The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 20 features cover stars Enter Shikari as they prepare their arena tour with a new collaboration with Jason Butler! We also have album reviews for Green Day and Neck Deep, an EP review for Jarki Monno and a live review of Bring Me The Horizon in London.
Our News Report has all the latest music news including live announcements from Gaz Coombes, Robert Plant, Resolve, Cassyette, Cro Cro Land, Maid of Stone, Steelhouse, Burn It Down, Takedown and Brits Week!
Plus all the best new releases including James, Emily Barker, The Sleeping Souls, Yard Act, IDLES, Greywind, Yours Truly, The Dandy Warhols, Chelsea Wolfe, Mad Caddies, The K’s, P.O.D., NOTHING MORE, Neck Deep, PET NEEDS, Joanne Shaw Taylor, DragonForce, LANDMVRKS, South of Salem, Mother Mother, New Model Army, Saxon and Cassyette!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Comastatic, Crushed By Waves and Noah and the Loners!
The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 18 is a special edition in which we preview 2024 including highly anticipated albums, the most exciting tours, the hottest festivals and our ones to watch list!
Our News Report is still here also covering the latest from Liam Gallagher & John Squire, Mouth Culture, Nicko McBrain, Frank Turner, PET NEEDS, YONAKA, Normandie, Troy Redfern, The Lemon Twigs, Bring Me The Horizon, Cast, Green Day, Casey, Any Given Day, VENUES, Smash Into Pieces and Alkaline Trio!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Chloe Star, Where Oceans Burn and Grieving!
The 2023 Full Pelt Awards are here and you can have your say from our shortlists below!
Votes here will be tallied with those on Social Media, plus weighted votes from our Full Pelt staff with the winners all revealed in a special Magazine on New Year’s Day!
Our 2023 Album of the Year will be revealed on our Social Media on Christmas Day! Let us know your favourite album of the year in the comments and be sure to follow us across social media to be the first to see who wins our award!
Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the seventh issue now for free!
Volume seven includes an update from cover stars The Xcerts, reviews of Blink 182 and Funeral For A Friend live, album reviews for Creeper, REWS, Beartooth and The Dollyrots and a load more!
We have our News Report rounding up new releases from Bring Me The Horizon, Feeder, Blossoms, The Sleeping Souls, Thornhill, MOSKITO, Waterparks, Delilah Bon, South of Salem, Powerwolf, Gama Bomb, Employed To Serve, PLAIINS, Scott Stapp, END and Lord of the Lost!
Plus new live announcements from Bryan Adams, YONAKA, Stonedead Festival, Casey and Haunt the Woods.
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Spyres, Future Static and Crushed by Waves!
This weekend is a celebration of twenty years of Download Festival. Stepping into the void left by Monsters of Rock not just at the hyped spiritual home of rock Donington Park but to the whole UK rock/metal scene, Download has become its own monster.
This year is truly monstrous as the event is fully sold out with record breaking numbers of attendees coming to partake in the celebration. Those celebrations get off to a rough start though with unprecedented traffic problems souring the event for many before it even properly begins.
📸 Live Nation UK PR
Once the music starts though a lot if not all of those problems subside. There is a stacked bill for the anniversary party including two nights of Metallica, a closing set from Download icons Slipknot but most vitally a new headline act Bring Me The Horizon.
The gap between Monsters of Rock and Download caused a vacuum in ability for bands to hit headline status with many acts from that era missing out on that status, Korn being one such act often thought of as passed over. Think about it, if they’d headlined at Donington Park in the late nineties, they’d no doubt still be that rank higher than they are now.
In the early years of Download, a number of bands had an opportunity to cement themselves at the top level, think Audioslave, Linkin Park, System of a Down and My Chemical Romance.
Playing alongside stalwarts like Iron Maiden, Metallica, Black Sabbath and Kiss gives bands credibility and elevates their stock. 2009’s Slipknot set is still heralded as the best example of the ‘bump’!
The problem is since then only Avenged Sevenfold in 2014 have really been given that opportunity and Download has become a bit of a clichéd round robin of the likes of Def Leppard, Rammstein, Aerosmith and other favourites already mentioned.
Perhaps then the most important booking in a celebration of the past is the look to the future with Bring Me The Horizon finally getting the top spot. Whilst Download probably should’ve got in before Reading and Leeds, it’s hopefully a sign of a subtle change of tact from the festival.
That’s because the line-up is also graced this year by the likes of Hot Milk, Nova Twins and Bob Vylan in prominent slots. Mixing this with the likes of classic Download bands Disturbed, Alter Bridge, Halestorm and Skindred gives the line-up a fresh but familiar feel.
Sadly beyond the bookings of Metallica and Slipknot plus the additional day there isn’t much done to make this year feel special for those who have made Download Festival part of their lives.
Whilst the organisers could have done more both in terms of that something special and in certain ways just the very basics, they have provided a top tier line-up, so let’s take a look at the highlights!
THURSDAY
Cancer Bats get the ball rolling on day one for us over at the second stage (now dubbed the Opus stage). The band get those that have made it into the arena pumped up with a early set packed full of ragers that ultimately ends prematurely when the sound is cut during ‘Hail Destroyer’!
Soon thereafter, Mammoth WVH get proceedings underway on the main stage (or Apex as it’s now called!). In some ways it’s fitting having the Van Halen name on this stage, in others it’s very ironic as the legendary band are often referred to by lead booker Andy Copping as one that got away.
Wolfgang and co show that with or without the last name, they have the talent needed to conquer stages like these. From start to finish it’s an excellent showing that places the band on the potential list for future festival stars.
Next up on the Opus stage are Hundred Reasons who are riding the wave of their stunning return album, ‘Glorious Sunset’. The band open with the title-track before running through a series of classic tracks much to the delight of those gathered. Hopefully this isn’t a victory lap for the band as creatively and onstage they are as good as they’ve ever been!
As we focus on the future of the festival, two names often linked to future headline status are Halestorm and Alter Bridge. It’s fine booking then to see the bands back to back next on the Apex stage.
Halestorm deliver another flawless set that seems to finish before it begins given their short allocated slot. That’s not necessarily a bad thing though given the old saying of leave the fans wanting more. Halestorm certainly do that and with a headline date pencilled in at Wembley Arena this December, the next time the band grace Donington you’d hope to see them in the sub-headline spot.
That’s the spot filled by Alter Bridge who have played in this position multiple times before; a sense perhaps then of always the bridesmaid and never the bride! Today though the band give it their all to show what they have to offer.
Watching the crowd, the set seems to be really well received which is a good sign. The band after all are always technically superb, so if enhancing that audience connection is the missing piece to progression then today’s set will have gone a long way to creating that link!
All that’s left on this special Thursday then is the first of two headline performances from the biggest metal band on the planet, Metallica. The two sets will be completely unique, giving fans the chance to see far more than a standard Metallica set list.
Night one has a good mix of hits like ‘Creeping Death’, ‘Fade To Black’, ‘Nothing Else Matters’, ‘Sad but True’ and ‘Master of Puppets’, deep cuts such as ‘Leper Messiah’, ‘King Nothing’ and ‘Orion’ plus new material from ’72 Seasons’.
FRIDAY
Friday is a huge day for the future of heavy music with a number of hotly tipped bands performing on the main stage including headliners Bring Me The Horizon.
We start on the Opus stage though with a debut UK festival appearance from Mexicans The Warning. The sister trio deliver an assured performance which belies their position on the bill. The set is another case of leaving the audience wanting more and you have to imagine that they’ll be back very soon.
Nova Twins take to the Apex stage soon after and absolutely own the stage. The duo are able to show just why they have so much hype with a performance that should be talked about as one of the best of the weekend.
Hot Milk have the unenviable task of following the pure energy that was Nova Twins, and thankfully for the band and the crowd they are up to the task. With a debut album on the way the band are on the cusp of something special and this set will again not doubt be one of those “I was there” moments.
The effortless cool of Demob Happy delights the Avalanche stage next as they showcase their stunning new album, ‘Divine Machines’.
Back on the Apex stage with the run of younger bands, next up for us are Neck Deep who are perennial contenders for bigger things. Today they have tens of thousands of people singing back the likes of ‘December’ and you have to consider Neck Deep’s set another victory for the new breed of Download band.
It’s a short and sharp blast from the past next as we pop to the Avalanche stage for the return of The Blackout. The band perform like they’ve not been away and receive a hero’s return from the audience. With the tease of more live dates to follow, it looks like The Blackout are back and back with a bang today!
It’s a quick bolt over to the Opus stage next for Within Temptation who are clearly playing a slot below their stature. The performance the band give is headline worthy not just of this stage but of the main stage. The band has a wealth of experience and use all their tricks to deliver a masterful set full of their best crowd pleasing hits.
By the time Evanescence grace the stage, the mass of humanity in attendance is a clear indication that the band should have been on the main stage. Viewing points are few and far between but wherever you are stood the band sonically deliver. A mixture of old and new is greeted well regardless but it’s mega hit ‘Bring Me to Life’ that has the entire place singing their hearts out.
It’s then time for that set. Bring Me The Horizon take over the main stage and prove any remaining doubters wrong. Making Metallica appear average, the band give their all both aesthetically and musically and produce possibly the greatest headline performance in the twenty years of the festival.
As we said earlier, the band should have been given this slot years ago, but if they had then this moment wouldn’t have existed. Their show tonight is the proof needed that the next wave are ready now and the gatekeepers need to move aside.
This set is historic not just for the theme of the weekend or for the stature of Bring Me The Horizon, it’s historic as a watershed moment for this festival. New headliners of the future should personally thank Bring Me The Horizon for breaking through that proverbial ceiling!
SATURDAY
On to Saturday now and nobody mention the weather! A celebration of twenty years of Download would have fittingly seem some rain and mud, and from this point on the festival is so hot that many would probably have willing traded the sun for some rain.
After last night it almost feels an anti-climax for the festival to continue, but another Metallica set should never be scoffed at. Thankfully there are still some fresh new bands breaking through lower down the bill today, and first up we catch Static Dress who seemingly channel the energy of Bring Me The Horizon with the fantastic opening Opus stage set.
One of the best bits of a festival for a publication passionate about new music is stumbling across a surprise gem on one of the side stages. This year that is ANTISAINT who simply storm the small Dogtooth stage with a ferocious set and definitely leave with more fans than they had going in.
The new look FEVER 333 then take to the main stage and deliver another memorable moment with Jason Aalon Butler scaling one of the massive towers erected in the main arena. That moment though shouldn’t take away from the already phenomenal set the band had delivered.
Lake Malice are next for us back in the Avalanche stage who are able to continue the run of top tier performances we’ve caught thus far. Whilst some of the organisational elements of the festival have been lacking, the music has been of the highest calibre and Lake Malice are another band you suspect will be back in a bigger spot sooner rather than later.
Next on the Apex stage are Ice Nine Kills, whose theatrics create a spectacle on the main stage, but musically they feel a little flat, perhaps being the first underwhelming set of the weekend.
Clutch who follow then also suffer both through technical difficulties and the energy sapping heat which probably negatively impacted Ice Nine Kills as well. The lack of enthusiasm from the crowd doesn’t help and it’s probably a good thing we are headed to a tent next.
We are set now for another one-two punch, this time in the Avalanche tent with Kid Kapichi and Bob Vylan on tap. It’s Kid Kapichi up first and they instantly raise the intensity levels with opener ‘Sardines’. Each song that follows is just as rewarding and by the time the band finish with ‘Smash the Gaff’ they’ve done just that!
One of the most exiting acts on the bill this weekend are Bob Vylan. The mention of ceilings earlier is relevant because this duo haven’t just smashed ceilings they’ve proceeded to stamp the shards into dust. Their performance to a packed crowd today is further evidence that new acts can make Download their home. That’s exactly what Bob Vylan do here as to repeat another cliché they completely own the stage.
It was always going to be hard to follow that suckerpunch and next on the main stage with the intense heat still sapping all energy, Disturbed deliver a plodding set. The set list is fine, the performance is far from phoned-in but with the audience struggling and the band following the ferocity of Bob Vylan, Disturbed feel distinctly average today.
We then head to the Opus stage expecting Placebo to also struggle to engage the tired and weary crowd. After all this is the third day which would traditionally be the home straight, and Placebo are not known for their crowd pleasing set list choices.
Pleasantly though those making the effort are surprisingly rewarded not just with an energised performance from the band but also a excellent set of songs including a very rare outing for the superb ‘Nancy Boy’. On their day Placebo can be an incredible live act and today they are at the peak of their powers which re-energises the previously zombified crowd.
It’s then time for night two of Metallica’s no repeat weekend. There are some great choice cuts in the set tonight such as a tour debut for ‘Whiplash’ plus ‘Until It Sleeps’, ‘Wherever I May Roam’ and Thin Lizzy cover ‘Whiskey in the Jar’! The finale of ‘One’ and ‘Enter Sandman’ ensures that the hits are accounted for as well as Metallica deliver another slick and graceful set.
SUNDAY
The final day feels like a step too far, most definitely compounded by the unrelenting heat, but once again when lost in the music all those issues somehow disappear – the power of music!
Bloodywood start the day off with an engaging performance on the Apex stage, before our recent Podcast guests Blind Channel deliver on their promise to bring the energy to Download. The sight of many metalheads singing along to a rendition of Anastacia’s ‘Left Outside Alone’ is a real sight to behold and set closer ‘Dark Side’ has everybody with their middle finger in the air.
Lorna Shore then suffer again from a lack of enthusiasm from the crowd and their sound getting swallowed up by the enormous space. Joey Valence & Brae though have neither issue in the Avalanche tent with a rambunctious and fun-filled slot.
As the heat and the excesses of the weekend catch up on the crowd it’s telling that for this afternoon outdoor sets like The Amity Affliction and Avatar whilst technically great feel like a struggle. Whereas tented sets from Joey Valence and Brae and the brilliant The Meffs are able to revive the crowd and thrive on their rejuvenation.
Thankfully things start to cool as clouds begin to take over the sky as we get ready for Dinosaur Pile-Up on the Opus stage. Sadly technical difficulties shorten their set to just five songs, but those five songs sound fantastic!
I Prevail have a huge slot on the main stage and make a good impression although you do again feel something is just lacking today. Not to flog a dead horse any further but it may be the low energy levels today or the enormity of the stage swallowing the heavier sound but it’s hard to truly get into their set today.
Thankfully the smaller outdoor Opus stage seems to have a lot of energy and Bad Religion are able to take advantage of that next with a typically slick run of punk rock anthems. Opening with ‘American Jesus’ the band able to hold your attention throughout before finishing with a rousing rendition of ’21st Century (Digital Boy)’.
Next up on this stage are Ghost who really should be headlining the main stage at this point. Musically and theatrically they are on another level and you have a sense of the Bring Me The Horizons about then. Hopefully Download Festival will strike while the iron is hot because everything about their performance today is perfect.
Ghost are so good that you also feel it unnecessary to watch Slipknot, but as soon as the band hit the stage you are glad that you stayed. The history between the band and festival is huge and it’s great that they are one of the few acts that seem to properly acknowledge that this weekend.
A standard (which is great) Slipknot set follows with some sentimental set choices and an enthralling stage show. It’s really fitting for Slipknot to close out what has been an intense weekend of celebration.
📸 Live Nation UK PR
The busiest and longest ever Download Festival will last long in the memory for reasons both good and bad. As we said at the start, this festival is a true monster now and has enough dedicated customers to ensure that it will never go down as its predecessor did. It has however become rather soulless and corporate and it feels like the identity it created over the first decade or so could be lost.
Hopefully the event will use this success to both maintain its heritage but also to now really push for the future headliners and top acts to come through. So, congratulations Download on twenty phenomenal years, and here’s to many many more to come!
Our News Report now looks at the best new releases from the past week and up first are Greta Van Fleet.
The group this week debuted new single, ‘Farewell For Now’, which you can check out above.
The single comes from upcoming new album, ‘Starcatcher’, which is out on July 21st.
“On ‘Farewell For Now’ we express the sentiment of our longing to stay on stage and savour the magic created by the audience-music phenomena,” notes bassist Sam Kiszka. “But we must pack up and go to the next place to do it all over again; as always, we’ll be back soon.”
Ahead of new album, ‘I Inside The Old Year Dying’, PJ Harvey has shared new single, ‘I Inside The Old I Dying’, which you can check out above.
The album is set for releases on July 7th, and to celebrate Harvey has revealed new tour dates.
On the single PJ Harvey says: “This delicate and beautiful song eluded us until the very last day in the studio. Over the previous five weeks we had tried so many times to capture it and failed, and/but then John reinvented the feel of the guitar pattern. As he was demonstrating it in the control room, Flood handed me a microphone and pressed record whilst I sat next to John trying to work out how to sing to it. The result somehow captures the ethereal and melancholic longing I was looking for.
In the lyric everyone is waiting for the savior to reappear – everyone and everything anticipates the arrival of this figure of love and transformation.There is a sense of sexual longing and awakening and of moving from one realm into another – from child to adult, from life to death and the eternal.”
This week saw K.Flay announced that new album, ‘Mono’, will be released on September 15th.
Accompanying the news was new single, ‘Shy’, which you can check out above.
On the single, K.Flay says, “In my music, I’m so comfortable being loud and brazen, but in my personal life, I can be a bit shy. Especially when it comes to romantic relationships. I wrote this song after I’d just met my (now) girlfriend. And I sent it to her out of the blue. I guess I only know how to flirt through songs? It worked though.
“Dave Hammer produced this one and he and I have this crazy energy between us. I think when we get together to make music we’re able to disregard the ‘shoulds’ and be purely creative together. A lot of the guitar parts were just freestyle takes, us messing around, but there was a wildness to them that hit us both in the right places.”
On the album, “I started making this record as a person with two working ears. I finished it with only one and this is also the first record for which, from start to finish, I was sober.
“MONO is about navigating loss, about looking your aloneness in the eye and deciding not to drink or vape or have sex or watch a television show, but to stand there and accept it, to understand its power. There is only one person on this earth with your mind, your creativity, your perspective. You’re a first and last pressing, a 1 of 1, and 1 is a scary number, but life is scary and funny. And sad. And beautiful. I hope this record is a reminder of that, and how we are all experiencing our aloneness together.”
Our News Report continues with new music from former The Temperance Movement frontman Philip Seth Campbell.
This week Campbell debuted new single, ‘Magical West’, which you can check out above.
Campbell has announced that his new album, ‘City Lights’, will be released on September 1st and a UK Tour will take place later this year.
Support for the tour comes from Alice Faye.
Speaking of the new record, Campbell explains: “”City Lights” is everything I know. The album flowed naturally, each song informing the next. It’s half new songs and half older unfinished pieces. I’ve been writing it since I was 16, all through my 20s and my years in London, through moving home to The Temperance Movement, touring, resting and having a family.”
Speaking of his varied career and the bumpy road he’s traversed to get to this point, Campbell adds: “A new band here, a new project there, a change of direction again and again until, suddenly there was calm and the time to think. In a small studio just outside Glasgow, with pictures of Bowie, Jagger, Neil Young and Tom Waits, I recorded an album about my whole life. I had no desire to shed my skin. I was perfectly comfortable in it for the very first time.”
‘Discover’ New Music Podcast alumni James and the Cold Gun have shared their latest single, ‘Bittersweet’, which you can check out above.
The track features on upcoming their self-titled debut album, which is out on July 21st.
Speaking on the album, frontman James Joseph says, “We can’t wait to get this album out into the world, it’s a no frills rock and roll ripper recorded ourselves in the garage where we first started jamming as a band, we think it’s a great introduction to what we’re about at our core, loud, energetic guitar rock…”
Grove Street share, ‘The Path to Righteousness’, the title-track of their debut album.
“The Path to Righteousness represents and explores escapism & the importance of having outlets or vices to help forget about the struggles of life, and the paradoxical irony of how escaping every day life improves every day life,” says guitarist Sandy.
While drummer, Josh, adds, “the track itself came together pretty organically in the practice room. I remember listening to Suicidal Tendencies and Power Trip at the time and wanted to capture a hybrid of groove and fast thrashy vibes. We wanted the last section to build and then finish strong and heavy. The repetitive vocal hook was added last minute in the studio, but it fast became my favourite part!”
Rituals – ‘Living Blind’
Rituals share their new single, ‘Living Blind’.
On the track, the band says:
“The release of Living Blind feels like a turning point in Rituals. Lyrically based on the lack of awareness for others issues, problems and grief. Living in a world in which people only take and fail to give to one an another. With our debut Download Festival performance, tours in the UK and Ireland and our biggest ever sold-out headline in Newcastle…There’s never been a better time for the band to be releasing this track.”
Any Given Sin – ‘Cold Bones’
Any Given Sin share ‘Cold Bones’ from debut album, ‘War Within’.
As a military vet often faced with the horrible news of duty’s permanent scars, frontman Victor Richie dug deep inside himself for the lyrics. “I wrote it by myself on the piano,” he recalls. “I was in the military for seven years, and I had a lot of friends commit suicide. We lost too many of our buddies in Iraq and Afghanistan. This song is about those people, but it could be for anyone who has lost a friend under similar circumstances.”
Welcome everyone to another edition of our weekly music News Report!
This week we are starting by rounding up the best live announcements from the past week and we begin with Halestorm.
Ahead of their performance at Download Festival the band have already revealed that they will return to the UK for a special one-off show at Wembley Arena.
It was a big week this week for Skinny Lister who had both new music and new tour dates to share.
Alongside a full UK tour later this year, the band debuted new single, ‘Down On The Barrier’, which you can check out below!
Skinny Lister – ‘Down On The Barrier’
Speaking about the message behind their euphoric, enlightening new track frontman Dan Heptinstall says:
“Music is a kind of religion to many gig-goers, and in “Down On The Barrier” we’ve tried to capture that feeling. The church in this case is the venue, the sermon is the song and the preacher the artist. It’s a nod to those almost spiritual moments when we gather to enjoy some communal rock’n’roll worship, as well as a healthy dose of support, release and camaraderie. See you down on the barrier!”
Another hot ticket later this year will be the ‘This Is How It Feels’ tour from Lottery Winners.
Announcing the tour the band said “We’re going to be throwing everything at this, with special guests and special production and doing our best to make it a special experience. So, please come. Bring a friend. Let’s spread the word and get these venues bouncing. We love you all so much! X”
After their appearance at Slam Dunk Festival, Yellowcard have revealed details of a new EP, ‘Childhood Eyes’ which will be released on July 7th.
Ahead of the release the band have shared the title-track, which you can check out above!
About the new single, William Ryan Key said: “I woke up in the middle of the night with the chorus ringing in my head. I grabbed my phone off of the night stand and started typing away, squinting in the dark. This was months before we even started demoing the EP. When we started writing I threw the idea in the hat at the last minute, picked up a guitar to try and put music to the melody in my head for the first time, and Childhood Eyes was born. This is a song about being defeating, let down, and deceived time and again, but still managing to find your creative soul and carry on. I think it captures the spirit of Yellowcard, both old and new.”
Another band with new music following their appearances at Slam Dunk Festival was Trophy Eyes.
The band shared their new single, ‘Life In Slow Motion’, which you can check out above!
“‘Life in Slow Motion’ is my assessment of life itself, and the way we as humans navigate life and time here on Earth.” says John Floreani. “Searching for meaning in chaos, I found myself seeing signs in number patterns and small examples of beauty in ordinary life; a hug at the bar exchanged between friends, a crinkled photo of a loved one kept close, a kindness or a smile. What they mean, I can’t say, but sometimes if you look hard enough and sit quietly enough, life reaches out and speaks to you.”
The release comes ahead of new album, ‘Suicide and Sunshine’, which is out on June 23rd.
Currently touring stadiums with Arctic Monkeys, this week also saw The Mysterines share their latest new track, ‘Begin Again’, which you can check out above.
Grian Chatten shares ‘Last Time Every Time Forever’
Grian Chatten – ‘Last Time Every Time Forever’
Grian Chatten had more new music to share this week as he debuted new single, ‘Last Time Every Time Forever’, which you can check out above!
Chatten says: “’Last Time Every Time Forever’ is a weak knee’d 99th lap around a hellscape town of your own making. It’s haunted by seagulls and hoarse-throated slot machines from the 1980s and it breaks its own promise on every listen.”
The track comes from upcoming debut solo album, ‘Chaos For The Fly’, which is out June 30th.
‘Discover’ New Music Podcast alumni ANGER PARTY shared their latest new single this week.
Bringing this section of our News Report to a close is, ‘Save Myself’, which you can check out above!
“No matter how many times our intuition tells us to leave, no matter how much ourindiscretion speaks for itself, sometimes we’re inexplicably drawn to people that never fail todisappoint and betray us. ‘Save Myself’ tells a story of inner turmoil, treading the fine linebetween yearning for somebody that will never earn our affections, and having the selfrespect to realize that we’re better off alone.” – Guitar / Vocals – Owen Claxton.
Norwegians Fixation share new single, ‘Flat Earth’.
The band states, “Flat Earth is a track that delves into the minds of people who persuade themselves into believing conspiracy theories. People that are so centered around their own perception of the truth that they refuse to see it any other way. The lyrics sums it up: «Even if they see it, they probably won’t believe it.”
Kings County – ‘Holding On’
US band Kings County share new single, ‘Holding On’.
Singer Rob Dexter says, “’Holding On” was the song we needed to write. After our last release in 2022, we were constantly performing live for months and knew we had to get back to writing or we would become complacent. You are as good as your last song and “Holding On” was a pivotal moment for us. We needed to raise the bar and that’s exactly what we did with “Holding On”.”
Martiné – ‘Oxytocin’
Copenhagen’s Martiné shares debut single, ‘Oxytocin’.
“My inspiration for this song was the very powerful hormone Oxytocin, which is also released when falling in love or by physical touch. The lyrics reflect how to embrace the power of one’s femininity and learn how to use that to set boundaries. It is definitely a song about being in control and not getting blinded by Oxytocin” – Martiné
Welcome everyone to another edition of our weekly music News Report.
We start this week with the best tour announcements and following the success of their new album, ‘A Kiss for the Whole World’ hitting number one, Enter Shikari have revealed a huge tour for early next year.
£1 from each ticket sale being donated to the Music Venue Trust in support of grassroots venues in each city the band will be touring through.
Lead singer and producer Rou Reynolds comments on the initiative:
“Grassroots music venues in the UK are under existential threat. Every time we lose another one we lose a vital part of our culture. Bigger venues that benefit from the productive pipeline that grassroots venues provide need to support these smaller venues, as do the artists that have come up through them. Enter Shikari stands with Music Venue Trust in their efforts to bring more solidity and community to our brilliant UK live music scene”.
Support on the tour will come from Fever 333 and Noahfinnce.
Reynolds comments on what could be in store:
“We cannot wait to step things up and present a huge new show to everyone. And we’re really looking forward to playing Wembley Arena for the first time! (Enter Shikari are on their way to Wembley. Can you imagine what we’re gonna do to it?).
I’m buzzing to see the supports every night, too. We’ve known Jason for many years now, so can’t wait to see the next step for Fever333, and we had a great time with Noah on our residency tour earlier this year so simply had to have him back.”
Def Leppard also announce intimate show supporting Music Venue Trust
Rock icons Def Leppard have announced their most intimate show in the UK or Europe in 35 years.
The band will play a hometown show at The Leadmill in Sheffield with a % of ticket sales going to the Music Venue Trust.
Joe Elliott says “Sheffield is in the very DNA of this band! We are ecstatic to be starting the European leg of our world tour at home at Bramall Lane! When thinking of a warm up, it made sense to do a special set at The Leadmill, in the city where it all started. We know there are a lot of small music venues struggling across the UK, so we wanted to give back to what gave to us. The net proceeds from the evening will go directly to Music Venue Trust in an effort to keep UK clubs alive…and to coincide with the release of our symphonic record, “Drastic Symphonies”, on the 19th of May. It’s all very special!”
Ben Hartley, Live Promoter from The Leadmill says, “We’re absolutely delighted to be welcoming a band as legendary as Def Leppard onto our stage. The fact that a local act that has gone on to play stadiums across the world is willing to come back home and support us in a time of need (as well as thousands of other integral grassroots venues across the UK) speaks volumes of their character. This will be the first time they’ve played The Leadmill, so it’s wonderful to be adding another chapter to Sheffield’s musical history.”
Mark Davyd, CEO and Founder of Music Venue Trust, says “It’s fantastic to get this support from such an iconic and legendary group as Def Leppard. The UK’s Grassroots Music Venues are facing an incredibly tough year, currently one is permanently closing every week. It’s going to take a huge collective effort to turn that around and it’s so important that artists get involved and lead the fight we need to stop closures”.
This week also saw metal masters Judas Priest announce a long coming headline tour of the UK.
Revealing the dates the band said “we are thrilled to start this world tour in the renowned traditional homes of heavy metal and can’t wait to see our amazing family of Priest maniacs!”
Joining the band will be very metal guests Saxon alongside Uriah Heep.
Australian punk rockers Trophy Eyes have released new single, ‘Kill’, ahead of their appearances at Slam Dunk Festival later this month.
You can listen to the single above, which comes from upcoming new album, ‘Suicide and Sunshine’, which is out June 23rd.
“All’s fair in love and war,” says John Floreani. “We all carry the scars of love lost. They become visible in the things we do, our actions and our words. Like machines we continue, only now worn and rattling. Capable of our primary function, but with a little less grace each time. Some people use love as a weapon, and ‘Kill’ is about those people.”
Like Moths To Flames debut ‘I Found The Dark Side of Heaven’
Like Moths To Flames – ‘I Found The Dark Side of Heaven’
Next in our News Report is ‘I Found The Dark Side of Heaven’, the new single from Like Moths To Flames, which you can check out above.
“Over the last few years, a lot of us have felt like shells of our former selves,” says Chris Roetter. “This is for the people who feel like they’ve been pushed so far away that no one sees them. I think it’s easy to feel forgotten about and like you didn’t matter. Some of my darkest days were an abyss that was never ending. When it’s difficult to find anything to pull you out, sometimes you just have to accept that you’re stuck.”
Heavy Lungs this week released their brand new track, ‘Dancing Man’, which you can check out above.
Commenting on the new track, front man and vocalist Danny Nedelko says: “‘Dancing Man’ came about from a conversation that left me and George crying on the floor with laughter at rehearsal. The end result is an abstract tale about a sinister character. Nice to see another in-joke make it through. Sadly not all of them do. But we will save that for the inevitable next EP.”
The official video that accompanies the single was directed by Clump Collective. “They are absolutely extraordinary and have made a myriad of amazing videos,” say the band. “They are our dear friends and actually shot the video for our song ‘Jealous’ a while back too, so this was a very welcome homecoming. We shot it all in a day at their Bristol studio. Two dogs were present; they were very encouraging. The whole concept is centred around 5 outfits and dancing. The result is a surreal ride into the sinister realm of ‘Dancing Man’.”
Fontaines D.C. vocalist Grian Chatten shared his second solo single, ‘Fairlies’, this week and you can of course check it out above.
Chatten also revealed that his debut solo album, ‘Chaos For The Fly’, will be out June 30th.
Grian on ‘Fairlies’: “I wrote ‘Fairlies’ in intense heat. Partly in Jerez, Spain, partly in LA a couple of days before a Fontaines D.C. tour kicked off. It was a quick write, and I believe I celebrated each line with a beer.”
On the album: “I was walking along Stoney Beach at night and it came to me on the waves,” recalls Chatten. “I just stood there and looked at them and I heard the whole fucking thing. Every part of it, from the chord progressions to the string arrangements.”
“I just thought: I want to do this myself. I know where we as a band are going next and that’s not where I want to go with this. I’ve got a couple of exaggerated aspects of my soul that I wanted to express,” he says.
“The rest of the band are all creative and songwriters in their own right, too. I didn’t want to go to them and be like, ‘No, every single thing has to be like this.’ I didn’t want to compromise with these songs in that way.”
“A lot of the album was written with just me and a guitar and I really like the idea of it being boiled down to those elements. That feeling of having the song in the palm of your hand, that control of having it with just you and a guitar,” he says. “There’s an intensity as a result of that.”
South Wales, Alternative Pop Rock Band Zac and the New Men have unveiled the their new single ‘That’s Ok’
“‘That’s Ok’ is a love letter to someone who is struggling, a reminder that they are not alone. It’s a song about being there for each other, no matter what. We wrote this song to show people that even when things get tough, they don’t have to go through it alone. Love is a powerful force, and we hope this song will bring comfort to anyone who is struggling.” – Vocalist, Zac.
Hannah Rose Platt – ‘The Mermaid and the Sailor’
Hannah Rose Platt has shared new single, ‘The Mermaid and the Sailor’, featuring Ed Harcourt.
Hannah explains: “The Mermaid and the Sailor is a hypnotic ‘Sailor’s Lament’ framed as a conversation exploring addiction, between the Sailor (the addict) and the mermaid (his addiction) whose siren song constantly tempts him back into the water. Featuring bewitching vocals from the magnificent Ed Harcourt!”
Harcourt says: “Hannah is a consummate storyteller and as soon as I heard her songs I was happily bewitched… I think we’re both very similar in the fact that we are obsessive film aficionados & therefore think in a more visual way in our approach to the music and the sounds. What I love about working with Hannah is that she is very free and totally open to my delusional bouts of grandeur and hopefully you, the listener, will hear the love and the pathos and the dark humour that we have managed to commit to tape in equal measure. Congratulations Hannah and I can’t wait for the world to hear this dazzling humdinger.”
Cold Culture – ‘Faded’
Danish newcomers Cold Culture share their debut single, ‘Faded’.
“A lot of people feel the same way I do; anxious and lost. I even got to a point where I couldn’t recognise myself in the mirror anymore. We wanted to write a song that describes those thoughts and feelings as well as depression, anxiety and the feeling of being numb. ‘Faded’ is our way of describing those emotions and issues you may experience during your life”
Welcome everyone to another edition of our weekly music News Report!
Up first this week is the latest news from Download Festival who this week added additional bands whilst also confirming the stage splits for each day.
The Metallica, Bring Me The Horizon and Slipknot headlined event will also now feature the likes of State Champs, Puscifer, Hundred Reasons, Static Dress, Cancer Bats and more.
Following the announcement of new album, ‘Starcatcher’, last week, this week has seen the news that Greta Van Fleet will be back out on tour later this year.
The UK will see the band tackling arena shows in London, Manchester and Glasgow with support from Mt. Joy.
Our News Report continues with Atreyu who have also announced when they will return to the UK. Alongside their EU tour the band will play a run of eight dates in the UK this November.
Continuing the theme of bands announcing their return to the UK, Danko Jones have revealed a full EU and UK tour for this Autumn that will finish at the Garage in London.
We segue our News Report now from tour announcement to new music as Dream Wife unveiled both this past week.
As the group get ready for the release of new album, ‘Social Lubrication’ on June 9th, they’ve set up a full UK tour set to take place in October.
Support for the tour will come from Ash Kenazi.
The band also had more new music on offer with new single, ‘Orbit’, which you can check out below.
Dream Wife – ‘Orbit’
On the single the band explain, “Written through the joy of jamming together and locking into the groove like a multi limbed space age organism, Orbit has a dance rock edge from the early noughties of bands like New Young Pony Club and Yeah Yeah Yeahs. Lyrically, it was inspired by post-lockdown London coming back to life and sharing a space through friendship and community. And how each day you never know what’s in store for you or how a stranger can become someone close to you – for a day, a heartbeat, a phase, or a lifetime.”
Next up we have Skindred who have this week shared their new single, ‘If I Could’, which you can check out above.
The track comes from new album, ‘Smile’, which is out on August 4th.
Frontman Benji Webbe recalls that the track was inspired by lockdown and how much he hated 2020 and the effect it had on the world. “On the other hand, 2023 is a different story,” he says. “We’ve released new music and we’re still to drop another few monsters from our album ‘Smile’. We’ve got the KISS tour coming, and we’ve also got our headline tour supporting the new album. So 2023, to me, looks like a very exciting time to be in Skindred. I’m very optimistic about the future!”
The Amity Affliction debut ‘Not Without My Ghosts’
The Amity Affliction – ‘Not Without My Ghosts’
This week also saw The Amity Affliction release their latest single, ‘Not Without My Ghosts’, which features Phem, and you guessed it – you can check it out above!
The new album of the same name will be out on May 12th.
It was a big week for James and the Cold Gun as they announced that their self-titled debut album will arrive on July 21st!
Accompanying that announcement was new single, ‘Something to Say’, which you can check out above.
Speaking on the album, frontman James Joseph says, “We can’t wait to get this album out into the world, it’s a no frills rock and roll ripper recorded ourselves in the garage where we first started jamming as a band, we think it’s a great introduction to what we’re about at our core, loud, energetic guitar rock…”
Another band approaching the release of their debut album is Militarie Gun who will release, ‘Life Under The Gun’ on June 23rd!
This week the group shared the latest single from them ahead of that album. You can check out ‘Very High’ above.
The record is inextricably linked to Shelton’s past. “I grew up in a household with family members struggling with addiction,” he explains. “It was an oppressive force. We were always wondering, ‘Is it going to be a good day or a bad day? Are the cops going to come today? What am I going to come home to after school?’”
On the album, “This is what I thought we sounded like all along,” Shelton laughs. “It’s always felt like a melody-forward band to me, but I think now we’re finally achieving what I was always setting out to do.”
Willie J Healey has shared his latest single, ‘Little Sister’, which you can listen to above.
The track features on upcoming album, ‘Bunny’, which is due for release August 25th.
Willie says “The whole era is something that I love. Long before making ‘Twin Heavy’, I had always listened to funk, soul and R&B, but for some reason it never translated into my own music. Really my inspiration was just the feel of things.’’
He goes on to say about ‘Little Sister’ specifically “We recorded it in New York, just one take, it was magical. I remember spending a couple of hours learning and messing around with it and then it was done. I really just enjoy playing music that makes you feel really good.”
Lottery Winners – ‘Letter To Myself’ feat. Frank Turner
Lottery Winners had more music to share this with as they debuted their new single, ‘Letter To Myself’, which features Frank Turner. You can listen to the track above.
The band are set for the release of their new album, ‘Anxiety Replacement Therapy’, on April 28th!
With just a month to go until their debut EP ‘You’re Welcome’, out 19th May, Lambrini Girls share new single ‘Lads Lads Lads’ about toxic masculinity.
“In order to be a lad, make sure to follow the following guidelines: excessive drinking, harassing anyone with a pulse and starting fights. Most importantly, make sure to never talk about your feelings as this simply cannot be associated with manliness. Lad culture is the shit stain on the bathroom floor and toxic masculinity is the toilet paper that refuses to unstick from the shoe of society. Nobody wins.” says the band.
headcage – ‘false gold’
Alternative Post-Hardcore band headcage have shared their brand new single ‘false gold’.
“With this track I’m trying to lay down the premise of always wanting more from life, as in wealth, status or fame but ultimately realising the people and culture that those things predominantly exist in are not the world I come from or identify with in any way, shape or form. To put it simply, it’s something I’ve always wanted for so long, and is also something I hate”. – Vocalist, Leyum Pattinson.
Grove Street – ‘Lessons of the Past’
Recently signed to UNFD, get yourselves acquainted with Grove Street via recent single, ‘Lessons of the Past’!
“Grove Street becoming a part of UNFD felt like it was meant to happen,” says guitarist Sandy. “A label that fully believes in us and wants to nurture our growth as a band is a rare thing to be seen. This band started out as fun between friends, we never had any expectations of reaching the levels we have and with UNFD behind us we can push those levels even further.”
Speaking of the track, the band share, “Lessons of the Past focuses on police brutality, abuse of power, systemic oppression and racism. People not taking a stand against these things only encourages them to manifest further, and we as people must do better to hold those in power accountable.”
Welcome everyone to another edition of our weekly music News Report!
We start this week with the 20th Anniversary of Download Festival which just got a whole load bigger! Yes 40+ new acts have now joined headliners Metallica (x2), Bring Me The Horizon and Slipknot across the special four day event.
Newly announced acts include Alter Bridge, Halestorm, Neck Deep, Bob Vylan, Jinjer, Hot Milk, The Amity Affliction, Empire State Bastard, Dinosaur Pile-Up, Deaf Havana and more!
Also on tap will be the likes of Architects, Evanescence, Within Temptation, Pendulum, The Blackout, Nova Twins, Disturbed, Placebo, Ghost and so many more!
Ahead of their appearances at this August’s Reading & Leeds Festivals, You Me At Six will perform two intimate warm-up shows in Leicester and Bournemouth.
Our News Report moves now to the best new releases from the past week and we get things started with the latest single from Bury Tomorrow!
‘Heretic’ featuring While She Sleeps frontman Loz Taylor debuted this week and you can check it out above. It was also revealed that Bury Tomorrow will join WSS at their huge Alexandra Palace show in September.
The track comes from upcoming new album, ‘The Seventh Sun’, which is out March 31st!.
Speaking on Heretic, lead-singer Dani Winter-Bates states “Heretic is here, and we knew from day one of recording that this song was something we wanted the world to hear immediately. It’s right up there with the most aggressive and visceral tracks on the album, with an inherently dark feel, both lyrically and musically, which allowed us to delve into some of the more brutal elements of The Seventh Sun. All in all, we’re extremely proud to showcase this track and can’t wait to see what people think.”
Dani continues “from the off, we knew this song merited a guest vocal spot, and Loz Taylor of While She Sleeps sprang to our minds straightaway. Already an absolute legend in our eyes, working with him on this track has only confirmed that status further. His voice incorporated perfectly and has undoubtedly taken the song to the next level – we couldn’t be happier.”
The Raven Age have announced that their third studio album, ‘Blood Omen’, will be released on July 7th. To coincide with that announcement, the band unveiled their new single, ‘Parasite’, which you can check out above!
‘Parasite’ is bolstered by a blistering solo from guest guitarist Andy James of Five Finger Death Punch. “I’ve known the lads in The Raven Age for years now,” says Andy. “I really like the direction they are heading with this third record and enjoyed doing a guest solo for ‘Parasite’. It’s a heavy but memorable track that hits you right between the eyes.”
For the Essex quintet’s “all-important third album”, as George Harris puts it, they have expanded on every level.
This motivation is written into the album’s concept. Following the theme of its two predecessors, the raven motif looms large, this time centering on the overthrowing of old masters, with the band’s Raven King character coming to prominence. Even in the artwork, things are bolder, a close up of The Raven King, says George, “taking his rightful place on the throne.”
The theme weaves itself throughout ‘Blood Omen’, kicking off with ‘Parasite’ as MJ explains, “There’s the legend about the ravens in the Tower Of London, that if they were ever to leave, the monarchy falls. Without being too political, ‘Parasite’ is hinting at these dark notes of the hierarchy, the bottom feeders that tend to run everything and then screw everything up. Our Raven King, he’s basically ascending to the throne to bring down the monarchy, bring down the establishment, weed out the parasites, as it were.”
“It’s a heavy track,” MJ continues, “We knew we wanted to come back with a real punch between the eyes. It’s the full introduction to our Raven King, and it touches on elements of everything to come. It really shows where we’re going on this album.”
The album also sees the recorded debut of new guitarist Tommy Gentry, the prodigiously talented axeman – whose previous work includes stints with Marco Mendoza and former Judas Priest six-stringer KK Downing.
“Tommy was in our sights from day one,” says George. “He’s, without doubt, the most talented musician I know. Not only is he an amazing guitarist, he’s a grade eight pianist, he can score orchestral music, and all that brings something to the table.”
‘The Price of Progress’, the latest album from The Hold Steady is out on March 31st. This week the band continued to preview the record with new single, ‘Sixers’, which you can check out above.
“‘Sixers’ was written in the first days of the pandemic,” says frontman Craig Finn. “It’s basically a song about knowing your neighbors. Two young professionals meet up in their building late on a Friday night and spend the weekend partying together. They try to find a love connection, but it’s not quite there. It’s hard to make friends when your job is so demanding. Tad and Steve chime in with some beautiful guitar harmonies.”
This week saw The View return with news of their first new album in eight years! ‘Exorcism of Youth’ will be released on June 9th and was preceded this week by the single, ‘Feels Like’, which you can check out above!
Frontman Kyle Falconer says, “Working with Youth on our third album ‘Bread and Circuses’ was one of the best experiences of my career so we jumped at the chance to revisit the opportunity with him in Spain. To be able to go into the studio again as a band with added experience was just magical.”
On the single Falconer adds, “This one felt anthemic from the get go. Even though under the surface it’s about somewhere everyone’s been in their life before: regret of losing someone amazing due to your inner demons and seeing them moving on with their life, when you’re stuck in a ‘nightmare not a dream.’ When I first sat down to write it I had Holden Caulfield from ‘Catcher in the Rye’ in mind. It’s playing out in his mind and it’s his own paranoia destroying him from the inside out when in reality she’s the perfect woman.”
Texan singer-songwriter Ryan Hamilton has shared his latest single, ‘Asshole’, which you can check out above. The track comes from upcoming album, ‘Haunted by the Holy Ghost’, which is out March 10th.
A music video for the track features World Champion Barrel Racer, Ryann Pedone & Conor the badger. Ryan says, “It’s not everyday you shoot a music video with a badger! Why a badger? Because badgers are assholes. They’re adorable assholes. Haha. So proud of this song. The self sabotaging title will keep it off most radio stations… which is a shame, because it deserves to be a big hit.”
The Dollyrots have released a brand new UK single titled ‘Still Holding On’ to kick off their first ever UK co-headline tour with Don’t Panic and special guest Royals.
You can listen to the track above!
““Still Holding On” is the first song we’re releasing off our newest recordings, from the first full album sessions since 2019! It’s a hint of a flavor for the next LP to be released later this year. Since we’ll be touring the UK this month we thought we’d give our friends here a treat and release it exclusive to the United Kingdom.”” says singer Kelly Ogden.
This week saw Millie Manders and the Shutup share their new single, ‘Rebound’, on Valentine’s Day! You can of course listen to the track above!
An ode to toxic online dating, as Millie explains: “Rebound reflects my experience with online dating, but most people I have spoken to have had similar and worse experiences with it. I wanted to write a song that was in solidarity with those on the receiving end of a rebound relationship and let them know they were never the problem.”
The comes ahead of the bands upcoming UK Tour in April.
The steady stream of fantastic new music in our News Report continues to flow from iconic Foo Fighters guitarist Chris Shiflett. You can check out his latest solo effort, ‘Black Top White Lines’, above now!
This week also saw Pet Needs revealed as the special guests on Lottery Winners upcoming UK Tour. That wasn’t the only news for Pet Needs this week however, as they also debuted their video for ‘Ibiza in Winter’, which you can check out above!
New album ‘Primetime Entertainment’ available here.
Watch Episode 11 of The Full Pelt Music Podcast with guests Pet Needs!
The Full Pelt Music Podcast – ‘Episode 11’ – Pet Needs
Glasgow four-piece Spyres return with their new single, ‘Sleep Forever’.
Vocalist/guitarist Keira McGuire explains:
“Sleep Forever is a song about blocking out the realities of life and living in your own world, not wanting to grow up, becoming an adult which puts an end to teenage daydreams and fantasies.”
FUDGE.- ‘Y.F.F.G.’
FUDGE. release their new single, ‘YOUR FALL FROM GRACE’, taken from their forthcoming ‘THAT’S JUST IT, THIS IS NOW’ EP!
Commenting about ‘Y.F.F.G.’ singer Cam says: “It’s different to our usual songs but it’s a fan favourite and shows a very atmospheric, abstract vibe and I see it as a rebellious love song. The feeling I get from this song is the same as the almost surreal sensation you get when you’re on your own late at night or early morning. That may sound strange but some of you might get what I mean.”
Guitarist Otto expands: “I call this our quiet song. I wrote it whilst someone was sleeping in the same room as me, so I picked something sweet sounding and played it with compassion. Luckily, the outcome was one of our most palatable songs for the listener and, honestly, one that I never meant to write but am grateful that I did.”
Drummer Angus adds: “You get to hear Cam’s sensitive side on this song, which is usually hidden behind his radginess. It’s a lot smoother in its ebbs and flows and playing drums to this is actually quite a relaxing experience because, for once, I can sit back and let the song do the work. For that reason, it’s bigger than its constituent parts. A bit of a banger in other words.”
IKONIK – ‘Wall of Stone‘
‘Wall of Stone’ is the debut single from IKONIK, the brainchild of Copenhagen’s Katrine Wachmann.
“‘Wall of Stone’ is a song about commitment issues and being stuck in a relationship that is going nowhere, though knowing that vulnerability might be the only way to make a relationship work. Whatever the listeners get from this song I’m just truly humble, amazed and excited that IKONIK is off on its wings and ready to fly out into the world”.
