The late May Bank Holiday means only one thing for rock fans – the start of festival season!
Yes, Slam Dunk is firmly rooted into the fabric of the scenes DNA, and we once again popped to Hatfield Park for the South version of the two-day event. Tomorrow the circus will travel to Temple Newsum in Leeds for the North edition of 2026’s event, but for today the sun is certainly shining on Hatfield.
Indeed, we are in the midst of a spring heatwave and that does add an element of lethargy to what is normally a full-throttle day of relentless music. Fans, as is always the case in these scenarios, seek out any inch of shade and the water points become as popular as the bars.
With only one tented stage this year, that shade is at a premium, but the water points do appear to cope with the demand unlike previous warm years. The queues for the bars are their usual busy selves but the wait for food (barring the ice cream vans) isn’t bad in our experience today.
That’s enough of the admin stuff though, let’s get to the music! We commence our full-on day in that tent with upstarts Call Me Amour who are playing their first ever festival. You wouldn’t tell as they make the most of the early excitement amongst the crowd to engage them immediately with a polished set of atmospheric rockers.
This festival is of course built both upon nostalgia but also a fair splattering of the best new bands on the scene. We catch perhaps the two biggest hopes of rock music at the moment next as Dead Pony captivate the tent and then unpeople bring the riffage to the sun-soaked main stage. Both you’d expect will become mainstays of this event as they work their way to the top of the bill.
Our first dose of nostalgia comes next as we stick on the main stage for A! The band are back with a new album, ‘PRANG’ (their first in two decades), and it’s great to see the crowd enjoying the likes of ‘Shit Summer’ and ‘Hello Sunshine’, just as much as ‘Starbucks’ and ‘I Love Lake Tahoe’. A mass line-dancing session accompanies ‘Kings of Lowestoft’ and ‘Nothing’ provides the perfect exclamation mark to a brilliant set.
Each year the festival changes up their stage types and locations as they try to shoehorn in as much music as possible. After complaints surrounding their double ended tent set-up, the Monster stages this year are outdoor side-by-side offerings, and we catch Set Your Goals next who clearly appreciate the love shown to them. The only issue with this set-up being the big sound-bleed from the larger outdoor side-by-side setup opposite.
Slam Dunk this year celebrates twenty years and it has been fascinating watching the event grow, expand and change throughout those years. Equally numerous bands on the line-up this year are celebrating their own various anniversaries which both makes their performances extra special and makes us feel extra old!
Over the course of the next couple of hours, we catch Trash Boat celebrating, ‘Nothing I Write You Can Change What You’ve Been Through’ and Boston Manor recognising, ‘Be Nothing’. It’s a unique variant of nostalgia when bands you consider to be newer are celebrating such anniversaries, but both bands do so stunningly in their own ways.
Trash Boat purely focus on that album, and the performance has a real throwback vibe throughout. Boston Manor, sandwich ‘Burn You Up’, ‘Lead Feet’, ‘Cu’, ‘Laika’ and ‘Stop Trying, Be Nothing’ between more recent bangers. Both sets though are memorable and with both bands announcing anniversary shows for later this year, fans will no doubt be motivated to check out the full shows.
We then head back to the main stage for an emotive serenade from Dashboard Confessional including their brilliant Spiderman hit ‘Vindicated’. After then enjoying the latter part of the stirring The Menzingers back over at the Monster stages we catch Tonight Alive who commence their performance with their own Spiderman hit ‘The Edge’!
The Australians deliver a fantastic performance which is amongst the best of the day and incorporate guest spots from Harmony Cavelle (South Arcade) and Bonnie Fraser (Stand Atlantic), not to mention a cover of Mumford & Sons (never expected to say that at Slam Dunk, but it was great!).
The clashes are always a conundrum for Slam Dunk goers and attendees are split between Tonight Alive, Taking Back Sunday on the main stage and the most-hyped band of the moment PRESIDENT who evidently draw a massive crowd to the heavy stages.
We then head into the tent again for a high energy VUKOVI performance and another dose of big-time modern nostalgia with Deaf Havana. With a set celebrating their seminal record, ‘Fools and Worthless Liars’, Deaf Havana provide the most emotive set of the day. The genuine outpouring of love for these songs clearly moving frontman James Veck-Gilodi as crowd and band share a beautiful moment together.
Going back to the ever-revolving stage set-ups of Slam Dunk, the tent this year has a literal revolving stage set-up which keeps changeovers to a minimum!
We conclude what has been another full pelt (see what we did there) day at Slam Dunk with main stage headliners Good Charlotte. The band announced a couple of huge arena shows this week and many mocked the band thinking they would struggle to sell them…
…Well, today they attract one of the biggest crowds we’ve witnessed for a Slam Dunk headliner. The show, the performance and the setlist all equally suggest that the Madden brothers will have no issue convening their fans again when they return.
With a never-ending parade of hits, there is plenty of singing for fans to do before going home. The band sign off with a run of ‘I Just Wanna Live’, ‘Lifestyles of the Rich & Famous’ and ‘The Anthem’. That ensures that as fans make that journey back home, they can once again reminisce about a wonderful day of music.
The sun is out, Slam Dunk is in the bag and festival season is underway – let’s gooooo!
Millie manders and the shutup – norwich – live review
📷Denis Gorbatov
As you drive into Norwich on this sunny Spring evening, football fans are exiting the nearby stadium having celebrated the final home game of the season. This is an opportunity to reflect on the endeavours of the past year together with like-minded people.
Many chants will be sung, and fans will lose their voices supporting their team. Often, you’ll leave these festivities with a renewed sense of hope and ambition for the future and a general sense of togetherness.
Well, those emotions all also ring true of a homecoming show from a much-loved musical artist. Indeed, tonight at the Waterfront Studio is another milestone for Millie Manders and the Shutup as they continue to win hearts and minds on their latest nationwide escapade!
ALL EARS AVOW
Opening proceedings this evening are Swindon’s alt-rockers All Ears Avow who released their debut album, ‘Horrors’ at the end of last year. A thoroughly enjoyable record, it’s no surprise that the album dominates their setlist this evening, kicking off with singles, ‘Young Horror’ and ‘A Night Like This’.
The band have just jumped on the second half of this tour and already feel at home with the Manders crowd, with those in attendance clearly appreciative of the bands ability to mix rock intensity with an innate danceability.
By the time their set comes to an end with ‘Fire’, the band have undoubtedly left a positive impression on those in attendance and reinforced why it’s always important to get in early and catch the support act!
MILLIE MANDERS AND THE SHUTUP
A lightning-fast changeover means that fans don’t have long to wait until Millie Manders and the Shutup hit the stage and deliver a blistering opening trio of ‘Fun Sponge’, ‘Bacchus’ and ‘Windows’.
With a packed venue clearly in the party spirit, the gig tonight fits straight into that celebratory ethos. Manders and her Ted Army fanbase combine to create an electric atmosphere as the show continues with fan favourites ‘Shut Your Mouth’ and ‘Angry Side’.
It is a love-affair between band and fans and there is definitely love in the air tonight, especially with a couple of local fans celebrating their own wedding day at the gig.
Outside commentators will lazily attach the “outspoken” label on Manders, but in this space Manders is just stating the obvious with many of the songs tonight calling out injustices and standing up for the marginalised. The fact that Manders so passionately ensures that this is a safe space, just makes that feeling of togetherness feel even more powerful.
The entire set is jam packed with songs that you can’t help but sing along with including an incredible final run of ‘Bitter’, ‘Your Story’, ‘Rebound’ and ‘Not OK’. Throw in a fun cover of Limp Bizkit classic ‘Break Stuff’ and many in the audience will have no voices left comes the morning.
With new track ‘Age Disgracefully’ representing a glimpse of the future, it’s also hard not to have high hopes for what the future holds for a band that are building undeniable momentum.
So, whether you’re a football fan waiting for next seasons fixtures to be announced, or a Millie Manders fan waiting for that inevitable next tour, there is so much to be thankful for and plenty of reasons to be excited.
For fans engrossed in the world of Calva Louise, their current headline tour is a welcome opportunity to immerse themselves even further.
Tonight sees the second night of the tour arrive at the Waterfront Studio in Norwich and fans fill the venue early in anticipation of a big night of high-octane modern rock goodness.
KNIFE BRIDE
The evening begins with the arrival of the tour’s special guests KNIFE BRIDE. The Brighton quartet are quick to raise energy levels and it’s clear that many within the venue are already familiar with what the group has to offer.
Electric riffs, hearty hooks and enough pop elegance to enable you to sing those big choruses whilst banging your head and losing your mind. With new EP, ‘sorry about the plague’ out shortly, the likes of ‘crucify’ and ‘alone at the altar’ sound huge this evening and showcase a band in the process of taking a giant leap forward.
It’s an enthralling performance from KNIFE BRIDE with singer Mollie Clack coming across with real star power. By the time they close out their nine-song set with ‘WORTHY’, they have left everything on the stage and those in attendance know that they’ve seen a band worthy of their investment.
CALVA LOUISE
The back story of our headliners Calva Louise and how members Jess Allanic, Alizon Taho and Ben Parker assembled in the name of heavy music and heady storytelling is remarkable. Coming together from different corners of the earth to pursue their dream here in the UK, their journey is truly inspiring.
The world that they’ve built across their career thus far is thoroughly captivating and their latest album, ‘Edge of the Abyss’ really manages to bring the character of Louise to life.
What the trio achieve tonight is to further bring their world to life on an actual stage with a handcrafted set fitting of much bigger venues. This brings a grandiose feel to the performance, whilst keeping the immediate feeling of an intimate show.
Calva Louise aren’t just a theatrical delight however, and their musical talent shines tonight with ‘Edge of the Abyss’ at the heart of the setlist. Intermixing songs sung in English and Spanish, the universal language at play is kickass hard rock with a killer beat and intense delivery system.
‘Tunnel Vision’, ‘W.T.F.’, ‘Under the Skin’ and ‘Hate in Me’ represent the album incredibly well during a performance which is impossible to not become hypnotised by.
Whilst the focus is on their latest album, 2023’s ‘Over the Threshold’ record is also represented in the setlist including the big final track, ‘Oportunista’.
At the end of a stunning show, you can’t help but feel the momentum flowing through these two incredible bands. Both are evidently supremely talented and are ready to explode, so this tour has been a great chance for Norwich folk to get to experience the future of the alternative rock scene up close and personal!
Sometimes the world just seems to be against you. This must feel like one of those days for IST IST as the first date of their headline tour almost gets derailed due to a run in with the DVSA.
A long delay and an urgent van swap means that the band only make it to the venue less than an hour before the scheduled door time. The band even stating that they were minutes away from needing to cancel their date with The Waterfront here in Norwich.
THE YOUTH PLAY
Thankfully after a short delay for fans waiting outside, those doors do open and the show is good to go with our opening act The Youth Play soon arriving on stage.
‘Maybe This Was All For Us’ introduces the crowd to the set and a band with plenty to offer. Indeed, much like our headliners, The Youth Play are a band with a layered sound that makes them difficult to pigeonhole.
Their early releases have displayed a shoegazey aesthetic but with an ability to cut through with melodies akin to The Cure. This isn’t lost tonight despite the band making quite the noise during their time on stage.
Whilst it seemingly takes the crowd a little while to warm up (probably because of the extended wait in the chilly spring evening), by the time the band exit the likes of ‘Last Day On Earth’ and ‘If We Just Ever Were’ have effectively gained their respect.
IST IST
It does feel like the audience are waiting obsessively for IST IST to arrive and this is no surprise given the cultlike following that the band have cultivated since arriving just under a decade ago.
In that time, they have delivered five well received albums including their latest, ‘DAGGER’, in February. It’s that record which is centre stage this evening with the fantastic ‘I Am The Fear’ beginning their performance before ‘Warning Signs’ and ‘Burning’ settle us in.
The setlist is carefully prepared to showcase their back catalogue whilst giving ‘DAGGER’ the platform that it deserves. The album is a contender for Album of the Year and it’s delightful tonight to see these songs take flight on the live stage.
It’s a professional and concise performance from the band this evening with crowd interaction mainly revolving around their anger towards the DVSA, but it’s clear to see the fond connection that exists between band and audience.
‘The Echo’ and ‘Makes No Difference’ represent two more highlights from ‘DAGGER’ whilst the likes of ‘Fat Cats Drown in Milk’, ‘Emily’ and ‘Night’s Arm’ give their fanbase some good cuts from the past.
Previous album, ‘Light a Bigger Fire’, also gets a lot love and an encore comprising ‘Encouragement’ and ‘Stamp You Out’ ensures that the passionate fanbase is sent back into the cold night with warm hearts.
Considering how close to a disastrous cancellation we got, you can’t help but appreciate the effort put in by IST IST both in getting to the venue and then still delivering a great performance.
Sometimes as a live music fan you attend a gig where for a moment time stops around you and it dawns on you that you are witnessing something special.
Those packed like sardines into Voodoo Daddy’s in Norwich this week experience one of those moments when the entire crowd understand that they are the lucky ones. After all the venue is fully sold out and the next time our headliners come to town they will almost certainly be in a much bigger room.
CRYING IN COLOUR
Voodoo Daddy’s is a throwback underground venue (literally) and is always a great setting for a hot and sweaty rock gig. Norwich is a great music city and local openers Crying In Colour typify the burgeoning music scene which is again experiencing renewed vigour.
The band bring an early energy to proceedings, and their spirit is reciprocated by the audience, many of whom already seem familiar with the band. Even those uninitiated are able to sing along to a rocked-up cover of Vance Joy’s megahit ‘Riptide’.
With a style incorporating varied influences, the band appear to have a good foundation developing as they cultivate a sound of their own. Given they only released their first single under a year ago, it will be fascinating to see the journey that they embark on.
OVERGROWN
It’s been quite the journey already for the tour’s main support act Overgrown – again quite literally as the band hail from north of the border. Hitting the road with Mouth Culture is their first proper tour and will be an experience that will assist them enormously in their formative years.
This is a band who are already garnering much attention with their five released songs all doing great numbers on the usual streaming platforms. The live realm is entirely different however so shows like tonight will be incredibly important to their development.
Clearly though on the evidence of tonight, they are quick learners! Creating a fantastic shoegazey din that swallows the venue, they are able to cut through with emotive lyrics and an engaging performance that is nearly hypnotic.
Overgrown are undoubtedly another band that need to be followed with intent!
MOUTH CULTURE
After a bit of a breather, it’s then time for our headliners Mouth Culture to take to the Voodoo Daddy’s stage which with its cage design feels like an old school ECW show. The rabid fans are almost as feral as those 90’s wrestling fans and the band have the talent necessary to harness the atmosphere in order to create that special moment in time.
Opening duo ‘On and On’ and ‘Dead In Love’ instantly showcase a band smashing through barriers and making a real statement. Musically and vocally the band sound massive and the aesthetics of the venue and passion of the crowd elevate the show to truly memorable status.
Despite not having a debut album under their belt yet, the band are able to write a setlist which is packed full of early favourites and more recent standouts. In total the band deliver sixteen tracks and play over an hour as they prove themselves capable already of delivering a value for money headline performance.
From the quicker and heavier numbers to the handful of slower more tender moments, the show flows well and maintains the buzz in the venue. There really is magic in the air this evening as well as a considerable amount of sweat!
The obvious big moments such as ‘Sharkbait’ and ‘Ratbag’ are really big, but no moment feels wasted. Indeed, when the fans exit the venue and the cooler evening air hits their faces, it’s the entire show including the supports that everybody is raving about.
The consensus amongst those in attendance undeniably being that Mouth Culture are destined for bigger things. To go back to the earlier pro wrestling analogy, fans leave lucky enough to have seen the band causing a ruckus in the world of extreme, knowing that in a few years they will be headlining WrestleMania!
It’s December, everything is festive, and Norwich folk in search of merriment need look no further than the Arts Centre because you can forget about the big red man for now – Skinny Lister are coming to town!
Word is obviously out because this fantastic former church is fully sold out and everyone packs in early to receive the everlasting gift of live music.
CLAUDIA KATE
Opening the show this evening is singer-songwriter Claudia Kate who claims this as a hometown show given her roots in the area. With her genuine charm and insightful tunes Kate is quickly able to endear herself to the townsfolk of Norwich.
With the audience onside, the likes of ‘Fat’ and ‘Stop the World’ are able to elicit real emotion in the room before ‘BIG TALK, little girl’ and set closer ‘Angry At Me’ stir even more belief. Kate sings of the personal and the political in a way that understands that they are often the same thing.
There is a wisdom and maturity in Kate’s songwriting which creates an air of confidence in her message and importantly in her talents. The reception provided by the audience tonight only backs that up.
VANDOLIERS
Main support for this tour comes from Texan country punks Vandoliers, who burst onto the stage with a passionate onslaught of their highly contagious musical blend. Punk attitude and country swagger merge into something uniquely engaging and from the first chords of ‘Life Behind Bars’ onwards their set is a blissful blur.
The six-piece are lively, and the songs are singalong inducing… so they fit in very well supporting Skinny Lister. The fans in the venue, many clearly already familiar with Vandoliers, all clearly think so too, and the atmosphere tonight just continues to grow in togetherness.
Frontwoman Jenni Rose is able to harness the good feelings in the venue to orchestrate their performance through a career-spanning set of enjoyable alt-country fusion. Rose then brings their set home by leading the audience through a big old sing-song – ‘I’m Gonna Be (500 Miles)’.
SKINNY LISTER
The changeovers are all pretty swift this evening and that ensures that the spirit of merriment never wanes during the show. The arrival of Skinny Lister is therefore met with much joy, and the chaos quickly ensues with ‘Wanted’ and ‘Set Us Straight’.
Whether romping through punkier tracks like ‘Tragedy In A Minor’ or serenading us with softer singalongs ala ‘Colours’, Skinny Lister have the audience in the palm of their hands every step of the way.
Even with an aborted passage of the flagon during ‘Drinking Song’, the audience are still made to feel a part of the show. Singer Lorna Thomas steps into the crowd for a series of arm wrestling contests during ‘Arm Wrestling in Dresden’ and frontman Dan Heptinstall barters with the crowd for requests leading to a beautiful rendition of ‘Embers’.
Skinny Lister really do have an enate knack for making a sold out concert feel more like a close family gathering. A particularly drunken one where everyone has the best time and ends up singing arm-in-arm to their favourite songs.
Well, that’s how tonight ends anyway with Claudia Kate and Vandoliers joining in on final song, ‘Six Whiskies’, and the entire venue simply living their best lives. That’s the power of Skinny Lister and as you leave the venue and head out into the festive displays of the city you can’t help but reflect on what a magical evening that just was!
Back in February, Italian metal favourites Lacuna Coil released their tenth studio album ‘Sleepless Empire’. Now as the year reaches its climax, UK fans are able to hear this songs come to life on stage.
The bands UK tour kickstarted in Southampton following a European run and tonight they arrive in a wet and dreary Norwich. Playing host is Epic Studios which continues to impress as a modern and spacious venue.
The show is a sell out and the venue is already full as our special guests Nonpoint hit the stage. The Floridians made their mark in the early 2000’s and are also ten albums deep into their career.
The group are given a solid forty-five minutes to play with and deliver a good account of their catalogue of songs for those in the audience that are already familiar. The delivery of those songs is as passionate as ever from a band who clearly just love doing what they do.
What they do this evening is bring sunshine state vibes to autumnal Norfolk! Their heavy groove is enticing enough to get the fans warmed up and the likes of ‘In the Air Tonight’ and set closer ‘Bullet With a Name’ limber up some voices also.
Frontman Elias Soriano repeats a few times that the band will return to the UK next year and with the ongoing resurgence of love for the nu-metal era, Nonpoint once again seem to have a point to prove!
LACUNA COIL
Soon enough the lights go down again and it’s our headliners Lacuna Coil who are warmly welcomed to the well-prepared stage. With the venues dexterousness allowing bands to utilise the built-in video screens, Lacuna Coil embrace the opportunity with some really stunning visuals.
As with every show at Epic Studios, this is a nice addition that adds extra layers to the performance. But… it is very much the performance itself from the band that is so engaging this evening.
Again, you can tell the band enjoy performing and that makes a real positive difference. Watching vocalists Andrea Ferro and Cristina Scabbia intertwining is mesmerising and is central to the uniqueness of the band. Equally however the fun being had by the other three members as they stalk the stage is just as noteworthy.
The key feature of the show tonight though is ‘Sleepless Empire’ itself with eight of the records eleven tracks aired. In a nineteen song setlist that represents 42% of the set and is truly an enormous vote of confidence in the album considering the vast range of material now in their arsenal.
This faith is well placed as the album is superb, and those sentiments are echoed by the responses to these tracks this evening. In particular ‘Gravity’ and ‘Oxygen’ are standout moments in the show tonight and ‘Never Dawn’ is given the prestige of the final song of the evening.
Whilst there is a good mix of tracks presented from the rest of their albums, it is ‘Sleepless Empire’ that shines tonight. This is clearly a good time to catch the band with fresh and exciting material and an experienced live capability combining to great effect.
Twelve months ago, Pale Waves unveiled their fourth studio album ‘Smitten’ – an album which explored singer Heather Baron-Gracie’s romantic experiences following a revisit of her teenage diary.
The personal themes were reflected within the more intimate sound of the record and struck a chord with the groups increasingly dedicated fans. The tour in support of the album was equally well received and now the band are back on the road with the ‘Still Smitten’ tour.
Tonight finds the run of dates well underway as a wet and windy Norwich welcomes them to The Waterfront.
Support comes from EMMMA(“with three m’s so you can find me easier”) an alt-pop powerhouse who confidently grabs the audience and leads them through an enchanting set of emotional melodies.
EMMMA herself demonstrates the dexterity of multi-instrumental ability during her performance but it is her voice and presence that win over the audience this evening.
PALE WAVES
It’s then over to our headliners Pale Waves who start their own performance with two ‘Smitten’ tracks – ‘Perfume’ and ‘Not a Love Song’. Looking around the room, you can see the love that the audience have for the band as they seemingly hang off every lyric and every note.
The atmosphere soon kicks up a gear as fan favourites ‘Eighteen’, ‘Lies’ and ‘You’re So Vain’ follow on. The band are tight, and the performance is somehow both methodical and organic, with Baron-Gracie coming across as a real star.
Her aura manifests to a new plane during a hauntingly moving rendition of The Cranberries ‘Zombie’, which is a real highlight of the evening. ‘There’s a Honey’, ‘Change’ and ‘Red’ then ensure that the audience’s singing voices are well tested.
The main portion of the set flip-flops between older favourites ‘My Obsession’ and ‘Television Romance’, and ‘Smitten’ takes ‘Kiss Me Again’ and ‘Glasgow’.
The mix of the setlist this evening is pretty career spanning and gives the fans a power hour of engaging pop-punk glory. An encore of ‘She’s My Religion’ and ‘Jealousy’ is enough to send the crowd back out into the cold realities of the world.
Tonight has been a great escape from those realities and fans will be keen to escape again in the world of Pale Waves. Given the prolificacy of the band, you’d imagine they are already working on a follow-up but for now we’re still smitten!
Last month the incomparable Newton Faulkner shared his eighth studio album, ‘Octopus’, and now it’s time for him to take these new songs out on the road. Tonight, at The Waterfront in Norwich is the first date of a new headline tour from the virtuoso.
Much of Faulkner’s recent touring has seen him performing dual sets without any support, but tonight we have not one but two opening acts to get the diligent crowd warmed up.
MARIE NAFFAH
The first of which is London-based songwriter Marie Naffah who is accompanied this evening by her producer Robin Breeze on guitar. The duo are a gentle easement into the evenings festivities and they are able to use their undoubtable abilities to hypnotise the audience.
Their performance is full of songs about love and the likes of ‘For You’ and ‘Gloria’ ensure that their short time on stage is memorable. Naffah tonight is mesmeric with both her charm and her talent, much like an early days Mr. Faulkner.
Next up on the stage is a redheaded alt-pop guitarist. Nope, not Newton but NATI., who brings a little bit of chaotic humour and the rousing songwriting of a modern day Newton Faulkner!
Two wise choices as support then and as with Naffah earlier, NATI. is able to very quickly engage the audience and soon has them singing and clapping along. Her brand of songwriting is a lot angrier than Naffah’s and the atmosphere in the venue accordingly ramps up a notch or two.
A fantastic cover of Alanis Morisette’s biting ‘You Oughta Know’, along with the likes of ‘JOAN’ and ‘5 More Minutes’ are delivered with refreshing candour. The sense that the audience wanted more of NATI. as she ends her set was palpable and that’s always a good sign.
There isn’t long until Newton Faulkner takes the stage. There is little fanfare as Faulkner starts up his set. He isn’t the classic showman musician, but his charisma is ever enchanting. He ultimately lets his music do the talking, but he’s also pretty adept at entertaining the crowd with his wit and musings.
Our two support acts truly did represent and the yin and the yang of what makes Faulkner special and tonight he structures his setlist to gradually escalate in intensity. Starting off with the likes of ‘Gone in the Morning’, ‘Finger Tips’ and ‘I Need Something’, his much-loved cover of Massive Attack’s ‘Teardrop’ then marks an escalation in the set.
The middle section of the set brings more of Faulkner’s signature orchestration of audience participation and some more fan favourites including the obligatory singalong to ‘Dream Catch Me’.
Faulkner’s new album, ‘Octopus’ is his noisiest work yet and the set builds to a crescendo of new music. The final run seeing him deliver ‘You Make It Look So Easy’, ‘What Took You So Long’, ‘Alright Alright Alright’ and ‘Snakes & Ladders’.
The set ends with as little fanfare as it began, Faulkner simply thanking the crowd and that’s that. Tonight, hasn’t been a night of clichéd tropes though, it has been a great evening of organic entertainment centred around songwriters.
Indeed, all three performers have been a delight, and the uniquely talented Faulkner remains as absorbing as ever!
Isn’t it funny that particular years at festivals get remembered for certain things? There are years at festivals that are infamous for the weather, events revered for landmark performances, weekends fondly remembered for a special attraction, and of course those other oddities that make something memorable.
2000trees is now a staple of the festival calendar. The pilgrimage to Upcote Farm in Cheltenham has become a must for passionate fans and when something becomes routine, even a positive one like attending this great festival – our brains need something to help differentiate between each occasion.
Well, 2025 is going to be long engrained in the memories of attendees for a number of reasons which we will get into during this review. 2025 at 2000trees for now though can simply be summed up with three words – heat, Kneecap and wasps!
📸 Gareth Bull
Yes, in amongst the endless jokes from bands about counting the trees were quips of 2000 degrees and 2000 wasps. The intense and unrelenting heat has a massive effect on the weekend; it makes everything difficult and means many will have had to tailor their expectations of what they wanted to see across the weekend.
It would be easy to write an essay on the inferno that we all survived, but all we will say is that the wonderful 2000trees community deserve all the credit in the world for banding together to ensure that the festival was still a resounding success.
We came to see some bands though, so let’s get this thing started!
WEDNESDAY
The Wednesday at 2000trees is seriously special. A relatively small selection of early birds get to make the most of the beautiful Forest stage. This stunning setting always has a unique atmosphere, but the opening night party always hits differently.
📸 Jez Pennington
The first band on, just two hours after the gates open, are returning heroes Haggard Cat! The band have no problems in getting the crowd moving and the love they receive just goes to demonstrate the connection that this group of passionate fans build with those acts that impress at 2000trees.
Another fantastic example of this comes next as Blank Atlas hit the tiny Word stage near to the forest. Usually reserved for podcasts, comedians and kids activities, on Wednesday the Word stage alternates with the Forest Stage to give fans a relentless live music experience like only trees can. Having wowed crowds with an early morning set last year, Blank Atlas return to deliver another great slot this year.
2000trees are a rarity among bigger festivals in that appearances over consecutive years aren’t just accepted, they are expected! Wednesday is known for bringing favourites back and next is a group made of members of various trees favourites – Vower. They keep the evening building nicely, as do Buds. in the Word tent next.
📸 Gareth Bull
It’s clear that unpeople are heading for big things and they play the first of two sets this weekend next. They take the route of not repeating any songs across their two performances and this set takes the party theme to a new level with new songs punctuated by fun covers of ‘Fight for Your Right (To Party)’, ‘Hash Pipe’ and ‘Sugar’!
Other Half, Blood Command and Meryl Streek all keep the night flowing perfectly before Panic Shack provide an early highlight and Grove Street ramp up the intensity of the crowd.
We are then treated to a special throwback set from Kid Kapichi which is poignant with this being the last festival for the original line-up. The Meffs are their incendiary selves as they headline the Word tent and Forest stage headliners Hot Milk bring their fantastic new album, ‘Corporation P.O.P.’ to life with a fun set.
📸 Joe Singh
As the blazing sun finally disappears, the best bit of trees can commence – the after-hours activities. The silent disco at trees is legendary and a recent addition is a live band in the forest but played through the silent disco system. Listening to 2000trees royalty The Xcerts through our headset is a very different experience and the band make the most of the setting by delivering a crowd pleasing setlist.
📸 Gareth Bull
THURSDAY
A warm night sleep then finds us awaking to an even hotter Thursday and the first day proper of the festival. As we’ve touched on, if you are that way inclined then you can watch non-stop live music all day and we happen to be that way inclined. So, deep breath…
Hangovers be damned, first up in the NEU tent at 10:30am (yes it’s early but it’s far too hot to be in your own tent) are Terminals who like Blank Atlas before do a great job of engaging the morning zombies.
📸 Sophie Ditchfield
Meryl Streek follows his fantastic Word tent set with a bigger opening set on the main stage and Youth Killed It kill it with a great set over at the Axiom stage. It helps in this heat that four of the stages are tented, but Karen Dio attracts a relatively decent crowd for her bop of a set back at the main stage.
PAVÉ, HIMALAYAS and CHROMA all keep the pace going with more really fun performances. It’s already becoming clear that the standard of acts booked for trees again this year is high, and despite the hazardous conditions, each band is determined to grab their opportunity with both bands.
Indeed, across the weekend there aren’t many disappointing performances at all and that is a credit to the artists but also a testament to the regard this festival is held in. Bands want to do it justice but also know that a big performance here can elevate their career more than an early set at a bigger festival. At 2000trees they are playing to a smaller crowd of engaged fans and not a group of often disinterested attendees looking to kill time.
📸 Jez Pennington
The continued rise of unpeople began at 2000trees and it’s marvellous to see them really thriving. As such their appearance today on the main stage feels like a crowning moment for them and the reaction to the likes of ‘The Garden’ just convince you further that this bands trajectory will see them headline this festival within five years.
📸 Joe Singh
Dream Nails and SNAYX are next on our watchlist before we head into the Axiom to enjoy the return of another typical trees band – Puppy. Having been away for a while, the trio get a huge reception and the likes of ‘World Stands Still’ and ‘Entombed’ remind you how special the band are.
📸 Sophie Ditchfield
The Hunna make the most of their first trees appearance on the main stage and you can’t help to enjoy the infectious Hyphen in the NEU tent. BIG SPECIAL sound big and special on the main stage and Kid Kapichi smash out a second set of the weekend at the Axiom stage as we head into the first evening of the full festival.
This year features five acts billed as headliners and the first of those is up next on the main stage. PVRIS are out celebrating the anniversary of their incredible debut ‘White Noise’ and songs from that album feature prominently in what is a truly fantastic performance. Lynn Gunn is an absolute star and the singalongs that the band conjure in the most intense sunshine are refreshing as hell.
📸 Sophie Ditchfield
2000trees continues to grow year on year and that is demonstrated by Twin Atlantic returning to headline the Axiom having previously twice headlined the main stage. Clearly bands want to play trees and the festival have a great relationship with their regulars. The crowd loves every moment of another standard set from the fan favourites.
Kneecap were a controversial booking for the festival (if that even is possible), even prior to the media frenzy that has accompanied them in recent months. Although they’ve played before, musically they were an outside choice as a headliner.
When first announced some speculated online how many (or few to be precise) would watch them. Well now they are the most infamous band at the festival and the field is packed! Easily one of the biggest crowds the festival has seen, there is a real party atmosphere amongst attendees.
The set itself feels more like a celebration of cause as much as a rousing endorsement of their musical output. It however will go down as one of those ‘I was there’ moments for 2000trees.
📸 Joe Singh
It’s then time to hit the full multi-stage, multi-channel silent disco again and take in another live disco set, this time from the ever-charming Dream State.
FRIDAY
Friday feels hotter still and you can certainly see the crowds really beginning to flag. Each band however still get their own personal group of fun starters and somehow the 2000trees atmosphere never wanes despite the challenging environment we are in.
Failstate and Mallavora get the early slots today and again are both able to make the most of them. EVER, Eville and Oversize follow for us and we again find ourselves locked into a cycle of mightily impressive bands one after the other.
The good times vibes are essential to 2000trees and Press Club, Youth Fountain and BLACKGOLD keep them coming as we make our way through our third day in heaven (but with the climate of hell).
📸 Gareth Bull
We then make our way to the forest and another special feature of 2000trees. You can often catch bigger artists doing intimate things in the woods and this year we have the privilege of trees icon Frank Turner playing his album, ‘Love, Ire & Song’ acoustically in full.
📸 Jez Pennington
Trash Boat, VENUS GRRRLS, FIDLAR and Benefits get things a lot noisier again next and all four are again in top form. As are Coheed and Cambria who attract a huge crowd to the co-headline performance. Always a bit of a marmite band, the crowd at trees welcomes them with open arms and the band get to see for themselves why this event is so special.
We’ve had a few returns and reformations at 2000trees this year, but it’s the appearance of Frank Turner led Million Dead that has garnered the most excitement. They don’t disappoint and their five-piece version sounds absolutely huge headlining the Axiom today.
📸 Joe Singh
The last band on the main stage today are Taking Back Sunday and whilst a fun time is had, poor sound mix, an uninspired setlist and a lack of real energy mean that they are perhaps the first band to not truly hit the spot this weekend.
📸 Gareth Bull
Thankfully that feeling doesn’t last long because next we head into the campsites, which at 2000trees are another unique feature. Whilst the partiers will rave in the silent disco, others will find themselves at the tiny busking stages. We head to Camp Turner to catch a special unplugged performance from Cyan Kicks which is simply stunning. The beautiful set being the best way to finish the penultimate day of this special festival.
SATURDAY
With the sun still showing zero sign of giving in, the final day of 2000trees is here and Saturday begins with a really fun run of Honey Buzz, Gen and the Degenerates, Love Rarely and The Molotovs. These acts ensure that despite surreal levels of lethargy kicking in the crowd is still given a rousing slap across the face!
📸 Joe Singh
Perhaps though a bucket of water over the head would work better today and Bad Sign, Catbite and Daytime TV are on hand to deliver that with more enjoyable performances. Love Is Noise sadly experiences catastrophic technical problems next however and cuts his set short.
Split Chain, Employed To Serve, Anxious and Soapbox are all on hand afterwards however to reinvigorate us as we head into the final straight of the weekend. Cyan Kicks then plug themselves in and deliver another real highlight of the festival in the forest. Magical!
📸 Jez Pennington
The set of the weekend however belongs to the incredible VUKOVI who absolutely own the main stage and elicit frenzied scenes that belie the overpowering temperatures.
Making no reference to the footwear needed by vocalist Janine due to the lava like feel of the stage floor, the charm and charisma that she possesses should see VUKOVI able to headline this event in the future. Each track sounds massive today and if the weekend had ended here, it would’ve been very fitting.
📸 Carla Mundy
It doesn’t end here however, and we still have time to squeeze in performances from La Dispute, letlive., SPRINTS and final main stage headliner Alexisonfire. Underground favourites, returning icons, new heroes and a band made to headline trees – just a perfect reflection of what this festival is all about.
📸 Jez Pennington
Throughout this review we’ve used the word special an awful lot to describe 2000trees and that’s because no other word does it justice. The event feels like less of a typical festival and more of a family gathering. As it continues to grow however, the event will face some dilemmas because if it grows too big it will lose the very thing that makes it so special.
Thus far, despite the growth the organisers have managed to do that. They can’t do anything about the weather or the damn wasps, but they may have some online criticism coming their way this year for car park exiting and VIP overcrowding.
📸 Jez Pennington
That said though, the things that they got right this weekend far outweighed any issues. Every festival has issues, it’s how they are dealt with that demonstrates the passion of the organisers and you can be sure that 2000trees will ensure that concerns are listened to. Credit must also be given to the organisers for sticking by their guns and allowing artistic integrity to remain intact.
Despite the wasps, the controversy, the extreme heat and any minor gripes 2000trees 2025 is another resounding success. The bands, the atmosphere, the food, the drink, the party, the side quests, just everything about this festival is special and we can’t wait for 2026!
