Vol. 42
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Full Pelt Magazine
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The Mysterines
Afraid of Tomorrows
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THE MYSTERINES – AFRAID OF TOMORROWS – ALBUM REVIEW
The Mysterines made a big impression with their superb debut album ‘Reeling’, which finished second in our Album of the Year list in 2022. Eighteen months of heavy touring later, including a prestigious slot opening for Arctic Monkeys on their stadium tour, and the band have grown their audience exponentially.
Time then to strike while the iron is hot, and release a carbon copy of that first record? Not on your life! In their short career, The Mysterines have already shown a fierce desire to explore their creative capabilities and that has been evident in the progress between breakout EP ‘Take Control’, ‘Reeling’ and now their sophomore record ‘Afraid of Tomorrows’.
Heading out to Los Angeles with revered producer John Congleton, the band have commented that Congleton sold himself by stating his opposition to replicating ‘Reeling’. Eager to push themselves, the band dove into these sessions and ended up with an abundance of songs, with only the most engaging making the cut.
Opening track ‘The Last Dance’ in particular proved a catalyst for what was to come and it’s fitting that the song welcomes listeners to the journey that this album will take them on. The band have always felt like a throwback and the limited amount of pre-release singles has been refreshing. It means when listeners dive into ‘Afraid of Tomorrows’ they are doing so with a great sense of intrigue.
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It’s also liberating that as the album progresses through the likes of ‘Stray’, ‘Another Another Another’ and ‘Tired Animal’, care has clearly been put into the tracklisting to make this album flow like a singular piece of work and not just a randomly collected group of songs.
That cohesion makes this a truly enjoyable record that epitomises the ambition of these four talented musicians. With singer Lia Metcalfe still holding a hypnotic hold over the listener with her powerful vocal delivery, the music provides the perfect balance and enables the groups sound to expand beyond expectation.
‘Afraid of Tomorrows’ really is quite magnificent and will have fans of the band looking forward to the future and the wonders which this incredible band will create!
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Vol. 40
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Bon Jovi
Forever
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BON JOVI – FOREVER – ALBUM REVIEW
Anyone would love to have had the career that Bon Jovi have had, but their journey through different eras is something future music historians will view with great perplexity. How many times can a band be written off only for them to reinvent themselves and prove all their doubters wrong.
Whether it’s early glam rock Jovi, soft rock Jovi, hard rock Jovi, ballad Jovi or country Jovi, Jon Bon Jovi and his merry men keep moving whereas their contemporaries pack up or stay put. During a career which has turned them into one of the biggest bands of all time, they’ve also become one of the biggest targets of all time!
An American U2 if you will, the group will be the butt of jokes from your mates, but they’ll be the first in line for tickets and screaming the lyrics to ‘Living on a Prayer’ whenever they come to town. Reviews, quite rightfully of late, have also always been quick to lament the efforts of one of the most enduring acts past few decades.
The title of their new album, ‘Forever’, feels like another proclamation that they aren’t going anywhere despite recent vocal issues trending and their latest albums being highly maligned by most commentators.
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The first thing to note about the record is that Mr Bon Jovi himself sounds in fine fettle and as such the many sing-a-long inducing choruses all sound stadium ready. The second thing is that musically this sounds like peak Bon Jovi, as the band almost go back to basics.
Thirdly, it’s worth admiring that all of those genres listed above are present and, to use another tired cliché, the sound of this album could be referred to as career-spanning! This means that there really is something here for fans from all eras of Bon Jovi and that they don’t do any of these eras a disservice with their offerings here.
‘Forever’ could be a much needed career reset once again for a band with an astonishing work-rate. Indeed, you wouldn’t put it past them to simply go on forever after all. This may not be up there with a ‘Slippery When Wet’ or even a ‘Have a Nice Day’ but it’s a damn sight better than their most recent efforts!
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Royal Republic
LoveCop
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Royal Republic are one of those bands that people might struggle with until they see them live on stage. Thereafter they’re guaranteed to be fully converted into the madness that this obscenely catchy party band.
Of course, a band needs songs to play when they are on those stages and Royal Republic are back to grow that arsenal with their fifth studio album entitled ‘LoveCop’. A naturally absurd name for another over the top, all out disco rock release!
The ten tracks on this album may just be their most diverse set yet, despite all heavily capturing that funky style that has typified their sound to date. Indeed, this is a continuation of their previous work, but it’s more than that as the band expand on the retro elements of their music with some sublime 80’s-esque pop hooks lifting these new tracks even higher!
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Never afraid to let it all hang out, it’s great to see the group playing with their sound enough to keep things fresh, whilst maintaining their signature aura. ‘LoveCop’ is made for the dancefloor and it will be impossible not to dance along to the likes of ‘My House’, ‘Boots’ and ‘Ain’t Got Time’.
Equally the likes of ‘Lazerlove’ and ‘Electra’ bring something a little different to the collection which keeps it moving nicely. All in all, with a runtime of 35 minutes, the album flies by and provides the band with more than a handful more songs to draw from when they capture your attention from the stage, just as they will at Download!
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Vol. 39
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Full Pelt Magazine
Vol. 38
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Twenty One Pilots
Clancy
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TWENTY ONE PILOTS – CLANCY – ALBUM REVIEW
Every now and then a musical force comes along that changes the game and inspires a whole new generation of artists. Twenty One Pilots can lay claim to being such a special talent, with their 2015 effort ‘Blurryface’ launching a tidal wave of creatives looking to replicate the fresh sound perfected by Tyler Joseph and Josh Dun.
Continuing their artistic vision, the duo have subsequently embarked on a multi-album story arc involving a character names Clancy. 2018’s ‘Trench’ and 2021’s ‘Scaled and Icy’ are now joined by the eponymous ‘Clancy’, which closes out the storyline.
Twenty One Pilots have again used creative methods to promote the record in a way that engages their dedicated fanbase whilst generating much needed hype for the album. The world brought to life through songs and videos is wondrous and the duo should again be credited with changing the norms that surround the unlimited volume of music put out into the world.
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Musically though whilst ‘Scaled and Icy’ was generally praised there was a clear undertone of negative reviews which gave it the bands most mixed reception since their mainstream explosion. The same will likely happen again with ‘Clancy’ as whilst it continues to spotlight the ingenuity of Joseph and Dun, it also fails to produce the same excitement as their breakthrough releases.
Of course, popular opinion is a historically polarising medium in which to rate actual quality but it sadly does bare consideration. Clancy is a sublime theatrical and sonic journey which diehard fans will celebrate as a masterpiece, but it’s sadly likely to flop at the box office. A useful analogy may be that ‘Clancy’ is the Multiverse of Madness for the Twenty One Pilots’ MCU!
Given the levels of ambition for both those projects it may be frustrating that outside of an embedded customer base the visions for this album may not get the response that they deserve. Like certain movies in the MCU will stand the test of time, you wonder which tracks will endure in setlists over the next decade and outside the obvious like ‘Overcompensate’ and ‘Next Semester’ you can’t pick any with a degree of certainty!
Much like the MCU as well, you can’t help but wonder where the band will go next.
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Paul Weller
66
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PAUL WELLER – 66 – ALBUM REVIEW
Paul Weller celebrates his 66th birthday with his aptly titled new studio album, ‘66’. What a career Weller has had! From The Jam and The Style Council to his ever growing arsenal of releases under his own name, he has long since carved his name into musical folklore.
It’s highly commendable then that he continues to explore his creative desires and ‘66’ is his sixth solo album of the past decade. Much to his financial detriment (how much would a reunion of The Jam earn him?), Weller’s persistent pursuit of musical evolution has typified those releases and he shows no signs of slowing down.
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Always looking to work in new ways, collaboration is something that Weller has embraced and on ‘66’ you will hear contributions from an array of talented individuals including Noel Gallagher, Suggs and Bobby Gillespie.
The twelve tracks that make up ‘66’ have been worked on over the past three years and represent a varied sonic outlay akin to the diverse mix of sounds produced over his recent efforts. It’s probably fair to suggest that there is something on this album for fans from each of his different eras.
The likes of ‘Jumble Queen’, ‘Nothing’ and ‘Soul Wandering’ do jump out but the album as a whole is easy to consume with a well structured flow. As ‘Burn Out’ brings the album to a close you can’t help but again marvel at the longevity and vision of a true national treasure!
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Bring Me The Horizon
Post Human: NeX GEn
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BRING ME THE HORIZON – POST HUMAN: NEX GEN – ALBUM REVIEW
The twists and turns in the road to releasing ‘Post Human: NeX GEn’ have been plentiful for Bring Me The Horizon. Since the first release of the Post Human series, ‘Post Human: Survival Horror’, arrived in 2020 the group have solidified themselves as one of the biggest bands in the world, headlining arenas, stadiums and festivals all over the globe.
Behind all that success however has been a narrative that not all is well in house Horizon and the late notice delay in releasing this new collection has been followed by nine months of uncertainty and the shock departure of creative whiz Jordan Fish. Midnight however brought another shock for fans as the band surprised everyone with the unannounced delivery of ‘Post Human: NeX GEn’!
So after all this time, how does the album stack up? Well the tracklist features sixteen tracks and interludes which run to over fifty-five minutes so the first cliff note is that this is a substantial offering.
The second note is that the song titles and their retro Myspace-esque capitalisations are going to test our autocorrect as we run through this review! Highlights on the naming convention front include ‘Top 10 staTues tHat CriEd bloOd’ and ‘a bulleT w/ my namE On’.
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Another key note before diving in is that the trend of Bring Me The Horizon collaborating with artists continues at pace with AURORA, Underoath, Lil Uzi Vert and Daryl Palumbo of Glassjaw all contributing. The final pre-note for reference is that the departed Fish is still credited on seven of these tracks, so his fingerprints still remain intact even after his exit.
Now then, ‘[ost] dreamseeker’ introduces fans to the first new track ‘YOUtopia’ which is our first Fish-less glimpse of new Bring Me The Horizon. The track does however include a credit for the equally esteemed Dan Lancaster who has worked with the band previously and is a current live member of Muse. It’s perhaps not a shock then that the song instantly indicates that the aesthetic of recent singles remain intact.
Speaking of recent singles, ‘Kool-Aid’ follows and is the first of six already released songs on this album dating back to 2021’s ‘DiE4u’! The decision to include all these singles is interesting and likely done for completeness. Come the end of the near hour of music however you do slightly feel a few of these could’ve been left off to make this collection more succinct.
WATCH THE VIDEO FOR ‘DiE4u’
As with all of these past singles, the newer tracks here draw more from the poppier side of the group whilst still going hard. They don’t align sonically with the heavy hitting ‘Post Human: Survival Horror’ tracks, although frontman Oli Sykes does state that thematically “It’s a real concept album, with a full narrative that connects to the first record, but the concept is hidden and buried,” before adding, “Some people aren’t going to be interested, but for some people it could be like a self-help book. There’s a lot of things in there, some of it’s quite clear, but a lot of it cryptic and hidden. People are gonna have to work it out.”
It will be interesting to see if the Post Human concept continues beyond this release, particularly given the time lapse and line-up changes since its inception. You also suspect that this release won’t have the same impact on their career trajectory as its predecessor.
That’s largely because the band have already achieved top tier status and this record certainly doesn’t change that. Indeed it shows that despite their issues and their already prolific release history, they still have plenty left to offer.
There is a giant sense of relief that ‘Post Human: NeX GEn’ is finally out and that the band can now move on. The album is again a smorgasbord of influences and gives of real retro 2000’s vibes whilst maintaining that signature modernisation that only Bring Me The Horizon seem to be able to pull off.
Upon ending with ‘DIg It’, it’s actually hard to look back and pinpoint any real standout moments, probably due to the pre-familiarisation with the singles. That said, there isn’t anything bad here either and the album certainly provides an absorbing listening experience; which is exactly what you should do now – go and listen for yourself!
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