Blood Red Shoes have always had an impressive work ethic, and whilst many of us took a step back during the events of the past eighteen months, they didn’t.
Their sixth studio album, ‘Ghosts On Tape’ was actually recorded in March 2020 but the pandemic has seen the release delayed until now. In the meantime however the band has recorded and released an EP, Laura-Mary has recorded and released a mini-album and started a new Podcast and Steven has been writing and producing a plethora of alternative artists. Not to mention that the duo also run their own label.
So, after almost two years in the vault ‘Ghosts On Tape’ is finally here. Opening with the haunting piano led ‘COMPLY’, the album sets its tone from the start. This is a dark record focusing on the outcasts and outsiders of society.
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Blood Red Shoes – ‘MORBID FASCINATION’
Lead single ‘MORBID FASCINATION’ kicks the album up a notch and helps to lead us down a path of exploration into the psyche of serial killers, a theme played out throughout the album.
It has always been hard to pigeonhole Blood Red Shoes under one particular genre and ‘Ghosts On Tape’ only makes that harder with a gothic edge shrouding the sounds that have brought the band much success.
You can feel the care that has gone into ‘Ghosts On Tape’, and the album surely represents some of the duos most creatively complex and ingenious work to date. The album speaks to the outsiders of the world, and after the last couple of years we’ve all experienced reclusiveness from society. That makes it very easy, perhaps too easy considering the themes, to embrace these songs.
It may have taken almost two years for ‘Ghosts On Tape’ to see the light of day, but the album likely feels even more relevant now. Lyrically and musically this may be a side step from Blood Red Shoes, but it works incredibly well and is well worth allowing yourself to be absorbed into their murky world!
It’s a new year, so there is a lot of that “new year, new me” stuff in the air. It’s actually awfully tempting to start this review by saying “new year, new Twin Atlantic”, but that’s far from the truth. The band’s sound has naturally evolved over their last few albums and arrives here and now with their sixth studio release, ‘Transparency’.
It certainly does feel far removed from their early material, but it isn’t as giant a leap as it somehow feels from their 2020 album ‘Power’. There has been a certain flamboyance to their music ever since ‘Great Divide’ elevated them into the mainstream, and yes that flamboyancy is turned up to 11 on this album.
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Twin Atlantic – ‘Bang On The Gong’
Pre-release singles ‘One Man Party’ and ‘Bang On The Gong’ unashamedly pointed to the direction of this album and the complete collection definitely doesn’t fail to deliver on the promised lavishness.
‘Transparency’ is short and to the point which suits this statement of an album well. It wouldn’t be fair to say that until now Twin Atlantic have been playing by the rules, but with this album they have certainly thrown off the shackles. The album has the feel of a band comfortably letting loose.
The results are very intriguing and will illicit reactions one way or the other. Some old school fans may not feel comfortable with the direction of ‘Transparency’, and that’s fine, but there is plenty here for those that have followed Twin Atlantic’s recent trajectory.
There are elements of all eras of the band here, but they are all accentuated on this ambitious record to create a splendiferous symphony of lavish pop rock. So, old school fan or first time listener, sit back and let Twin Atlantic take you on a short, sharp journey of wonder!
2020 was a year that we all wish we could forget. Could 2021 be any better? Well, it started off just as the previous year ended; with the live music industry on its knees. Lockdown restrictions still ruled out any live in person shows, with even socially distanced shows initially outlawed.
Come late spring, things began to look up and a number of “test” events were planned. We were lucky enough to attend the Pilot Download Festival and the euphoria of being amongst fellow music fans in a field can’t truly be put into words. Things were looking up!
Live music would eventually make a full return but sadly as we write this The Year In Review 2021 feature, the sector is once again holding its breath waiting for the Government to take action. Alas, true normality may still be a long way off, but for a few months this year we got to feel alive again.
That alone elevates 2021 above 2020, but there is plenty more to unpack. We recently undertook our now annual countdown of our top albums of the year over on our social media. 2021 was a truly exceptional year in terms of album quality. Those musicians kept in lockdown last year certainly found their creativity and compiling a list of the top 50 albums of the year was highly competitive.
In our The Year In Review 2021 article, we will be revealing our end of year award winners. As with last year we will announce our Album of the Year, Single of the Year, Artist of the Year, Gig of the Year and Festival of the Year.
This year however we have an additional award to hand out. 2021 was a big year for Full Pelt Music, our first full year in existence. We’ve grown and we’ve enhanced our focus on new music. We launched initially our ‘Discover’ New Music Playlist on Spotify through which we highlight the best up and coming artists.
We also launched not one but two Podcasts this year, including the accompanying ‘Discover’ New Music Podcast where we truly shine the spotlight on your new favourite acts. As such, this year we will also be awarding the ‘Discover’ New Artist of the Year award!
Before we get to those awards though, let’s run you through a few of our highlights this year. First of all, as mentioned we also launched The Full Pelt Music Podcast this year. Fittingly our inaugural guest was Frank Turner, the winner of both our Gig of the Year and Artist of the Year awards in our 2020 Year In Review.
Across the Podcasts this year we’ve had the pleasure to talk with Press To Meco, Beans On Toast, Miss Vincent, Planet Fatale, Mercutio, Light By The Sea, Freddie and the Fabs, The Damned Few, Project Renegade, Icarus and Smoke! Be sure to check out these conversations, and also to Subscribe on Youtube or wherever you listen to your Podcasts. After all, we will have plenty more for you to enjoy in 2022.
The Music Industry has seized on the opportunity to entertain this year both live and on record. We’ve reviewed 66 albums, 2 festivals and 27 gigs in 2021 as fans have been treated to incredible releases and some truly stunning live shows. Again, perhaps the enforced break has allowed creativity to breed innovation.
So with that in mind, let’s work through those award catagories!
Album of the Year
As we’ve already referenced, the pure quality of releases this year made compiling our Top 50 Album of the Year List very tricky. It was hard work but we did it, and you can read the full list here.
The quality is demonstrated best by last year’s winners IDLES only reaching a still respectable number 7. The winner however had to be ‘Blue Weekend’ from the incredible Wolf Alice who continue to go from strength to strength. After three stunning albums, there is no ceiling for this band and we can’t wait to catch songs from the album live in 2022.
Winner:
‘Blue Weekend’ by Wolf Alice
The Contenders:
‘Written & Directed’ by Black Honey, ‘Typhoons’ by Royal Blood, ‘Seize the Power’ by Yonaka and ‘Transmute’ by Press To MECO
Previous Winners:
2020 – ‘Ultra Mono’ by IDLES
Single of the Year
We move on now to our award for the Single or Song of the Year. This year has again seen us locked down for considerable amounts of time and many will have sought solace in Playlists such as our Spotify Hot List.
In selecting our track of the year we considered which songs we’ve come back to time and time again, which songs remain as fresh now as they did on first listen and what songs simply just resonate on a different level.
Our winner is an incredible track from the fantastic album ‘Transmute’ from Press To MECO. ‘A Test Of Our Resolve’ ticks all of the criteria and also sounds absolutely massive live.
Press To MECO – ‘A Test Of Our Resolve’
Winner:
‘A Test Of Our Resolve’ by Press To MECO
The Contenders:
‘My Town’ by Frank Carter & The Rattlesnakes, ‘Afterlife’ by Holding Absence, ‘Midnight’ by Creeper and ‘Haven’t Been Doing So Well’ by Frank Turner
Previous Winners:
2020 – ‘Obey’ by Bring Me The Horizon feat. Yungblud
Artist of the Year
Artist of the Year now and for this award we look for somebody who has had a huge, perhaps even career-defining year. Last year we gave the award to Frank Turner for his incredible work for the #SaveOurVenues campaign through his Independent Venue Love series.
This year our winners are a band that also dabbled with livestreams during that first lockdown. This year however has been a hugely important year for Biffy Clyro. A new album, ‘A Myth of the Happily Ever After’ came hot on the heels of last year’s ‘A Celebration of Endings’. It’s another quality album from a band that continue to deliver consistently great music.
The band also had a huge impact on the live music scene this year. Firstly, the band rode to the rescue by stepping in as late replacements for Queens of the Stone Age to once again headline Reading and Leeds Festivals.
Secondly, the band played huge outdoor shows in Cardiff, Glasgow and Margate to help signal the return of live music after around 16 months of lockdown. Highlights of both their Reading and Glasgow performances aired on the BBC.
Lastly, the band played a completely sold out and very intimate ‘Fingers Crossed’ Tour across the UK. Their shows this year giving fans an opportunity to witness songs from not one but two albums live for the first time.
Biffy Clyro – ‘A Hunger In Your Haunt / Unknown Male 01’
Winner:
Biffy Clyro
The Contenders:
Enter Shikari, Bring Me The Horizon, Creeper and Wolf Alice
Previous Winners:
2020 – Frank Turner
Festival of the Year
Festivals made a belated return from lockdown restrictions in late summer, although the majority of the usual seasons events were still cancelled. For our Festival of the Year however we can’t look anywhere other than the special event that laid the groundwork for all events to return, the Download Pilot Festival!
Back in June the Government test event was the first opportunity for music fans to camp in a field and rock out for three days. The camaraderie and atmosphere this situation created, combined with the uniquely intimate Download layout and line-up made for a once in a lifetime experience.
British bands took centre stage and delivered an incredible weekend of music; with bands and fans both desperate to experience live music again. Thanks to all involved we can hopefully experience a full fat Download Festival again this summer.
Last year’s winner of Gig of the Year was a socially distancing outdoor affair, this year however true live music returned! Picking a winner this year is difficult because the pent up frustration of lockdown on both musicians and fans vented fully across some amazing gigs.
We reviewed 27 of those shows this year and there were some very special moments amongst them. The winner however must go to Bring Me The Horizon who stormed the O2 Arena with You Me At Six and Nova Twins in tow.
The night was a massive middle finger to any remaining doubters and the band solidified themselves not just as arena fillers but as festival headline ready. Fitting therefore that they have recently been revealed as headliners for Reading & Leeds Festivals next year.
Creeper @ O2 Kentish Town Forum, Idlewild @ Electric Brixton, The Offspring @ Wembley Arena, Biffy Clyro @ O2 Kentish Town Forum, Vukovi @ Norwich Waterfront Studio and Royal Blood @ Norwich UEA
Previous Winners:
2020 – Frank Turner @ Nottingham Arboretum
‘Discover’ New Artist of the Year
Our final award is a new award for this year where we shift focus on to the future. Having launched our ‘Discover’ New Music Playlist and Podcast this year we wanted to honour an act that we have featured and for whom the future is bright.
With their debut album ‘A Funeral For Youth’ cracking our top 20 for the year, Miss Vincent take the inaugural ‘Discover’ New Artist of the Year award!
Miss Vincent – ‘Rosaline’
Winner:
Miss Vincent
The Contenders:
Planet Fatale, Dead Nature and Thumper
So, it hasn’t been a usual year again, in fact at times it has been just as hard as 2020. 2021 has however reminded us of what we were missing. Stunning new music, incredible live shows and a return to some normality (nobody say ‘new’ normal!), make 2021 a year that will live long in the memory for many reasons.
We hope you’ve enjoyed our The Year in Review 2021 feature and we wish you a very Happy New Year. Here’s hoping 2022 is a good one!
Since leaving their Callous Heart jackets on the KOKO stage back in November 2018 the normally well thought out plans of Creeper have hit road block after road block.
With their second record arriving during lockdown, this tumultuous period appeared to be ending with their arrival of their previously postponed headline tour. Alas, the show tonight at the O2 Kentish Town Forum in London takes place amid more uncertainty as the pandemic rages on.
Support act Wargasm are unable to play due to COVID and many of the sold out crowd clearly are also missing. The night should be a celebration, but the atmosphere is cautious, there is an impending sense of doom.
Music though is the great equaliser and can take away all of life’s worries, even if only for a while. Opening act Static Dress do a fantastic job of raising spirits and blowing away doubts. The crowd are instantly sucked in and the band capitalise on their short time on stage superbly. Crowd definitely warmed up!
With no Wargasm, it’s straight onto main support for this tour, Holding Absence. Having released one of the albums of the year in ‘The Greatest Mistake of My Life’, anticipation is high for their set. Over the next 30 minutes the band lives up to all of the hype that comes their way.
An assured and uplifting performance from a band on a massive spike in upwards trajectory. ‘Afterlife’ and ‘Wilt’ close out a short but very sweet set which captures the hearts of those in attendance. It shouldn’t be long before Holding Absence are headlining venues of this size.
Our headliners tonight however are Creeper. The band have battled adversity to arrive at their biggest headline show. Their cult following are out in force, even if the attendance drop reported by the Music Venue Trust is in evidence. The night has a special feel, and if any band can meet the high expectations then it’s Creeper.
Musically stunning and theatrically spectacular, Creeper take their audience on a journey of delight. From the time they arrive on stage to the moment they leave, Creeper exude confidence. This show builds on everything the band has presented since their inception and makes a statement. This is a band at the peak of their powers. This is the celebration that it needed to be.
A mixture of material features from across their career from their debut EP to recent release ‘American Noir’. The evolution of the band is clear for all to see, and so is the effort put into the show.
It may have taken slightly longer than expected to arrive at this level of venue, but on this showing Creeper are still on course to progress into even bigger buildings. This tour is a master class from the purveyors of grandiose rock and roll theatrics. Let’s hope that Creeper now get a clear run towards their destiny.
Volbeat find themselves at an interesting point in their career, well, as far as the UK is concerned. Of course the band is huge in Europe, but where do they fit in over here?
They’ve steadily worked their way up festival bills and played larger and larger venues, but will they reach the arena filling, festival headlining status they enjoy elsewhere? They felt on the cusp prior to the release of 2019’s ‘Rewind, Replay, Rebound’ but a slightly lacklustre response to that album and a global pandemic stifled their progress somewhat.
Now, they return with their latest album, ‘Servant of the Mind’, with another chance to make that leap. Whilst ‘Rewind, Replay, Rebound’ wasn’t a momentum killer of an album that many bands in the rock scene have suffered from in recent years, it also didn’t propel them any further. So the ultimate question now is can ‘Servant of the Mind’?
If the early singles, ‘Wait a Minute My Girl’ and ‘Dagen Før’, were anything to go by then that answer would be yes! The album jumps straight in with ‘Temple Of Ekur’, ‘Wait a Minute My Girl’ and ‘The Sacred Stones’ setting the tone for the next sixty plus minutes of music.
Another single ‘Shotgun Blues’, ‘The Devil Rages On’ and ‘Say No More’ all then act to reassure that yes, this is Volbeat at their very best. The thrashing swagger of the guitar work that launched their career is front and centre in all its glory, and the songwriting is able to latch on to create some new classics for the bands arsenal.
WATCH ‘SHOTGUN BLUES’ ON YOUTUBE
Volbeat – ‘Shotgun Blues’
Always a force to be reckoned with live, these tracks will instantly enshrine themselves as fan favourites when the band next take to the stage.
This album certainly finds the band at their relentless best and even as it reaches its latter stages there is plenty to retain your interest. The deluxe version of the album will set you back some 80 minutes of your life, but it’s time well spent.
On the evidence of this album, Volbeat will be pushing themselves further up those festival bills and any lingering doubts can now be dispelled. How could we ever have doubted this band!
Nostalgia is a wonderful thing, especially when related to music. Take tonight’s show from Stereophonics which is part of the 20th Anniversary Tour for classic album, ‘Just Enough Education to Perform’ as an example. Just the name of the album instantly takes me back to high school, instantly takes me back to sitting in my room and pressing play on said album in my bulky old CD player (remember those?).
Yes, musical nostalgia is a truly wonderful thing and is what ensures venues like the Corn Exchange in Cambridge are sold out for this tour.
There is no nostalgia for our young support act, Tom Speight, but after his delightful set, there will surely be many new fans. Speight’s short time on stage allows him to serenade the packed crowd with his marvellously crafted ballads. His gleaming demeanour is reciprocated by his legion of converted followers, as he ensures a superb start to the evening.
Up next is the nostalgia we speak of, as Stereophonics get straight down to business. Spending the first hour of the night performing the album affectionately known as ‘JEEP’ in its entirety, the band take the audience in a time machine back to 2001; a much simpler time, and a time where the band were dominating the musical landscape.
Monster hits such as ‘Mr. Writer’ and ‘Have a Nice Day’ punctuate an album blessed with quality throughout. Huge crowd reactions naturally also greet the likes of ‘Vegas Two Times’, ‘Step on My Old Size Nines’ and ‘Handbags and Gladrags’.
WATCH ‘HAVE A NICE DAY’ ON YOUTUBE
Stereophonics – ‘Have A Nice Day’
A short break then sees the band return to the stage to fast forward to the present for a run of tracks include new songs ‘Hanging On Your Hinges’ and ‘Do Ya Feel My Love’ from upcoming album ‘Oochya!’.
Stereophonics have done an incredible job in staying relevant some twenty years post ‘JEEP’. The fact that these dates are intimate shows despite still being large venues says a lot. The band, of course, will return to play arenas and stadiums imminently.
It’s a pleasure therefore to be able to catch the likes of ‘Maybe Tomorrow’, ‘Just Looking’ and ‘Dakota’ as the band return to the stage for a third and final time.
This band has proven themselves to be incredibly consistent both on record and on stage and nights like this are to be cherished. Ultimately tonight is a celebration of the past that also shows that the future remains bright for Stereophonics.
BEANS ON TOAST – SURVIVAL OF THE FRIENDLIEST – ALBUM REVIEW
As per tradition, Beans On Toast is back with a new album for his birthday in which he provides social commentary on the events of the past year. This year sees him in a positive mood with the release of ‘Survival of the Friendliest’.
That positivity is a breath of fresh air in a world that, as the man himself sang, has gone crazy. This is an album exploring the possibility that things can and will get better, after all as the song says ‘Not Everybody Thinks We’re Doomed’!
Working with the main man on this record are Blaine Harrison and Jack Flanagan of Mystery Jets. The collaboration works perfectly and helps the music match the positivity of the lyrics, creating an infectiously upbeat tone to the album.
‘Survival of the Friendliest’ certainly continues the evolution of this talented artist musically, following the path of its recent predecessors. The accompanying arrangements beautifully showcase those trademark vocals. These songs are distinctively more radio-friendly then his early material.
WATCH ‘HUMANS’ ON YOUTUBE
Beans On Toast – ‘Humans’
Highlights from the album include ‘Humans’ and ‘Let’s Get Married Again’ but the record deserves to be listened to and appreciated in its entirety. We say that because, the collection of songs that comprise this album are up there with the best that Beans On Toast has released.
In a world shrouded in negativity, ‘Survival of the Friendliest’ provides a light in the darkness, a feeling of positivity that instils a sense of hope. Let’s face it, it’s going to take more than an album to change the world, but for forty minutes let Beans On Toast put a smile on your face!
As soon as The Offspring announced an arena tour with The Hives in tow, an evening of early 2000’s rock scene nostalgia was destined. With the walk down Wembley Way lit with Christmas lights, with festive music playing, a fantastic Friday night in London is in store. We just won’t mention the tube strike!
Whilst nostalgia is at the heart of the evening, we start off with something new, vital and refreshing. Bob Vylan are earning their stripes. They’ve jumped onto this tour straight from supporting Biffy Clyro last month, and they’ve just announced a headline tour for next year.
Our advice following their performance tonight is to get your tickets for said headline tour as soon as possible. Enjoy them in small venues while you can, because they belong on stages like Wembley Arena. Their politically charged punk ruckus is guaranteed to elicit a reaction one way or the other. Tonight the overwhelming majority are on board and the likes of ‘Pretty Songs’ and ‘GDP’ showcase a band with a big future.
Main support for this tour comes from The Hives, generally understood to be an incredible live act. Thankfully nothing has changed during the enforced lay-off of the past two years.
With their time on stage relatively short the band blast out their biggest hits such as ‘Main Offender’, ‘Walk Idiot Walk’, ‘Hate to Say I Told You So’ and ‘Tick Tick Boom’ to the delight of the crowd. Our headliners will need to be at the top of their game in order to match the brilliance of The Hives.
Things start well for The Offspring with ‘Staring at the Sun’, ‘Come Out and Play’ and ‘Want You Bad’ immediately getting the audience riled up. A visually simple yet stunning stage show also helps to fill the huge space of Wembley Arena and make the band seem at home on such a stage.
Whilst that word nostalgia keeps coming up, The Offspring are actually touring a new album and up next two new tracks demonstrate the quality that the band is still putting out. ‘The Opioid Diaries’ and title track ‘Let the Bad Times Roll’ are received just as well as the older tracks ‘Hit That’, ‘Hammerhead’ and ‘Bad Habit’ that follow.
WATCH ‘LET THE BAD TIMES ROLL’ ON YOUTUBE
The Offspring – ‘Let The Bad Times Roll
The question of whether The Offspring can match or eclipse The Hives is already positively answered by the time we are treated to an incredible piano version of fan favourite ‘Gone Away’.
The closing run of ‘Why Don’t You Get a Job?’, ‘Original Prankster’, ‘(Can’t Get My) Head Around You’, ‘Pretty Fly (For a White Guy)’ and ‘The Kids Aren’t Alright’ is as good as it gets and vindicates the bands decision to play arenas on this tour.
The encore of ‘You’re Gonna Go Far, Kid’ and ‘Self Esteem’ is the cherry on the icing of a beautiful cake that is made from three superb performances from Bob Vylan, The Hives and The Offspring. This was a thoroughly enjoyable show, which celebrates both the present and future of punk rock.
THE DARKNESS – CAMBRIDGE CORN EXCHANGE – LIVE REVIEW
Would it be November without a tour from The Darkness? I mean can you even celebrate Christmas until you’ve heard the band play that song? In my opinion, no!
Said tour is in full gear, and tonight it finds its way into the Corn Exchange in Cambridge. The tour is in support of brand new album, ‘Motorheart’; and along for the ride are Massive Wagons.
After original support British Lion withdrew, some might say that the arrival of Massive Wagons late in the day wasn’t just a worthy replacement but actually an upgrade! The band have steadily built themselves a solid reputation as a band and as a live act and slots like this will only grow that reputation. Win, win then.
Tonight they are greeted warmly by the Cambridge crowd as they preview their own latest release, ‘House of Noise’. The likes of ‘In It Together’, ‘Pressure’ and ‘Bangin in Your Stereo’ mix perfectly with fan favourites ‘China Plates’ and ‘Back to the Stack’ to make for a fantastic opening set.
Crowd suitably warmed, it’s then time for that band of folklore The Darkness to shine bright on the big stage once again. To be completely honest, it’s almost a pointless job in reviewing this band as they are so prolific on stage. When you buy a ticket to The Darkness, you know that you will have a good time.
The set list for this tour is as you would expect for a new album tour – a mix of said new album and cult debut ‘Permission To Land’, with a handful of other offerings thrown in for good measure.
WATCH ‘IT’S LOVE, JIM’ ON YOUTUBE
The Darkness – ‘It’s Love, Jim’
‘Motorheart’ is another solid album of typical Darkness material and it therefore fits right in. From set opener ‘Welcome Tae Glasgae’, to the title track, to the fun ‘It’s Love, Jim’, the new material presents well live, again as you would expect really.
Naturally the biggest reactions of the evening come from the likes of early tracks ‘One Way Ticket’, ‘Growing On Me’, ‘Friday Night’ and ‘I Believe In A Thing Called Love’. It must be said though that the likes of ‘Open Fire’, ‘Heart Explodes’, ‘Solid Gold’ and ‘Barbarian’ from more recent albums are also now received as set staples.
Singer Justin Hawkins’ on stage banter tonight is to critique the somewhat quiet audience. Having just the night before reviewed a gig whereby I felt the need to comment on the rudeness of the crowd in talking louder than the music, it leaves me wondering just where the sweet spot is for crowd attention.
All that is left to complete the night is that old Christmas classic ‘Christmas Time (Don’t Let The Bells End)’ with the band attired in suitably festive gear. Then the crowd can go off into the night happy and ready to celebrate the time of year, all thanks to The Darkness!
Winter is most definitely coming! It’s rather cold as we join the queue to enter the beautiful Colchester Arts Centre. Surprisingly for a sold out gig, despite arriving just five minutes before doors opening, the queue is somewhat sparse.
Once inside, the venue does slowly begin to fill during the opening set from local music scene regular Benjamin Brown (Dingus Khan/SuperGlu). Whilst those familiar with his work enjoy his set, there is a general ambivalence amongst the rest of the crowd.
By the time our next support act, Grace Barr, takes to the stage the venue is packed. Sadly most of those in the venue are more interested in talking to each other than listening to Barr, which makes it quite hard to hear her performance. What is audible does sound very good, so it’s a shame the crowd don’t seem to care.
The mood changes the instant our headliners The Snuts grace the stage. The compact venue is then transformed from noisy Wetherspoons to Reading Festival main stage. Instantly there are people up on shoulders and pints, bottles and cups flying across the crowd. It would appear that The Snuts have certainly captured the hearts of what is often coined the lad rock crowd.
WATCH ‘GLASGOW’ ON YOUTUBE
The Snuts – ‘Glasgow’
There is no doubt that this band are going to be huge, and they are already creeping up next years’ festival posters. A number one album, sold out shows and the audience reaction tonight all hint to that destiny. But, if they are to achieve it they will need great music to back them up.
Thankfully for them on the evidence of tonight, they have that in abundance. That number one album, ‘W.L.’ is naturally the focus of the evening and ‘Glasgow’, ‘All Your Friends’, ‘Always’ and ‘Juan Belmonte’ provide a stunning opening to their performance.
‘Maybe California’, ‘Burn the Empire’, ‘Elephants’ and ‘Top Deck’ are all highlights too as the band blast through their set to the delight of the crazed audience. The crowd are sent off into the night with an encore of ‘Sing for Your Supper’.
Another successful gig in the bank for The Snuts, who are unlikely to be back in venues this small anytime soon! Expect to see their name everywhere over the next few years.
