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Foo Fighters

But Here We Are

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FOO FIGHTERS – BUT HERE WE ARE – ALBUM REVIEW

We all experience grief at some point in our lives, thus we can all relate to what the members of Foo Fighters and Dave Grohl in particular have experienced over the past year. The tragic passing of beloved drummer Taylor Hawkins shocked everyone, and Grohl, suffering the loss of a bandmate and friend not for the first time, also sadly endured the loss of his mother with whom he shared a deep bond.

This album therefore should come with a warning that you need to have a box of tissues at the ready. You’ll work through a range of emotions over the ten tracks, but feelings of loss and love will really tug on your heartstrings.

This is naturally a different album than what would have followed much maligned 2021 release, ‘Medicine at Midnight’. One constant though is that new album, ‘But Here We Are’, sees the band again work with producer Greg Kurstin for the third time. Despite the recent news of Josh Freese taking up the sticks for the band, it’s Grohl who handles drum duties for this deeply personal record, which feels very fitting.

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Foo Fighters – ‘The Glass’

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Clearly a lot of love and care has gone into the creation of this album and that shines through on every track. This is a statement of love for those lost but also an opportunity of catharsis for the band.

Lyrically the album is a brutally honest insight into Grohl working through the events of the last year. Sonically though the album is somewhat of a throwback to past glories for the band as they exorcise the demons of their previous album, which didn’t quite hit the spot for many fans.

You can say this album musically goes back to basics, and that fits the raw subject matter very well. This is in many ways the best Foo Fighters album in a decade or more. The themes behind the album will likely be the thing most remembered about this album and that should be the case, but it’s important that we don’t neglect the fact that this is a damn good album at the same time.

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Read our review of ‘Medicine at Midnight’ from Foo Fighters