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Live Reviews

Dan Patlansky

Dingwalls, London

Saturday 13th April 2024

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DAN PATLANSKY – LONDON – LIVE REVIEW

It’s a Saturday evening and it’s the first warm spring evening of the year! Camden is therefore predictably bustling with people checking out the famous market and taking in some street food and maybe a beer or two.

The best way to finish an evening in Camden Town is always by savouring some live music in one of the many famous venues. In an area famous for punk however, tonight is all about the blues! That’s because Dingwalls is welcoming South African maestro Dan Patlansky to one of London’s best small venues.

LEONI JANE KENNEDY

Despite the temptation to sit in the sunshine with a pint by the lock, the venue fills up early with fans anticipating an intense showcase of modern blues rock. Up first though is Leoni Jane Kennedy who takes to the stage solo with just an acoustic guitar for company.

Kennedy however has no issues in grabbing the attention of the blues aficionados in attendance. Her charm and intricate melodies easily serenade the audience and her short set is entirely captivating.

A delightful cover of ‘Tears’ by Rush is a treat, but throughout the set each song offers a glimpse of Kennedy’s songwriting talents. Finishing with ‘Synthetic’, which is the title-track of her upcoming debut album, Kennedy no doubt will have left a lasting impression tonight with her illuminating performance.

DAN PATLANSKY

It’s actually something of a miracle that this show is going ahead, given that our headliner Dan Patlansky has been sick in recent days with a couple of necessary postponements. Patlansky however makes it clear that he was desperate to play tonight, and as his set begins with ‘Lift Off’, those in attendance are instantly grateful that he was.

That’s because despite battling through illness, Patlansky is able to channel something otherworldly to deliver a mesmerising performance alongside his band. Accompanied by bassist Greg Van Kerkhof and drummer Andy Maritz, the power trio is scorching at times, delicate at others and always meticulous.

That tantalising talent especially shines through on new material from Patlansky’s latest release ‘Movin’ On’. The title track and ‘Who I Am’ are highlights but the songs from the album all shine tonight.

Another special treat this evening sees Patlansky joined by teenage blues prodigy Rhys John Stygal for a fantastic rendition of the Howlin’ Wolf song ‘Tell Me’ in the style of Stevie Ray Vaughan!

Patlansky has a rare ability to make his guitar sing and his blistering blues are relished by the adoring crowd this evening. Over the course of one-hundred glorious minutes, Patlansky and co forget illness and the outside world and simply let the music do the talking.

A glorious day has been punctuated by two superb sets from Kennedy and Patlansky and the crowd can disperse into the Camden nightlife to reminisce on a memorable evening.

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The Full Pelt Music Podcast – Episode 46 – Dan Patlansky

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Live Reviews

All Points East

Victoria Park, London

Friday 25th August 2023

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ALL POINTS EAST – THE STROKES – LIVE REVIEW

All Points East has now firmly established its place in the UK festival calendar having already brought some huge names to Victoria Park in London in recent years.

Those names included The Strokes in 2019 when their headline set was struck by sound issues. That perhaps is the reason for their relatively quick return this year, but fans also have the prospect of hearing material from 2020 release ‘The New Abnormal’.

But before we get there we have a lot more to get through, that is after we get through traffic issues outside of London which sadly means with miss both HotWax and FEET.

When we do arrive in the arena, we head straight to the East Stage (one of two huge outdoor main stages) for the reformed Be Your Own Pet. The band only reunited last year but they own the stage today as if they’ve never been away. With their fantastic performance, Jemina Pearl starts a theme of woman stealing the show today.

A brisk walk is then required to get over to the West Stage for another reunion! The Walkmen have recently returned and draw a good early crowd to the stage. The band return the favour with a career-spanning crowd pleaser of a set.

Soon though, it’s time for the woman to take centre stage again with Amyl and the Sniffers quickly making the West Stage their own. Frontwoman Amy Taylor already has the audience in the palm of her hand when an almighty downpour commences. For most acts this would kill their momentum, but the band are able to hold the crowd and ramp up the intensity, creating a moment that will last long in the memory.

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Yeah Yeah Yeahs – ‘Maps’

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Another short wait on the West Stage is all it takes for another incredible female artist to steal the show. The iconic Karen O leads Yeah Yeah Yeahs through a headline worthy performance which is absolutely enthralling.

By the time the band closes out their set with ‘Maps’, ‘Heads Will Roll’ and ‘Date With The Night’, they’ve proven themselves to be one of the best live bands on the planet. Captivating, dazzling and glorious, you start your walk back to the East Stage wondering how on earth our headline act can match that performance.

Sadly for The Strokes the fateful enemy has a say once again with sound issues somehow a problem once more. Many in the crowd complain that the volume is too low, something perhaps not helped by the meandering pace of the setlist.

That said, when the band do dig out the hits the crowd comes to life. The setlist features many of the same staples as 2019 but we do get ‘Ode to the Mets’ and ‘The Adults Are Talking’ from their latest studio effort.

Through their ninety minute set the band are able to evidence why they are one of the most acclaimed acts of the past two decades and it is far from a bad performance.

You just leave with the same disappointment as last time due to sound problems dampening the show. Perhaps that means the band will be back again in a couple of years, but either way All Points East continues to go from strength to strength and this year is another resounding success!

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Live Reviews

Limp Bizkit

Gunnersbury Park, London

Sunday 13th August 2023

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LIMP BIZKIT – GUNNERSBURY PARK – LIVE REVIEW

Festival season is quickly drawing towards a close, but there are still a handful of opportunities left for music fans to head outdoors for some music. Whilst the weather may not have been kind this year, today in Gunnersbury Park, London is pretty much perfect festival weather – it’s warm without being too hot, it’s cloudy but no rain in sight!

These London day events often struggle to bring in the fans, but the bill today has been enough to bring a healthy crowd to West London. The crowd are soon penned into what is now a standard minimalistic arena framed by overpriced food and drink.

There really isn’t a lot to do other than eat, drink and be merry, so the exuberant fifty minute change-overs are a tad extreme! Thankfully though, the early acts Deijuvhs, Joey Valence & Brae and KennyHoopla are all more than capable of getting the crowd hyped up.

Eventually we arrive at our special guests Pendulum who take to the stage at 18:40, which really feels a little early for a Pendulum set! The daylight in particular limits the effectiveness of their usual visual show.

Luckily the band themselves are more than capable to engaging the audience and building up the atmosphere. In a set that is perhaps more reliant on the music than normal, the likes of ‘Propane Nightmares’, ‘Granite’, ‘Witchcraft’, ‘Tarantula’ and ‘Watercolour’, all have the crowd singing and moving along.

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Pendulum – ‘Halo’ feat Bullet For My Valentine

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A highlight comes with Bullet For My Valentine’s Matt Tuck joining the band for new single, ‘Halo’, which goes down very well. Along with ‘Self vs Self’, the heavier tracks fare well with an audience full of metalheads, and Pendulum leave the stage having once again proved their dexterity.

Comparatively on the other hand, headliners Limp Bizkit could be called a one trick pony, thankfully for them that trick is to get the audience riled up to then smash out an energetic and riotous set.

WATCH ‘BREAK STUFF’ on YOUTUBE
Limp Bizkit – ‘Break Stuff’

From the moment Fred Durst stalks across the stage, the atmosphere ratchets up a dozen notches, and he is able to control the crowd with absolute aplomb. The band are clearly on top form and the audience reciprocates this energy which creates a very special performance.

Early material predominantly makes up the set list and that works well with a crowd which by show of hands is mainly catching the band live for the first time. ‘Dad Vibes’ and ‘Gold Cobra’ do make appearances though and change up the pace for a short while.

The show comes to an end almost as soon as it starts due to the early curfew, and fans are left wanting more, but then this is always a good thing. It would appear that somehow in 2023 Limp Bizkit may be enjoying a second coming!

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Live Reviews

Incubus

Eventim Apollo, London

Friday 23rd June 2023

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INCUBUS – LONDON – LIVE REVIEW

While most of the country have their eyes on the happenings at Worthy Farm, a few thousand dedicated rock fans brave the heat to pack into the legendary Hammersmith ‘Eventim’ Apollo.

The reason is that US rockers Incubus are in town. The band aren’t the most regular of visitors to these shores and when they do come over it’s very rare to find then outside the usual handful of major cities.

There is enough draw then for fans to find their way to this part of London and there is also relief for those fans too after a spate of recent cancellations from the band due to ill-health. Tonight though is set and once the crowd are mesmerised by the unique opening act Lealani, it’s time for a blast from the past.

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Incubus – ‘Wish You Were Here’

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With no new album since 2017 and only two albums on offer since 2006, the set was always going to be a familiar delivery of fan favourites. That’s not always a bad thing and tonight the crowd delight at the selection available.

The energy never really dips over the ninety minutes or so that the band grace the stage and the audience feed off the connection that develops with the group. Even a cover of ‘Come Together’ goes down well as the audience savour classics such as ‘Are You In?’, ‘Pardon Me’, ‘Dig’ and ‘Wish You Were Here’.

An encore of ‘Drive’ is more than enough to send the crowd back away again happy. Recent issues overcome, tonight Incubus remind everyone of their power… now perhaps a new album next?

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Live Reviews

The Black Keys

O2 Arena, London

Wednesday 21st June 2023

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THE BLACK KEYS – LONDON – LIVE REVIEW

It’s been eight long years since The Black Keys last played in the UK, so you’d expect demand to be high for their return. Tonight though, the cavernous O2 Arena in London is actually relatively quiet both in attendance and crowd energy.

As opening act Shannon and the Clams take to the stage the venue is eerily quiet, and it takes the band a few songs to hit their stride. As fans filter into the venue however, the band get into the groove and by the end of their time on the stage, the group has a check in the win column.

Next up are main support, US indie rock group Spoon, who are touring in support of their tenth studio album, ‘Lucifer on the Sofa’. New tracks ‘Wild’, ‘My Babe’ and ‘The Hardest Cut’, all sit pretty in an assured set, which whilst enjoyable, does little to raise the energy levels in the venue.

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The Black Keys – ‘Lonely Boy’

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By the time The Black Keys arrive on stage, the standing section at least is more dense and anticipation finally seems to have raised a few levels. Opening with ‘I Got Mine’ and ‘Fever’ and accompanied by a simple by effective stage set the band get the audience on side early.

It’s telling from this point in that the majority of the audience are only really interested in anything ‘El Camino’ or earlier with any newer tracks getting a lukewarm response. When the band do drop a ‘Tighten Up’ or ‘Howlin’ For You’ though the crowd goes wild.

The lack of excitement in the crowd seems somewhat matched by the sluggish delivery from the stage. The duo have had a number of struggles in that eight year gap and it does feel a little like going through the motions tonight rather than a big return to past glories.

Again, when the likes of ‘Gold on the Ceiling’ and ‘Lonely Boy’ do arrive then there is a rush of adrenaline in the venue. What could’ve been a huge party though ended up being a chilled out family barbeque where the only excitement comes when the chef calls out that the burgers are ready!

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Paramore

O2 Arena, London

Thursday 20th April 2023

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PARAMORE – LONDON – LIVE REVIEW

It’s fitting that Paramore come back to the UK around Easter time as their return has been received much like the second coming. Yes, you’d struggle to find a more engaged and dedicated audience than the hardcore Paramore fanbase.

Tonight their tour arrives in London at the gargantuan O2 Arena. It’s within this cavernous space that opening act Rozi Plain serenade the early attendees. What I can hear sounds delightful however their sound does struggle to fill the venue.

Our next act don’t struggle with that issue however as indie icons Bloc Party deliver a short and succinct set that mixes old and new to good measure. The uninitiated in the crowd seem somewhat unsure of what they are watching, but those familiar like myself have a great time with this gem of the landfill indie era. How can anybody not perk up to the likes of ‘Banquet’, ‘Flux’ and ‘Helicopter’?

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Bloc Party – ‘Helicopter’

Read our review of ‘Alpha Games’ from Bloc Party

Soon enough the lights are dimmed and Paramore arrive on stage where they quickly deliver two new tracks ‘You First’ and ‘The News’ from recent album ‘This Is Why’. Soon thereafter classic tracks ‘That’s What You Get’ and ‘Playing God’ kick the evening into another level.

The dynamics of arena seating has always intrigued and annoyed me; particularly the perhaps controversial issue of whether fans in seating should stand up during the show. Personally, it’s fine but it needs to be all or nothing – either everyone stands or everyone sits, not little pockets of standing people ignoring the fact they are blocking the view of those around that remain seated.

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Paramore – ‘This Is Why’

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The other thing that gets me is the disrespect of only standing during certain songs. Tonight it was telling the moment Hayley Williams said “my band are letting me play a solo song” or “Zac is going to sing a HalfNoise song” that the vast majority instantly sat down before even a note was played clearly indicating that they weren’t interested in even giving these tracks an opportunity.

This was a theme throughout the night with the older hits getting people stood up (usually to just film the song on their phones), and anything more obscure being treated with utter contempt. This isn’t of course a new phenomenon but it was very noticeable this evening.

Performance wise though, whether the audience reciprocated or not, the entire set was Paramore on top form. It was great to see the band clearly enjoying themselves again, something else which was evident from the night.

By the encore of ‘All I Wanted’ and ‘This Is Why’, the band have delivered the goods and the fans whether sat down or stood up are all clearly pleased with the show. It’s great to have the band back!

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Live Reviews

Hundred Reasons

Eventim Hammersmith Apollo, London

Saturday 4th March 2023

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HUNDRED REASONS – LONDON – LIVE REVIEW

The average age at the Eventim Hammersmith Apollo in London tonight is tellingly specific – mid to late 30’s! Those filing into the venue are here tonight to relive their teenage years and to remember a scene that delivered some seriously talented, yet incredibly underrated bands.

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My Vitriol – ‘Always: Your Way’

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Three such acts are on offer tonight starting off with the openers My Vitriol. The band showed much promise with their debut album, ‘Finelines’, in 2001 before they entered a perennial state of hiatus. Most of their set tonight comes from that album which ensures that the early attendees are already engaged. Set closer, ‘Always: Your Way’ sounds huge and leaves you wondering what could’ve been.

That is a constant feeling for me when remembering the British rock scene in the early 2000’s, who seemingly were hindered by the insatiable focus on nu-metal at the time. So much quality was given so little attention compared to their US contemporaries. This combined with the emergence of illegal downloads at the time seemed to stifle the growth of a generation of artists.

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Hell Is For Heroes – ‘I Can Climb Mountains’

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So many bands arrived with a big debut album whilst rock was the genre, only for their subsequent material to be ignored by the mainstream music media who had moved on. Another prime example would be our special guests tonight Hell Is For Heroes whose debut album ‘The Neon Handshake’ must go down as one of the best British rock debut albums ever.

Again, tonight they have the audience onside from the get go with their set featuring a slew of tracks from that album. ‘I Can Climb Mountains’, ‘Night Vision’, ‘Five Kids Go’ and ‘Out of Sight’ all receive huge reactions tonight from the passionate crowd and by the time they are done, as corny as it sounds, they receive a heroes ovation!

There are quick turnarounds tonight so it isn’t long before our headliners Hundred Reasons arrive onstage. This tour is another to have suffered postponements since it was originally scheduled to take place. That has meant that now we have a new Hundred Reasons album and it’s stunning. There is no surprise here then when the band choose the title-track ‘Glorious Sunset’ to open the show.

WATCH ‘REPLICATE’ FROM HUNDRED REASONS
Hundred Reasons – ‘Replicate’

The rest of the set is a celebration of the past but with some of that fantastic new music mixed in with ‘It Suits You’, ‘Replicate’ and ‘The Old School Way’ all more than fitting in alongside the older fan favourites. Hopefully that’s a good sign for the band and they can remain viable in the future. Certainly more new music and live shows from Hundred Reasons is never going to be a bad thing.

Clearly that debut album theory has something to it tonight as tracks from ‘Ideas Above Our Station’ receive the biggest reactions with the sing-a-longs to ‘I’ll Find You’, ‘Falter’, ‘Silver’ and ‘If I Could’ simply deafening.

That said tracks from the bands other albums like ‘Kill Your Own’, ‘What You Get’ and ‘No Way Back’ also get the crowd active. This has been Hundred Reasons at their magnificent, majestic best, with the band members slipping back into those comfortable shoes. The addition of Jack Bottomley from Marmozets to the live line-up also helps to ensure that the band sound just as massive as before.

Hopefully with the revival of acts such as these, that early 2000’s British rock scene can get some overdue attention; but if nothing else at least a few thousand millennials get to relive the soundtrack of their youth!

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YUNGBLUD

OVO Wembley Arena, London

Saturday 25th February 2023

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YUNGBLUD – LONDON – LIVE REVIEW

Anticipation is high around Wembley tonight, and not just because the League Cup final is tomorrow! Tonight, the famous Wembley Arena in London plays host to a sold out show from alt rock anarchist YUNGBLUD, and it’s his fans that make their mark around Wembley Way.

Soon enough the hordes of brightly coloured fans file into the venue and await their hero. First up though they are treated the special guests Neck Deep, who could under the right circumstances probably make a go of headlining this venue themselves.

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Neck Deep – ‘In Bloom

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The mission for the Welsh rockers this evening is to win over a new cross-section of the rock audience and make a load of new fans. Through openers ‘Motion Sickness’ and ‘Lowlife’, it’s clear that whilst there are some existing fans in attendance, the work will need to be done to get the whole arena on board.

Thankfully for Neck Deep, they are a well rehearsed touring machine and they are well versed in winning over audiences. As their time on stage progresses the audience becomes more engaged and by the time we get to mid-set sing-a-long ‘December’, they have an open goal to score in.

While they round out their set with the hat-trick of ‘Can’t Kick Up the Roots’, ‘Gold Steps’ and ‘In Bloom’, it’s obvious that it’s victory and mission achieved for Neck Deep. As singer Ben Barlow delivers his final team-talk to the crowd, the response is affirmative and perhaps soon the band will be on their way to Wembley for their own show.

Attention is then turned back to YUNGBLUD who is set for his biggest headline show to date following his meteoric rise over the past few years. If we are sticking with the football analogies then YUNGBLUD has been fast-tracked from the youth team to the first team and is now making his international breakthrough. As such anticipation is at a fever-pitch as the packed Wembley wait to see if he can deliver the goods!

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YUNGBLUD – ‘The Funeral’

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If there are any doubts in this venue, which you get the sense there isn’t, then it only takes mere moments for YUNGBLUD to dispel them. Kicking off with ‘21st Century Liability’, ‘The Funeral’ and ‘parents’, the crowd are instantly in awe of the raw talent on display.

The quality of the music is great tonight, but it’s the incredible stage presence of YUNGBLUD and the stunning presentation of the show which makes this an elite level concert. All the bells and whistles are here as the likes of ‘fleabag’, ‘California’ and ‘mars’ are interspersed by some dramatic imagery.

To his credit YUNGBLUD is able to make this rather large venue feel as intimate as possible. His charisma has many of the audience members zombified as they take in the spectacular experience that is created tonight. Even an enforced break due to an emergency in the crowd can’t dampen the atmosphere.

By the time the show closes with ‘Loner’, you’d think YUNGBLUD had just won the World Cup! Even if we strip away the football theme, what is clear on tonight’s showing is that YUNGBLUD is here to take over the world as one of rocks next superstars!

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Xtra Mile Recordings 20th Anniversary

Shepherds Bush Empire, London

Thursday 9th February 2023

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Xtra mile recordings 20th anniversary – london – live review

There are a number of Anniversary celebrations taking place tonight at Shepherds Bush Empire in London. This is a Brits Week show raising funds for the incredible work conducted by War Child, who this year are in their 30th year of action.

Secondly, it’s the 20th Anniversary of the brilliant Xtra Mile Recordings and finally later on in the evening we will celebrate the 10th Anniversary of our headliner Frank Turner’s stunning album, ‘Tape Deck Heart’!

WATCH ‘DON’T COME BACK FROM GUISE
Guise – ‘Don’t Come Back’

Lots to dissect then, and lots of action to pack into a short space of time, starting with our first artist this evening, Jess Guise. Guise serenades the early attendees with a number of tracks from her debut album, ‘Youngest Daughter’ such as the fantastic ‘Don’t Come Back’. A short yet delightful performance from an artist who continues to develop into one of Xtra Mile’s hidden gems!

WATCH ‘WE ARE MACHINES’ FROM BERRIES
BERRIES – ‘We Are Machines’

Following on from Guise after a short changeover are BERRIES, who released their stunning debut album, ‘How We Function’, last year also. Tonight London is treated to some of the fantastic tracks that make BERRIES such an impressive force such as ‘Copy’, ‘We Are Machines’ and ‘Spiral’. Again, their time onstage may be only fleeting but BERRIES make the most of it with a thoroughly enjoyable set.

WATCH ‘GET ON THE ROOF’ FROM PET NEEDS
Pet Needs – Get on the Roof’

Next up are Pet Needs who are fast acquiring themselves a fanbase as dedicated as our headliner’s. Yes, the usual swathe of Pet Needs t-shirts are present and from the opening chord to the last strains of feedback, every song is greeted with wild abandon from the packed crowd.

The quality of their songs combined with the energy offered onstage make a Pet Needs performance a real experience. ‘Ibiza In Winter’, ‘Toothpaste’ and ‘Get on the Roof’ are all superb tonight as the band are once again on fire.

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Frank Turner – ‘Recovery’

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Soon enough it’s time to focus on that final Anniversary as Frank Turner takes to the stage to play ‘Tape Deck Heart’ in full. An album that solidified Turner as somebody able to fill some of the UK’s largest venues, it’s a treat to see him play it in the relative intimate surrounds of Shepherds Bush Empire.

Mixing up the order of songs, Turner regales the crowd with snippets of insights into the record whilst delivering some rarer tracks like ‘Broken Piano’, ‘Good & Gone’, ‘Oh Brother’, ‘The Fisher King Blues’, ‘Tell Tale Signs’ and ‘Anymore’. The crowd savour these moments just as they do the plethora of favourites that the album created such as ‘Recovery’, ‘Plain Sailing Weather’, ‘Polaroid Picture’, ‘Losing Days’, ‘The Way I Tend To Be’ and ‘Four Simple Words’!

The evening doesn’t finish there though and ever the entertainer, Turner blasts though a selection of hits to close out the night. The sing-a-long for ‘The Ballad of Me and My Friends’ is spine-tingling as Xtra Mile’s most famous son honours the label in style.

It’s been a fantastic evening celebrating ‘Tape Deck Heart’ and Xtra Mile Recordings 20th Anniversary and we should be thankful for Xtra Mile sharing artists the calibre of Turner, Pet Needs, BERRIES and Guise.

What we should be most thankful for though is for organisations such as War Child and the incredible work that they are doing. For more information and to donate head here!

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Alter Bridge

O2 Arena, London

Monday 12th December 2022

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ALTER BRIDGE – LONDON – LIVE REVIEW

As the year draws to a close, music publications such as us turn our attention to our end of year lists. There will be nods to the best albums, singles, festivals and gigs as December progresses towards it festive finale. The only problem is that 2022 isn’t quite done yet!

Tonight for example the O2 Arena in London welcomes a fantastic package tour with three incredible acts set to grace the stage. Perhaps then those engravers should hold fire on etching the award winner’s names just yet!

This evening is the final night of a tour that has hit five other UK and Irish arenas already this month having first made its way around Europe, and there’s an end of tour / end of year atmosphere in the venue.

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Mammoth WVH – ‘Epiphany’

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The first band up is Mammoth WVH led by Wolfgang Van Halen who showcases his natural talent and feels right at home on this massive stage. Playing a blistering set of material from their self-titled debut release, the band finish with ‘Don’t Back Down’ and leave the stage with many more fans than when they arrived.

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Halestorm – ‘The Steeple’

Read our review of ‘Back From The Dead’ from Halestorm

Next up are a band who debatably should be headlining arenas themselves these days, as the screams of Lzzy Hale welcome Halestorm to the stage. Opener, ‘The Steeple’, sets the theme with new album, ‘Back From The Dead’ taking centre stage. That’s no bad thing though as it’s a fantastic album as demonstrated by the likes of ‘Wicked Ways’, ‘Mine’ and the title track.

All the usual Halestorm fun is packed into an abridged set where we still get crowd interaction, over-sized drumsticks and massive rock songs such as ‘Love Bites (So Do I)’ and ‘Familiar Taste of Poison’. ‘I Miss The Misery’ closes out the short but sweet set and leaves you thinking surely a Halestorm arena headline tour must be next on the cards.

WATCH ‘SILVER TONGUE’ FROM ALTER BRIDGE ON YOUTUBE
Alter Bridge – ‘Silver Tongue’

A band very familiar with headlining arenas at this point though is our headline act tonight, Alter Bridge. Another band with a new album to show off, the huge ‘Silver Tongue’ gets the ball rolling as the group once again demonstrate their obscene talents.

A musically sublime performance features their debut album more than recent tours with ‘Shed My Skin’, ‘Burn It Down’ and ‘In Loving Memory’ all highlights. The set list weaves between albums and highlights the musical dexterity of the band along with the commitment of their fans that stand in awe through hits and deep cuts alike.

‘This Is War’ and title track ‘Pawns & Kings’ show that the band remain very much on form as far as new material goes, but naturally it’s favourites such as ‘Metalingus’ and ‘Blackbird’ that elicit the best audience responses tonight.

An encore of ‘Rise Today’ and ‘Open Your Eyes’ seals the deal and sends the crowd into the wintery embers of 2022 happy and thoroughly entertained. It’s tours like this that remind us what we’ve been missing in the past couple of years, and serve as grounds to hold back on those end of year awards until all the entries have made their case!

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Read our review of ‘Pawns & Kings’ from Alter Bridge