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Magazine

Full Pelt Magazine

Vol. 6

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Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the sixth issue now for free!

Volume six includes an update from cover stars Dream Nails, reviews of Ash, The Subways and Muse live and a load more!

We have our News Report rounding up new releases from Mike Shinoda, Normandie, The Cadillac Three, Tesseract, Haunt The Woods, Millie Manders and the Shutup, LØLØ, Tropic Gold and BLACKGOLD!

Plus new live announcements from Within Temptation, Tenacious D, The Gaslight Anthem, 2000trees, Suede, Manic Street Preachers, Beartooth, Blackberry Smoke, The Sleeping Souls and Sean McGowan.

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with modernlove., Break Fifty and Noah and the Loners!

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Dream Nails appear on The Full Pelt Music Podcast this week – subscribe wherever you listen!

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Live Reviews

Y Not Festival

Green View Farm, Pikehall

28th to 31st July 2022

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Y NOT FESTIVAL – LIVE REVIEW

Festival season is in full swing, the weather is warm, and the women are setting the standard for football, in many ways life is good. Of course in many other ways things are tough right now.

Music has always been an escape from reality, and we certainly need a distraction right now, so as Y Not Festival open their gates for the first time in three years, it’s time for tens of thousands of fans to let their hair down and celebrate. That is once they can actually get in, with some enormous queues upon entry dampening early spirits.

Now, the last and only time I attended Y Not Festival was the fateful 2017 event which ended in cancellation midway through. I wrote a scathing review for another publication and swore never to return.

Well, watching from a distance the festival has put out some stunning line-ups since then, and organisational changes appear to have improved things and returned the events reputation to pre-2017 levels. This year is in fact billed as their first year back as an independent festival.

Having decided to give the festival a second chance on the basis of their 2020 line-up, I’ve since witnessed the line-up change multiple times for the worse based on my personal preferences. There is no doubting however the overall quality of the line-up at a tough time for festivals.

I’m interested to see how the event will progress and whether it can change my opinion of the festival after the 2017 debacle, so the huge entry queues on Thursday and Friday aren’t the best start.

Listen to Full Pelt Music’s two Podcasts

Thankfully once inside, things pick up quickly! The general layout is well thought out in the main arena, with the main stage, the second stage (The Quarry) and numerous other attractions in the main section of the arena, and the third stage (The Giant Squid) and various other stages and attractions located in a smaller area.

This almost creates two distinct festival areas, with a busy walkway connecting them. The only issue here is that later on in each day this thoroughfare does bottleneck and makes movement very difficult. At one point on Sunday night, this reaches a near dangerous level as fans flood the area trying to catch an Oasis tribute band on one of the smaller stages.

Whilst I quite liked the two separate areas concept, in future additional access would need to be installed at the other end of the second area to avoid any disastrous incidents and make crowd movements flow better.

Now on to the music! Thursday is an add-on day and those to fork out and arrive early are given a splattering of acts to enjoy.

The first such act that we catch is Lucy Spraggan who does a great job in getting the audience into the spirit of things. Spraggan has the crowd singing along to the likes of The Proclaimers cover ‘I’m Gonna Be (500 Miles)’, and fan favourites ‘Last Night (Beer Fear)’ and ‘Wait for Me’.

Next, The Hunna grace the main stage and also deliver a crowd pleasing set. The band’s momentum seems to have stalled slightly, but that upwards trajectory is set to relaunch if the reaction to new single, ‘Trash’, is anything to go by. ‘She’s Casual’ and ‘Bonfire’ serve as a reminder of what the band is capable of, and leaves the audience fully pumped up for our Thursday headliners.

WATCH ‘TRASH’ FROM THE HUNNA ON YOUTUBE
The Hunna – ‘Trash’

Those headliners are indie stalwarts The Kooks. The band have been celebrating their debut album, ‘Inside In/Inside Out’, whilst they have also recently released a new album, ’10 Tracks to Echo in the Dark’. It’s no surprise then that 15 out of 21 songs tonight come from those two releases.

The new tracks manage to hold up well with the hits such as ‘Ooh La’, ‘She Moves In Her Own Way’, ‘Always Where I Need To Be’ and ‘Naïve’. All in all this equates to a fun headline show which sets the standard for the weekend to come.

Read our review of ’10 Tracks to Echo in the Dark’ from The Kooks

Friday on paper is the best day musically for me heading in with a great mix of the new and established acts that Y Not Festival has managed to book so well.

It’s a new act we start with on the main stage as Lauran Hibberd brings her charismatic indie pop to Y Not Festival. The early risers are treated to a glimpse of a star in the making and those that make the effort don’t regret it. Hibberd’s debut album, ‘Garageband Superstar’ is out this month, and based on today’s showing it will be a breakthrough record.

Hibberd has featured previously on our ‘Discover’ New Music Playlist, and next we headed to the ‘Giant Squid’ stage for the first time to catch fellow playlist alumni Daytime TV.

Daytime TV showcase their incredible debut album, ‘Nothing’s On But Everyone’s Watching’, as they quickly blast out the likes of ‘We Can’t Be Friends’, ‘Hush’, ‘Ugly’ and ‘Zombie’. This is another band with a great future, and today they deliver the goods for the early crowd.

Watch our ‘Discover’ New Music Podcast with guests Daytime TV

‘Discover’ New Music Podcast – Episode 14 – Daytime TV

Continuing the run of fantastic young acts we catch MarthaGunn in the ‘Giant Squid’ and The Skinner Brothers in the ‘Allotment’. Two very different acts, but two more acts that make the very most of their time on stage, clearly winning over any fans not already converted.

We then return to the main stage for another newer act, but one that already feel established. The Snuts burst onto the scene with their debut album, ‘W.L.’, and have dominated festival stages this year. Today fans are treated to a look at what comes next with new songs ‘Burn the Empire’ and ‘Zuckerpunch’ sounding massive. Expect The Snuts to continue to climb festival bills over the next few years, and don’t be surprised when they are eventually headlining the likes of Y Not Festival.

Read our review of The Snuts live in Colchester

The Pale White continue what has been a consistently brilliant day of music with a powerful set in the ‘Giant Squid’, before we head to the ‘Quarry’ for the first time this weekend.

Festival favourite and all round legend Beans On Toast assembles a huge crowd for a sing-a-long session. The heralded folk singer serenades his crowd with favourites such as ‘The War on War’, ‘M.D.M.Amazing’ and ‘On & On’. Really, there should be a law that dictates that Beans On Toast appears at every single festival.

Watch The Full Pelt Music Podcast with guest Beans On Toast

The Full Pelt Music Podcast – Episode 3 – Beans On Toast

Even before the major issues struck in 2017, one gripe I had about Y Not Festival was the apparent disorganisation in relation to set times. I worry next that perhaps this issue hasn’t been fixed as Manic Street Preachers fail to appear for their advertised start time. Eventually a message appears on the screens citing technical difficulties, and the band finally arrive almost an hour late on stage.

Read our review of Manic Street Preachers live in Cambridge

This of course has a knock on effect to our headliners Stereophonics, and also means when the Manics do arrive, they quickly depart again only playing for half their originally scheduled time. The technical difficulties seemingly continue to dog the band throughout their short time on stage, which causes more set changes on the fly. A lesser band may have given up, but Manic Street Preachers force their way through.

Read our review of Stereophonics live in Cambridge

Stereophonics are a safe bet as a festival headliner, guaranteed to deliver the goods and give the audience a good time. That’s exactly what they do to close out Friday night, with a set mixed of hits and deep cuts from throughout their distinguished career.

The double header of of Welsh icons Manic Street Preachers and Stereophonics was a major selling point for many fans, so it’s disappointing that the technical issues leave a sour taste in the mouth.

Saturday soon arrives and we start off on the main stage for another double header of established acts. The Futureheads and Levellers bring the crowds in early as the festival rights the wrongs of last night. Both bands deliver solid sets which the audience lap up, and the party is in full swing as we head deeper into Saturday afternoon.

We refocus next however back to the fresh new acts that help to make this festival so appealing. Do Nothing, King No-One and the excellent The Mysterines all draw big crowds to the ‘Giant Squid’ stage and all three acts are able to produce perfect festival sets to the delight of the packed tent.

Read our review of The Mysterines live in London

Sea Girls are one of the bands leading the new wave of indie and they are next up on the main stage, where they are greeted by an army of their fans. The band and fans then reciprocate energy for the next forty-five minutes and the result is a very enjoyable watch.

Our Saturday night is then spent back in the ‘Giant Squid’ for two bands that personify the festival. First up is a hot new band on the cusp of greatness in the form of Yard Act. This is a band that has been touring solidly and making a name for themselves. Today they put the spotlight on debut album, ‘The Overload’, which gets the entire tent bouncing along.

Read our review of ‘The Overload’ from Yard Act

Lastly is an established act of indie folklore, We Are Scientists! The band finish out the night with a fan pleasing set full of favourites such as ‘It’s A Hit’, ‘The Great Escape’ and ‘Nobody Move, Nobody Get Hurt’.

WATCH ‘THE GREAT ESCAPE’ FROM WE ARE SCIENTISTS ON YOUTUBE
We Are Scientists – ‘The Great Escape’

It’s during this time that the heavens open for the first time. Back in 2017 it was the Saturday night when the festival organisers decided enough was enough, come Sunday morning the last day was cancelled and a disorderly evacuation of the site commenced.

One massive criticism of the event that year was a lack of foresight with heavy rain predicted well in advance, the site saw little or no preparation for the weather. It’s great this year then that prior to the rainfall we see straw spread at key points in the arena.

The result is that despite a night of rain, the arena is still in good nick come Sunday morning and we are able to continue with the high quality entertainment. Kudos then to the present organisers for taking proactive action rather than waiting until the horse has already bolted!

So, onto my first Y Not Festival Sunday! We again are on the hunt for new talent early on and catch both Marty and Cucamaras in the ‘Quarry’ and Baby Queen capturing the imagination of the main stage. All three showing that the future is bright.

Sunday really sinks it teeth in on the main stage with back to back performances from Amy MacDonald and Jake Bugg. Two more established acts with stacked back catalogues, two more artists that are able to deliver polished and well received sets as the shine really starts to break through.

After some sing-a-long action with MacDonald and Bugg, it’s back to the fantastic new music offerings as The Hara and Rews in the ‘Giant Squid’, and Vistas and Dream Wife in the ‘Quarry’ all deliver blistering performances which really rile up the audience.

Soon there is a great moment on the main stage where The Vaccines get to announce the incredible result of the Football mid-set. The atmosphere is electric as fans celebrate with more great music.

For us that great music sees us conclude our weekend back in the ‘Giant Squid’, firstly with Blood Red Shoes, who have released one of the albums of the year in ‘Ghosts On Tape’. Their belated set is an intense and ferocious explosion of rock which instantly enters the race for performance of the weekend.

Read our review of ‘Ghosts on Tape’ from Blood Red Shoes

Watch The Full Pelt Music Podcast with guests Blood Red Shoes

The Full Pelt Music Podcast – Episode 4 – Blood Red Shoes

That honour is hotly contested as across four days of music we somehow haven’t seen a bad performance. The pure quality on offer despite the multiple line-up changes since 2020 is a testament of the work of the booking team for Y Not Festival.

The last band of the weekend for us is Black Honey, who decide that the crown for set of the weekend belongs to them. They deliver an energetic yet majestic performance that is the perfect way to end what has been a great weekend.

Read our review of Black Honey live in Norwich

I must admit scepticism coming into the event, and whilst I hoped that a great weekend would be had, I wasn’t sure. The organisers have rectified the issues of 2017 and have earned themselves a clean slate from me.

Whether you just want to chill at the main stage, or go hunting for the best kept secrets in the tents, Y Not Festival had it all this year. The ghosts of the past have been put to bed by the acts of the future!

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Read our review of Neck of the Woods Festival

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Features

Album of the Year 2021

Album of the Year 2021

We countdown our Top 50 Albums of 2021

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2021 has been another tough year to live through. There have been some signs of normal life, for example the return of live music, but we end it as we started with true normality a distant memory.

This year has however been a stunning year for new music releases. Yes, lockdown musicians and the odds are their creativity will take over. In Full Pelt Music’s first full year of existence we have reviewed 65 albums and the quality of those releases has been exceptional.

Last year we counted down our Top 20 albums of the year, with a special Advent Calendar countdown on our Twitter. This year we have expanded! Our 2021 countdown has taken place across all our social platforms, and has listed our Top 50 albums of the year!

With that social media countdown completed, it’s now time to compile our completed Top 50 in one place. So let’s get started!

Album of the Year 2021
What we said:

“there are stunning moments spread throughout the album”

Read our review of ‘Lo! Soul’

Check out:
Roddy Woomble – ‘Architecture in LA’
Album of the Year 2021
What we said:

“there are plenty of songs on this album that rate amongst the best that the band has produced”

Read our review of ‘Waiting For Good Luck’

Check out:
The Treatment – ‘Rat Race’
Album of the Year 2021
What we said:

“Garbage are an incredible musical force”

Read our review of ‘No Gods No Masters’

Check out:
Garbage – ‘No Gods No Masters’
Album of the Year 2021
What we said:

“we have thrashing guitars, thumping drums, bizarre lyrics and plenty of bells and whistles to emphasise his brilliantly quirky musicianship”

Read our review of ‘The Lunar Injection Kool Aid Eclipse Conspiracy’

Check out:
Rob Zombie – ‘The Triumph of King Freak (A Crypt of Preservation and Superstition)’
Album of the Year 2021
What we said:

“was anybody craving a new album from The Offspring in 2021? Perhaps not, but actually in this messed up world we live in, maybe, just maybe, we needed it!”

Read our review of ‘Let The Bad Times Roll’

Check out:
The Offspring – ‘Let The Bad Times Roll’
Album of the Year 2021
What we said:

“this is an artist pouring all of their self into their creation and discovering magic”

Read our review of ‘Watch Me Break Apart’

Check out:
Dead Nature – ‘Watch Me Break Apart’
Album of the Year 2021
What we said:

“this record manages to encapsulate the sound that the band has nurtured over the past few years both on record and in the live setting”

Read our review of ‘How to Ruin Your Life’

Check out:
Paris Youth Foundation – ‘The Back Seat’
Album of the Year 2021
What we said:

“remind you how gloriously heavy yet anthemic the band can get”

Read our review of ‘The Bitter Truth’

Check out:
Evanescence – ‘Use My Voice’
Album of the Year 2021
What we said:

“it won’t take long for people to stop and take notice of this great young band”

Read our review of ‘Fractured Party Music’

Check out:
Pet Needs – ‘Toothpaste’
What we said:

“this is Volbeat at their very best”

Read our review of ‘Servant of the Mind’

Check out:
Volbeat – ‘Shotgun Blues’
Album of the Year 2021
What we said:

“vitality shouldn’t be mistaken for relevance and whilst the band may have peaked commercially, they remain of utmost importance to a generation of music fans”

Check out:
Rise Against – ‘Nowhere Generation’
Album of the Year 2021
What we said:

“anybody that had any doubts about the natural talents of this group of musicians, they should now acknowledge a new force”

Read our review ‘The Battle at Garden’s Gate’

Check out:
Album of the Year 2021
What we said:

“over the top, outlandish, brash and most of all fun, the album not only lives up to but surpasses all expectations”

Read our review of ‘Van Weezer’

Check out:
Van Weezer – ‘Hero’
Album of the Year 2021
What we said:

“quality continues to run throughout the entire record and there is very little ease on the throttle”

Read our review of ‘Below’

Check out:
Beartooth – ‘Skin’
What we said:

“another very good release from a band overdue commercial success”

Read our review of ‘Into the Blue’

Check out:
The Joy Formidable – ‘Into the Blue’
What we said:

“a middle finger up at the haters”

Read our review of ‘Still Sucks’

Check out:
Limp Bizkit – ‘Dad Vibes’
What we said:

“a delicate masterpiece from a songwriter of the highest level”

Read our review of ‘The Hole Around My Head’

Check out:
Will Varley – ‘Pushing Against Us’
What we said:

“an enjoyable listen and the band clearly still has something to say”

Read our review of ‘The Ultra Vivid Lament’

Check out:
Manic Street Preachers – ‘The Secret He Had Missed’
What we said:

“up there with the best that Beans On Toast has released”

Read our review of ‘Survival of the Friendliest’

Check out:
Beans On Toast – ‘Humans’
What we said:

“it really is time to stop being surprised by the quality in this band”

Read our review of ’21st Century Love Songs’

Check out:
The Wildhearts – ‘Remember These Days’
What we said:

“the extravagance of the band is what makes them great and thankfully their 7th studio album has it in abundance”

Read our review of ‘Motorheart’

Check out:
The Darkness – ‘Jussy’s Girl’
What we said:

“for their tenth album the band has set out to create their masterpiece”

Read our review of ‘Coral Island’

Check out:
The Coral – ‘Change Your Mind’
What we said:

“a strong debut album that lays the foundations of what will likely be a long and successful career”

Read our review of ‘W.L.’

Check out:
The Snuts – ‘Glasgow’
What we said:

“this is a stunning pop rock album”

Check out:
Pale Waves – ‘Fall to Pieces’
What we said:

“the album is laced with quality and shows the ease with which AFI are able to produce catchy songs”

Read our review of ‘Bodies’

Check out:
AFI – ‘Dulceria’
What we said:

“Iron Maiden doing exactly what you’d expect Iron Maiden to do”

Read our review of ‘Senjutsu’

Check out:
Iron Maiden – ‘Senjutsu’
What we said:

“this is very much Numan at the top of his game

Read our review of ‘Intruder’

Check Out:
Gary Numan – ‘Intruder’
What we said:

“the signature of a band comfortable in their skin”

Read our review of ‘Pressure Machine’

Check out:
The Killers – ‘Quiet Town’
What we said:

“the very thing that identifies their sound is their lack of boundaries, their quirkiness and willingness to experiment”

Read our review of ‘The Myth of the Happily Ever After’

Check out:
Biffy Clyro – ‘A Hunger In Your Haunt’
What we said:

“well crafted and superbly delivered album that is well worth your time and attention”

Read our review of ‘A Matter of Life & Love’

Check out:
Skinny Lister – ‘Damn The Amsterdam’

The quality of this year’s releases has been truly phenomenal as our opening 30 albums attests. The competition is extremely tight for the coveted top spot and that is clear throughout the prestigious Top 20 that follows.

What we said:

“a sublime collection of upbeat, heartfelt and powerful songs that is bound to be stuck on repeat for the foreseeable future”

Read our review of ‘A Funeral For Youth’

Check out:
Miss Vincent – ‘Rosalie’
What we said:

“The Pretty Reckless have solidified themselves in the upper echelons of Hard Rock”

Read our review of ‘Death by Rock and Roll’

Check out:
The Pretty Reckless – ‘Only Love Can Save Me’
What we said:

“you are fully absorbed by the mix of heavy hooks and catchy sing-a-long pop vocals”

Read our review of ‘Dark & Beautiful Secrets’

Check out:
Normandie – ‘Hostage’
What we said:

“Trash Boat have delivered their best work yet and they appear ready to lead the charge for British rock”

Read our review of ‘Don’t You Feel Amazing?’

Check out:
Trash Boat – ‘He’s So Good’
What we said:

“there are moments of grandeur that harness the bands expansive sound spread throughout”

Read our review of ‘The Greatest Mistake of My Life’

Check out:
Holding Absence – ‘Afterlife’
What we said:

“the album attacks your senses and gets your feet stomping and your head banging”

Read our review of ‘When Life Was Hard And Fast’

Check out:
Ricky Warwick – ‘When Life Was Hard & Fast’
What we said:

“Trivium have well and truly earned their place at the top table of metal”

Read our review of ‘In the Court of the Dragon’

Check out:
Trivium – ‘Feast of Fire’
Album of the Year 2021
What we said:

“a stunning release from a band assumedly at the peak of their powers”

Read our review of ‘American Noir’

Check out:
Creeper – ‘Midnight’
Album of the Year 2021
What we said:

“there is a real good mix of sounds on this album which together encompass Kennedy’s various alter egos”

Read our review of ‘The Ides of March’

Check out:
Myles Kennedy – ‘In Stride’
Album of the Year 2021
What we said:

“the power of this album doesn’t just lie with Bennett of course and the rest of the band have summoned even more power and majesty then before”

Read our review of ‘The Hope List’

Check out:
Lonely The Brave – ‘Bound’
Album of the Year 2021
What we said:

“the album really feels like a love letter to both the bands own history and the music of those that influenced the members”

Read our review of ‘Medicine at Midnight’

Check out:
Foo Fighters – ‘Love Dies Young’
Album of the Year 2021
What we said:

“an album packed with rock club dancefloor fillers, designed to get you moving”

Read our review of ‘Sticky’

Check out:
Frank Carter & The Rattlesnakes – ‘My Town’
Album of the Year 2021
What we said:

“there are grandiose ambitions spread throughout the album with the band obviously striving for more”

Read our review of ‘For Those That Wish To Exist’

Check out:
Architects – ‘Animals’
Album of the Year 2021
What we said:

“IDLES continue to be one of the most exciting and vital bands around”

Read our review of ‘CRAWLER’

Check out:
IDLES – ‘Car Crash’
Album of the Year 2021
What we said:

“an album of pure, unadulterated, adrenaline-filled pop rock pleasure”

Read our review of ‘Amazing Things’

Check out:
Don Broco – ‘Bruce Willis’
Album of the Year 2021
What we said:

“Press To MECO have always had a knack for creating ferocious yet catchy songs and this album is packed full of tasty rifftastic bangers”

Read our review of ‘Transmute’

Check out:
Press to MECO – ‘A Test Of Our Resolve’
Album of the Year 2021
What we said:

“the band are still able to mix catchy pop melodies with hard hitting beats to create a sound equally at home in front of mosh pits and dancefloors”

Read our review of ‘Seize the Power’

Check out:
Yonaka – ‘Call Me A Saint’
Album of the Year 2021
What we said:

“the duo however manage to amplify these electronic elements without losing their rock attitude and resonance”

Read our review of ‘Typhoons’

Check out:
Royal Blood – ‘Boilermaker’
Album of the Year 2021
What we said:

“a rare talent that have now reinforced their passion and ability to create great music for anybody who wants to listen but without concession on their vision”

Read our review of ‘Written & Directed’

Check out:
Black Honey – ‘Believer’
Album of the Year 2021
What we said:

“this record feels like it comes from a band at the peak of their powers, but knowing this group, they will still have plenty more to come”

Read our review of ‘Blue Weekend’

Check out:
Wolf Alice – ‘Smile’

Well there you have it! What a truly magnificent year for new music 2021 has been. What will 2022 have in store? Remember to discover the best new acts by following our ‘Discover’ New Music Playlist’!

Stay tuned for our 2021 Year in Review coming very soon.

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Read our review of Creeper live in London

Categories
Live Reviews

Manic Street Preachers

Cambridge Corn Exchange

Monday 11th October 2021

Manic Street Preachers

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MANIC STREET PREACHERS – CAMBRIDGE CORN EXCHANGE – LIVE REVIEW

Manic Street Preachers are a legendary act at this point so it’s no surprise that their show at the Corn Exchange in Cambridge is sold out well in advance. A well-received new album doesn’t hurt either and that’s exactly what the band has in the shape of ‘The Ultra Vivid Lament’!

Read our review of ‘The Ultra Vivid Lament’ from Manic Street Preachers

Before the band grace the stage however we get the support act, Low Hummer. Seasoned gig goers have all experienced unknown support acts that surpass expectations, and sadly also those that sound like they’ve never picked up an instrument before that night. Thankfully tonight it’s the former as Low Hummer deliver an fantastic opening performance.

Confident and assured the band are given a generous 40 minute opening set and they make the very most of it with a performance that will have won over many new fans from the packed audience. Low Hummer, remember the name, definitely ones to watch.

There really isn’t any surprise however in what comes next, as Manic Street Preachers have grown their reputation on the back of live shows. Starting tonight with ‘Motorcycle Emptiness’, ‘Orwellian’ and ‘Your Love Alone Is Not Enough’ they instantly bring the crowd into play.

There are plenty of sing-a-long anthems to get through tonight with ‘You Stole the Sun From My Heart’, ‘Everything Must Go’ and ‘If You Tolerate This Your Children Will Be Next’ all coming in the first half of the show.

Tonight is also an opportunity to witness the glory of some of the best from ‘The Ultra Vivid Lament’. ‘The Secret He Had Missed’, ‘Still Snowing in Sapporo’ and ‘Complicated Illusions’ all shining in amongst the established fan favourites.

WATCH ‘THE SECRET HE HAD MISSED’ ON YOUTUBE
Manic Street Preachers – ‘The Secret He Had Missed’

As the evening gets deep the band then break out a cover of Guns N Roses hit ‘Sweet Child o’ Mine’. Why you might ask, but this is the Manic Street Preachers and as we touched on in our album review of ‘The Ultra Vivid Lament’ they have earned the right to do whatever they want.

There is still the likes of ‘Tsunami’, ‘You Love Us’ and ‘A Design For Life’ left to bring the evening to a close and as always send the crowd home happy. Long live the Manic Street Preachers!

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Categories
Album Reviews

Manic Street Preachers

The Ultra Vivid Lament

Manic Street Preachers The Ultra Vivid Lament Album Cover

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MANIC STREET PREACHERS – THE ULTRA VIVID LAMENT – ALBUM REVIEW

Having formed way back in 1996, Manic Street Preachers have gone on to have a decorated and celebrated career which has seen the band change and evolve over time. We have seen the band go through various phases in their career with their current era being one in which the band do whatever they want to do.

They have had hit making era’s, angry periods and experimental times and now they have taken elements from each and produced their fourteenth studio album, ‘The Ultra Vivid Lament’. If any band has earned the right to do as they please then it likely is Manic Street Preachers. That isn’t to say that they have tuned out or are resting on their laurels, just that they clearly have nothing left to prove.

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That is perhaps, other than their undoubted musical ability. Whether writing angry punk or delicate pop, this band has always created pieces of beauty. It’s no surprise therefore that ‘The Ultra Vivid Lament’ is full of intricate melodies, captivating rhythms and enchanting refrains.

WATCH ‘THE SECRET HE HAD MISSED’ ON YOUTUBE
Manic Street Preachers – ‘The Secret He Had Missed’

There are songs such as ‘Orwellian’ and ‘The Secret He Had Missed’ that standout but in general this is a record to be savoured as a collection as opposed to cherry picking single tracks. The days of mega hits may be gone for the band, but they have plenty of those already.

Manic Street Preachers have earned the moniker of icons, they have enjoyed incredible success and now have the right to create whatever type of album they want. ‘The Ultra Vivid Lament’ is an enjoyable listen and the band clearly still has something to say!

Read our review of ’21st Century Love Songs’ from The Wildhearts

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