Twelve months ago, Pale Waves unveiled their fourth studio album ‘Smitten’ – an album which explored singer Heather Baron-Gracie’s romantic experiences following a revisit of her teenage diary.
The personal themes were reflected within the more intimate sound of the record and struck a chord with the groups increasingly dedicated fans. The tour in support of the album was equally well received and now the band are back on the road with the ‘Still Smitten’ tour.
Tonight finds the run of dates well underway as a wet and windy Norwich welcomes them to The Waterfront.
Support comes from EMMMA(“with three m’s so you can find me easier”) an alt-pop powerhouse who confidently grabs the audience and leads them through an enchanting set of emotional melodies.
EMMMA herself demonstrates the dexterity of multi-instrumental ability during her performance but it is her voice and presence that win over the audience this evening.
PALE WAVES
It’s then over to our headliners Pale Waves who start their own performance with two ‘Smitten’ tracks – ‘Perfume’ and ‘Not a Love Song’. Looking around the room, you can see the love that the audience have for the band as they seemingly hang off every lyric and every note.
The atmosphere soon kicks up a gear as fan favourites ‘Eighteen’, ‘Lies’ and ‘You’re So Vain’ follow on. The band are tight, and the performance is somehow both methodical and organic, with Baron-Gracie coming across as a real star.
Her aura manifests to a new plane during a hauntingly moving rendition of The Cranberries ‘Zombie’, which is a real highlight of the evening. ‘There’s a Honey’, ‘Change’ and ‘Red’ then ensure that the audience’s singing voices are well tested.
The main portion of the set flip-flops between older favourites ‘My Obsession’ and ‘Television Romance’, and ‘Smitten’ takes ‘Kiss Me Again’ and ‘Glasgow’.
The mix of the setlist this evening is pretty career spanning and gives the fans a power hour of engaging pop-punk glory. An encore of ‘She’s My Religion’ and ‘Jealousy’ is enough to send the crowd back out into the cold realities of the world.
Tonight has been a great escape from those realities and fans will be keen to escape again in the world of Pale Waves. Given the prolificacy of the band, you’d imagine they are already working on a follow-up but for now we’re still smitten!
Last month the incomparable Newton Faulkner shared his eighth studio album, ‘Octopus’, and now it’s time for him to take these new songs out on the road. Tonight, at The Waterfront in Norwich is the first date of a new headline tour from the virtuoso.
Much of Faulkner’s recent touring has seen him performing dual sets without any support, but tonight we have not one but two opening acts to get the diligent crowd warmed up.
MARIE NAFFAH
The first of which is London-based songwriter Marie Naffah who is accompanied this evening by her producer Robin Breeze on guitar. The duo are a gentle easement into the evenings festivities and they are able to use their undoubtable abilities to hypnotise the audience.
Their performance is full of songs about love and the likes of ‘For You’ and ‘Gloria’ ensure that their short time on stage is memorable. Naffah tonight is mesmeric with both her charm and her talent, much like an early days Mr. Faulkner.
Next up on the stage is a redheaded alt-pop guitarist. Nope, not Newton but NATI., who brings a little bit of chaotic humour and the rousing songwriting of a modern day Newton Faulkner!
Two wise choices as support then and as with Naffah earlier, NATI. is able to very quickly engage the audience and soon has them singing and clapping along. Her brand of songwriting is a lot angrier than Naffah’s and the atmosphere in the venue accordingly ramps up a notch or two.
A fantastic cover of Alanis Morisette’s biting ‘You Oughta Know’, along with the likes of ‘JOAN’ and ‘5 More Minutes’ are delivered with refreshing candour. The sense that the audience wanted more of NATI. as she ends her set was palpable and that’s always a good sign.
There isn’t long until Newton Faulkner takes the stage. There is little fanfare as Faulkner starts up his set. He isn’t the classic showman musician, but his charisma is ever enchanting. He ultimately lets his music do the talking, but he’s also pretty adept at entertaining the crowd with his wit and musings.
Our two support acts truly did represent and the yin and the yang of what makes Faulkner special and tonight he structures his setlist to gradually escalate in intensity. Starting off with the likes of ‘Gone in the Morning’, ‘Finger Tips’ and ‘I Need Something’, his much-loved cover of Massive Attack’s ‘Teardrop’ then marks an escalation in the set.
The middle section of the set brings more of Faulkner’s signature orchestration of audience participation and some more fan favourites including the obligatory singalong to ‘Dream Catch Me’.
Faulkner’s new album, ‘Octopus’ is his noisiest work yet and the set builds to a crescendo of new music. The final run seeing him deliver ‘You Make It Look So Easy’, ‘What Took You So Long’, ‘Alright Alright Alright’ and ‘Snakes & Ladders’.
The set ends with as little fanfare as it began, Faulkner simply thanking the crowd and that’s that. Tonight, hasn’t been a night of clichéd tropes though, it has been a great evening of organic entertainment centred around songwriters.
Indeed, all three performers have been a delight, and the uniquely talented Faulkner remains as absorbing as ever!
Isn’t it funny that particular years at festivals get remembered for certain things? There are years at festivals that are infamous for the weather, events revered for landmark performances, weekends fondly remembered for a special attraction, and of course those other oddities that make something memorable.
2000trees is now a staple of the festival calendar. The pilgrimage to Upcote Farm in Cheltenham has become a must for passionate fans and when something becomes routine, even a positive one like attending this great festival – our brains need something to help differentiate between each occasion.
Well, 2025 is going to be long engrained in the memories of attendees for a number of reasons which we will get into during this review. 2025 at 2000trees for now though can simply be summed up with three words – heat, Kneecap and wasps!
📸 Gareth Bull
Yes, in amongst the endless jokes from bands about counting the trees were quips of 2000 degrees and 2000 wasps. The intense and unrelenting heat has a massive effect on the weekend; it makes everything difficult and means many will have had to tailor their expectations of what they wanted to see across the weekend.
It would be easy to write an essay on the inferno that we all survived, but all we will say is that the wonderful 2000trees community deserve all the credit in the world for banding together to ensure that the festival was still a resounding success.
We came to see some bands though, so let’s get this thing started!
WEDNESDAY
The Wednesday at 2000trees is seriously special. A relatively small selection of early birds get to make the most of the beautiful Forest stage. This stunning setting always has a unique atmosphere, but the opening night party always hits differently.
📸 Jez Pennington
The first band on, just two hours after the gates open, are returning heroes Haggard Cat! The band have no problems in getting the crowd moving and the love they receive just goes to demonstrate the connection that this group of passionate fans build with those acts that impress at 2000trees.
Another fantastic example of this comes next as Blank Atlas hit the tiny Word stage near to the forest. Usually reserved for podcasts, comedians and kids activities, on Wednesday the Word stage alternates with the Forest Stage to give fans a relentless live music experience like only trees can. Having wowed crowds with an early morning set last year, Blank Atlas return to deliver another great slot this year.
2000trees are a rarity among bigger festivals in that appearances over consecutive years aren’t just accepted, they are expected! Wednesday is known for bringing favourites back and next is a group made of members of various trees favourites – Vower. They keep the evening building nicely, as do Buds. in the Word tent next.
📸 Gareth Bull
It’s clear that unpeople are heading for big things and they play the first of two sets this weekend next. They take the route of not repeating any songs across their two performances and this set takes the party theme to a new level with new songs punctuated by fun covers of ‘Fight for Your Right (To Party)’, ‘Hash Pipe’ and ‘Sugar’!
Other Half, Blood Command and Meryl Streek all keep the night flowing perfectly before Panic Shack provide an early highlight and Grove Street ramp up the intensity of the crowd.
We are then treated to a special throwback set from Kid Kapichi which is poignant with this being the last festival for the original line-up. The Meffs are their incendiary selves as they headline the Word tent and Forest stage headliners Hot Milk bring their fantastic new album, ‘Corporation P.O.P.’ to life with a fun set.
📸 Joe Singh
As the blazing sun finally disappears, the best bit of trees can commence – the after-hours activities. The silent disco at trees is legendary and a recent addition is a live band in the forest but played through the silent disco system. Listening to 2000trees royalty The Xcerts through our headset is a very different experience and the band make the most of the setting by delivering a crowd pleasing setlist.
📸 Gareth Bull
THURSDAY
A warm night sleep then finds us awaking to an even hotter Thursday and the first day proper of the festival. As we’ve touched on, if you are that way inclined then you can watch non-stop live music all day and we happen to be that way inclined. So, deep breath…
Hangovers be damned, first up in the NEU tent at 10:30am (yes it’s early but it’s far too hot to be in your own tent) are Terminals who like Blank Atlas before do a great job of engaging the morning zombies.
📸 Sophie Ditchfield
Meryl Streek follows his fantastic Word tent set with a bigger opening set on the main stage and Youth Killed It kill it with a great set over at the Axiom stage. It helps in this heat that four of the stages are tented, but Karen Dio attracts a relatively decent crowd for her bop of a set back at the main stage.
PAVÉ, HIMALAYAS and CHROMA all keep the pace going with more really fun performances. It’s already becoming clear that the standard of acts booked for trees again this year is high, and despite the hazardous conditions, each band is determined to grab their opportunity with both bands.
Indeed, across the weekend there aren’t many disappointing performances at all and that is a credit to the artists but also a testament to the regard this festival is held in. Bands want to do it justice but also know that a big performance here can elevate their career more than an early set at a bigger festival. At 2000trees they are playing to a smaller crowd of engaged fans and not a group of often disinterested attendees looking to kill time.
📸 Jez Pennington
The continued rise of unpeople began at 2000trees and it’s marvellous to see them really thriving. As such their appearance today on the main stage feels like a crowning moment for them and the reaction to the likes of ‘The Garden’ just convince you further that this bands trajectory will see them headline this festival within five years.
📸 Joe Singh
Dream Nails and SNAYX are next on our watchlist before we head into the Axiom to enjoy the return of another typical trees band – Puppy. Having been away for a while, the trio get a huge reception and the likes of ‘World Stands Still’ and ‘Entombed’ remind you how special the band are.
📸 Sophie Ditchfield
The Hunna make the most of their first trees appearance on the main stage and you can’t help to enjoy the infectious Hyphen in the NEU tent. BIG SPECIAL sound big and special on the main stage and Kid Kapichi smash out a second set of the weekend at the Axiom stage as we head into the first evening of the full festival.
This year features five acts billed as headliners and the first of those is up next on the main stage. PVRIS are out celebrating the anniversary of their incredible debut ‘White Noise’ and songs from that album feature prominently in what is a truly fantastic performance. Lynn Gunn is an absolute star and the singalongs that the band conjure in the most intense sunshine are refreshing as hell.
📸 Sophie Ditchfield
2000trees continues to grow year on year and that is demonstrated by Twin Atlantic returning to headline the Axiom having previously twice headlined the main stage. Clearly bands want to play trees and the festival have a great relationship with their regulars. The crowd loves every moment of another standard set from the fan favourites.
Kneecap were a controversial booking for the festival (if that even is possible), even prior to the media frenzy that has accompanied them in recent months. Although they’ve played before, musically they were an outside choice as a headliner.
When first announced some speculated online how many (or few to be precise) would watch them. Well now they are the most infamous band at the festival and the field is packed! Easily one of the biggest crowds the festival has seen, there is a real party atmosphere amongst attendees.
The set itself feels more like a celebration of cause as much as a rousing endorsement of their musical output. It however will go down as one of those ‘I was there’ moments for 2000trees.
📸 Joe Singh
It’s then time to hit the full multi-stage, multi-channel silent disco again and take in another live disco set, this time from the ever-charming Dream State.
FRIDAY
Friday feels hotter still and you can certainly see the crowds really beginning to flag. Each band however still get their own personal group of fun starters and somehow the 2000trees atmosphere never wanes despite the challenging environment we are in.
Failstate and Mallavora get the early slots today and again are both able to make the most of them. EVER, Eville and Oversize follow for us and we again find ourselves locked into a cycle of mightily impressive bands one after the other.
The good times vibes are essential to 2000trees and Press Club, Youth Fountain and BLACKGOLD keep them coming as we make our way through our third day in heaven (but with the climate of hell).
📸 Gareth Bull
We then make our way to the forest and another special feature of 2000trees. You can often catch bigger artists doing intimate things in the woods and this year we have the privilege of trees icon Frank Turner playing his album, ‘Love, Ire & Song’ acoustically in full.
📸 Jez Pennington
Trash Boat, VENUS GRRRLS, FIDLAR and Benefits get things a lot noisier again next and all four are again in top form. As are Coheed and Cambria who attract a huge crowd to the co-headline performance. Always a bit of a marmite band, the crowd at trees welcomes them with open arms and the band get to see for themselves why this event is so special.
We’ve had a few returns and reformations at 2000trees this year, but it’s the appearance of Frank Turner led Million Dead that has garnered the most excitement. They don’t disappoint and their five-piece version sounds absolutely huge headlining the Axiom today.
📸 Joe Singh
The last band on the main stage today are Taking Back Sunday and whilst a fun time is had, poor sound mix, an uninspired setlist and a lack of real energy mean that they are perhaps the first band to not truly hit the spot this weekend.
📸 Gareth Bull
Thankfully that feeling doesn’t last long because next we head into the campsites, which at 2000trees are another unique feature. Whilst the partiers will rave in the silent disco, others will find themselves at the tiny busking stages. We head to Camp Turner to catch a special unplugged performance from Cyan Kicks which is simply stunning. The beautiful set being the best way to finish the penultimate day of this special festival.
SATURDAY
With the sun still showing zero sign of giving in, the final day of 2000trees is here and Saturday begins with a really fun run of Honey Buzz, Gen and the Degenerates, Love Rarely and The Molotovs. These acts ensure that despite surreal levels of lethargy kicking in the crowd is still given a rousing slap across the face!
📸 Joe Singh
Perhaps though a bucket of water over the head would work better today and Bad Sign, Catbite and Daytime TV are on hand to deliver that with more enjoyable performances. Love Is Noise sadly experiences catastrophic technical problems next however and cuts his set short.
Split Chain, Employed To Serve, Anxious and Soapbox are all on hand afterwards however to reinvigorate us as we head into the final straight of the weekend. Cyan Kicks then plug themselves in and deliver another real highlight of the festival in the forest. Magical!
📸 Jez Pennington
The set of the weekend however belongs to the incredible VUKOVI who absolutely own the main stage and elicit frenzied scenes that belie the overpowering temperatures.
Making no reference to the footwear needed by vocalist Janine due to the lava like feel of the stage floor, the charm and charisma that she possesses should see VUKOVI able to headline this event in the future. Each track sounds massive today and if the weekend had ended here, it would’ve been very fitting.
📸 Carla Mundy
It doesn’t end here however, and we still have time to squeeze in performances from La Dispute, letlive., SPRINTS and final main stage headliner Alexisonfire. Underground favourites, returning icons, new heroes and a band made to headline trees – just a perfect reflection of what this festival is all about.
📸 Jez Pennington
Throughout this review we’ve used the word special an awful lot to describe 2000trees and that’s because no other word does it justice. The event feels like less of a typical festival and more of a family gathering. As it continues to grow however, the event will face some dilemmas because if it grows too big it will lose the very thing that makes it so special.
Thus far, despite the growth the organisers have managed to do that. They can’t do anything about the weather or the damn wasps, but they may have some online criticism coming their way this year for car park exiting and VIP overcrowding.
📸 Jez Pennington
That said though, the things that they got right this weekend far outweighed any issues. Every festival has issues, it’s how they are dealt with that demonstrates the passion of the organisers and you can be sure that 2000trees will ensure that concerns are listened to. Credit must also be given to the organisers for sticking by their guns and allowing artistic integrity to remain intact.
Despite the wasps, the controversy, the extreme heat and any minor gripes 2000trees 2025 is another resounding success. The bands, the atmosphere, the food, the drink, the party, the side quests, just everything about this festival is special and we can’t wait for 2026!
After a washout of a year last year, those making the annual pilgrimage to Donington Park this year were checking the weather forecasts regularly. Would it be scorching? Would there be storms? Rain? Snow? The forecasters had us prepared for anything this weekend.
As always though as we enter the hallowed grounds of Download Festival, we are prepared to rock! For over twenty years now this monster event has welcomed the best of the alternative scene for a weekend of revelry and kickass music and 2025 on paper looks no different.
The arena itself though does look a little different. The now standard layout remains the same, but everyone is quick to notice and appreciate the upgrades in toilets and a few other little touches such as a screen outside the Avalanche Stage and the new fancy video totems on the main stage.
FRIDAY
The weather on Friday is hot, hot, hot… so it’s nice to start our weekend off in a tent! Karen Dio is a bundle of energy as she opens proceedings on the Avalanche Stage. The early crowd enjoy every moment of her short but sweet set and Download Festival 2025 is a go!
The line-up across the Avalanche Stage this week is great and features some of the best young bands on the scene. One of the most exciting is next as unpeople bring the riffs and the audience bring the party as we get into full swing today.
After a quick sojourn over to the main stage where CKY bring back memories of Tony Hawk games and teenage tomfoolery. The current line-up continues to defy the odds and as the sun beats down, they get the vocal cords of another crowded year warmed up.
There’s plenty of singing to be done next as we return to the Avalanche tent for Scottish breakouts Dead Pony. The likes of ‘MK Nothing’, ‘RAINBOWS’ and ‘MANA’ have the crowd repeating every word and the band can leave the stage knowing that they’ve smashed their opportunity.
Speaking of smashing opportunities and it’s back to the main stage for Boston Manor. Wow. The boys from Blackpool read the assignment and they understood every word. With a busy crowd, the sun shining and the beers flowing, Boston Manor deliver the biggest set of the entire weekend.
Every one of the nine tracks is delivered with passion and energy and the audience give the band everything that they have. This is just goosebump inducingly good. This set is one of those moments that you have to stand back and take in. It’s one of those moments in which a band solidifies their future and ensures that when they return, they will be playing even higher up the bill!
The run now on the main stage will become the stuff of legend and Rise Against are next up. A band who can be a little hit or miss, especially with their festival sets are fully on top of their game today. Blasting out the likes of ‘Prayer of the Refugee’, ‘Satellite’ and closer ‘Savior’, they all sound huge today and Friday is setting a tough measure to follow.
A quick trip for Trophy Eyes on the Avalanche Stage shows that the tent is still in full swing before it’s time for Jimmy Eat World to make their return to Download. Bringing in the likes of ‘My Best Theory’ and ‘Get It Faster’ helps their set to flow and of course ‘The Middle’ presents one of the biggest moments of the festival.
The nostalgic feel continues next with the ever-delightful Weezer bringing hits such as ‘Hash Pipe’, ‘Beverly Hills’ and ‘Buddy Holly’ to the main stage crowd. A Download appearance is a long overdue thing for the band and their first time didn’t disappoint.
Download Festival debuts is the Friday night theme and we can’t help but check out McFly in the Avalanche tent next. The crowd is expectedly large, if considerably smaller than Busted last year. McFly mix some snippets of rock classics amongst their own hit songs and those gathered have a whale of a time.
The biggest and longest overdue Download Festival debut however is reserved for our Friday night headliners Green Day. There is a real sense of occasion as the band hit the stage, and you feel that this is a true moment in time for the festival.
When a band can begin a performance with a run of ‘American Idiot’, ‘Holiday’, ‘Know Your Enemy’ and ‘Boulevard of Broken Dreams’ and make a two-hour set go by in a flash then you know that they are special.
It’s not often rain is welcomed at Donington but perhaps the moment of the festival is the shower that begins with precision just as Billie Joe sings the line “…Here comes the rain again…” during ‘Wake Me Up When September Ends’!
Green Day’s ability to make a packed field feel like a small venue is a gift and tonight they simply make headlining a major festival look easy. As the fireworks and ‘Good Riddance (Time of Your Life)’ close out a fantastic day, we can’t wait to do it all again tomorrow!
Friday felt big and by comparison Saturday feels a little more subdued. We have a much talked about headline set to come and there are still some exciting acts spread across the stages however.
After a mysterious gap on the Opus stage results in nothing, we start our day as Static Dress continue their ascent up the line-up by opening the main stage. They do their best to wake up a clearly hungover early crowd and can leave knowing they didn’t fluff their lines.
BEX is fully prepared to win over a docile pre-midday audience in the Avalanche stage and brings her infectious energy and a couple of “Big BEX” colleagues to get the crowd engaged. Her short set is a resounding success, and the future looks very bright for an act Full Pelt have highlighted since the beginning.
Two more such exciting young acts, VENUS GRRRLS and Split Chain sandwich some hardcore icons on the main stage. Hatebreed cause chaos with their brutal set, but it’s both the two younger acts that really show themselves as ready to step up next.
Another set that will stand the test of time and prove to be a defining career milestone is that of Poppy on the main stage. The sort of act that old school Download Festival attendees would’ve bottled relentlessly, Poppy is incredible this afternoon. Even the most hardened sceptics in the audience appear to be won over by a superb set.
AWOLNATION are our next stop off over on the Opus stage and they lean heavily on their breakthrough record, ‘Megalithic Symphony’ much to the delight of the crowd. ‘Sail’ naturally provides another one of those big moments.
Teen Mortgage are good fun in the Dogtooth tent before we catch the beginning of Smash Into Pieces on the Avalanche stage. They say dress for the job that you want and not the one you have – well Smash Into Pieces bring a show ready for the main stage and the crowd love it today.
For a number of years fans have clamoured for Don Broco to be given a logo spot on the main stage. Those fans knew that the band could own such a slot and to nobody’s surprise that’s exactly what the band do. In a similar vein to Boston Manor yesterday, the band know what they need to do today, and they simply smash it.
Shinedown next are given a big opportunity to step up to sub-headline the main stage. We remember first seeing them low down the bill in 2009 and since then they’ve worked their way up the line-up. With a performance and show like they deliver today, you wouldn’t put it past them one day topping the whole thing!
A unique experience is on offer next as festival favourite Frank Carter is back. Not with his Rattlesnakes however, nor one of his other past bands but instead with the legendary Sex Pistols! Present day John Lydon may not endorse this collaboration but a rammed full Opus stage at Download Festival most certainly does.
Speaking of unique experience, a different sort of experience is next as Sleep Token act as a beacon for all young acts that says that headlining is not unattainable. The rise or even explosion of Sleep Token is a refreshing phenomenon and the volume of their t-shirts on parade this weekend show that they deserve this shot.
They are however something of a marmite band and those that love them, really love them and if you don’t “get it” then you actively seek to tear them down. Their set this weekend will only split the crowd even more.
What it is not is the statement that Bring Me The Horizon delivered. It’s also not one of the instantly forgettable sets that have topped the bill. Musically and stylistically the band are captivating. However, those very aesthetics and the whole no audience engagement element of their mystique also make the performance quite inaccessible to those not already clued in.
It’s a shame that the performance doesn’t win universal acclaim because in some ways it needed to. The reality is though that this festival needed to evolve and bring in fresh blood and the fact that Sleep Token were given this chance and they didn’t completely fumble the ball must be seen as a win for the future.
The heat and the mammoth scale of the festival looks to be taking it’s toll on the audience and the arena is relatively quiet as Sunday gets underway with the mesmerizing Harpy in the Avalanche tent.
After a downpour during Sex Pistols last night, the rain is still lingering this morning which may also mean some stick to the comfort of their tents to sleep off lasts nights fun. Orbit Culture and Archers both bring a crisp brutality to the morning air and do their best to blow away the Sunday morning cobwebs.
Before we get back into our musical entertainment, let’s shout out the food and drink offerings with the new dedicated bars and areas continuing to provide individual feels to the arena. The Guinness bar is a favourite for us and we are won over by Supermac’s who we hope will be back again next year!
Right, back to the music and we are back at the Opus stage for an always visceral Nothing More. The group only have limited time but they undoubtedly make the most of it with the likes of ‘If It Doesn’t Hurt’ showing their ability to enthral and entertain.
The afternoon phase of Sunday is then something of a mixed bag with Vower making the most of their Dogtooth slot, Jinjer doing a good but perhaps slightly underwhelming turn on the main stage, Alien Ant Farm and Jerry Cantrell both delivering alright sets that perhaps dip due to understandable lethargy from the crowd, and a superb House of Protection statement set.
As we head into the final run of bands for the weekend Spiritbox do what they need to do in their big main stage spot and Airbourne do what Airbourne do over on the Opus stage. Neither set will likely prove that memorable, but both are a good time.
The heat this weekend whilst not quite at 2023 levels is certainly a factor in Sunday feeling quite sluggish. Many fans seem exhausted and the bands on offer whilst technically sound lack the ability to grab these fans by the collar and drag them from their stupor – case in point the very good Unprocessed who play to a rather tepid gathering in the Dogtooth tent.
It takes a firm festival favourite like Bullet For My Valentine to get momentum building again and the fans are treated to another run through of their seminal album, ‘The Poison’. Frontman Matt Tuck has never made any bones about his desire to headline, and he makes another bold proclamation at the end of their set. Up until recently you’d have probably laughed this suggestion off but with the band regaining their own momentum and the festival in a new era it’s entirely possible.
Another Welsh group reclaiming their past glories is Kids In Glass Houses and we catch them closing out the fantastic Avalanche stage for the weekend with a crowd-pleasing set.
Then there was one left. Closing out the entire festival are the band that Bullet will be hoping to emulate – Korn. A prime example of a band who lost out when Monsters of Rock died. If a Donington event had existing when Korn were at their peak, then perhaps they would’ve topped the bill before now but at last in 2025 it’s happening!
It seems that every single person at the festival wants to see the band take their opportunity with both hands and that love from the audience erupts as the opening echoes of ‘Blind’ ring around the arena.
A simplistic but effective production means that the band let their songs speak for themselves and as they blast out ‘Here to Stay’, ‘Got the Life’, ‘Clown’ and ‘Did My Time’, the band and audience find themselves in a combined state of euphoria.
A splendid outing for rarity ‘Twisted Transistor’ is a highlight but by the time they bring everything home with ‘Freak on a Leash’ the band have solidified themselves as bonified headliners at a festival that they are synonymous with.
There is perhaps no better way to finish the weekend and close the chapter on another Download Festival. This year’s will last long in the memory and is up there with the best. For the diehard attendees, Download Festival is their diary marker that they plan their year around. So the question now turns to who will make their mark next year?
The sun may be out and festival season may well be upon us, but there are still plenty of great gigs happening in venues across the country. Tonight, a group of clued in music fans file into the Waterfront Studio in Norwich for one such gig!
Grassroots venues such as this are a proving ground for young bands and tonight fans will get to witness three such groups looking to insert their names into the hearts and minds of attendees.
AMOURETTE
First up on the compact stage is the local opener Amourette who bring a refreshingly reckless abandon with them. The four-piece have a youthful exuberance which brings their punky rockers to life and gets the venue ready for what’s to come.
Soon enough it’s time for our next act to hit the stage; or at least some of them! Rad Pitt have journeyed from Essex to make an enormous racket of hypnotic math rock marvel.
Spreading themselves off the stage and onto the dancefloor, the band conjure something of a joyous chaos to the delight and/or bemusement of those in the venue. Their set is tremendously entertaining and just pure riotous fun. Where else would you want to be on a Wednesday night?
SNAKE EYES
Finally, we arrive at our headliners snake eyes who have been making a name for themselves with their support and festival slots in recent times. A steady stream of infectious singles has momentum on their side and this headline tour is a big step for the duo.
They kickstart their set with the brilliant ‘lean’, and recent Full Pelt Single of the Week ‘jar full of wasps’, and already they have the crowd in the mood for a good night. The duo proceeds to deliver just that with a selection of rocky riffs and poppy hooks.
Having previously performed live as a three-piece, its noteworthy that the duo don’t miss a beat and are still highly captivating throughout their time on stage.
Fellow newer tracks ‘hdtv’ and ‘hug me’ are highlights in what is a superb performance before popular tracks ‘scuttlebug’ and ‘skeletons’ receive a highly appreciative response from the audience.
You can’t help but leave the venue excited about what the future holds for snake eyes, who have proven themselves tonight as one of the hottest young bands on the scene.
When looking at the evening as a whole, you can’t fault any of the bands, the venue is a great and life is good. Live music brings incredible joy to many music lovers, and you really should head to your local venue. And if any of these bands are playing? You’d better be there!
Next year Slam Dunk Festival will celebrate 20 years of existence. A milestone for an event which started out as a small one-dayer in Leeds. Over those years the event has grown exponentially and taken over campuses, spawned into a multi North, South (and for awhile even Midlands) event and now takes place within two large parks in their spiritual homes of Leeds and Hatfield.
It’s the Hertfordshire version that we head to this cloudy May Bank Holiday Weekend for what has become the traditional opening ceremony for another stacked festival season.
Walking into Hatfield Park and again thinking about the growth of the event is unavoidable. For years A Day To Remember have been touted as the perfect headliner for the festival but always seemed out of reach. Their positioning at the top of the bill this year is itself therefore something of a milestone.
As however we consider the impact of this booking and the potential further growth of this beloved gathering, we turn our attention to another dynamic which has been so vital to building the Slam Dunk brand – championing new music.
EARLY AFTERNOON DELIGHTS
Yes, on a line-up dominated by big American acts, some of the most exciting bookings are the young homegrown acts spotlighted earlier on in the day. The first of which that we head for is Lake Malice who make the absolute most of their time on stage. Visually the band come across as stars with backing dancing adding to the big stage feel. It’s musically though that makes the crowd let go of any early morning inhibitions and get the party started.
Next, we head over to one of the two main outdoor stages where we catch the always emotive Dream State who attract a fairly sizeable crowd for the time of day. The lack of actual sunshine today does little to dent fans determination to enjoy themselves and watching the audience let loose, clearly the empowering sing-alongs of Dream State help!
Over the past handful of years Slam Dunk has suffered a few issues with poor layouts, overcrowding, sustenance options and traffic management just some of the problems that they have endured. This year thankfully everything is running pretty smoothly with no major obvious gripes.
One issue that becomes apparent is that the Key Club Stage is running late and messing with people’s schedules. This can be massively frustrating for avid music lovers but for us it enables us to catch Kid Bookie and Greywind who were initially caught up in some of those infamous Slam Dunk clashes.
Kid Bookie, despite some technical challenges, is his usual defiant and captivating self as he blasts out a number of tracks from ‘Songs for the Living // Songs for the Dead’ – one of our favourite albums of 2024. Greywind meanwhile showcase their fantastic recent singles such as ‘I.K.A.M.F.’ and ‘Acid Rain’ both of which sound huge in the tent.
A COMPETITION FOR SET OF THE DAY
Perhaps the new band that we were most excited to see today though was Winona Fighter and they certainly didn’t disappoint! Despite an abridged set due to the running time issues in the small tent, the band are phenomenal, and their blistering set says that they are very much going to be breakout stars in the coming years.
It’s soon enough time for our first dose of nostalgia today and that comes over in the bigger tent with The Ataris who have fans cramming in. A set focusing on their early material does wonders and the sing-along to ‘The Boys of Summer’ is one of the loudest of the day.
Before we spend the evening in the company of the bigger hitters however, we still have time to catch a short run of notable newer acts with Rain City Drive and Free Throw both impressive.
It’s Mouth Culture however that completely own the Key Club Stage and deliver a performance to rival Winona Fighter for the set of the day. Again, if this show is anything to go by then Mouth Culture are going to be gigantic. The likes of ‘Sharkbait’ and ‘No Shame’ get the audience engaged but it’s the finale of ‘Ratbag’ which leaves you wondering how anybody can top them today!
It’s another turn towards the nostalgic now as we head back to Main Stage East where Finch serenade a passionate audience with classics like ‘Letters To You’ and ‘What It Is To Burn’.
AN EVENING OF FESTIVAL FAVOURITES
A quick march over to Main Stage West for the first time today follows and the pop punk goodness that has been the backbone of Slam Dunk Festival is delivered with aplomb by New Found Glory and Neck Deep. These two acts typify the mix of big US acts and homegrown talent that has been the bread and butter of these stages for nearly 20 years.
Each of these two performances are exactly what they need to be and provide an enjoyable evening as the clouds grow and the temperature starts to drop. We are able to catch a short glimpse of Alkaline Trio next who have the big tent singing every word of ‘Stupid Kid’ as we return amongst the hordes leaving Electric Callboy to find a spot for our headline act.
— Slam Dunk Festival (@SlamDunkMusic) May 24, 2025
The crowd present for A Day To Remember is likely the largest the festival has ever seen, and the band instantly have them onside as they smash out ‘The Downfall of Us All’ and ‘I’m Made of Wax, Larry, What Are You Made Of?’.
The pace never really relents despite the inclusion of a number of new tracks from their latest album, ‘Big Ole Album Vol. 1’. Despite their recent lacklustre outputs, the band can still deliver the goods live and on a day like this their whole set feels like a celebration of the scene which Slam Dunk has helped build.
As the band finish their performance and the fans make their way back home, everyone will undoubtedly look back on a great day out. The rain stayed away, the festival flowed well, and the bands all delivered. Another festival season is underway and whilst there is plenty to look forward to still, attention for Slam Dunk now will turn to delivering a monstrous 20th Anniversary edition in 2026!
Cambridge has spent the day soaking up the lovely spring sun, but as the evening breaks it’s time to head into the beautiful Corn Exchange for an evening of song and revelry!
Frank Turner lives by the mantra – always on tour, and he remarks that this evening is his twentieth appearance in Cambridge in as many years! There is a reason that he can live his life on the road and that fans will always come to his shows, and that is the community that he has built.
Showing how attuned he is to the struggles of the industry, a portion of every ticket on this tour is going to the Music Venue Trust. More than that though, he has hand picked a local opening musician for every show!
MINNIE BIRCH
This evening the chosen act is Minnie Birch, who opens her set with a haunting a cappella number which instantly sucks the audience in. This of course is an audience of Turner community members, and they give this unknown opener the opportunity to showcase her clear talents.
Penultimate song, ‘Accident of Birth’ is a standout moment which brings forth thunderous applause from an appreciative audience. These opening slots are indeed a big opportunity for those selected and Birch can be proud that she nailed her chance to shine with aplomb.
AMIGO the devil
Special guest on this tour is Amigo the Devil who steps the noise levels up considerably with his full band bringing his folk-rock-country-metal-punk sonic explosion to life on stage. It doesn’t take long for that welcoming audience to fully embrace the charismatic singer, who holds the venue in the palm of his hand throughout his fantastic set.
Yes, the crowd really does hang off every word of his story-centric songs and particularly enjoy his captivating presentation of ‘I Hope Your Husband Dies’.
You can see that the entire band is having fun and that transcends to the whole venue as the show continues. When they leave the stage, you feel that every single member of the audience would’ve been happy having more Amigo the Devil in their lives and that’s job done for the support act!
FRANK TURNER
Time is really flying this evening and that’s usually a good sign too. It’s not long at all it seems before Frank Turner and The Sleeping Souls hit the stage and break straight into two new tracks, ‘No Thank You for the Music’ and ‘Girl From the Record Shop’ from latest album, ‘Undefeated’. The fans though treat both tracks as if they are old favourites, before letting fully go as the band launch into the rousing ‘1933’.
‘Undefeated’ is Turner’s tenth album and comes at another time of change and reflection for a man who has battled through a lifetime of ups and downs. That fan and friend community that surrounds him however continues to ensure he still emerges undefeated as it were.
That record is the focus of the show, and the tracks selected are some of the highlights of the night including very personal tracks ‘East Finchley’ and ‘Somewhere Inbetween’.
With ten albums to pick from however, the science of setlists for Turner only gets harder. Obvious picks punctuate the set such as ‘Recovery’, ‘Photosynthesis’, ‘If Ever I Stray’ and ‘The Next Storm’. It’s the deeper cuts though that always keep Turner shows unique and special and tonight it’s great to see outings for ‘One Foot Before the Other’ and ‘Tattoos’.
There is of course a second reason why fans keep coming out to these Turner shows and it’s because a good time is as guaranteed as these things can ever be. Over the course of now 3000+ shows, Turner has perfected his craft and tonight he is again an unstoppable force on this stage.
That is perhaps demonstrated best during the final encore ruckus of ‘Polaroid Picture’, ‘Get Better’ and ‘Four Simple Words’. You could even go as far as saying that this feels like the best all-round version of Turner so far, which given his pedigree is certainly saying something!
It’s a day with a Y in it, so you better believe that Beans On Toast is touring! Tonight, as the sun sets on what’s been a glorious spring day, Colchester’s local music lovers congregate in the beautiful surroundings of the city’s Arts Centre for an opportunity to revel in his tales and song.
EVY FREARSON
Colchester Arts Centre is one of the best independent venues in our beautiful country (with possibly the best toilets – seriously check them out) and it’s only right that tonight we have a local opening act to get the evening rolling.
Evy Frearson is an Essex born singer-songwriter who this evening showcases a haunting alt-folk sound which is rather fitting for this deconsecrated church! Whilst her time on stage is short, she is able to mesmerise those in attendance and undoubtedly leave them wanting more.
Frearson finishes her set with her fantastic new single, ‘Kiss Me In The Winter’ and serves as Exhibit A for the case of always getting down to venues early to support the support act!
WILLIAM CRIGHTON
Exhibit B for that case soon arrives onstage as a longtime friend of our headliner, William Crighton, takes things in a grittier direction with his brand of storytelling folk-rock.
Crighton has welcomed Beans On Toast over to his homeland for a number of shows and tours and now he is clearly enjoying his trek around the UK with Beans. His Aussie charm helps to bring his songs to life and the crowd eat up every word of the likes of ‘2000 Clicks’ and set closer ‘Priest’.
It has to be said that whenever Beans On Toast tours, he always manages to pick interesting and engaging support acts and Colchester has been blessed with two of them.
BEANS ON TOAST
Soon enough, it’s time for that man himself to hit the stage and on both legs of his tour supporting latest album, ‘Wild Goose Chasers’, he has been accompanied on piano by Matt Millership (known to fans as Tensheds or King Killership).
The man known as Beans On Toast, Jay McAllister releases a new album on his birthday each December and in recent years he has mixed up his recording process each year. This latest release was written in collaboration with Millership and it’s great to see the pair bring these songs to the stage together.
Whenever Millership takes on the musical lead tonight, it allows Beans the freedom to roam the stage and deliver his ever-thought-provoking lyrics with even more verve. The likes ‘Faith in the Moon’ and ‘Why?’ segue perfectly amongst fan favourites ‘A Beautiful Place’ and ‘Watching the World Go By’.
Mid-set Beans picks up his trusty guitar and delivers a run of songs solo including some fan requests and local-based tracks given his status as an Essex lad himself. Later Millership returns and we even see a Millership, Crighton and Beans team-up for Randy Travis cover ‘Send My Body’.
We also get a glimpse of where Beans is going with his new material this year with three new tracks making their way into the setlist including the return of his scathing political commentary on tentatively titled ‘Counter Culture’ and ‘Taylor Swift II’!
Beans has long established himself as an underground national treasure and fans that head out into the now considerably cooler March night do so glad that they left the house and supported live music.
Look at the upcoming shows section of his website and it would be fair to wager that it will never be blank. For that, we should all be grateful for the work ethic installed in Beans On Toast because any night spent in the company of ol’ Beano is always going to be glorious time.
So, the moral of this review is simply to do yourself a favour and next time Beans comes to town, do the right thing and pop along!
Emily Barker has been nothing short of a prolific songwriter since first making her name here in the UK. But as the Australian native shares so fondly this evening, it was here in Cambridge where her journey began. Her show at the fantastic Portland Arms could therefore be regarded as something of a homecoming show – just 9,000 miles from home!
The venue is packed and rightfully so as fans gather to hear tracks from her phenomenal 2024 album, ‘Fragile as Humans’, brought to life on stage. Before then however, we have another UK thriving Aussie songwriter as Liz Stringer serenades the audience with songs and stories from her life.
Each song is superbly crafted to deliver the powerful lyrics in which Stringer explores her life, and the wisdom gained whilst overcoming the challenges that life presents. Stringers’ personable and down to earth demeanour endear her to the crowd instantly and her time on stage feels all too short.
That is naturally a good sign and thankfully as she closes her performance with a great rendition of ‘Anyone’, that isn’t the last the crowd gets to see of her this evening!
Soon enough, it’s time for Emily Barker and her band to make their way through the crowd and on to the intimate stage. As with Stringer before, Barker has an enate ability to engage with the audience and make it feel like you are stood watching her whilst sat in your living room.
There is a respect from the audience and even during her most delicate songs you could hear a pin drop in the crowd. Barker has built her reputation over two decades of creative ingenuity, and that prolificacy shows no signs of dissipating.
Her latest effort ‘Fragile as Humans’ is proof in itself and its these songs that take centre stage this evening. These delicately constructed songs are amongst the best that Barker has produced in her career and that frankly is saying something!
WATCH THE VIDEO FOR ‘THE QUIET WAYS’ FROM EMILY BARKER
From sensational opener ‘With Small We Start’, through the sublime ‘The Quiet Ways’, to the title track itself, each song from the album excels in the live setting. Other favourites and deep cuts including ‘Nostalgia’ and ‘Ghost Narrative’ help to fill out what is a mesmerising ninety minutes.
Stringer returns to the stage to accompany Barker on select songs including main set closer ‘Machine’, which accentuates the special feeling of the evening. An encore of new track ‘Bight Idea’ (or Brightest Day as one audience member calls out) and ‘Dear River’ is a wonderful way to close out a beautiful evening.
Barker is an enthralling songwriter and mesmeric live performer. Her songs are packed with meaning and performed with grace. So, do the right thing and seize any opportunity you get to witness this magic for yourself!
It’s a damp and dreary Wednesday night in November, so where else would self-respecting music fans in Norwich be other than the vital Waterfront venue in the heart of the city?
After all, there is a bumper line-up on offer this evening with reformed headliners Kids In Glass Houses bringing with them not one but two of the best young bands on the circuit!
MOUTH CULTURE
The first of those is Leicester’s Mouth Culture hot on the heels of their latest EP, ‘Whatever the Weather’ and an appearance on our own The Full Pelt Music Podcast!
This is a group who really sound like they are coming into their own, and even with a short time on stage tonight, it’s clear that the audience appreciate what they’ve seen. With a throwback groove with a modern energy, the band are undeniably on a pathway to much bigger things.
HIMALAYAS
Our second opening group HIMALAYAS are a band that many have felt are on that same pathway. The band are now dropping new music following the release of their 2023 debut album, ‘From Hell to Here’, and it’s recent single, ‘What If…?’, that stands out most tonight.
The band play hard and fast this evening and certainly seem to have added a little extra edge to their performance over the last few years. Whether that added impetus will keep them on an upwards trajectory or not, only time will tell but for sure they remain a viable proposition when looking for an engaging live act.
KIDS IN GLASS HOUSES
It’s soon time for our headliners this evening to take to the stage and having returned with a nostalgic run celebrating their superb debut album, ‘Smart Casual’, Kids In Glass Houses are now fully embracing their second coming.
How does a band do so without falling fowl of becoming nothing but another nostalgia act? Release new music of course! This tour celebrates their recently released fifth studio album, the flamboyant ‘Pink Flamingo’.
This record in and of itself if a nod to times gone by with its 80’s aesthetic but also feels like a big step up in ambition from a band who perhaps feel like they have nothing to lose. ‘Theme from Pink Flamingo’ and ‘Change Your Mind’ kickstart proceedings this evening and show a band with renewed zip and swagger.
Fan favourites ‘Give Me What I Want’ and ‘Dance All Night’ then ramp things up a notch or two before a couple more new tracks, ‘Rothko Painting’ and ‘Vulnerable’ again emphasise that this is a Kids In Glass Houses enjoying themselves once more.
That is perhaps the overall takeaway from the evening, that after a decade away this group of five friends are back on stage doing what they were meant to be doing.
The likes of ‘Peace’, ‘Easy Tiger’ and ‘Saturday’ all serve as reminders of the impact the band had first time around, and as ‘Matters At All’ concludes a very enjoyable evening fans will be left to hope that ‘Pink Flamingo’ is just the start of round two with Kids In Glass Houses!
