Vol. 141
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Oh, the difference a year makes! Last year the sun shone down on the bumper twentieth anniversary edition of Download Festival. Pretty much every person in attendance last year would say that it was simply too hot. Of course, this year then had to do a complete 180 and instead of a desperate search for water to quench our thirst, this year there is far too much of it – and sadly we aren’t talking about new headline sponsor Liquid Death!
No, months of rain in the UK left the festival grounds at Donington Park ill prepared for the downpours that would arrive over the first few days of the festival. The ground conditions quickly becoming treacherous and a weekend of hard slog, delays, cancellations, rejigs and almost every problem imaginable ensues.
There is a real risk that this year’s edition of Download will be remembered for the mud and for the protests that led to Barclays stepping back as a sponsor of the event. This is unfortunate as really the event should be remembered for a progressive line-up that leads the event into the next generation.
After an overreliance of guaranteed ticket shifters, Bring Me The Horizon’s dominant performance last year appears to have opened the door to new headliners (not that Queens of the Stone Age or Fall Out Boy are actually new!), and fresher overall line-ups.
The balance this year between old favourites (Machine Head, Bowling For Soup, Black Stone Cherry), fresh big hitters (Fall Out Boy, Royal Blood, Queens of the Stone Age) and future contenders (Creeper, Enter Shikari, Frank Carter & The Rattlesnakes), is spot on. There is something here for rock and metal fans of all ages and that is going to be key to the longevity of the festival.
So let us walk through some of the best sets of the weekend, starting Friday on the main stage as a more classic rock feel welcomes early attendees. The Blue Stones open the festival with a solid performance before Those Damn Crows show just how far they’ve come with a top-level set.
The clash-gods haven’t been kind to us this year and many sacrifices must be made, however we are able to catch the superb Mouth Culture make their mark on the Dogtooth stage next.
It’s then back to the main stage as The Struts continue to show why over the top sing-along rock n roll will never go out of fashion. Frontman Luke Spiller has the crowd in the palm of his hand and not even the continuing rain can dampen the spirits of a crowd belting out ‘Could Have Been Me’.
Black Stone Cherry are regular visitors to Donington Park, but today marks their first appearance in some six years. Clearly the fans have missed them, and the band make sure that they make the most of their time on stage. Fan favourites and a couple from latest album, ‘Screaming at the Sky’ has the field rocking hard and attendees won’t have to wait long to catch the band again with a headline tour on its way!
Sticking with the main stage, the booking of Royal Blood as sub-headliners is another sign of a more modern focus for the festival. Technical issues however disrupt the momentum of the performance and metaphorically dampen the mood in the already damp crowd. That said when the duo can fully unleash their power, a realisation appears to hit even the staunchest doubters of their Download credentials.
And speaking of Download credentials… Busted! Even five years ago the thought of the band playing these hallowed grounds would have sent the old school punters into a frenzy. How dare they bring their deplorable pop rubbish to our prestigious and very serious metal festival!!!!!
Well, thankfully the mentally that saw My Chemical Romance bottled off stage in 2007 is almost gone (just don’t look at the Facebook comments on the Busted announcement!). Headlining the Avalanche stage, the crowd is deep outside the tent as fans try to catch a glimpse of the trio. Before we head back to the main stage for our headliners, we get to witness the glorious sight of even the most hardened rockers partying along to the likes of ‘Air Hostess’ and ‘MMMBop’!
There is a different kind of party on the main stage however as Queens of the Stone Age are belatedly given top-billing at the UK’s premier rock festival. Josh Homme is clearly high on the atmosphere (amongst other things), and the band deliver a stunning performance chronicling their incredible career. Naturally it’s ‘No One Knows’ that enters the face for sing-along moment of the weekend, but the likes of ‘The Lost Art of Keeping a Secret’ and ‘I Sat by the Ocean’ are glorious tonight.
On to Saturday now and a fair few in attendance may be nursing hangovers this morning (especially the poor Scots after their Euro’s humbling), but as always Download has the cure. After a slight delay the venue fills again ready for another day of music with a point to prove.
That starts immediately with Bambie Thug who opens the mainstage with another set which probably wouldn’t have been greeted as well a decade ago. Bambie Thug however manages to mesmerise and captivate the early crowd with a truly powerful performance of The Cranberries ‘Zombie’ acting as a stance against ongoing atrocities across the world. Whilst the work of others helped to change the position of Barclays, the statement made here by Bambie Thug is something that will last long in the conscience of attendees.
The levels of energy and passion continue throughout sets from WARGASM on the main stage and KNIFE BRIDE and ALT BLK ERA on the Dogtooth stage. Then it’s time to change pace with The Hunna (another fresh booking) taking to the main stage. The group clearly appreciate the opportunity and make a great impression during their relatively short time on stage.
Frank Carter & The Rattlesnakes are up next and whilst the anger and ferocity of their stage presence may have balanced out, the elevation in showmanship and passion ensures that the group remain one of the best live acts in town. Their main stage set this weekend is sublime and you’d expect Carter and co to help lead this festival into the future.
They say that lightning never strikes the same place twice… well, what about torrential downpours? In scenes eerily reminiscent of their main stage slot in 2016, BABYMETAL have their set almost completely destroyed by a biblical shower which also destroys what is left of the arena grounds. During their short time onstage BABYMETAL are fantastic, but unfortunately, they may be seen as cursed when booked on the main stage!
The weather from here on out just can’t make its mind up with a mixture of sun and rain, but that eclectic mix is perhaps fitting for Enter Shikari who present their unique smorgasbord of sound next on the main stage. The group have grown up with the festival so it’s nice to finally see them in a prominent slot on this stage. The opportunity is seized with both hands and Shikari prove why they also must be considered amongst the best live acts on the circuit.
Sticking again to the main stage, The Offspring deliver a headline worthy performance next which even includes an encore much to the chagrin of festival etiquette experts. The band however carry themselves as headliners and they of course have bangers for days as they say. After the punishing weather, it’s great to see the audience finally unleash and dance their way through this wonderfully fun set.
A quick sojourn to the Dogtooth stage for a short but sweet Cassyette performance then leads us to the big Saturday headline slot which this year is taken on by Fall Out Boy. Another example of a band perhaps criminally underfeatured at this event in the past due to not having the perceived heaviness required by the gatekeepers of yesteryear.
The band however are ready to make up for lost time as they produce a memorable one-off set akin to the ‘Eras’ show from a certain Taylor Swift. And whilst it’s unlikely the festival will ever welcome the army of swifties; it’s refreshing to see the positive reception received by Fall Out Boy. From somebody that witnessed the My Chemical Romance hostilities, it’s another positive indictment that the future of the festival is looking bright.
The Sunday at a major festival like this is always a tough one, with everyone tired and already over-stimulated. It takes something memorable to kickstart proceedings and after lengthy delays in setting up the arena, it’s Code Orange that truly get things going today with a set that ends in the band smashing up the stage after going over time.
You can understand their frustration however with the times of bands changing at short notice due to the supposed actions required to get the arena ready for the fans. It must be said though that when we do finally enter, it’s hairy still without much action being obvious at least!
The changes in times frustrate some, but for us the movements mean that we can catch both Creeper on the main stage and Royal Republic over on the second stage. Two incredible live acts, Creeper are up first and showcase in just thirty minutes what they could look like as future headliners. An all-out show accompanies some fantastic music and indeed, you have to hope that Creeper are given an opportunity further up the bill next time around.
As for Royal Republic, you know what you are getting – a highly enjoyable live act who will always bring the party. That’s exactly what they do today as they showcase their superb new album, ‘LoveCop’.
Much hype surrounded the mysterious secret set at Download this year, those battling their way into the Dogtooth are treated to a Parkway Drive performance, we however avoid the crush and instead sing-along to some pop-punk favourites as Zebrahead and Bowling For Soup serenade their crowds.
In fact, we are certainly in the sing-along portion of the weekend as the main stage welcomes two iconic bands from the new millennium. Firstly Sum 41, who are embarking on a final tour as they bring the sun down on their career. The band get a big crowd who send them on their way by singing each song right back at them with the final run of ‘In Too Deep’, ‘We Will Rock You’, ‘Fat Lip’ and ‘Still Waiting’ particularly loud!
Loud is also a great way to describe Limp Bizkit who are up next. The band are like a fine wine and just keep getting better, with Fred Durst able to orchestrate the crowd as only he can. A double dose of ‘Break Stuff’ sums up the vibes of the set, which for many is the perfect way to close out the festival.
For others there is still a choice between Machine Head, The Used, The Black Dahlia Murder or Avenged Sevenfold to be that final performance of another wet but glorious weekend. For us we follow the theme of the weekend and position ourselves at the main stage.
Avenged Sevenfold are headlining the event for the third time, and this time they have a rather polarising new album to play. The weather, the other options and that ambivalence towards ‘Life Is But a Dream…’, means the crowd is a little on the thin side, but those in attendance make up for those missing.
Some of the new songs do flatten the atmosphere but when the band bang out the likes of ‘Afterlife’, ‘Hail To The King’, ‘Bat Country’ and ‘Nightmare’ there is no better way to finish the weekend.
As we said at the start, there is a real risk that this weekend will be remembered for different reasons, but for us the takeaway is that the event is finally looking towards the future. It’s refreshing to see the real-life reactions to some of the online contentious bookings and that helps point that the future of Download is a positive one.
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 29 features our cover stars Creeper as they bring ‘Sanguivore’ to the masses! We also catch Fightstar return at Wembley Arena and review the debut album from Crushed By Waves.
Our News Report has all the latest music news including live announcements from Bludfest, Stonedead Festival, Royal Blood, Deep Purple, King King, Blues Pills, Smash Into Pieces and Lacuna Coil!
Plus all the best new releases including Shannon & The Clams, Battlesnake, Interlaker, Cage Fight, Travis, Aaron West and the Roaring Twenties, Atomic Life, P.O.D., The Pleasure Dome, The Dollyrots, One Step Closer, Weatherstate, Dan Patlansky, Crushed By Waves and Indoor Pets!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Chloe Star, VENUS GRRRLS and When We Were Wolves!
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 25 features our cover stars The Mysterines as reveal details of their sophomore album. We also review new albums from The Snuts, Gen and the Degenerates and Blackout Problems, and we review The Zutons live in Norwich!
Our News Report has all the latest music news including live announcements from Liam Gallagher, Kings of Leon, Bullet For My Valentine, Trivium, Alice Cooper, The Pearl Harts, Greta Van Fleet, Royal Blood and Radar Festival!
Plus all the best new releases including Kasabian, Kings of Leon, Paul Weller, Frank Turner, Linkin Park, Sum 41, Daytime TV, Crossfaith, The Cruel Knives, TheCityIsOurs, Between You & Me, Susan Santos, Raven Numan and The Struts!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Major Moment, Caroline Romano and DeadWax!
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 16 is a special edition where we run down our Top 50 Albums of the Year! 2023 has seen some amazing records released, but who will take the coveted number one spot?
Our News Report is still here also covering the latest from Vended, Slam Dunk Festival, Liam Gallagher & John Squire, Teddy Rocks, Brighten the Corners and LeeStock!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Telltale, Shooting Daggers and Fraser Morgan!
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Royal Blood have been one of the biggest success stories for new rock bands over the past decade. All three of their albums thus far have reached the coveted number one spot and the band have elevated themselves to arena and festival headline status.
All of this creates a natural pressure on the band to keep delivering consistently high standards, and the time has arrived to see whether the band can achieve an incredible quadruple of number one albums.
‘Back to the Water Below’ sees the band handling production fully themselves for the first time having previously worked alongside the likes of Josh Homme and Tom Dalgety. The positives of such a move of course include the unadulterated freedom, but the double-edged sword is that there is nobody to offer assurance and quality control.
After all the bells and whistles that accompanied predecessor ‘Typhoons’, the album title this time around may also refer to the back to basics approach taken by the duo. From opener ‘Mountains At Midnight’ onwards it’s evidently clear that the band have gone back to their roots to use another tired cliché.
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That’s not to say that they haven’t added plenty of polish to the finished product but that there is a slower more methodical sonic style on this collection. That Royal Blood DNA is evident throughout but the album is much more melancholic than those that came before.
This does in many ways feel the least hyped of all of the bands albums and the limited pre-release campaign feeds into that. It feels like messrs Kerr and Thatcher want to let the music do the talking on this record, and they are clearly talented enough to do so.
Whilst this may be a completely different album compared to any of their three previous efforts, Royal Blood have still created something distinctly Royal Blood. The band have seen their fair share of criticism in the past both somehow for failing to evolve and for changing too much! On ‘Back to the Water Below’, the band merge everything they’ve done before and evolve into something new.
So, while musically this record is a fantastic genesis of the their style, commercially it will be interesting to see if this is an album that can secure that illustrious fourth consecutive number one?
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Long established as one of the greatest live bands to ever plug in a guitar, it’s no surprise that fans have once again been flocking to catch Muse live this summer!
With large-scale UK shows already completed in Plymouth, Huddersfield and Glasgow, this sunny Sunday sees the trio take over the recently neglected National Bowl in Milton Keynes.
Once those lovely roundabouts have been successfully navigated, fans are greeted with a fantastic amphitheatre to enjoy the glory that will be the headline set. But, before then there are two great opening performances on offer.
Up first are Mexican trio The Warning who recently impressed with their slot at Download Festival. Today the group are again able to deliver a powerful set which will undoubtedly have won over a legion of new fans. From start to finish they make the very most of their short time on stage and you can’t help but think it won’t be their last time playing stages this size.
One band no stranger to large stages are the special guests tonight, Royal Blood. The duo are fresh from the Pyramid stage at Glastonbury and are able to command this stage with relative ease.
The crowd are very much on side tonight which appears to reassure the band after their recent issues with Mike Kerr clearly very grateful for the opportunity to play. The fans are equally joyed to have such an accomplished act delivering a calculated and polished set.
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The scene is then set for the timeless Muse to once again showcase just why they are so revered. Never afraid to highlight their latest release, new album ‘Will of the People’ naturally takes centre stage tonight and that starts with the title-track which instantly whips the crowd into a frenzy.
Following that opening with a run of ‘Hysteria’, ‘Psycho’ and ‘Bliss’ just shows the embarrassment of riches that Muse can pull from. What’s nice tonight though is the addition of some rarer gems such as ‘Resistance’ and ‘Undisclosed Desires’.
Of course there are hits galore and the audience lap up the likes of ‘Time Is Running Out’, ‘Supermassive Black Hole’, ‘Plug In Baby’, ‘Uprising’ and ‘Starlight’. Equally impressive though are the receptions given to new tracks like ‘Won’t Back Down’, ‘Compliance’ and ‘You Make Me Feel Like It’s Halloween’.
The delivery of songs either old or new is exquisite as you’d expect and the stage show is as flamboyant as ever. Muse really are masters of their art and it feels almost impossible for them to give a bad performance.
The encore of ‘Kill or Be Killed’ and traditional closer ‘Knights of Cydonia’ is in itself testament to the whole new and old sentiments above. No matter what they are playing, Muse play it better than anyone!
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It’s been another big revival year for the music industry following the pandemic years, and it’s been another year of growth for us at Full Pelt Music! We’ve reviewed 67 albums, 7 EP’s, 6 festivals and 38 gigs in 2022 as some level of normality or even stability has returned to our industry.
That said, there are still many issues facing the industry with livelihoods, venues and organisations at risk for a plethora of reasons. Whilst government action is required in many places, what we as fans can do is support the industry with our money. Times are tough for us all, but purchasing an album, buying a t-shirt, nabbing a ticket and grabbing a drink whilst at a gig does so much to support the industry that we love.
Our two great Podcasts have continued to grow and highlights this year came from guests such as Blood Red Shoes, The Treatment, Skinny Lister, Daytime TV, Pet Needs, The Ninth Wave, Sunflower Bean, James and the Cold Gun, Guise, October Drift, BERRIES, Asylums, As Sirens Fall and Jamie Lenman! We’ve already got some fantastic guests lined up for 2023, so ensure you subscribe and follow us across Social Media!
In our now annual end of year awards we’ll be giving out seven hotly contested awards looking at both the recorded and live sides of the industry. Adding to our well established Album of the Year award this year will be the new EP of the Year award. We’ll also once again be revealing our Single of the Year. All awards have seen fierce competition, as once again it’s been a high quality year for new releases.
On the live side of things, we’ll announce both our Gig and Festival of the Year awards. This year of course provided our first full calendar of music since 2019! We were able to witness many great performances this year and we can’t wait to share with you are favourites.
Lastly we’ll look at the artists who’ve had special years as we award our Artist and ‘Discover’ New Artist of the Year awards. So without further ado, let’s work through those award catagories!

It has been a truly magnificent year for album releases and getting a spot anywhere in our Top 50 was hard enough but in particular the Top 10 was incredibly tightly fought. You can read the full list here.
‘IMPERA’ from Ghost was able to take the crown this year but any of the top 10 could’ve taken that spot. ‘Reeling’ from The Mysterines in particular would likely have won in any other year, but the majesty and magnificence of ‘IMPERA’ proved unbeatable.
‘Impera’ by Ghost
‘Reeling’ by The Mysterines, ‘FTHC’ by Frank Turner, ‘Skinty Fia’ by Fontaines D.C. & ‘The Price of Life’ by Bob Vylan
2021 – ‘Blue Weekend’ by Wolf Alice
2020 – ‘Ultra Mono’ by IDLES

For the first time this year, we are separating EP’s out of our main award and giving them their own pedestal. That alone is the truest compliment to the quality of EP’s on offer this year.
Again, all EP’s in our top 5 are worthy of the number one spot, but it’s ‘coming of (r)age’ from As Sirens Fall that pips it. Catchy as hell single, ‘heaven (spat us back out)’, helps elevate the release to be crowed our first ever EP of the Year.
‘coming of (r)age’ by As Sirens Fall
‘False Start’ by James and the Cold Gun, ‘SCP’ by Oakman, ‘Tyrants’ by IOTA and ‘BLACKGOLD’ by BLACKGOLD

We look now at our Single or Song of the Year. In considering the award this year we’ve considered the ear worms that have stayed with us after live performances. We’ve also pondered which songs instantly struck a chord and created a buzz of excitement for the albums and live shows that would follow.
Songs which fell into both of these considerations competed for the award and it was again a tight decision, but ultimately for us this year ‘Dangerous’ from The Mysterines has not just ticked both boxes but also remained on heavy rotation throughout the year despite being an early arrival in 2022. That’s why that track is our 2022 Single of the Year!
Check out the winning single below:
‘Dangerous’ by The Mysterines
‘Talk Hard’ by Jamie Lenman, ‘Compliance’ by Muse, ‘Wicked Ways’ by Halestorm, ‘Spillways’ by Ghost
2021 – ‘Test of our Resolve’ from Press To MECO
2020 – ‘Obey’ by Bring Me The Horizon feat. Yungblud

2022 was the first full festival season since 2019 and what a return it was. All eyes were on Glastonbury once again, British Summer Time curated a stunning line-up, Download Festival breathed fire and 2000trees was able to remind everyone what’s so great about smaller festivals.
Our winner this year though is Reading & Leeds who went big, sold out and delivered an action packed weekend even with the huge loss of Rage Against The Machine amongst others. Always a perennial contender for this award, 2022 felt like the year the event reclaimed its identity.
Read our review of Reading Festival Saturday
Reading & Leeds
Glastonbury Festival, British Summer Time, Download Festival, 2000trees Festival
2021 – Download Pilot Festival
2020 – Wild Fields Festival

We’ve reviewed many gigs this year but in reality there could only ever be one winner. Rammstein’s tour is less of a concert and more of an experience; one that everyone, fan of the band or not, should experience at least once.
Beyond that there was still some incredible, top tier gigs in 2022 and our contenders are all worthy of glory, but Rammstein are currently on a whole different level.
Read our review of Rammstein live in Coventry



Rammstein @ Coventry Arena
Royal Blood @ O2 Arena, London, Ghost @ Resorts World Arena, Birmingham, Muse @ Eventim Apollo Hammersmith, London, The Killers @ Carrow Road, Norwich, The Hella Mega Tour @ London Stadium, London, Creeper @ Roundhouse, London, Idlewild @ O2 Kentish Town Forum, London
2021 – Bring Me The Horizon @ O2 Arena, London
2020 – Frank Turner @ Arboretum, Nottingham

Artist of the Year now and for this award we look for somebody who has had a huge, perhaps even career-defining year. Previous winners Frank Turner and Biffy Clyro have done so by delivering incredible feats, far above the norm.
This year was a big year for many acts, but we’ve gone for Bring Me The Horizon as a band that have had a career-defining twelve months. Long tipped as festival headliners at a major event, many felt that the time would never come for one of the best live bands on the planet. Big releases, sold-out tours, no matter what the group did they never seemed to be given that torch, that is until this year!
Watching Bring Me The Horizon step up and headline at Reading & Leeds this summer felt like a real moment, not just for the band but for the whole scene. For any metal band, let alone one once considered so unfashionable to headline the biggest festivals in the UK is massive.
Already announced to finally headline Download Festival in 2023, 2022 will forever be linked for Bring Me The Horizon to taking that final career-defining set. Throw in their genre-defying collaboration with Ed Sheeran, 2022’s Artist of the Year had to be Bring Me The Horizon.
Bring Me The Horizon
Ghost, Rammstein, Biffy Clyro, Muse
2021 – Biffy Clyro
2020 – Frank Turner

As a publication we always want to put new music at the heart of what we do, and that’s why our final award is perhaps our most important! Our ‘Discover’ New Artist of the Year is awarded to the act we’ve chosen to highlight on our ‘Discover’ New Music Playlist and Podcast who we feel has made the biggest impact this year.
At the beginning of 2022 we put the spotlight on new Colchester act PET NEEDS as they continued to promote their debut album, ‘Fractured Party Music’. From that point on the band never looked back with a world tour, a second album (‘Primtime Entertainment’) and a sold out hometown show all under their belts.
They even found the time to become the first (and only at the time of writing) band to progress from our ‘Discover’ New Music Podcast and appear on The Full Pelt Music Podcast! Yes, fighting off some stiff competition for the ‘Discover’ New Artist of the Year award in 2022 is PET NEEDS!
PET NEEDS
BERRIES, As Sirens Fall, Oakman, James and the Cold Gun, Daytime TV, MOSKITO
2020 – Miss Vincent
So, that’s it! Another year in the record books, it’s been another difficult year and it has again been particularly tough on the music industry. That said, we’ve had a full year of live music for the first time since 2019 and the creative juices remain flowing with some absolutely stunning new releases over the past twelve months.
Below you can enjoy some of our favourite gig photos of the year courtesy of our wonderful photographer Denis!
All 📸 (c) Denis Gorbatov / Full Pelt Music
We hope you’ve enjoyed our The Year in Review 2022 and we wish you a very Happy New Year. Here’s hoping 2023 is a good one!
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As Mike Kerr reminisces multiple times on stage tonight, it has been 10 years since he joined forces with Ben Thatcher to form Royal Blood. As he surveys a packed to the brim O2 Arena, it’s clear that this is a landmark moment for the duo.
To use a tired cliché, their rise has been meteoric (well, by today’s industry standards anyway!), and this evenings show is truly a celebration of what the band has achieved so far.
Over those years the band have proven themselves dab hands at choosing support acts, and this tour has been no different with candescent indie rockers The Amazons opening proceedings.
Soon to release their third album, they are a band already making a mark in their own right, and nights like tonight will only assist in affirming an already growing reputation. Their slot disappears in an instant as they grasp the audience with both hands and shake them with a good old fashioned rocking.
Early favourites ‘In My Mind’ and ‘Black Magic’ sandwich a set showcasing what has come and what is on the way with new single, ‘Bloodrush’ another highlight. The way the band own the stage tonight it’s not unimaginable that they will one day return to headline this venue themselves.
Listen to ‘Bloodrush’ on our Spotify Hot List!
Stage ownership is also something our headliners have never struggled with. From their early beginnings on smaller stages to now playing on the largest stages in the world, Royal Blood have always planted their flag.
With a simplistic yet visually stunning stage show behind them, Kerr and Thatcher set out once again to demonstrate just how much noise two individuals can make.
With their third album, ‘Typhoons’ arriving in the pandemic era this tour is a chance to take this newer material to the masses and the title track and fan favourite ‘Boilermaker’ instantly kick the door in (I’ll avoid any blowing the roof off puns!).
Older material such as ‘Lights Out’ and ‘Come On Over’ naturally send the crowd into a frenzy, but it is very telling that the newer songs such as ‘Trouble’s Coming’ and ‘Limbo’ elicit equal reaction; even brand new single, ‘Honeybrains’ already appears to be a bona fide crowd pleaser.
It really has been a pleasure following the ascent of Royal Blood from their early days until now. It’s extremely difficult for rock acts to break the mainstream these days; and it’s beautiful yet heart wrenching that the band still recognise those that have supported along the way with a tribute to the late great Taylor Hawkins during a traditionally thunderous Thatcher drum solo.
By the time old favourites ‘Ten Tonne Skeleton’ and ‘Out Of The Black’ ring out the band have proven themselves as belonging on this level. It’s one thing to get there, but another thing to stay there and on this evidence Royal Blood are here to stay.
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2020 was a year that we all wish we could forget. Could 2021 be any better? Well, it started off just as the previous year ended; with the live music industry on its knees. Lockdown restrictions still ruled out any live in person shows, with even socially distanced shows initially outlawed.
Come late spring, things began to look up and a number of “test” events were planned. We were lucky enough to attend the Pilot Download Festival and the euphoria of being amongst fellow music fans in a field can’t truly be put into words. Things were looking up!
Live music would eventually make a full return but sadly as we write this The Year In Review 2021 feature, the sector is once again holding its breath waiting for the Government to take action. Alas, true normality may still be a long way off, but for a few months this year we got to feel alive again.
That alone elevates 2021 above 2020, but there is plenty more to unpack. We recently undertook our now annual countdown of our top albums of the year over on our social media. 2021 was a truly exceptional year in terms of album quality. Those musicians kept in lockdown last year certainly found their creativity and compiling a list of the top 50 albums of the year was highly competitive.
In our The Year In Review 2021 article, we will be revealing our end of year award winners. As with last year we will announce our Album of the Year, Single of the Year, Artist of the Year, Gig of the Year and Festival of the Year.
This year however we have an additional award to hand out. 2021 was a big year for Full Pelt Music, our first full year in existence. We’ve grown and we’ve enhanced our focus on new music. We launched initially our ‘Discover’ New Music Playlist on Spotify through which we highlight the best up and coming artists.
We also launched not one but two Podcasts this year, including the accompanying ‘Discover’ New Music Podcast where we truly shine the spotlight on your new favourite acts. As such, this year we will also be awarding the ‘Discover’ New Artist of the Year award!
Before we get to those awards though, let’s run you through a few of our highlights this year. First of all, as mentioned we also launched The Full Pelt Music Podcast this year. Fittingly our inaugural guest was Frank Turner, the winner of both our Gig of the Year and Artist of the Year awards in our 2020 Year In Review.
Across the Podcasts this year we’ve had the pleasure to talk with Press To Meco, Beans On Toast, Miss Vincent, Planet Fatale, Mercutio, Light By The Sea, Freddie and the Fabs, The Damned Few, Project Renegade, Icarus and Smoke! Be sure to check out these conversations, and also to Subscribe on Youtube or wherever you listen to your Podcasts. After all, we will have plenty more for you to enjoy in 2022.
The Music Industry has seized on the opportunity to entertain this year both live and on record. We’ve reviewed 66 albums, 2 festivals and 27 gigs in 2021 as fans have been treated to incredible releases and some truly stunning live shows. Again, perhaps the enforced break has allowed creativity to breed innovation.
So with that in mind, let’s work through those award catagories!
As we’ve already referenced, the pure quality of releases this year made compiling our Top 50 Album of the Year List very tricky. It was hard work but we did it, and you can read the full list here.
The quality is demonstrated best by last year’s winners IDLES only reaching a still respectable number 7. The winner however had to be ‘Blue Weekend’ from the incredible Wolf Alice who continue to go from strength to strength. After three stunning albums, there is no ceiling for this band and we can’t wait to catch songs from the album live in 2022.

‘Blue Weekend’ by Wolf Alice
‘Written & Directed’ by Black Honey, ‘Typhoons’ by Royal Blood, ‘Seize the Power’ by Yonaka and ‘Transmute’ by Press To MECO
2020 – ‘Ultra Mono’ by IDLES
We move on now to our award for the Single or Song of the Year. This year has again seen us locked down for considerable amounts of time and many will have sought solace in Playlists such as our Spotify Hot List.
In selecting our track of the year we considered which songs we’ve come back to time and time again, which songs remain as fresh now as they did on first listen and what songs simply just resonate on a different level.
Our winner is an incredible track from the fantastic album ‘Transmute’ from Press To MECO. ‘A Test Of Our Resolve’ ticks all of the criteria and also sounds absolutely massive live.
‘A Test Of Our Resolve’ by Press To MECO
‘My Town’ by Frank Carter & The Rattlesnakes, ‘Afterlife’ by Holding Absence, ‘Midnight’ by Creeper and ‘Haven’t Been Doing So Well’ by Frank Turner
2020 – ‘Obey’ by Bring Me The Horizon feat. Yungblud
Artist of the Year now and for this award we look for somebody who has had a huge, perhaps even career-defining year. Last year we gave the award to Frank Turner for his incredible work for the #SaveOurVenues campaign through his Independent Venue Love series.
This year our winners are a band that also dabbled with livestreams during that first lockdown. This year however has been a hugely important year for Biffy Clyro. A new album, ‘A Myth of the Happily Ever After’ came hot on the heels of last year’s ‘A Celebration of Endings’. It’s another quality album from a band that continue to deliver consistently great music.
The band also had a huge impact on the live music scene this year. Firstly, the band rode to the rescue by stepping in as late replacements for Queens of the Stone Age to once again headline Reading and Leeds Festivals.
Secondly, the band played huge outdoor shows in Cardiff, Glasgow and Margate to help signal the return of live music after around 16 months of lockdown. Highlights of both their Reading and Glasgow performances aired on the BBC.
Lastly, the band played a completely sold out and very intimate ‘Fingers Crossed’ Tour across the UK. Their shows this year giving fans an opportunity to witness songs from not one but two albums live for the first time.
Biffy Clyro
Enter Shikari, Bring Me The Horizon, Creeper and Wolf Alice
2020 – Frank Turner
Festivals made a belated return from lockdown restrictions in late summer, although the majority of the usual seasons events were still cancelled. For our Festival of the Year however we can’t look anywhere other than the special event that laid the groundwork for all events to return, the Download Pilot Festival!
Back in June the Government test event was the first opportunity for music fans to camp in a field and rock out for three days. The camaraderie and atmosphere this situation created, combined with the uniquely intimate Download layout and line-up made for a once in a lifetime experience.
British bands took centre stage and delivered an incredible weekend of music; with bands and fans both desperate to experience live music again. Thanks to all involved we can hopefully experience a full fat Download Festival again this summer.

Read our review of the Download Pilot Festival!
Download Pilot Festival
Reading Festival and Lost Evenings
2020 – Wild Fields Festival
Last year’s winner of Gig of the Year was a socially distancing outdoor affair, this year however true live music returned! Picking a winner this year is difficult because the pent up frustration of lockdown on both musicians and fans vented fully across some amazing gigs.
We reviewed 27 of those shows this year and there were some very special moments amongst them. The winner however must go to Bring Me The Horizon who stormed the O2 Arena with You Me At Six and Nova Twins in tow.
The night was a massive middle finger to any remaining doubters and the band solidified themselves not just as arena fillers but as festival headline ready. Fitting therefore that they have recently been revealed as headliners for Reading & Leeds Festivals next year.

Read our review of Bring Me The Horizon live in London
Bring Me The Horizon @ O2 Arena
Creeper @ O2 Kentish Town Forum, Idlewild @ Electric Brixton, The Offspring @ Wembley Arena, Biffy Clyro @ O2 Kentish Town Forum, Vukovi @ Norwich Waterfront Studio and Royal Blood @ Norwich UEA
2020 – Frank Turner @ Nottingham Arboretum
Our final award is a new award for this year where we shift focus on to the future. Having launched our ‘Discover’ New Music Playlist and Podcast this year we wanted to honour an act that we have featured and for whom the future is bright.
With their debut album ‘A Funeral For Youth’ cracking our top 20 for the year, Miss Vincent take the inaugural ‘Discover’ New Artist of the Year award!
Miss Vincent
Planet Fatale, Dead Nature and Thumper
So, it hasn’t been a usual year again, in fact at times it has been just as hard as 2020. 2021 has however reminded us of what we were missing. Stunning new music, incredible live shows and a return to some normality (nobody say ‘new’ normal!), make 2021 a year that will live long in the memory for many reasons.
We hope you’ve enjoyed our The Year in Review 2021 feature and we wish you a very Happy New Year. Here’s hoping 2022 is a good one!
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