Categories
Album Reviews

The Zutons

The Big Decider

Follow us on Social Media

THE ZUTONS – THE BIG DECIDER – ALBUM REVIEW

2008 is remembered for a financial crisis, the Beijing Olympics, Barack Obama being elected U.S. President and Iron Man kickstarting the Marvel Cinematic Universe that now features an unfathomable amount of films and shows.

That year also saw The Zutons release their third album, ‘You Can Do Anything’ which, despite fairing well in the charts, failed to achieve the success of their previous two records. By the end of the 2009 festival circuit, the group quietly disbanded and a band once seen as having a big future was done.

With the members moving onto new projects, starting families and living life, it seemed for a long time that a reunion of any sorts was off the table. After a one-off show in 2016, it would then be 2019 when fans would finally get a more solidified tour in celebration of their debut album.

When a handful of shows occurred in the next few years it seemed that a semi-lasting reunion was in effect though any hopes of new music still seemed unrealistic. Fans therefore were delighted when a fourth album was teased with the legendary Nile Rodgers onboard as producer.

In true Zutons fashion it would then take a further two years to confirm the release of ‘The Big Decider’ some 16 years since their last album. That announcement was followed by the release of lead single ‘Creeping On The Dancefloor’, which instantly spotlighted the influence of Rodgers on the record. The bands custom indie sound surrounded by disco funk vibes.

WATCH THE VIDEO FOR ‘CREEPING ON THE DANCEFLOOR’
The Zutons – ‘Creeping On The Dancefloor’

Find Full Pelt Music on YouTube

That track also welcomes listeners to the album before leading into recent single ‘Pauline’, which is more of a tone-setter for the nine track collection. Slower and more methodical than their previous work, there isn’t any of their trademark uplifting charm that shines through on classics like ‘Valerie’.

Indeed this is a very different band then the one that crafted their reputation of joyous guitar pop in the noughties. The fact is though that it’s a different world that they find themselves releasing this record (well except the financial predicament), and they are of course different people now. Literally in some cases with only frontman Dave McCabe, sax maestro Abi Harding and drummer Sean Payne still in situ.

Yes, ‘The Big Decider’ isn’t a rehash of their original output and nor should it be. With Rodgers’ and Ian Broudie’s assistance they’ve created something unique and different which is a good way of describing what the band has always been. They didn’t fit the landfill indie scene perfectly and they aren’t aligned with the recent indie resurgence.

That does raise the question of what the audience for this album will be? Whilst the 35 minute duration helps keep things succinct, there isn’t really anything that will grab your attention on here either. The album is worth a listen and is a nice reminder of the group’s talent. It doesn’t tarnish their early work as some returns do, but it doesn’t necessarily add much either.

Still, it’s good to finally have The Zutons back and releasing new music together. Hopefully ‘The Big Decider’ is just a first step into a brand new era from this gem of a band.

Share our review on Social Media

Check out our free weekly digital Magazine!

Categories
Magazine

Full Pelt Magazine

Vol. 33

Follow us on Social Media

The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!

Volume 33 features our cover star Dan Patlansky as he brings the blues to Camden. Plus we review the new releases from Pearl Jam and unpeople.

Our News Report has all the latest music news including live announcements from Misery Loves Company, Frank Turner, Boston Manor, Dayseeker, Yellowcard, Stand Atlantic, Motionless In White, Holding Absence, Skinny Lister, The Chats, Amongst Liars, Fontaines D.C. and The Cult!

Plus all the best new releases including Fontaines D.C., IDLES, Loose Articles, Indoor Pets, October Drift, One Step Closer, Pillow Queens, Xandria, Fangclub, Calva Louise, Collateral, downcast, Atomic Life, The Pleasure Dome and The Exact Opposite!

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Shelf Lives, newshapes and LOVELOST!

Share our Magazine on Social Media

Find Full Pelt Music on YouTube!

Check out our two Podcasts!

Categories
Album Reviews

Pearl Jam

Dark Matter

Follow us on Social Media

PEARL JAM – DARK MATTER – ALBUM REVIEW

‘Dark Matter’ represents the legendary Pearl Jam’s twelfth studio album in their storied career. Coming to prominence during the early 90’s grunge explosion, the band have long since proven that there is more to them than the scene that they emerged from.

2020’s ‘Gigaton’ continued a path of exploration and experimentation from a group who, despite realistically having nothing left to prove, still appear keen to showcase their creativity together.

The sonic landscape of ‘Dark Matter’ however, whilst still pushing the envelope a little further, also feels somewhat familiar and almost a retrospective of the bands career. Much of this will be down to producer Andrew Watt who whilst working with a genre-less cohort of artists, has had great success recently with old-school rockers like The Rolling Stones, Iggy Pop, Ozzy Osbourne and most importantly on Eddie Vedder’s 2022 solo album, ‘Earthlings’.

WATCH THE VIDEO FOR ‘DARK MATTER’
Pearl Jam – ‘Dark Matter’

Find Full Pelt Music on YouTube!

This experience and as Mike McCready terms it, Watt having “kicked their asses” seems to have worked wonders in harnessing the various strong suits of each member. Each aspect of their sound is on point throughout ‘Dark Matter’, with Vedder’s trademark crooning hypnotising as only he can.

The record really does feel like a love letter to Pearl Jam, which considering Watt’s proclaimed affection for the group probably isn’t far from the truth. Not that the band are going anywhere, but this is the sort of album which would be the perfect bookend for their career. In this form however, and with a freshness added to by Watt and guitarist Josh Klinghoffer’s involvement, you could actually see the band going on another golden run of releases.

Pre-release singles, ‘Dark Matter’, ‘Running’ and ‘Wreckage’ were probably the right choices to showcase what the album is all about, but as with most Pearl Jam releases this album deserves to be enjoyed as a collection. You can tell the love, affection and indeed attention that has been put into it, and that’s why every self-respecting Pearl Jam fan will need to take a moment of solitude to savour each moment of this record.

Share this review on Social Media

Check out our free weekly digital Magazine!

Categories
Magazine

Full Pelt Magazine

Vol. 32

Follow us on Social Media

The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!

Volume 32 features our cover stars The Hives as they show just why they are regarded as one of the greatest live bands. Plus we review the new albums from James and Gun.

Our News Report has all the latest music news including live announcements from Reading & Leeds Festivals, Graphic Nature, Rise Against, Mammoth WVH, Elles Bailey and St. Vincent!

Plus all the best new releases including The Meffs, Delilah Bon, James and the Cold Gun, Slash, Joanne Shaw Taylor, The Commoners, NOTHING MORE, FM, Like Moths To Flames, Dea Matrona, Robert Jon & The Wreck, Black Country Communion, The Lemon Twigs, Cane Hill, Royal Republic, The Treatment, The Mysterines, Kasabian, Gaffa Tape Sandy and Giant Walker!

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including The Rolling People, Regent and DeadWax!

Share our Magazine on Social Media

Find Full Pelt Music on YouTube!

Check out our two Podcasts!

Categories
Album Reviews

Gun

Hombres

Follow us on Social Media

GUN – HOMBRES – ALBUM REVIEW

Perennial rockers Gun have been riding the wave of their reunion now for fifteen-plus years, regularly playing solid shows and delivering decent albums. Whilst long-time fans of the group have embraced this new era however, it’s probably a fair assessment to say that they’ve yet to set the world on fire!

That is until now when perhaps their new album, ‘Hombres’, will act as the spark needed to light that fire. That’s because to put it simply, the album is undoubtedly Gun’s best work in decades!

The first half of the album is front-loaded with pre-release singles, ‘All Fired Up’, ‘Boys Don’t Cry’, ‘Take Me Back Home’ and ‘Falling’ – all of which had raised expectations around the record with their slick classic rock sound.

WATCH THE VIDEO FOR ALL FIRED UP
Gun – ‘All Fired Up’

Find Full Pelt Music on YouTube!

When combined with the delicious ‘Fake Life’, the first five tracks on the record set a high standard for the rest of the album to follow; but thankfully the second half of the album is able to carry that mantle.

Each of the remaining five tracks are able to at least maintain the momentum of the album if not push it further. Over the course of the ten tracks, there isn’t a bad apple in the bunch and Gun have managed to set themselves a new standard.

Every aspect of the record from the guitar riffs to the lyrics and vocal work to the production and the driving rhythm represents Gun at their very best. This really does feel like a band who have rediscovered their spark, and that spark is now burning bright enough to attract the attention of the wider musical universe.

Share this review on Social Media

Check out our free weekly digital Magazine!

Categories
Album Reviews

James

Yummy

Follow us on Social Media

JAMES – YUMMY – ALBUM REVIEW

When active, James have always been a very prolific bunch and with the release of new album ‘Yummy’, the band’s second era has now yielded the same amount of albums as the first!

‘Yummy’ is the groups eighteenth album (not including compilations, live albums and EP’s!), and it follows last year’s ‘Be Opened by the Wonderful’, which saw the band reimaging some of their favourite tracks in orchestral form.

With a runtime pushing fifty-four minutes, it’s safe to say that the creative juices are still flowing on ‘Yummy’, and the opening salvo of ‘Is This Love’ and ‘Life’s A Fucking Miracle’ offer an intoxicating welcome to listeners.

WATCH the Video for ‘Is this love’
James – ‘Is This Love’

Find Full Pelt Music on YouTube!

Always willing to experiment and test their artistic capabilities, James once again emerge with an eclectic and enthralling collection of songs which entices the listener to escape the madness of the world and get lost in the beauty of music.

That escapism is pretty key to the enjoyability of the record as the subject matters are pretty depressing when facing up to the realities of life in 2024. Sonically though the album is joyously uplifting and dances through adversity with the band taking aim at environmental disaster, the mental health pandemic, AI, conspiracies and more.

By the time the band say goodbye on the album closing ‘Folks’, they’ve taken you on a wondrous journey through their unique and captivating artistry. ‘Yummy’ is therefore yet another fine example of why James are such an underappreciated national treasure.

With every release James showcase their innate ability to stir something heartening even when surrounded by darkness. Fans of the band are blessed by their current form and ‘Yummy’ is a delightful addition to their stunning back catalogue.

Share this review on Social Media

Check out our free weekly digital Magazine!

Categories
Magazine

Full Pelt Magazine

Vol. 31

Follow us on Social Media

The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!

Volume 31 features our cover stars Slash featuring Myles Kennedy and the Conspirators as they infiltrate the masses at Wembley Arena. It’s also a bumper week for new releases as we review Feeder, Bob Vylan, The K’s, The Black Keys, Dead Pony and ANIIMALIA.

Our News Report has all the latest music news including live announcements from Noisy, The Dandy Warhols, The Black Angels, White Reaper, Militarie Gun, Tom Morello, Gun, Mothica, Glass Animals and The Commoners!

Plus all the best new releases including Bob Vylan, Dead Pony, The K’s, Boston Manor, Paul Weller, Oakman, Marisa and the Moths, Between You & Me, Raven Numan, Within Temptation, Thomas Nicholas Band, Tom Jenkins, Susan Santos, The Zutons, BLACKGOLD, Millie Manders and the Shutup, TORA DAA, Dayseeker, Mimi Barks, Alien Ant Farm, Better Lovers, BIG SPECIAL and Glass Animals!

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including HRTLSS, BEX and QUEEN LAYA!

Share our Magazine on Social Media

Find Full Pelt Music on YouTube!

Check out our two Podcasts!

Categories
Album Reviews

Feeder

Black / Red

Follow us on Social Media

FEEDER – Black / red – album review

Frontman Grant Nicholas has described the making of Feeder’s latest release, ‘Black / Red’ as both a “musical pilgrimage” and a “labour of love” and the care and attention put into this collection is abundantly evident throughout.

The band have been rather prolific recently and it’s been said that this double album is a full stop to this creative period. It shouldn’t be a surprise then that over the course of the eighteen tracks, you can pick out the various era’s of Feeder. This does feel like a celebration of their career and ending rather than a new beginning.

That said, there are some new influences present on the album and the 80’s inspired ‘Hey You’ is one of the standout moments. So there is still a hopeful hint for the future which alleviates some feeling that this is a grand finale for the band.

WATCH THE VIDEO FOR ‘HEY YOU’
Feeder – ‘Hey You’

Find Full Pelt Music on YouTube!

The various incarnations and sounds of Feeder represented on this collection do make you ponder their career. A huge positive for the band has always been their ability to cross between genres and fandom’s with fingerprints in the indie and Britpop camps and across multiples sub-sections of the rock spectrum.

That dexterity and acknowledgement has meant that they can be step into each world with acceptance, but on the flip side has also meant that they’ve never really been fully adopted by any fan group other than their own hardcores.

That same logic perhaps also lends itself to this lengthy double collection. Whereas the record as a 66 minute whole achieves a solid four star rating, you can’t help but think that there is likely a five star rated 35 minute showcase held within.

So in that vein, ‘Black / Red’ is another great example of the immense musical talents of Nicholas and partner in crime Taka Hirose. Fans of the band will devour the record for the beautiful love letter that it is. However it’s highly unlikely to draw any new eyes to a band who deserve so much more appreciation then they generally receive!

Share our review on Social Media

Check out our free weekly digital Magazine!

Read our review of Feeder live in Norwich!

Categories
Album Reviews

Dead Pony

IGNORE THIS

Follow us on Social Media

DEAD PONY – IGNORE THIS – ALBUM REVIEW

Dead Pony have been doing all the right things since beginning to release music in 2020. That year may go down in history however as the definition of poor timing for a new band to share their art with the world. But even so, Dead Pony have garnered a dedicated fanbase which is growing with every single and every show.

Now they are ready to unleash their debut full-length album on the world with ‘Ignore This’, perhaps a not-so-subtle nod towards the every diminishing attention span of music aficionados. This record however commands attention and is certainly no half-measure at sixteen tracks and nearly fifty minutes of action.

The pace of the album though ensures that there are neither dips nor opportunities for lapses of concentration from the listener. Indeed each track grabs the listener by the collar and drags them into the action alongside the band.

Dead Pony – ‘RAINBOWS’

Find Full Pelt Music on YouTube!

Sonically intoxicating and lyrically captivating this collection of full-throttle modern rock mastery is amongst the best opening offerings in recent memory. You can call it making up for lost time, or flying out of the traps but whichever tired cliché is assigned to ‘Ignore This’ will be a positive one.

‘Ignore This’ is an expansive expression of artistry from a group who are able to pull from a diverse palette of influence and produce a fresh sound with a self-assured identity. If you’re somebody that has been sleeping on this band, then now is very much the time to jump on board.

That’s because one thing that is for sure, with this stunning debut album in the bank it’s going to be very hard to ignore Dead Pony moving forward!

Share this review on Social Media

Check out our free weekly digital Magazine!

Categories
Album Reviews

The Black Keys

Ohio Players

Follow us on Social Media

THE BLACK KEYS – OHIO PLAYERS – ALBUM REVIEW

After a career long gap of five years between ‘Turn Blue’ and ‘Let’s Rock’, ‘Ohio Players’ marks the fourth album from The Black Keys in the past five years! Making up for lost time perhaps the duo have certainly showered their fans with new music lately, so it’s perhaps not surprising that the hype around this record feels slightly muted.

They say that absence makes the heart grow fonder and perhaps everyone is a little Black Keys’d out? It’s good then that the band have brought in the likes of Beck and Noel Gallagher to work with whilst recording this, their twelfth studio album.

The presence of those guest musicians and particularly Lil Noid and Juicy J does help to bring something a little different to the now formulaic garage rock of the duo. That said the structure of these bluesy rockers is still the same that brought the band their acclaim.

WATCH THE VIDEO FOR ‘THIS IS NOWHERE
The Black Keys – ‘This Is Nowhere’

Find Full Pelt Music on YouTube!

At forty-five minutes and fourteen tracks this isn’t a short sharp shock to the system despite the changes. This is another flex by the duo who again showcase their incredible talents over what is a thoroughly enjoyable collection.

What this album doesn’t really do though despite the featured writers is offer much different to any of their previous work. That isn’t a bad thing of course, and if this was outlandishly different then people would no doubt criticise the band for abandoning their roots.

All in all, fans of the band will genuinely get pleasure from this album and that makes it another successful outing from The Black Keys.

Share our review on Social Media

Check out our free weekly digital Magazine