s about the fights that you have with your loved one because you’re so drunk again and have caused carnage, and you’re trying to pick up the pieces the next day. And you make up all these excuses, to yourself, to others. So I’m the Binman. I’m the trash that needs taking out.”
Grave Goods – ‘Come’
Grave Goods share new single ‘Come’ which is a song about revolution.
Singer Lois Macdonald says on the track, “This is one of the first tracks we wrote, and for me the one that helped to cement the feel of the music we make. I wanted to use the guitar in a percussive way, and I wanted the track to feel stressful and furious.
I felt frustrated at the time and had so much to express. I wanted the lyrics to reflect all this, and to come from the gut. The best noise I could imagine for this is ‘Ugh’ which I use towards the end – it represents frustration, disgust and sex.”
Welcome everyone to another edition of our weekly music News Report! We start this week with the best tour announcements from the past week, and up first is the above run of dates from Kasabian.
Fresh from playing Knebworth with Liam Gallagher, the band has announced four huge shows set for later this year. Support for the shows comes from The Lathums.
Kasabian also debuted their latest single this week ahead of their new album, ‘The Alchemist’s Euphoria’ on August 5th. Listen to ‘CHEMICALS’ below.
“It is me telling myself that it is going to be okay” Serge Pizzorno said of the track.
“It was me seeing myself in those few weeks when everything kicked off. It’s the future me saying to that person: ‘This is shit, but don’t worry, it will get better.’ So having a song about talking to yourself is universal, I think. We all have to find a way to deal with the complications, the mess and the mortality of life.”
Of the new album Serge adds: “One thing about this record I feel over the other ones, is it definitely feels like a body of work that belongs together. It was a beautiful moment in mastering hearing it as a piece. I think it really holds up in our seven albums….The Magnificent Seven”
We move now onto the best festival announcements as our News Report continues.
With Live at Leeds holding this first outdoor event this week, they also revealed the line-up for their traditional city based event.
Acts includes Pale Waves, Working Men’s Club, Sea Power, Dinosaur Pile-Up, The Skinner Brothers, Anorak Patch, Chappaqua Wrestling, The Native and many more.
Speaking about headlining Live At Leeds: In The City, Heather Baron-Gracie of Pale Wavessaid: “We’re super excited to be headlining this year’s Live At Leeds: In The City! It’s always been a great city for us and a fun one to play, we can’t wait to be back to play some tracks from our new album ‘Unwanted’.”
Speaking about Live At Leeds: In The City 2022, Festival Promoter Joe Hubbard said: “As we get ready for the inaugural edition of Live At Leeds: In The Park, we’re delighted to announce the first wave of names for the festival that started it all – Live At Leeds: In The City.
It’s been formative for so many artists’ careers and we’re excited to be criss-cross across Leeds City Centre this October to discover more of our favourite new artists who are set to takeover in 2023 and beyond! Headliners Pale Waves are a great example of this, having stormed the Brudenell Social Club back in 2018 for an unforgettable set – so having them return to headline the festival as a whole is sure to be a real moment.
With many more to be announced, it’s going to be an incredible day and we can’t wait to see everyone this October!”
We move our News Report onwards now to the best new releases from the past week.
Where else to start other than Muse? The band debuted their latest single, ‘Will of the People’ this week. You can listen to the track above, which comes ahead of the album of the same name on August 26th.
Matt Bellamy says, “‘Will of the People’ is fictional story set in a fictional metaverse on a fictional planet ruled by a fictional authoritarian state run by a fictional algorithm manifested by a fictional data centre running a fictional bank printing a fictional currency controlling a fictional population occupying a fictional city containing a fictional apartment where a fictional man woke up one day and thought ‘fuck this.’”
Bury Tomorrow release new single ‘LIFE (Paradise Denied)’
Next up in our News Report, we have Bury Tomorrow. The band this week released their latest single, ‘LIFE (Paradise Denied)’, which you can check out above.
Frontman, Dani Winter-Bates admits “as we head into this new era of Bury Tomorrow we want our fans to be as excited as we are and equally as we head into festival season and this year’s touring we hope this track gets people ready to go wild and celebrate the ‘reopening’ of the live music industry. Life and Death were recorded as stand-alone singles and a small taste of what’s to come next.”
The accompanying music video was directed and produced by the band’s long time friend, Aaran McKenzie (bassist in While She Sleeps). “Aaran is super-talented, proving his skills time and time again, we are grateful he could work his magic on such short notice and create such an awesome, raw video, that really suits everything the song is about.”
Speaking of the new era, the band share: “We have all collectively faced the craziest upheaval in both our personal and professional lives over the last few years. However, this time has given the band a chance to focus on what Bury Tomorrow means to them, and has equally provided a chance to channel influences, creatively expand and move forward with a new, driven direction.”
This week also saw Hot Water Music share the video for their track, ‘Turn the Dial’, which you can watch above. The song features on their new album, ‘Feel The Void’.
Guitarist/vocalist Chris Cresswell had the following to share about the song itself: “Turn the dial for nothing’ is in reference to searching for something that’s out there, while knowing that nothing you’ll find will ever make you as happy as what you can create yourself. Finding yourself so tapped and so exhausted by all this kind of life entails, but also never being able to put that fire out. The search always continues.”
London duo WOOZE have announced their return with a propulsive new single titled ‘Bittersweet Timpani’.
Speaking on the new single, the band say the track is, “A song about walking home alone, dejected and rejected. We thought the pitiful, pity-party lyrics would juxtapose nicely with the muscular glam-rock bravado of the music.”
Headshrinkers – ‘The Sea Has No Friends’
Black Country-based newcomers Headshrinkers, release their new single, ‘The Sea Has No Friends‘, a stately slice of poetic rock that arrives in tandem with new EP, ‘Doorway Conversations’.
Of the story behind the track, vocalist and songwriter Garran Hickman explains:
“It was quite the reflective day when I wrote that piece. Words and melody were both written in half an hour. It’s just two entwined memories really: one is of my older relatives sharing stories of their loved ones in the war, and secondly the opening line, ‘the sea has no friends’, are words my dad used to describe the sea.”
Final Stair – ‘Dreamhunter’
Berlin based three-piece Final Stair announce the launch of their new single and video, ‘Dreamhunter’.
The band comments: “Every person pursues big goals, ambitions or a lifelong dream. But these are not always achievable, as they are made more difficult by hurdles or fate. Even if you fail in striving for your goals and dreams, you are always first and foremost a wonderful and unique person.”
As May draws to a close, the traditional UK Festival season commences. Of course 2022 is the first full season in three long years following the pandemic-related disruption to the 2020 and 2021 summers.
It must be fate then that as we journey towards Earlham Park in Norwich, the skies are grey and the rain begins to fall. It wouldn’t be the UK summer without some of the wet stuff now would it?
Our destination on this chilly spring Sunday is a new venture called Neck of the Woods. The one day festival sees organisers take over a venue vacated by yesterdays Let’s Rock Retro Festival.
I’ve long championed the notion that Norwich needs an indie/rock festival and if tagging along to this existing event makes one viable then I’m all for it. Line-up wise Neck of the Woods is certainly going for the growing younger indie crowd with only headliners The Kooks of a certain vintage.
Access is quick and easy and the atmosphere once inside is nice and relaxed. The usual overpriced festival food and bars are present as are four stages of music.
Given the ongoing cost of living crisis it’s somewhat disappointing yet fully expected post-pandemic that food and drink prices have increased since last year. A hot dog, fries and a can of pop coming to a staggering £14.50! As I say, expected given the past couple of years, but a little frustrating.
The site is setup well for a one day event with the stages spread out between two different areas, each with one outdoor and one tented stage. As expected there is some sound bleed at times, but nothing too invading.
There are a handful of stalls and other activities scattered around the site, with ample facilities such as toilets plus a separate VIP area. Thankfully there are no major queuing issues all day with the amount and distribution of everything on site seemingly well measured.
That’s the amenities taken care of then, now onto the music! That is after all why we are all in this field, with a little sunshine now poking through.
Opening the main stage are local favourites Youth Killed It who do a fantastic job in getting the early attendees engaged. Their unique brand of indie punk captures the imagination of the young audience and shows great promise for a band coming into their own.
The main stage and the tented second stage, sponsored by local venue The Waterfront, alternate meaning eager music aficionados can catch an endless stream of musical pleasures if their legs can hold them. We are able to hold this pace for the first half of the event, allowing us to take in some great young acts including a fair few to have featured on our ‘Discover’ New Music Playlist!
One such act is Liverpudlian indie upstarts Rats who open the second stage with a blistering set which wins over every single person present. A glimpse into the future of indie music, and the future is once again looking bright.
Next on the main stage are The Lottery Winners who, with their great onstage banter and even better musical output, may be the perfect festival band. The group have the audience in the palm of their hands throughout their short set and leave the crowd wanting more, which is all you can really hope to do.
Another enthralling act grace the second stage next with their superb 80’s tinged Synth-Pop are Deco. This is a name that is popping up on many a festival line-up this summer and is certainly one to watch out for.
Also on the one to watch list is the fabulous Lauran Hibberd who has been making waves for a couple of years now. Hibberd is preparing to release her debut album later this year, and on the evidence of today it is set to be a big one. Fully expect to see this name playing higher up festival bills next summer!
The Royston Club continue the hot streak of great young bands at Neck of the Woods next with another top showing in the tent. With many fans seemingly already in the know, the band are able to create a fun atmosphere as our legs begin to tire.
No time for rest just yet as we return to the main stage for a band that feel on the cusp of something really big. The Snuts hit the number one spot with their debut album and recently played some huge shows across the country including Brixton Academy.
Songs such as ‘All Your Friends’, ‘Always’ and ‘Glasgow’ from that album feel like they were made with days like today in mind. With the sun now making regularly scheduled appearances from behind the cloud and the crowd fully in the festival spirit, the band go down as expected. A hero’s reception for a group surely destined to headline this sort of event.
Now after that relentless run of superb music, we must stop and retreat to check out the VIP offerings. With a private bar and toilets along with ample seating including a good view of the main stage, the VIP area is basically what you’d expect at a festival; nothing too fancy but a nice place to chill out.
But whilst we rest, the music doesn’t. The organisers have done well to secure a line-up featuring some of the best new bands on the scene with a splattering of larger acts to draw the crowds.
Whilst we relax we get to enjoy dodie who offers something slightly different to the indie lad rock predominantly featured. An enjoyable set from dodie allows us time to recuperate before another onslaught of music.
We pick things back up towards the top of the bill now with Sea Girls on the main stage. Sea Girls are a band that I’ve heard of but never actually listened to. Not really knowing what to expect, the band are able to quickly get my attention. They also have the attention of the majority of the attendees with a clear connection existing between band and fans.
Their time on stage sails by very quickly which is usually a good sign, and with their name featuring on many festivals this summer, I feel they’ve earned a little more attention from me before I hopefully see them again.
In fact, one of my favourite things about festivals is discovering new music. I’d like to say NOISY on the third stage are a new discovery but they’ve actually featured on our ‘Discover’ New Music Playlist already. That said catching them live here gives new emphasis to their music as the band play one of the most energetic and passionate sets of the day.
Perhaps this energy and passion is what make our sub-headliners DMA’s fall a little flat having to follow them. Another band that I’ve not personally delved too deeply in before, I can’t say that are able to grab me as much as many others have today. A slower paced set perhaps wasn’t what the doctor ordered following NOISY in a small tent and prior to Yonaka in the big tent.
DMA’s are pleasant enough and perhaps do deserve deeper inspection, but as the weather gets colder and the feet start to ache, they struggle to capture my imagination today.
That was never going to be a problem for our second stage headliners Yonaka however! This after all is a band built on energy and passion, a band whose bond with the audience is synergetic.
Arriving slightly late on stage, the band power through their set which just adds even further impedance and immediacy to their performance. A sublime mixture of the stunning and the powerful encapsulates Yonaka as they deliver the likes of ‘Ordinary’, ‘Call Me a Saint’ and the incredible ‘Rockstar’.
Fans in attendance have probably just witnessed the performance of the day, but having slightly overrun it’s time to leg it back to the main stage where The Kooks have just arrived for their headline performance.
Their setlist tonight features debut album ‘Inside In/Inside Out’ predominantly to celebrate its 15th anniversary. Adding in a few hits from that albums successors makes for a pretty great festival setlist.
Opening with ‘Seaside’ and ‘See the World’, the band instantly have the crowd in hand. They are able to maintain this connection throughout their performance which is more than worthy of the headline slot.
By the time ‘Naïve’ closes their set and sends the fans off into the night, it is very much job achieved both for The Kooks and for Neck of the Woods. Norwich does need an event like this, and whilst far from sold out, the event is well enough attended to be deemed a successful debut.
Hopefully Neck of the Woods can build on this solid start, build their brand and bring some of the biggest indie acts to Norwich in the coming years. Most importantly though I hope that they maintain the focus on new bands!
Today has been a day of discovery, finding great new acts before enjoying a handful of the best indie acts around at the moment; the perfect mix. I’d imagine we will be hearing a lot more from a number of these acts over the coming years, and hopefully we will be back at Earlham Park next year.
Welcome everyone to another edition of our weekly music News Report, where we share the best music news from the past week. We start this week with a real smorgasbord of tour announcements.
First up, is the above special set of shows from Ash. The band will play 3 ‘Free All Angels’ 21st Anniversary Shows in Manchester, Birmingham and London this September!
Drummer Rick McMurray had the following to say: “We’re delighted to announce that we will be commemorating the 21st anniversary of the release of our 2001 classic, Free All Angels. Not least because we will be joined by the fourth member of Ash, guitarist extraordinaire, all-round Shining Light, the one and only, Charlotte Hatherley. Can. Not. Wait.”
We move on now to the new releases of the past week in our News Report. We start off with Skid Row who have unveiled the video for their new single ‘The Gang’s All Here’, which you can watch above.
“‘The Gang’s All Here’ for me represents the brotherhood of this band. And with the addition on Erik our bond is more solid than ever. Our fans have always been part of the family, so when it was time to shoot a video, we handed the camera work over to them. After all, they have the best perspective to capture the excitement of a Skid Row show.” – Scotti Hill
“I’m so f’ing psyched to finally release this video! This video is by the fans for the fans. A big shout out to all the fans who made this video happen. Thank you!” – Erik Grönwall
The song is the title track of their upcoming album which is released on October 14th.
October Drift release new single ‘Webcam Funerals’
October Drift released their latest single, ‘Webcam Funerals’, this week ahead of their new album, ‘I Don’t Belong Anywhere’ on September 23rd. You can listen to the track above, and pre-order the album here.
“I don’t want to go into too much detail out of respect,” begins Kiran, “but this song was written at the time of losing a friend during the height of the pandemic and lockdown. She passed after a long battle with cancer. Her son, a very close friend of mine, was living with me at the time of the funeral.
I watched online from my front room, while many others did the same from their homes. This song was a response to the strangeness and sadness of friends and family members not being able to be at the funeral or there for each other at that time.”
Kiran talks further about the track and album with us on The Full Pelt Music Podcast, which you can watch below.
TV Priest have shared new single, ‘It Was Beautiful’, taken from forthcoming album ‘My Other People’ out 17th June. You can listen to the track above.
Vocalist Charlie Drinkwater says of the single, “‘It Was Beautiful’ is a love song about the past, present, and future. A reminder that love is the most essential thing. The words came fast; it was recorded in a single emotive session, the first song we wrote together after my family had gone through a difficult experience and I think you can hear that in the kind of melancholy euphoria that plays out as the song progresses. In some ways it’s a coda to the whole album; a reminder to guard your hope fiercely.”
APHYXION have released their latest single, ‘Not Gonna Make It’, which you can check out above.
The band elaborate on the theme of the track:
“‘Not Gonna Make It’ is a song about broken love – a sad reflection of a relationship that once was – and trying to clutch at a straw while drowning in emotions. We never really touched the subject of love in our songs before. While our lyrics have constantly been circling around dystopic subjects both on a worldly and on a personal level, we simply wanted to embrace our emotions and thoughts from a new perspective.
While trying to leave a very black and white way of seeing things, we want to explore the polarity of emotions – where both love and hate co-exist because of their mutually dependent nature.”
We close this segment of our News Report with the latest single from Just Mustard. You can listen to ‘Seed’ above, and order their new album, ‘Heart Under’here.
Guitarist Mete Kalyoncuoglu shares more on the song’s inspiration: “Along with a lot of electronics and noise, I was listening to a lot of music which featured bowed string instruments. I had finished reading ‘The Rest Is Noise’ by Alex Ross around the time we started writing and I was revisiting a lot of the 20th century composers that I first discovered watching Kubrick’s films, like Krzysztof Penderecki. The rising tempo strikes at the beginning of ‘Seed’ were inspired from the rising and falling xylophone in Béla Bartók’s ‘Music for Strings, Percussion and Celesta’.”
The Native return with their latest single, ‘Changes’, ahead of the band’s upcoming EP.
Singer Charlie Noordewier says, “‘Changes’ is about breaking out from the mundane cycle of life that so many find themselves stuck in, and pushing back against the people that put you down for trying to do something different.”
Chappaqua Wrestling – ‘Full Round Table’
Chappaqua Wrestling have shared their first new single of 2022, and first with new label EMI, ‘Full Round Table’.
The band explains: ‘We wrote Full Round Table as a reaction to the endless negativity put in our faces about our generation’s future. So much news is greeted with the response of how screwed we are – hopeless views from unhelpful people.
Negativity about youth is relative per generation but today it feels stronger. We want to ignore the cynicism, get together, appreciate what really matters, and not let people tell us what we can’t do. The Full Round Table is full of our friends, and that’s not changing.’
Fixation – ‘More Alive’
As Fixation prepare to release their debut album, they return with new single, ‘More Alive’.
“I wanted to highlight the negative effect social media can have om human relations. It’s harrowing how we spend more time maintaining our online facades, than taking care of our real-life relationships.
With “More Alive” we hope to bring attention to this topic and help our listeners make conscious decisions on how they interact with social media.” – Jonas Hansen / Vocals
Pale Waves reveal UK Tour, debut new single and announce new album
Welcome everyone to another edition of our weekly music News Report, and it has been as huge news week for fans of Pale Waves!
This week saw the band announce a new UK Tour to take place in November. The run of dates will include a huge show at the O2 Brixton Academy in London.
That isn’t it though, as the band also announced that they will be releasing their third album, ‘Unwanted’, this August.
They also debuted the first single from the album, ‘Lies’, which you can check out below.
“‘Lies’ is about someone who built up my trust and destroyed it like a wrecking ball,” says frontwoman Heather Baron-Gracie. “it caused some real trust issues, but fortunately for me that person is no longer in my life. Once you do me wrong you’re gone!”
Pale Waves have been on a personal and artistic journey since the release of their debut album ‘My Mind Makes Noises’ in 2018. These experiences have begun to inform their songs in recent years and are what jump to the fore on ‘Unwanted’.
“It was really the only thing this album could be called,” says Baron-Gracie, now 27. “It’s bold and unapologetic, and that’s what the Pale Waves community is about. We don’t need to fit a perfect mould, we don’t need to apologise for being ourselves, and we won’t change for anyone. That acceptance is what connects us.”
Five Finger Death Punch announce new album ‘Afterlife’
We move our News Report onwards now on to the new releases from this past week, and we start with Five Finger Death Punch.
The metal icons this week revealed that their new album, ‘Afterlife’, will be released on August 19th. In announcing the album, the band also debuted new track, ‘IOU’, which you can check out above.
“AFTERLIFE was hands down my favorite record to make.” says 5FDP guitarist Zoltan Bathory and continues: “It is our ninth album so at this point, we have legions of loyal fans, and our signature sound is more than established. It became its own island, our ground zero we operate from and we can always come back to. So when we started this record, there was an excitement of impending musical adventures, we knew we could step away as far as we wanted to, there was a freedom of truly “anything goes.”
This resulted in an album that is way more diverse than our previous ones, while it feels more unified, because there is a framework of overarching stories in Ivan’s lyrics and interconnecting musical motifs between songs. It was not planned as a concept album, but we were so hyper-focused on painting a complete picture, it somehow feels like one… We are very proud of it and are just as impatient as the fans waiting for the release, can’t wait to share it.”
The HU also had new music to present this week as the band debuted new track, ‘This Is Mongol’. You can listen to the track above, which comes ahead of their highly anticipated sophomore album due this summer.
Speaking about the video, singer and tumur hhuur player Jaya said, “We shot in the Mojave Desert, Nevada and the environment reminded us of Gobi Desert in Mongolia. We enjoyed shooting the video, which happened during our tour and gave us a little break to reminisce about home. The song perfectly matched the environment we made the video in. It was one of the best memories we created as a band and it was special because our producer Dashka was with us to oversee the whole process.”
The Lounge Society have announced that their debut album, ‘Tired of Liberty’, will arrive August 29th. This week they debuted new track ‘Blood Money’.
The band comments: “Blood Money is a reaction to the culture of greed that’s seeping into the corridors of power across the world. It’s a reminder that ultimately, we all suffer at the hands of self-serving elites, and it’s our personal perspective on the effects of dirty politics on the everyday lives of ourselves and people we know.
For us it’s a song that completely captures this record and us as a band. It feels like the perfect development from our previous releases to our debut album and exactly how this record should be introduced. The balance of driving guitar riffs and the groove of the drums and bass is sort of a snapshot of the album. We’d never claim to be a purely dance based band and we’d never claim to be a purely guitar riff-based band because it’s the combination of the two which excites us.
On Blood Money it felt like in the studio we took our sound to a different level. We approached the album recording in a totally fresh way to how we have recorded in the past and we got exactly what we wanted.
We had good friends & Speedy label mates of ours Anouska (Honeyglaze) and Jojo (Heartworms) do some extra vocals in the chorus, and it really elevated it and gave it an almost operatic feel which was amazing to see develop in the studio.”
Call to the Faithful – ‘The Problem’
Fierce UK Rockers Call to the Faithful return with their first offering of 2022, ‘The Problem’.
The band says: “The Problem is biographical account of the miserable situation so many of us find ourselves in, unable to break free of living paycheck to paycheck while being continuously belittled by a generation so detached from modern struggles that they provide useless solutions like “simply work harder” and “don’t waste your money at Starbucks”.
smallmint – ‘The Dark’
Northern Ireland stalwart’s smallmint have unveiled their new single, ‘The Dark’, plucked from debut LP ‘where we all end up in the end’.
Speaking of the album’s production, Cameron-Braithwaite says:
“We wanted the album to feel natural and to actually sound like a band playing live in a room, which is exactly how it was recorded. It was important for us to keep that space and energy in the recordings — no need for overproduction or too many overdubs, so that the arrangement of the music and the emotion within the lyrics could speak for themselves.”
Frank Carter & The Rattlesnakes to headline Marshall Hootie
Welcome everyone to a special Easter edition of our weekly music News Report. We hope that you’re having a cracking weekend, and we have a cracking line-up for you as we begin with the latest festival announcements.
Marshall will be hosting a special celebration of their 60th anniversary this May. Frank Carter & The Rattlesnakes will be headlining the Marshall Hootie in Viaduct Meadow, Hanwell.
They will be joined by Hot Milk, Crashface and Lyoness! Tickets are available here.
Fusion metal pioneers Dub War this week debuted their new single, ‘War Inna Babylon’ and you can listen above. The track features guest vocals from Roger Ranking of The Beat.
This song comes ahead of their new album, ‘Westgate Under Fire’ which arrives August 5th.
Speaking on the track and collaborating with Ranking Roger, Webbe says, “The original song by Max Romeo was in my family record collection as far back as I can remember. When meeting Ranking Roger, we discussed how punk rock and dub reggae had a massive influence on our lives. This song for us both was a massive hit, and we spoke about doing a collaboration and reviving the original with that Clash/The Ruts British punk rock energy to it.
Sadly, not long after we got to record the song with Roger, he passed away. But this song is one that we are very proud of, and we didn’t just do a cover – we really made this unique cover of “War Inna Babylon” our own.”
As always we close out our News Report with the latest additions to our ‘Discover’ New Music Playlist on Spotify. This week we have doubled up on the additions to celebrate Easter with the best new music!
‘MIRRORS’ – JUST MUSTARD
Dundalk five-piece Just Mustard share new single, ‘Mirrors’ taken from upcoming album, ‘Heart Under’.
Guitarist and “Mirrors” co-vocalist David Noonan says of the single: “”Mirrors”” was one of the final songs to be written for Heart Under, the lyrics and music arrived together in what felt like one moment and we wanted to keep the feeling of one thought or moment constant throughout the song”.
‘INSTRUCTION MANUAL’ – ALL BETTER
Brighton’s alt-punk trio All Better join the playlist with their single ‘Instruction Manual’. The song features on upcoming debut album, ‘How To Be Alone’ which arrives May 6th.
‘RESTITUTION’ – MODES
Kent metallers MODES feature with their new single, ‘Restitution’.
MODES frontman Ted Berry reveals that the new single“is a song that stems from difficult times that we have seen our closest friends and loved ones go through. Needing to give them support and a shoulder to lean on, while feeling that we can’t explain how or why we know what it’s like to be there because in that moment it’s not about us ,it’s about helping them”
‘BLESSED BE THY’ – WITCH FEVER
Witch Fever return with new single, ‘Blessed Be Thy’.
Bassist Alex Thompson says of the track, “it just goes heavy”, as it boasts a crunchy wall of noise akin to bands like Show Me The Body and Gilla Band
Alex adds, “it was literally the last song we wrote before we went into the studio but came together really quickly. I think it still has an essence of some of our older material, so it’s a good way to bridge the gap.”
‘I KNOW WHEN YOU LEAVE’ – GUISE
Ahead of the release of their debut album ‘Youngest Daughter’, ‘I Know When You leave’ is the latest offering from London-based GUISE is a dazzling, vocal harmony led track that sees the foursome joined by singer-songwriter Emily Barker.
Discussing the story behind the heartfelt new track Jessicaexplains “I wrote the words to ‘I Know When You Leave’ on a bus in Italy, and the tune came to me later back in London, Separation from the person I love is a pretty normal part of my life, but that doesn’t make it easy all the time; things are generally just a bit worse when we’re apart, and that’s what this is about.”
‘BLACKMOSS’ – SCRUFFY BEAR
Playlist and Podcast alumni Scruffy Bear return with new single, ‘Blackmoss’.
“The world is a proper heavy place. I hate that everything is spun so negatively and we are trained to look for the worst in people and situations. Blackmoss is trying to work through the mud of confusion that everything is in and not getting too bogged down with it, but also learning to be open to other people’s experiences” – Lead singer Georgy Eaton
Welcome to another edition of our weekly music News Report. This week we are starting off with the latest festival news, and first up is All Points East in London.
The Victoria Park event this week added new acts to the Gorillaz headlined day on Friday 19th August. Heading up the latest additions are Turnstile who join the likes of IDLES and Self Esteem and a packed bill.
On to the latest tour announcements now in our News Report and it was a big news week for The Subways. The band will be hitting the road later this year including a date at the Electric Ballroom in Camden.
Not only that, the band also debuted new single, ‘You Kill My Cool’, which will feature on their upcoming new album. Listen to the track below.
Australian pop punk duo 3REE have released their brand new single ‘Set This Place On Fire’, featuring guest vocals from Sleeping With Sirens frontman Kellin Quinn.
“We’re living our childhood dream!”, 3REE say about their collaboration with Kellin. “It was amazing to collaborate with such an idol of ours.”
Continuing about how the collaboration came about 3REE drummer Sean Tighe explains, “When we were writing the song, we could hear Kellin’s voice as a perfect fit with Mitch’s. I simply messaged Kellin the song and asked if he’d be interested and how wonderful it would be. Kellin’s response was fantastic, saying “WOW! This song is a banger” and “I can track my vocals by the end of the week”. We had to pinch ourselves.”
About the meaning of the song 3REE vocalist and guitarist Mitch Volcan says, “We built the song around the lyric ‘When the fire burns out we all come alive’; writing with the aim of connecting with the listener with the sense of rawness, energy and togetherness that you face during dark times.”
‘PARIS WILL BE PAID FOR’ – ANORAK PATCH
With debut EP ‘By Cousin Sam’ out at the end of this month, teenagers Anorak Patch have shared new single ‘Paris Will Be Paid For’.
On the new single, guitarist Oscar said, “Paris will be paid for is a song of ours which combines pop hooks and more off kilter music. It’s at a constant tempo however it changes time signatures multiple times throughout the song. It makes it wonky and the more melodic parts can sort of too because of that.”
He adds, “The lyrics, like the music itself, are absurd and silly. Nothing is taken too seriously and is all very tongue in cheek and a joke. We find lyrics don’t often have to be about much, as long as the syllables fit and there’s a nice melody.”
‘TENNIS’ – COURTING
Liverpool four-piece Courting have returned with a new single titled ‘Tennis’.
Speaking about the single, the band says, “Tennis is a paypig’s personal redemption narrative, set in “the city”, and told in two parts. A twisted tale of two lovers’ back and forth, bound by cricket, bodybuilding, and money. A story as old as time.
We named the song Tennis as a logical (but unrelated) sequel to our two previously released sports-related songs. To us, this felt like a natural ending to that idea. Dynamically, the second part of the song is supposed to represent a shift in tone for the character in which they realise their own worth and leave the situation that is set within the first part of the song.”