Hatfield Park
Saturday 23rd May 2026
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SLAM DUNK SOUTH 2026 REVIEW
The late May Bank Holiday means only one thing for rock fans – the start of festival season!
Yes, Slam Dunk is firmly rooted into the fabric of the scenes DNA, and we once again popped to Hatfield Park for the South version of the two-day event. Tomorrow the circus will travel to Temple Newsum in Leeds for the North edition of 2026’s event, but for today the sun is certainly shining on Hatfield.
Indeed, we are in the midst of a spring heatwave and that does add an element of lethargy to what is normally a full-throttle day of relentless music. Fans, as is always the case in these scenarios, seek out any inch of shade and the water points become as popular as the bars.
With only one tented stage this year, that shade is at a premium, but the water points do appear to cope with the demand unlike previous warm years. The queues for the bars are their usual busy selves but the wait for food (barring the ice cream vans) isn’t bad in our experience today.
That’s enough of the admin stuff though, let’s get to the music! We commence our full-on day in that tent with upstarts Call Me Amour who are playing their first ever festival. You wouldn’t tell as they make the most of the early excitement amongst the crowd to engage them immediately with a polished set of atmospheric rockers.
This festival is of course built both upon nostalgia but also a fair splattering of the best new bands on the scene. We catch perhaps the two biggest hopes of rock music at the moment next as Dead Pony captivate the tent and then unpeople bring the riffage to the sun-soaked main stage. Both you’d expect will become mainstays of this event as they work their way to the top of the bill.
Our first dose of nostalgia comes next as we stick on the main stage for A! The band are back with a new album, ‘PRANG’ (their first in two decades), and it’s great to see the crowd enjoying the likes of ‘Shit Summer’ and ‘Hello Sunshine’, just as much as ‘Starbucks’ and ‘I Love Lake Tahoe’. A mass line-dancing session accompanies ‘Kings of Lowestoft’ and ‘Nothing’ provides the perfect exclamation mark to a brilliant set.
Each year the festival changes up their stage types and locations as they try to shoehorn in as much music as possible. After complaints surrounding their double ended tent set-up, the Monster stages this year are outdoor side-by-side offerings, and we catch Set Your Goals next who clearly appreciate the love shown to them. The only issue with this set-up being the big sound-bleed from the larger outdoor side-by-side setup opposite.
Slam Dunk this year celebrates twenty years and it has been fascinating watching the event grow, expand and change throughout those years. Equally numerous bands on the line-up this year are celebrating their own various anniversaries which both makes their performances extra special and makes us feel extra old!
Over the course of the next couple of hours, we catch Trash Boat celebrating, ‘Nothing I Write You Can Change What You’ve Been Through’ and Boston Manor recognising, ‘Be Nothing’. It’s a unique variant of nostalgia when bands you consider to be newer are celebrating such anniversaries, but both bands do so stunningly in their own ways.
Trash Boat purely focus on that album, and the performance has a real throwback vibe throughout. Boston Manor, sandwich ‘Burn You Up’, ‘Lead Feet’, ‘Cu’, ‘Laika’ and ‘Stop Trying, Be Nothing’ between more recent bangers. Both sets though are memorable and with both bands announcing anniversary shows for later this year, fans will no doubt be motivated to check out the full shows.
We then head back to the main stage for an emotive serenade from Dashboard Confessional including their brilliant Spiderman hit ‘Vindicated’. After then enjoying the latter part of the stirring The Menzingers back over at the Monster stages we catch Tonight Alive who commence their performance with their own Spiderman hit ‘The Edge’!
The Australians deliver a fantastic performance which is amongst the best of the day and incorporate guest spots from Harmony Cavelle (South Arcade) and Bonnie Fraser (Stand Atlantic), not to mention a cover of Mumford & Sons (never expected to say that at Slam Dunk, but it was great!).
The clashes are always a conundrum for Slam Dunk goers and attendees are split between Tonight Alive, Taking Back Sunday on the main stage and the most-hyped band of the moment PRESIDENT who evidently draw a massive crowd to the heavy stages.
We then head into the tent again for a high energy VUKOVI performance and another dose of big-time modern nostalgia with Deaf Havana. With a set celebrating their seminal record, ‘Fools and Worthless Liars’, Deaf Havana provide the most emotive set of the day. The genuine outpouring of love for these songs clearly moving frontman James Veck-Gilodi as crowd and band share a beautiful moment together.
Going back to the ever-revolving stage set-ups of Slam Dunk, the tent this year has a literal revolving stage set-up which keeps changeovers to a minimum!
We conclude what has been another full pelt (see what we did there) day at Slam Dunk with main stage headliners Good Charlotte. The band announced a couple of huge arena shows this week and many mocked the band thinking they would struggle to sell them…
…Well, today they attract one of the biggest crowds we’ve witnessed for a Slam Dunk headliner. The show, the performance and the setlist all equally suggest that the Madden brothers will have no issue convening their fans again when they return.
With a never-ending parade of hits, there is plenty of singing for fans to do before going home. The band sign off with a run of ‘I Just Wanna Live’, ‘Lifestyles of the Rich & Famous’ and ‘The Anthem’. That ensures that as fans make that journey back home, they can once again reminisce about a wonderful day of music.
The sun is out, Slam Dunk is in the bag and festival season is underway – let’s gooooo!
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