Rock fans know that festival season is upon us when we get to the late May Bank Holiday weekend and Slam Dunk Festival brings rock and punk fans to Hatfield and Leeds.
This year that journey takes a little longer for some due to traffic issues, probably borne out of the fact that both events are sold out. Leeds in particular feels like the Temple Newsam is bursting at the seams today.
Queues are unimaginably long for merch, toilets, food or anything else, but thankfully the music (and weather) is very much on point!
We start the day in the ‘Knotfest’ tent for rising metallers Heriot, who attract a decent sized early crowd. That crowd is treated to a blistering set of gloriously heavy goodness and a spirited performance from a band on the cusp of bigger things.
It’s then a short walk over to one of two outdoor main stages, the ‘Amazon Rock Scene’ stage, where we will spend most of our day today. Taking this stage next are VUKOVI who absolutely own the stage and showcase their superb new album, ‘NULA’. Singer Janine is able to hold the audience in the palm of her hand and orchestrate the first truly great set of the band.
Logistically the event may be remembered for the wrong reasons, but musically today is fantastic, with that set from VUKOVI one of many that will live long in the memory for all the right reasons.
Thinking, we’ll go for a quick wonder around, it’s clear that nothing will be quick today, but we do catch a glimpse of girlfriends who are very impressive for the time we can stay. Soon though we must head back down the hill to catch Trash Boat.
This is a band that has grown significantly in almost every sense of the word over the past few years. Their latest album, ‘Don’t You Feel Amazing?’, was one of the most surprising of 2021 as the band took their sound to new heights. Today they use the stage to bring many of these tracks to life and the crowd are clearly appreciative of another excellent performance.
Trash Boat are followed on stage by Holding Absence who have just announced that their third album, ‘The Noble Art of Self Destruction’, will be out later this year. Their set today is a good mix of old and new including brand new single, ‘False Dawn’ and fan favourite ‘Afterlife’, which gets a monumental response from the passionate crowd.
Soon enough it’s over to Wargasm who are becoming one of those marmite bands where it’s almost cool to hate them. The energy and ferocity that they put into their show however can’t be denied and whilst the energy levels for some of the crowd starts to sap, the band push through with tracks such as ‘Backyard Bastards’ and ‘Spit.’ getting everyone back moving.
We then head over to the other end of the festival site (very slowly) to the ‘Kerrang’ stage where the tent is overspilling already ahead of Boston Manor. The band are on top form right now and have every person singing along to their gargantuan anthems. As they conclude their time on stage with ‘Halo’ you can’t help but think that Boston Manor deserve to be absolutely huge.
It’s a blast from the past next as Slam Dunk keep up their track record of reformations with Kids In Glass Houses. Playing their first shows in almost a decade the band focus their set on ‘Smart Casual’, which will be getting a re-release later this year. Songs like ‘Saturday’ and ‘Give Me What I Want’ still have it and so do the band who fly through the set like they’ve never been away.
Sticking to the same stage we are soon graced by PVRIS who deliver another really good performance which features a well structured setlist. Lynn Gunn leads the trio through a selection of their popular tracks with ‘You and I’ and ‘My House’ both getting big audience responses. The band will return with their fourth album in July, and new track ‘Goddess’ goes down very well today complete with guest spot from Charlotte Sands.
We are at the business end of the day now and up next on stage are Billy Talent who are able to deliver a pure masterclass in how to make the most of a shortened festival set. Banger, after banger, after banger as the band deliver suckerpunch after suckerpunch. The crowd reciprocate the bands energy and by the time the set finishes with ‘Red Flag’, the band have done enough to claim the band of the day moniker!
In the clash of the headliners, we opt to head to the ‘Dickies’ stage for punk icons The Offspring. The band have an endless stream of hit songs, and tonight the band focus more on their back catalogue then they did at Hatfield yesterday.
Their covers section in the middle feels a little too much considering their short time on stage but nobody can deny the final run of tracks which provides a great end to a packed day both musically and in terms of the volume of people on site!
Slam Dunk is a trusted brand these days and musically they’ve delivered once again, but there are undoubtedly some logistical issues that need to be fixed. Perhaps they’ve once again outgrown their homes and need to find bigger accommodation, one thing is for sure though and next May will again see a packed line-up heralding the dawning of a new festival season.
Iron Maiden announce new Triple Vinyl to commemorate 40th Anniversary of ‘The Number of the Beast’
The legendary Iron Maiden have announced the release of a commemorative triple black vinyl album in honour of the 40th Anniversary of seminal third album, ‘The Number Of The Beast’, which was also the first to feature Bruce Dickinson on vocals and was to become the record which catapulted the band to international stardom.
Included in the new vinyl package is ‘Beast Over Hammersmith’ – available now officially for the very first time on vinyl – featuring the live concert from March 1982’s now legendary Hammersmith Odeon London show from the ‘Beast On The Road’ World Tour.
Recorded only days before the release of ‘The Number Of The Beast’ album, it’s remarkable to think these now classic songs at that time were still brand new, unfamiliar and being heard live by fans for the very first time. A real piece of history in the making.
Steve Harris comments, “On this vinyl release we get the chance to put ‘Total Eclipse’ in its rightful spot on the album for the first time. The reason it didn’t make it in the first place was that it was all a mad rush when we were finishing the record and we had to get the ‘Run To The Hills’ single out before the tour and we basically had to pick a B-side and it was between ‘Gangland’ and ‘Total Eclipse’ and we just picked the wrong one, really! I think ‘Total Eclipse’ is a stronger song and the album would have been stronger if it had been on there.”
With new album, ‘The Calton Songs’, out soon on October 14th, Gun have shared the new reinvigorated version of firm fan favourite ‘Inside Out’, which you can listen to above.
As Jools Gizzi says: “When the pandemic hit we realised that it was the perfect time to try and counteract the bleakness that was all around. It felt like we couldn’t write anything, or of course tour. Out of that darkness came a desire to completely rework these songs that we know the fans love, and bring a different, stripped down vibe”.
Dante Gizzi added: “It’s ironic that those feelings of negativity led to something so positive, a celebration of our career up to now”.
Willie J Healey has announced that his new album, ‘Bunny’, will be out March 24th. Healey, who support Florance + The Machine on tour this November, also debuted new track, ‘Dreams’ which you can listen to above.
Willie says, “‘Dreams’ is a song I wrote when thinking about the cost of an ambition. The idea behind the video is, what would life be like if you had to carry all of the money you made on your back, and that if you did have to carry it you probably wouldn’t want as much.’”
Asylums have this week debuted their new single, ‘Instant Coffee’, which you can check out above.
The track comes from upcoming album, ‘Signs of Life’, which is out on October 28th.
Producer Dave Eringa says of “Instant Coffee”:“It’s like all of Luke’s songwriting to date has been leading up to Instant Coffee, a beautifully melancholic perfect pop song with real depth! Late 90’s Albarn meets the great bits of American indie at a classical concert & they all get together for a party!”
Incredibly talented youngster Nandi Bushell took the next step in her musical evolution this week but debuted her first single, ‘The Shadows’, which you can listen to above.
“Early in 2022 my Dad fell into a depression as his autoimmune disease worsened. It was a difficult time for our family. I wanted to help cheer my Dad up by writing a song for him. He would describe his feelings to me and I would put them into lyrics letting him know, I would be there for him.
My Dad is now doing much better, he is on medication that is helping with his autoimmune disease and has recovered from his depression.
If you are suffering from mental health issues, please reach out for help. If you know of any good charities, groups or organisation in your area please share them in the comments for others.
We bring our News Report towards a close now with the best tour announcements from the past week and start with Tom Grennan.
Grennan revealed an Arena Tour set for March next year which concludes at the O2 Arena in London.
The news follows new single, ‘All These Nights’ and comes ahead of new album ‘What Ifs and Maybes’.
Speaking about the new album, Tom said: “I’ve called my new album What Ifs & Maybes. It’s about going with your gut, not your head, because you never know what’s going to happen. I’m not afraid to jump into the unknown – because it’s exciting! It’s about rolling the dice and living your best life with nothing to lose. I’m in a new creative space, and I know I’m finally the artist I want to be. I’m so buzzing for these shows, my biggest gigs to date. I can’t wait to get out and play these new songs to everyone. Let’s go!”
TikTok star and queen of angsty pop/rock, Charlotte Sands, has released her hard-hitting, fan favourite single ‘Tantrum’.
On the track, she said, “‘Tantrum’ is so special to me because since the first time I played it live, people immediately latched onto it and have been fighting for its release ever since. This song not only represents experiences of anxiety, panic, and rebellion throughout my life and career but also the journey and relationship between me and the people who have made my career possible. I’ve been playing it live for over a year now and I’m thankful for the people who have pushed me out of my comfort zone to release a song that without them would still be sitting in a folder somewhere on my phone. I am overwhelmed with excitement for this song to finally be out in the world, it’s been a year in the making (almost to the exact day) and I can’t wait to finally be able to throw a tantrum together.”
As Sirens Fall – ‘heaven (spat us back out)’
As Sirens Fall share their new single, ‘heaven (spat us back out)’.
‘i started writing heaven (spat us back out) just as our last ep ‘l’appel du vide (part 1)’ was releasing. that ep was a project about grief, and ‘heaven’ very much comes from that same place. it’s about giving up on the hopeful delusions that often come packaged with grief. it’s about realising you’re coming of age in a dark world and choosing to face it all and grow up anyway – choosing to live.’ Mikey Lord, Vocals
Arliston – ‘Hold My Wine’
Arliston return with the stirring and spirited new single, ‘Hold My Wine’, taken from forthcoming EP ‘Even In The Shade’.
Vocalist Jack Ratcliffe says, “We’ve been wanting to make something a bit more playful for a while, so when we first hit on that chorus idea and made a silly middle-class pun on ‘hold my beer’, everything just fell into place around it. This one was a lot of fun to make.”
Jack adds,“The song is about that occasional moment of recognition when you look up from the narrow corridor of your own thoughts and are seized by the idea that everyone else has progressed and developed, while you are stuck in an unchanged rut. The protagonist attempts to do something about it in the chorus — but inevitably, he gets it wrong.”
Welcome everyone to another edition of our weekly music News Report!
We start this week with festival announcements and we can’t begin anywhere else other than Slam Dunk Festival. The dual location event has revealed the first batch of bands set for Leeds and Hatfield next year and it’s a stunner!
On tap are The Offspring, Enter Shikari, Billy Talent, Bowling For Soup, Less Than Jake, Creeper, Holding Absence, Trash Boat and Kids In Glass Houses amongst many more.
Rou Reynolds of Enter Shikari comments:
“I’ve been intoxicated by the idea of headlining Slam Dunk again ever since our Take To The Skies celebration headline set back in 2017. It’s such a great festival, always nails its bills, and has the added bonus that us lads can actually cycle to the Southern date, being that Hatfield is a neighbouring town to us!
In fact, essentially, this will be our biggest “hometown” show ever, now that the festival has grown even more. I cannot wait. In fact, I will not wait. I demand we play this tomorrow!
I think playing outdoors is my favourite thing to do in life. Just being able to look up and see the sky, with the expanse of people underneath it, all sharing the same emotions and experience, it’s just such a raw, beautiful, and reifying thing.
Slam Dunk is a festival I try to attend every year regardless of whether we’re playing it. I love both the sites, and it’s always full of mates and has such a convivial vibe. (That’s my word of the week).
We’re already thinking about stage production ideas, we’re going to do everything we can to make this our biggest show yet.”
Staying in Leeds, and Live At Leeds: In The City grew by some 80+ acts this week.
Joining the already announced Pale Waves, Dinosaur Pile-Up and Baby Queen will be the likes of Sundara Karma, White Lies, Swim Deep, Lottery Winners, King No-One, The Pale White, The Hara and many more.
Speaking about the new additions to Live At Leeds: In The City, Festival Promoter Joe Hubbard said: “After the incredible reaction to our first wave of names, we’re delighted to announce over 80 new artists joining us across Leeds City Centre this October. There’s something incredible about bringing together some of the most exciting names in new music that us in the Live At Leeds office have been playing constantly or lucky enough to see this year – and Live At Leeds: In The City 2022 feels like the perfect combination of artists we know are set for massive things in the year ahead.
I can’t wait to dive around the city catching set after set of must-see moments, and we’re sure that everyone will come away from the festival with countless new favourite artists”
Our News Report moves on to the biggest tour announcements from the past week, but we start off with another huge summer show set for 2023.
Courteeners will be returning to Heaton Park to celebrate the 15th Anniversary of their debut album, ‘St.Jude’.
Speaking about the special ‘St Jude’ Heaton Park show, Liam Fray says: “They grow up so fast. Can’t believe our darling St. Jude is 15 next year. Think it’s time for a celebration and we all know that great things come in threes….The Star Wars Trilogy, Sooty, Sweep & Soo and now, here we are, with the third instalment of ‘Courteeners at Heaton Park’.
June 2015. June 2019 and now June 2023 …
This time, to celebrate the 15th anniversary of its release we’ll be playing ST. JUDE (in full) PLUS (of course) THE HITS. I can’t think of any better way to celebrate than to make the pilgrimage to Heaton Park with like-minded souls and lose ourselves like it’s 2008. And, because we’re good like that, we’ve remastered the original album … GOD BLESS THE BAND. GOD BLESS THE FANS. OMNE TRIUM PERFECTUM.’
Watch Daytime TV on our ‘Discover’ New Music Podcast
Arctic Monkeys debut new single ‘There’d Better Be A Mirrorball’
Our News Report turns now to the best new music releases from the past week and we start with the iconic Arctic Monkeys.
Last week the band revealed that new album, ‘The Car’, will be released on October 21st. This week the band debuted the first single from the album, ‘There’d Better Be A Mirrorball’, which you can check out above.
The Wonder Years share ‘Old Friends Like Lost Teeth’
As we continue our News Report we look now at The Wonder Years who this week shared new track, ‘Old Friends Like Lost Teeth’, which you can check out above.
The track will feature on upcoming album, ‘The Hum Goes On Forever’, which is out September 23rd.
“As much as I try not to dwell on loss, I can’t help myself from thinking about it, writing about it, singing about it,” Vocalist Dan Campbell explains. “This is a song for another friend who passed too soon and about how I wish I could stop myself from opening the sutures, about how I know it’ll be painful to play live, and how powerless I am to do anything else.”
Pulled Apart By Horses share ‘Sleep In Your Grave’
Pulled Apart By Horses this week shared new track, ‘Sleep In Your Grave’, which you can check out above. The track comes ahead of fifth album ‘Reality Cheques’, out September 30th.
Commenting on the band’s sonic evolution for the new record, vocalist Tom Hudson says: “One major thing we all chatted about was the ‘less is more’ approach, so we made a collective decision for me to ditch my guitar. It was a logical and simple way of trimming the fat, it gave us a more direct ‘to the point’ urgency. Instead of the racket of multiple duelling guitars and a cacophony of noise, everything had a pocket to sit in. A sonic corner. PABH 2.0.”
“Whilst we were working through writing and jamming, we also experimented with load of different recording techniques, an array of vintage microphones that we’d accumulated, trashed 70’s WEM guitar combo amps, routing vocals through old fender spring reverb heads, manipulating sounds with Space Echo tape effects and a load of other things for us to play around with.”
October Drift released new single, ‘Waltzer’, this week, which you can check out above. The tracks will feature on upcoming album, ‘I Don’t Belong Anywhere’, which is out October 14th.
Regarding the single frontman Kiran Roy says, “‘Waltzer’ always makes me think of Robert Eggars film The Lighthouse. The isolation and spiralling madness of the film really echoes with this song. I guess it’s mainly about the fog of depression. It’s a kind of focus lens on my lowest and darkest thoughts, as well as a reflection of people I love and care about who have themselves battled with these kinds of things.”
Check out Episode 10 of The Full Pelt Music Podcast with guests October Drift
Charlotte Wessels shares latest single ‘Toxic’
Charlotte Wessels debuted her latest single, ‘Toxic’, this week which you can listen to above. The track will feature on new album, ‘Tales From Six Feet Under Vol II’, which is out October 7th.
On ‘Toxic’, Charlotte says: “‘Toxic’ is a direct response to the populism, greed, misogyny and victim blaming that come screaming from our screens on a daily basis, and with the recent overturning of Roe v Wade, it has sadly become only more relevant since its initial release on Patreon. I hope you like the song but I mostly hope the issues it deals with will be a thing of the past before I am.”
Doom trap pioneer Mimi Barks has announced her highly anticipated upcoming mixtape ‘DEADGIRL’ which is set for release in December 2022. She has also dropped a new offering in the form of defying single ‘nihil’.
“‘nihil’ is the first track I wrote after having my entire music collection and visuals wiped off all DSP’s including YouTube in 2020. And just when I entered the void, thinking this is it, my brother KOEN sent this beat, which lead me to writing the first song for what would later become the DEADGIRL Mixtape. I needed to move forward from this, and “nihil” be my reboot in a paradoxical way.”“There lies great power in resistance” – Mimi Barks
Sunsleeper – ‘Quitter’
Indie rock band Sunsleeper have shared their new single ‘Quitter’.
“’Quitter’ is about the pains and joys of being a band,” says vocalist Jeffery Mudgett. “How touring is both incredibly fulfilling while also being a detriment to normalcy and comfortability. Poking fun at the comparison game. The realization that creating music in a live scenario is often the place I feel the most present, when I allow myself to be.”
noyou – ‘Same Old Story’
Having recently exploded onto the scene, Synthetic Pop-Rock band noyou have dropped their new single ‘Same Old Story’.
“Same Old Story explores the anxieties and stresses that come with adult life. Are we ‘on track’ with where we’re supposed to be for our age? The track deals with the repetition and monotony of the everyday and the struggles of wanting to be released from it. The train never stops, but what is our destination?” – noyou front man Connor Jobes.
Keep an eye on our Socials this week for the latest episode of the ‘Discover’ New Music Podcast with guests noyou!
Welcome everyone to another edition of our weekly music News Report, where we roundup the best news from the past week. This week we start off with tour announcements and the above run of dates from You Me At Six.
The band will be joined by Waterparks, The Maine and Bears In Trees for the tour that finishes up at Alexandra Palace in London.
The fantastic Beans On Toast this week revealed another lengthy trek around the UK for early next year.
Speaking about the upcoming tour Beans says:
“Folk music is an age-old art form, and it’s more relevant than ever in these wild and crazy modern times. You can expect an inspiring and entertaining gig, a relaxed and fun affair that leaves you feeling like you’ve met up with an old friend, and you’re all the better for it.”
Kodaline have announced a special intimate run of UK shows in support of their forthcoming stripped-back live album ‘Our Roots Run Deep’, out October 14th.
Speaking about the tour the band say, “We can’t wait to be back in the UK to bring you some super intimate shows to celebrate the release of Our Roots Run Deep with some of our favourite Independent Music stores around the country. These will be some of the smallest shows we’ve done in a long time and we cannot wait to see you there.”
Marking the announcement they have also released the new single ‘Wherever You Are’ taken from the album. You can check it our below.
Regarding ‘Wherever You Are’ vocalist and multi-instrumentalist Steve Garrigan says, “‘Wherever You Are’ is a song I originally wrote as a present for my girlfriend. It’s a newer song from our fourth album One Day At A Time. It’s connected with a lot of people around the world and has been fun to play live at festivals and full band shows. It was great to hear the crowd singing along to this acoustic version in such an intimate setting. It’s a moment we won’t forget.”
Continuing about the album the band say, “This album is something we’ve wanted to do for a very long time, it’s also something entirely new to us. It’s a stripped-down acoustic show with no click, which basically means, it’s very raw and unfiltered. We wanted to try and capture the energy and atmosphere of the night as best we could. It was an intimate show recorded in one of our favourite venues in the world, in Dublin City at home in Ireland. We hope you enjoy it as much as we enjoyed playing it.”
Smith/Kotzen announce new release ‘Better Days… And Nights’
New music releases now as our News Report continues. We start with the Smith/Kotzen collaboration and their news this week that they will be releasing ‘Better Days… And Nights’ on September 16th!
The release will comprise five previously unreleased live tracks, plus for the first time ever on CD, the four studio tracks featured on their sold out, limited edition 12” vinyl EP, ‘Better Days’, released in conjunction with Record Store Day in November 2021.
Adrian Smith comments, “I think everyone in the band was extremely happy with how our very first tour turned out. We were all naturally a little anxious as we’d never played live together before but once we got out there, everything fell into place really easily and we all had a tremendous amount of fun. I can’t wait until we can do it again and get to play in many more places next time round.”
Richie Kotzen adds, “We spent a lot of time discussing which of the songs from the live show to include on this CD. We wanted to capture an accurate snapshot of the special vibe we all felt on the tour and I think we’ve achieved this in the songs we’ve selected, and hope our fans will agree. We’re looking forward to seeing everybody again on future tours.”
The Hunna have announced their brand new self-titled album to be released on October 28th. The album is preceded by new single, ‘Trash’, which you can listen to above.
“We had so much fun writing the lyrics,” recalls vocalist and guitarist Ryan Potter. “All of us were together, joking around and letting loads out. Even though it has got an angst to it, we don’t take life too seriously, we’re just having fun.
“We’re not calling anyone specific out, it’s just overall industry suckiness. It highlights things we’ve experienced in the industry over the years and things we see going on and hear about now. There’s a lot of bad shit that still goes on in the industry and a lot of it gets swept under the rug. But we’re in the position where we’re on our fourth album, we feel refreshed and confident and this is what we’re going to say. You either like it or you don’t, it’s cool either way. We are who we are.”
Charlotte Wessels shares new single ‘Human To Ruin’
Charlotte Wessels will release her new album, ‘Tales From Six Feet Under Vol II’ on October 7th. This week saw Wessels share the second single from the album, ‘Human To Ruin’, which you can check out above.
On the song, Charlotte comments,
“With ‘Human To Ruin’ I wanted to make a song that has an old school symphonic feel to it, but at the same time doesn’t get too polished or “pretty” to reflect the theme of the track. The vocal processing on the choruses is inspired by 90’s grunge and the instrumental middle part gives off something psychedelic, all in all it’s quite eclectic.
Thematically, the words in ‘Human To Ruin’ are the things you say to yourself when you feel undeserving of love, or when you feel like you want love just for selfish reasons. I felt compelled to indulge in this feeling without nuancing it, because when you exaggerate a feeling like that, or make it larger than life in a song, it allows you to shout out the frustration on the one hand but it also reminds you that it is probably not all THAT bad in reality.”
Next in our News Report, we head to The Wonder Years, who continue to build towards their new album, ‘The Hum Goes On Forever’, which is released on September 23rd.
This week the band shared their latest single, ‘Low Tide’, which you can listen to above.
“This is my pandemic depression song. I feel like everyone gets one.”. The Wonder Years vocalist Dan Campbell describes the band’s new song out today with unflinching honesty.
“It’s searching for some semblance of normalcy through small, newly formed rituals. It’s being unsure if I’ll ever get to do the thing I love again, if live music will ever come back. It’s deciding to just give up and then deciding not to give up and then deciding to give up again in alternating intervals. It’s watching old movies and unconsciously thinking “Oh my god, where are your masks?” when people are in public places because a deep anxiety now exists within me that may never fully leave. You know, all the normal stuff.”
Glaswegian rockers Gun have this week released a brand new version of their seminal single, ‘Word Up’, which you can listen to above.
It’s the latest track to be cut from their upcoming album, ‘The Calton Songs’, out 14th October.
Jools Gizzi says of the album:
“When the pandemic hit we realised that it was the perfect time to try and counteract the bleakness that was all around. It felt like we couldn’t write anything, or of course tour. Out of that darkness came a desire to completely rework these songs that we know the fans love, and bring a different, stripped down vibe”.
Whilst Dante Gizzi adds:
“It’s ironic that those feelings of negativity led to something so positive, a celebration of our career up to now”.
noyou have shared the first single, ‘The Way You See Me’, from their upcoming debut EP, ‘This Game We Started’!
“‘The Way You See Me’ tells a story of long lost relationships and their eventual reunion, from the perspective of a not so perfect person. Friends, Family & lovers, will things be the same after time has had its way with us? Or has the distance changed us too much?”- NOYOU front man Connor Jobes.
Final Stair – ‘Headgames’
Final Stair release their very intimate single, ‘Headgames’.
The band comments: “Istvan, the band’s singer, fell into a severe life crisis a few years ago and suffered from extreme panic attacks and an intense anxiety disorder that took complete control of his body, soul and everyday life. He was guided only by the fear of fear. This vicious circle ended in alcohol and depression and in mind games that made him a helpless person. He developed into a small, helpless boy who could no longer cope with his life.
This song tells the story of this disease on the one hand, but also contains the strength to overcome it and to learn to live with it. With this song, the band wants to draw attention to the fact that there are many people among us who suffer from depression and similar illnesses. With “Headgames” they want to say: you are not alone!”
Oxbowlake – ‘Louis Theroux’
Oxbowlake unleash their latest track, ‘Louis Theroux’, on the world.
“Our latest single ‘Louis Theroux’ was released Friday 22nd July.
We wrote it in lockdown 2020 and it was inspired by the thought of partners not coping spending too much time together and arguing over watching too much TV! When some of their most magical moments were probably snuggled up watching TV together!
Recorded and produced by George Marriot of Pet Needs and includes group chants of ‘Theroux Theroux’ by Johnny Marriot, their partners and ourselves.”
Welcome one and all to another edition of our weekly music News Report, where we roundup the best news from the past week. We start off this week with the best tour announcements.
Up first are Shinedown who have announced a UK Tour for later this year which will include a date at Wembley Arena. Support comes from Asking Alexandria and Zero 9:36.
Frontman Brent Smith states, “We have always been inspired by the UK and European audiences. Their passion for music is extraordinary. We are beyond excited to be returning as headliners, with our biggest show yet!”
“We are overwhelmed by the love and support of our new album, ‘Planet Zero’ and look forward to sharing our new songs, along with all of your Shinedown favorites!!! Cheers!!!”
Inglorious will also be touring later this year with a lengthy trek planned in across the UK. Support comes from A New Tomorrow.
Frontman, Nathan James, comments “I am so excited to get back out on tour with the guys . Over the pandemic we were not able to tour as much as we usually would, but we were able to release albums. So we did! We recorded the We Will Ride album, The Heroine all female covers album and the 1st ever Inglorious live album and dvd. It’s amazing now to be able to pick songs from all of those albums to make the ultimate inglorious set.
On this tour we will be bringing something totally different set wise and we’re really looking forward to playing songs from across all of our albums. Inglorious has always been a strong live act and now more so than ever. Tighter, harder and more determined to show people what we are about.
We hope to see everyone on the “Until We Die 2022 UK Tour” and cannot wait make some noise for you all again.”
Burn It Down Festival takes over Torquay again this September and the event has confirmed their stacked line-up for this year.
Headliners Trash Boat and Deaf Havana will be joined by the likes of Static Dress, Our Hollow Our Home, Haggard Cat, Cassyette, VUKOVI, Tigercub, Salem, As December Falls, Death Blooms, Pupil Slicer and more.
LIFE continue to gear up for the release of ‘North East Coastal Town’ on August 19th. You can listen to their new single, ‘The Drug’, above.
Speaking on the new single vocalist Mez Green says: “The Drug is a love song. I wrote the lyrics in the cold mountains of Italy before taking them into the room with the band. ‘The Drug’ I needed has always been here, the drug I needed has always been near” is, for me, realising that loved ones and those that love you, no matter where you are, can always be present.
I’d never really believed this before and whilst this purity is at the lyrical heart of the song musically the band decided to inject flecks of dance, pop, harmonics, and dirty pulses to give the song drive, repetition and jerk-ability.”
Norway’s Sløtface return with the news that the group’s figurehead Haley Shea will now be leading the band, with Lasse and Tor-Arne leaving to focus on new passions outside the group.
To signal this era beginning they have released a double a-side of ‘Beta’, and ‘Come Hell Or Whatever’. You Can listen to ‘Beta’ above.
“”Beta” was the very first song Mikhael and I worked on together in his studio. It should be listened to while wearing sunglasses, even on cloudy days!
The song is about wanting to connect with people on a deeper level, but feeling like social media sometimes gets in the way, with things becoming somewhat intimidating, shallow and superficial. The song is a confidence booster for myself where I’m trying to be cooler than I am. It was written at a time when I really, really missed the rush of playing live, and I needed to find some of that spark and edge in myself that only really comes out on stage.”
Finally, this week Twister shared their latest single, ‘Own Worst Enemy’, which you can listen to above.
Singer and guitarist Stevie Stoker comments: “Twister are evolving and progressing with every release and the momentum we’re building on the road is really driving us to bigger and better things in the studio. It’s such an exciting time.”
Indie rock band Sunsleeper have shared their newest track, ‘Blemishes’.
“’Blemishes’ is about the slow unraveling of a deeply important friendship, as well as the acceptance of the relationship’s end,” shares vocalist Jeffery Mudgett. “The freedom in letting go of a toxic relationship is underrated. Sometimes there’s no need to mourn the end, but rather we should celebrate leaving that toxicity behind.”
cheerbleederz – ‘notes app apologies’
London indie punk trio cheerbleederz reveal their latest single ‘notes app apologies’.
Commenting on the track and video, the band say: “This song is about letting go of an abusive relationship. There’s a lot of fear and doubt that comes with separating yourself from somebody who manipulates you, and it leaves behind feelings of anger, as well as guilt and doubt.
You end up questioning everything while simultaneously harbouring a lot of resentment for the person who treated you that way. We wanted this song to feel cathartic and unapologetic—it ultimately feels very healing.”
MODES – ‘Infamous’
Kent’s MODES deliver their new single, ‘Infamous’.
MODES frontman Ted Berry reveals that the new single“Infamous is a song we wrote to reflect on anger and past trauma that we have experienced. We wanted to put this into words to help others feel understood and seen. It’s only human to have been in situations that lead to feeling hurt, angry, and even disappointed in how you have been treated by others.”
With the pandemic taking a hold back in early 2020, Download Festival became one of the first major festival victims. It was perhaps fitting therefore that the small Pilot version of the event was the first step on the road back to normality last year.
That does mean though that as we head into Donington Park in 2022, it is the first fully fledged festival since the 2019 edition. After three long years, it is finally time for rock and metal fans to convene again on these hallowed grounds.
There are a number of changes this year to the layout of the festival but the best change is the installation of a strange golden orb in the sky. The usual brown flooring has also been painted green. Yes, goodbye Drownload and hello sunburn!
The main changes to the festival relate to the layout of the campsites, parking and transport hubs. Given these new changes, a little extra signage may have assisted seasoned attendees finding their way around, but in general the changes work well. There is a lot of walking required, however there always is at Donington Park however the event is laid out.
Once inside the area the setup is pretty standard if a little cut back with smaller stages, fewer food stalls and no wrestling or other extra areas. But, it’s Download and everyone is just glad to be here.
So then, on to the music! Opening the main stage on Friday are NWOCR favourites Wayward Sons who make the most of their short time on stage. They are quickly followed by Canadians Theory (of a Deadman) who also only have a short time to show their stuff. Thankfully for them they are able to call upon some festival-perfect material as the crowd sing along to ‘Bitch Came Back’, ‘Hate My Life’ and ‘Bad Girlfriend’.
Recently rejigged Bury Tomorrow follow on the main stage and bring the first real taste of heavy to the festival. The band are clearly honoured by the opportunity and try their best to win over the audience, with our first pyro of the weekend helping to add to the occasion. By the time the band leave the stage and a pile of bodies in the audience, the set has to be considered a success.
We go walkabout next and visit first the second stage for a man who has already played Download Festival with both Alter Bridge and Slash, Myles Kennedy. With two solo albums now to his name, Kennedy only grows his legacy with another top class performance.
Secondly we head to the Avalanche Stage for something new. American pop-punk band Meet Me @ the Altar have intensifying hype around them, and keeping with the tone of the day they are able to grasp this opportunity with both hands. Expect bigger things from the band in the near future.
As day one begins to draw to a close with catch two of Download’s house bands with Skindred on the main stage and Airbourne over on the second stage. Both bands attract big crowds, because fans know what to expect from them. High energy, entertaining rock shows are delivered by both as fans get to revel in what they have missed over the last three years.
Having delivered an incredible headlining performance at the Pilot event last summer, Frank Carter & The Rattlesnakes return to Donington Park next to headline the second stage. Carter and co show the crowd what they missed last year with another stunning performance. This band must be considered one of the best live bands on the planet and who would put it past them headlining the main stage in the future.
Download Festival after all needs to begin focusing on that next generation of headline acts, because many of the old guard are saying farewell. It is the ‘End of the Road’ for KISS, but not before one final triumphant showcase this year.
The band are able to deliver all the pageantry of a KISS show with every party trick played with precision. As the fans walk away with ‘Rock and Roll All Nite’ stuck in their heads, the band have brought the party and night one is closed out in style.
Saturday morning brings a fresh day with the sun still shining bright, but early risers at the main stage are left waiting with opening act The Raven Age almost forty minutes late. When the band do arrive they are able to show their continued growth with a matured performance.
This delay subsequently leads to a 30+ minute lag on main stage times throughout the rest of the day which plays havoc with fans carefully curated schedules. It does mean however that we can head to the second stage and catch the energetic Cassyette who is capitalising on the momentum earned over the last year.
It’s then back to the main stage for the classic rock sounds of Those Damn Crows and Monster Truck. Both bands continue the impressive start to the festival. Clearly every act is out to cast off the shackles of recent years and make an impression.
Both of these bands leave the fans wanting more, which is all a band can do with these early festival slots. It’s probably a good thing then, that these two bands will be touring the UK together later this year!
Up next for us is one of the performances of the weekend from Holding Absence over on the Avalanche stage. With songs like ‘Afterlife’ and ‘Wilt’ seemingly made for festival crowds to sing along to, the band completely own the packed tent during their time on stage.
Shinedown are also a band that knows how to control a crowd, and they have a large crowd to play with next on the main stage. With a new album on the way, the band incorporate new tracks ‘The Saints of Violence and Innuendo’ and ‘Planet Zero’ into their tried and tested, crowd pleasing set.
It’s then back to the Avalanche stage for another standout performance. This time it’s Creeper on the stage, the band again showing an innate ability to hold the audience in the palm of their hands. Creeper continue to grow and evolve and it will be interesting to see where the band head next.
We stick next to the Avalanche stage for headliners Funeral For A Friend. Perhaps it’s the fact that we’ve just witnessed two fantastic performances on this stage from Holding Absence and Creeper but something feels a little off for this set. It’s not a lacklustre performance as the band give it their all, but on a weekend full of great performances what is probably a really good one feels a little underwhelming.
There is never anything underwhelming however about Iron Maiden. The band are icons for a reason and their current stage show is possibly their best ever. With Maiden on form and a packed Donington Park in fine voice, this headline set was always going to be one for the ages, and it doesn’t disappoint.
Now onto Sunday morning, with hangovers taking hold, feet aching and stamina’s waning. It’s up to Wargasm to blow away any cobwebs as they open the main stage, and that’s just what they do. The band are developing into something of a marmite band, but there is no doubting the passion and energy that they put into every performance; and judging by the reaction they go down very well this morning.
Sidetracking from the music for a moment, we commented in our Neck of the Woods Festival review about the cost of food and drink this year. There are no surprises therefore that prices are high at Download Festival, but the quality on offer at that price is disappointing. Inflation is one thing, but shrinkflation begins to rub, and more than one meal this weekend leaves a sour taste in our mouth (figuratively and literally in one case!).
Well, if the amenities on offer are disappointing, thankfully the music isn’t. As we have said, the quality of performances this weekend is consistently high. Both The Velveteers in the Dogtooth tent and The Last Internationale on the second stage are fine examples of this quality from top to bottom.
Massive Wagons follow on the second stage and again appear on top form. As many bands have this weekend, they tailor their set list perfectly for their time on stage and it’s wall to wall bangers as the kids would say.
Tremonti next are more methodical as they display their technical prowess. Mark Tremonti and co are mightily impressive and the audience are equally receptive.
We shoot then across to the main stage where Rise Against are another band that fail to meet expectations. The band are an incredible force, but sadly today they struggle to translate from the stage for whatever reason.
Volbeat have no problems though as they are instantly able to grab the audience. They deliver a career spanning setlist to the delight of the field, which shows just why they have established themselves as potential future headliners.
We then find time to dart across to the Avalanche stage one last time as Trash Boat showcase one of the albums of last year, ‘Don’t You Feel Amazing?’. Trash Boat have really come into their own and have the entire tent bouncing along.
Korn are the penultimate band to play the main stage this weekend and they make the most of their position with one of the best performances of the festival. The band are longtime Download Festival favourites and they evidence today just why that is.
There is another look at the future next as Yonaka pack out the Dogtooth tent. Those that have made the effort to catch the band are rewarded by an incredible performance from one of the most exciting young rock bands around.
Last but certainly not least with have Biffy Clyro who are one of the biggest rock bands in the UK, but seemingly another marmite band amongst regular Download Festival goers.
One thing for certain is that those that chose to the stay until the end are rewarded by way of a sublime headlining performance. Biffy Clyro are another level live act and tonight they deliver a superb closing show fitting of closing this event.
Consistent high calibre performances have encapsulated the return of Download Festival this weekend. The event has a special place in the hearts of its fan base and will celebrate next year with a special four day 20th anniversary celebration. We can’t wait!
This week saw Sunflower Bean release their latest album, ‘Headful of Sugar’. To coincide with the release the band also shared the latest single from the album, ‘In Flight’, and you can listen to to song above.
Of the track and video Nick Kivlen says,
“This song is a romantic vision of meeting a lover, running away together, and entering a dangerous new world. It’s less safe but also less suffocating. The video follows me through a series of twilight zone-style mishaps as I search to be seen or understood. Things only improve when I finally find like-minded people. Is it a dream? Is it the multiverse? It’s for the viewer to decide.”
This week saw the return of Asylums with their brand new single, ‘Crypto Klepto’, which you can check out above.
Describing their new single, producer Dave Eringa says:
“I can honestly say this is one of the most unhinged songs I’ve ever produced & up above 215bpm one of the fastest too!! At that speed it’s genuinely difficult to get it this heavy but the booming tom overdubs & the phalanx of fuzz guitars that annex the second verse get us there I think and the “Lalala” backing vocals notch the crazy up a level too!! Wild punk rock insanity!!!! Love it!”
We continue our News Report with another band sharing a new video this week was Crows for their new track, ‘Closer Still’. The song is the album opener for latest record, ‘Beware Believers’, and you can watch the video above.
One of several unapologetically political songs on the album, where single James Cox says, “‘Closer Still’ was written about the fit-for-work scandals that kept happening where the Department for Work & Pensions were deeming people fit for work when they obviously weren’t able to, taking away what little support they received from the state in an attempt to save on expenditure. It really highlighted our government’s contempt for the vulnerable. People whose daily lives were incredibly difficult.”
New hard rock group Iconic release debut single ‘Nowhere To Run’
New hard rock supergroup Iconic have shared their debut single, ‘Nowhere To Run’, which you can check out above.
The band features Michael Sweet (guitars), Joel Hoekstra (guitars), Marco Mendoza (bass), Tommy Aldridge (drums), and Nathan James (vocals).
“This was a very refreshing and unique experience. Musically, very different from Stryper, which is of course very different from all the other projects I am involved with. This is more of a throwback to the past and it felt good to do that. It reminded me of how great the music of the past really is” says Michael Sweet.
“Once the songs were arranged, I booked a studio and recorded my guitar parts, which is always the funnest part for me. I’m not sure why, but I guess because I’m a guitar player first and foremost and it’s just one of the most creative and fun parts of the process for me. To be able to get the right tone and play the right parts and hear it all come together….it’s very rewarding” he adds.
“The riffs were all very comfortable to me because I wrote most of them. 😀 I definitely have a great comfort level playing with Tommy Aldridge that’s developed over the last 8 years or so with Whitesnake. I’ve also co-written with Nathan, Michael, and Alessandro in the past, so everything felt very natural despite this being a “new” band” says Joel Hoekstra.
“Michael asked me to write riffs without an arrangement (as he did with George Lynch on the Sweet & Lynch records) and then he arranged them with what he had written. I wrote melodic/hard rock riffs as that was the vibe we had discussed and then all the solo parts had more to do with trying to compliment Nathan’s vocal melodies and of course add a bit of fire” he continues.
“I am on an album with so many of my heroes and it feels amazing, to be honest. I was lucky enough to be involved in the writing of a couple of songs, but genuinely everything I hear from the guys, I knew I could do it justice. I also feel that the guys wrote stuff that suited my voice perfectly. These are not only great musicians, they are great songwriters.
I practiced the songs a lot beforehand and then I recorded all my vocals at an amazing studio in only four afternoon sessions. I wanted to make sure it sounded like me and that my vocals had the precision that I’m so used to hearing from my vocal heroes, whom many of the guys in the band have played with. And of course, I was very aware that I would be on songs with the vocal master that is Michael Sweet. I felt the pressure for sure, but I just did what I felt worked and I’m so happy with the final result” says Nathan James.
“It was a blast playing some fresh, new material. Rehearsing, trying out parts virtually was not as much fun as doing it live, but considering the global circumstances, I‘ll take it. I just try to create a supportive environment for all involved while having fun in the process. It was easy to do as these songs really play themselves. It was a true labor of love, so very little work at the end of the day” adds Tommy Aldridge.
The single will feature on debut album, ‘Second Skin’ which arrives June 17th.
Belladrum Tartan Heart Festival reveals updated line-up
Finally we stop off in Scotland and Belladrum Tartan Heart Festival, who this week updated their line-up.
Appearing will be the likes of Emeli Sande, The Fratellis, Passenger, Stiff Little Fingers, Ash, Vistas, The Magic Numbers, Daytime TV, Kyle Falconer, Mason Hill, Hamish Hawk, Lottery Winners, Beans On Toast, Lucia & The Best Boys and many more.
As always we conclude our News Report with the latest additions to our ‘Discover’ New Music Playlist, where we highlight the best new music from around the world.
Personal Trainer – ‘Rug Busters’
Amsterdam’s seven-piece Personal Trainer return with joyful new single ‘Rug Busters’
Vocalist Willem Smit says of their new single:
“I wanted to make a song to dance to for everybody – no one excluded. The idea was to make a song that brings people closer to each other, no matter who they are, who they are with, what they believe or what they’ve done.
“Dance”, “Dance Dance Dance” and “Song 2 Dance 2” were three of the working titles before I settled on “Rug Busters” – “busting a move” meets “cutting a rug” or something.”
Krush Puppies – ‘Throw Me On The Fire’
Krush Puppies share new single ‘Throw Me On The Fire’, taken from debut EP ‘Love Kills The Demons’.
Vocalist and guitarist Jenny says on the single, “The song kind of acts as a confessional booth, it asks you to confide your darkest secrets within it, but questions the cost. The chant at the end urges you to face your demons instead of putting them onto someone else’s shoulders.”
Jack Valero – ‘Heaven Help Me’
The Brighton-based singer-songwriter Jack Valero is back with new single, ‘Heaven Help Me’.
Jack says, “I think every songwriter at the moment has their lockdown song. I suppose this is mine, but it covers far more for me than what the world was going through. It also covers what I was going through personally at the time, so it all wraps up into one and is presented in a way that can apply to any age and any time. It’s a song for lockdown, it’s a song for me and it’s a song for anyone struggling with the reality of their own existence. I like to be inclusive.”
Muse set to perform to intimate Charity Shows this May
Welcome to another edition of our weekly music News Report! We are starting this week with the latest tour announcements including the above special shows from Muse!
Yes, Stadium fillers Muse will be headlining two very intimate shows at Hammersmith’s Eventim Apollo this May. Night one is to support War Child and Medecins Sans Frontieres with their work in Ukraine.
Night two will support The Big Issue for its 30th Anniversary and will feature Razorlight as special guests.
Another festival completing their line-up this week was Kendal Calling. Having recently added Bastille to existing headliners Supergrass, Stereophonics and The Kooks, the event has now added many more new acts to a packed bill.
Joining this week were The Cribs, Zuzu, NOISY, Never Not Nothing, Sonic Boom Six, Ducking Punches and Samantics.
We move now onto the new music releases of the past week as our News Report continues. The first new track to feature is the brand new single from the iconic Liam Gallagher.
You can listen to ‘C’mon You Know’, the title track from his new album, above. That new album will arrive on May 27th, and those that pre-order before April 5th will get early access to new release Knebworth tickets.
Finally, TV Priest this week announced new album, ‘My Other People’, will be out on 17th June. You can listen to new single, ‘Bury Me In My Shoes’ above.
Frontman Charlie Drinkwater says of the album, “My Other People is a more “open’” set of songs, both musically and in our themes; in the process of writing we found ourselves talking about things other than anger or aggression. We wanted to discuss love, loss and joy too. It’s a record about personal disintegration and destruction, but also rebuilding again after this. It’s also heavily rooted in place, the music being a very direct response to Britain and England in 2021, but in a more abstract and textural sense. A muddy field viewed from a train window between cities, a patch of wild flowers growing next to a motorway, sticky carpets in a suburban flat roof pub, pissing rain on an August bank holiday and the smell of diesel in an out of town supermarket car park. An angry, hopeful, shitty, beautiful island.”
As for the new single, he adds, “‘Bury Me In My Shoes’ is a hangover of a song. Last year was about reminding ourselves to hang on to good things; to remember you can love and hate in equal measure. That the answers are rarely found by looking backwards. “Bury Me” was written as a response to that general feeling of unease and creeping dread. A feeling you get from bad news on no breakfast.”
The mysterious BLACKGOLD have released their second track, ‘Sorry’ which will feature on their debut self-titled EP coming out 13th May.
‘DON’T PLAY NICE’ – TWISTER
Rockers Twister have debuted new single, ‘Don’t Play Nice’. Guitarist Jake Grimes comments: “The new material really is seeing the band develop and take huge steps forward not just as song writers but sonically too, working with someone of Romesh’s talent has really helped us capture our vision for Twister… The new stuff is genuinely sounding epic!”
‘WE ONLY CAME HERE FOR YOUR HEARTS’ – SQUIGGLES
Squiggles join the Playlist with their new single, ‘We Only Came Here For Your Hearts’. The track precedes new EP, ‘Look What We Have Done’ which arrives April 22nd.
Welcome to a bumper edition of our weekly music News Report! A plethora of festival announcements to get through this week, so let’s get start with Download Festival!
New additions this week included Skindred, SKYND, Dirty Honey, Kid Brunswick, The Velveteers and the incredible Yonaka.
They join a massive line-up headlined by Kiss, Iron Maiden and Biffy Clyro. Other highlights include A Day To Remember, Korn, Shinedown, Volbeat, Rise Against, The Pretty Reckless, Airbourne, The Darkness, Funeral For A Friend, Creeper, Boston Manor, Trash Boat, Holding Absence and many more.
This week also saw Y Not Festival reveal their second wave of acts including Thursday headliners The Kooks!
Also added this week were Jake Bugg, The Hunna, We Are Scientists, Blood Red Shoes, The Mysterines, Noisy, Daytime TV, MarthaGunn and more.
They’ll join the likes of Stereophonics, Manic Street Preachers, Nothing But Thieves, Levellers, Pale Waves, Dinosaur Pile-Up, Black Honey, Yard Act, The Futureheads, Dream Wife, Beans On Toast, Lauran Hibberd, REWS and many more.
Nottingham’s Splendour Festival this week revealed the event will stretch to two days this year with acts including Richard Ashcroft, Supergrass, Razorlight, The Magic Numbers, Ocean Colour Scene and Happy Mondays.
Bowling For Soup debut ‘I Wanna Be Brad Pitt’ and announce new album
Another band releasing new music this week was Bowling For Soup, who returned with new single ‘I Wanna Be Brad Pitt’.
That’s not it though, as the band also revealed that new album ‘Pop Drunk Snot Bread’ will arrive April 22nd!
Listen to the single above, and pre-order your album here.
Fatherson debut ‘Better Friend’
Fatherson continue to build towards new album, ‘Normal Fears’, which arrives April 1st with new single, ‘Better Friend’.
Speaking on the single, frontman Ross Leighton says, “”Better friend is about losing touch with people when you’re growing up and wishing you were better at staying in touch. Sometimes life gets in the way, but if the last few years has taught me anything life is better with the people you love.
It’s an anthem about friendship and an apology for letting it slip. It was the first song that I wrote for Normal Fears in my old bedroom in Kilmarnock and it really felt like the first normal fear I had going into the record. It became this reference point for melody and groove that the rest of the record built on.
I think everybody has felt a bit out of sorts before and gotten themselves into a space where they lose touch with people that are close to them. This song for me is a reminder to just get back in touch and start to rebuild. I love it!”
Listen to the track above and pre-order your album here.
North London singer/songwriter Louis Dunford shares brand new single ‘The Angel’ from his forthcoming second EP ‘The Popham’.
Speaking about the track Louis says: ‘I wrote this song about my home town. Anyone who’s lived in North London as long as I have will recognise the people and the places I’m talking about in the lyrics. Some that are still here and some that are not. It’s my family and friends favourite song I’ve ever written. Everyone’s London is different. I tried my best to capture ours’ .
‘GIVE IT TO ME’ – CLASSLESS ACT
Los Angeles rockers Classless Act will be joining huge tours with both Dorothy and the Motley Crue/Def Leppard/Poison/Joan Jett Stadium US Tour on their schedule. Check out recent single ‘Give It To Me’ on our Playlist.
‘IT’S ART’ – BLACKGOLD
Described as masked misfits bringing nu-metal vibes, the mysterious Blackgold emerged from the shadows this week with debut single, ‘It’s Art’.
Check out all tracks on our ‘Discover’ New Music Playlist’, and remember to also check out our ‘Discover’ New Music Podcast wherever you listen to or watch your Podcasts. We have multiple Episodes coming this week and just talked with recent Playlisted acts Youth Illusion and Scruffy Bear!
2021 has been another tough year to live through. There have been some signs of normal life, for example the return of live music, but we end it as we started with true normality a distant memory.
This year has however been a stunning year for new music releases. Yes, lockdown musicians and the odds are their creativity will take over. In Full Pelt Music’s first full year of existence we have reviewed 65 albums and the quality of those releases has been exceptional.
Last year we counted down our Top 20 albums of the year, with a special Advent Calendar countdown on our Twitter. This year we have expanded! Our 2021 countdown has taken place across all our social platforms, and has listed our Top 50 albums of the year!
With that social media countdown completed, it’s now time to compile our completed Top 50 in one place. So let’s get started!
What we said:
“there are stunning moments spread throughout the album”
The quality of this year’s releases has been truly phenomenal as our opening 30 albums attests. The competition is extremely tight for the coveted top spot and that is clear throughout the prestigious Top 20 that follows.
What we said:
“a sublime collection of upbeat, heartfelt and powerful songs that is bound to be stuck on repeat for the foreseeable future”