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Full Pelt Magazine

Vol. 27

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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!

Volume 27 features our cover stars 2000trees as unveil their stunning 2024 line-up! We also catch last week’s cover stars Lake Malice live in Norwich and review the new album from Grace Petrie!

Our News Report has all the latest music news including live announcements from Garbage, The Black Keys, BERRIES, Another Sky, Seasick Steve, Himalayas, Editors, Dream Wife, Oakman, InMe, Indoor Pets, Twin Atlantic, Crushed By Waves, Future Static, Brighten the Corners, Y Not Festival, Make A Scene and RADAR Festival!

Plus all the best new releases including Creeper, Seasick Steve, Delilah Bon, Like Moths To Flames, Pillow Queens, FM, Smash Into Pieces, The Pearl Harts, Twin Atlantic, Saxon, Robert Jon & The Wreck, The Commoners, Jinjer, Hockey Dad, Slash, Marisa and the Moths and Dream Wife!

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Young FatigueQUEEN LAYA and LOVELOST!

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Magazine

Full Pelt Magazine

Vol. 15

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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!

Volume 15 features cover stars Slipknot as they announce a new tour celebrating their 25th Anniversary. We also catch PET NEEDS at their ‘Fractured Party III’ event and review Ocean Colour Scene on their current UK Tour!

We have our News Report rounding up new releases from Sum 41, Lauran Hibberd, Kid Kapichi, BLACKGOLD & Hyro The Hero, Kite Thief, Blackout Problems and The Intersphere!

Plus new live announcements from Takedown Festival, Outbreak Festival, Latitude Festival, Five Finger Death Punch, ZZ Top, Lottery Winners, Twin Atlantic, Ferocious Dog, Ugly Kid Joe, Bryan Adams, Microwave, The Dirty Nil, Editors and Sylosis!

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with FLOYArlyblonde and State of You!

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Categories
Album Reviews

Editors

EBM

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EDITORS – EBM – ALBUM REVIEW

Editors debuted the single, ‘Heart Attack’, back in April with the announcement of Benjamin John Power joining the band. New album, ‘EBM’ was set for release and a number of subsequent singles have hinted that Power’s arrival on keys, synths and electronics coincides with a focus on such from the band.

Born in the indie landfill mid-noughties, Editors always stood apart and above from their contemporaries by infusing an electronic element into their dark guitar-centric sound. Throughout the next decade or so they’ve continually evolved with the times and that has seen guitars and synths swap places in the mix.

What has helped Editors both grow their audience and retain their core following is that they’ve done so well with quality music at the forefront. They’ve never abandoned their beliefs for the glory of chart success, but have found chart success nevertheless.

The shift of focus almost fully into the world of electronics hinted at in the pre-album singles is fully borne out on ‘EBM’. This is now far removed from the all out indie rock of debut album, ‘The Back Room’. It helps that the transition has been gradual and not the instant transformation that many bands have tried and often failed to enact.

LISTEN TO ‘HEART ATTACK’ ON YOUTUBE
Editors – ‘Heart Attack’

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‘EBM’ feels like an honest record from the band, in that this is clearly what the band want to be doing. Sonically this is Editors being themselves, after all they’ve never been the pandering type of band. For some of those indie rock fans that bought into the band early doors this may prove to be a step too far, but for those that have enjoyed the journey this is another collection of solid tracks.

Whilst some fans may be turned off, this isn’t a bad album. This also isn’t a great album. When you’re consistently unique, you eventually are bound to become generic. You either die a hero or see yourself become the villain. The tests of time will ultimately judge ‘EBM’ on Editors’ behalf, and I feel they are unlikely to be either cruel or kind. Again, when all your work is memorable, eventually parts of it become forgettable.

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Read our review of ‘Will of the People’ from Muse