Tag: UEA LCR

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Live Reviews

Architects

UEA LCR, Norwich

Friday 22nd October 2021

Architects Norwich UEA

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ARCHITECTS – NORWICH UEA LCR – LIVE REVIEW

Architects are a band that have never lacked in self-belief. They have always put their faith in their music and tonight exemplifies that. No support acts, a minimalist stage presentation, just Architects on a stage blasting out their set with little in the way of bells and whistles.

Tonight at the UEA LCR in Norwich is a part of an intimate run of dates hastily arranged after the postponement of their upcoming arena tour. Those five arena shows now takes place in May next year and you’d imagine that there will be bells and maybe even a few whistles thrown in.

What the band do tonight though is prove that actually, they don’t need any of that. Whilst it would’ve been nice for a young up and coming band to get the chance to warm up the audience, the Architects fanbase are able to go from 0 to 100 as soon as the first note is played.

That first note comes from ‘Black Lungs’ which is the first of nine tracks to air from their latest album ‘For Those That Wish to Exist’. Whilst for some bands that many new songs may be overkill, for Architects it once again shows their confidence.

Their confidence is certainly well placed. ‘For Those That Wish to Exist’ will no doubt feature towards the very top of the 2021 Full Pelt Music Album of the Year List. After all we called the album “…a masterpiece of the genre…”.

Read our review of ‘For Those That Wish to Exist’

Fans are therefore delighted to finally get to experience these songs live and whilst the likes of ‘Nihilist’ and ‘Gravedigger’ are savoured it’s the new tracks such as ‘Giving Blood’, ‘Little Wonder’ and ‘Dead Butterflies’ that elicit the best reactions.

‘Holy Hell’ tracks ‘Royal Beggars’ and ‘Doomsday’ also naturally see bodies flying in the packed audience. It’s left to two more new songs however to close the show and the encore of ‘Meteor’ and ‘Animals’ perfectly round out a stunning evening of music provided by Architects.

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Listen to ‘Dead Butterflies’ on our Spotify Hot List!

Categories
Live Reviews

Royal Blood

UEA LCR, Norwich

Friday 27th August 2021

Royal Blood Tour Poster

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ROYAL BLOOD – UEA LCR, NORWICH – LIVE REVIEW

With Royal Blood set to headline some of the first festivals to take place as live music returns, the duo announced a run of intimate warm-up shows. As expected all these shows sold out instantly including tonight at the UEA LCR in Norwich.

With an enormous sense of anticipation surrounding the venue, fans were first treated to a short and intense support slot from Tigercub. The band preview their latest album, ‘As Blue as Indigo’ with ‘Stop Beating on My Heart (Like A Bass Drum)’ and ‘In the Autumn of My Years’ going down particularly well with the already packed audience.

Sometimes with such a high level of expectation for the headline act, support bands can fall short, but tonight Tigercub prove their own credibility and win over some new fans in the process.

Listen to our Spotify Hot List!

Soon enough it’s time for Royal Blood to take to the elevated stage. Kicking off with ‘Typhoons’ and ‘Boilermaker’ the band are backed by a subtle yet highly effective light show that helps to bring this new material to life.

Yes, Royal Blood are another band to release a new album during the absence of live music. Absence clearly making the heart grow fonder for both band and audience, as the UEA dancefloor descends into chaos from the opening note to the very last.

Material from ‘Typhoons’ garners great reactions from an eager audience who are ready and willing to lap up whatever the band can offer. Well, with three albums behind them now, the band can offer an endless stream of fan favourites.

Tonight sees a mix from across their catalogue with ‘Lights Out’, ‘Come On Over’, ‘Little Monster’ and ‘How Did We Get So Dark?’ filling the first half of the show with memorable moments.

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Mike Kerr and Ben Thatcher always have had a knack for creating magic both on record and on stage but tonight has that extra special feel. Perhaps it’s the atmosphere flamed by the return of live music or perhaps the duo have spent their downtime perfecting their craft. Whatever it is it’s very clear that Royal Blood are simply on another level.

‘Trouble’s Coming’, ‘Oblivion’ and ‘Loose Change’ sound absolutely huge before ‘Ten Tonne Skeleton’ and ‘Limbo’ cause pandemonium in Norwich. The encore of ‘Out of the Black’ and ‘Figure It Out’ bring it all home, remind us of what we’ve all been missing and demonstrate just why Royal Blood are now festival headliners.

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Read our review on ‘Transmute’ from Press To MECO