The late May Bank Holiday means only one thing for rock fans – the start of festival season!
Yes, Slam Dunk is firmly rooted into the fabric of the scenes DNA, and we once again popped to Hatfield Park for the South version of the two-day event. Tomorrow the circus will travel to Temple Newsum in Leeds for the North edition of 2026’s event, but for today the sun is certainly shining on Hatfield.
Indeed, we are in the midst of a spring heatwave and that does add an element of lethargy to what is normally a full-throttle day of relentless music. Fans, as is always the case in these scenarios, seek out any inch of shade and the water points become as popular as the bars.
With only one tented stage this year, that shade is at a premium, but the water points do appear to cope with the demand unlike previous warm years. The queues for the bars are their usual busy selves but the wait for food (barring the ice cream vans) isn’t bad in our experience today.
That’s enough of the admin stuff though, let’s get to the music! We commence our full-on day in that tent with upstarts Call Me Amour who are playing their first ever festival. You wouldn’t tell as they make the most of the early excitement amongst the crowd to engage them immediately with a polished set of atmospheric rockers.
This festival is of course built both upon nostalgia but also a fair splattering of the best new bands on the scene. We catch perhaps the two biggest hopes of rock music at the moment next as Dead Pony captivate the tent and then unpeople bring the riffage to the sun-soaked main stage. Both you’d expect will become mainstays of this event as they work their way to the top of the bill.
Our first dose of nostalgia comes next as we stick on the main stage for A! The band are back with a new album, ‘PRANG’ (their first in two decades), and it’s great to see the crowd enjoying the likes of ‘Shit Summer’ and ‘Hello Sunshine’, just as much as ‘Starbucks’ and ‘I Love Lake Tahoe’. A mass line-dancing session accompanies ‘Kings of Lowestoft’ and ‘Nothing’ provides the perfect exclamation mark to a brilliant set.
Each year the festival changes up their stage types and locations as they try to shoehorn in as much music as possible. After complaints surrounding their double ended tent set-up, the Monster stages this year are outdoor side-by-side offerings, and we catch Set Your Goals next who clearly appreciate the love shown to them. The only issue with this set-up being the big sound-bleed from the larger outdoor side-by-side setup opposite.
Slam Dunk this year celebrates twenty years and it has been fascinating watching the event grow, expand and change throughout those years. Equally numerous bands on the line-up this year are celebrating their own various anniversaries which both makes their performances extra special and makes us feel extra old!
Over the course of the next couple of hours, we catch Trash Boat celebrating, ‘Nothing I Write You Can Change What You’ve Been Through’ and Boston Manor recognising, ‘Be Nothing’. It’s a unique variant of nostalgia when bands you consider to be newer are celebrating such anniversaries, but both bands do so stunningly in their own ways.
Trash Boat purely focus on that album, and the performance has a real throwback vibe throughout. Boston Manor, sandwich ‘Burn You Up’, ‘Lead Feet’, ‘Cu’, ‘Laika’ and ‘Stop Trying, Be Nothing’ between more recent bangers. Both sets though are memorable and with both bands announcing anniversary shows for later this year, fans will no doubt be motivated to check out the full shows.
We then head back to the main stage for an emotive serenade from Dashboard Confessional including their brilliant Spiderman hit ‘Vindicated’. After then enjoying the latter part of the stirring The Menzingers back over at the Monster stages we catch Tonight Alive who commence their performance with their own Spiderman hit ‘The Edge’!
The Australians deliver a fantastic performance which is amongst the best of the day and incorporate guest spots from Harmony Cavelle (South Arcade) and Bonnie Fraser (Stand Atlantic), not to mention a cover of Mumford & Sons (never expected to say that at Slam Dunk, but it was great!).
The clashes are always a conundrum for Slam Dunk goers and attendees are split between Tonight Alive, Taking Back Sunday on the main stage and the most-hyped band of the moment PRESIDENT who evidently draw a massive crowd to the heavy stages.
We then head into the tent again for a high energy VUKOVI performance and another dose of big-time modern nostalgia with Deaf Havana. With a set celebrating their seminal record, ‘Fools and Worthless Liars’, Deaf Havana provide the most emotive set of the day. The genuine outpouring of love for these songs clearly moving frontman James Veck-Gilodi as crowd and band share a beautiful moment together.
Going back to the ever-revolving stage set-ups of Slam Dunk, the tent this year has a literal revolving stage set-up which keeps changeovers to a minimum!
We conclude what has been another full pelt (see what we did there) day at Slam Dunk with main stage headliners Good Charlotte. The band announced a couple of huge arena shows this week and many mocked the band thinking they would struggle to sell them…
…Well, today they attract one of the biggest crowds we’ve witnessed for a Slam Dunk headliner. The show, the performance and the setlist all equally suggest that the Madden brothers will have no issue convening their fans again when they return.
With a never-ending parade of hits, there is plenty of singing for fans to do before going home. The band sign off with a run of ‘I Just Wanna Live’, ‘Lifestyles of the Rich & Famous’ and ‘The Anthem’. That ensures that as fans make that journey back home, they can once again reminisce about a wonderful day of music.
The sun is out, Slam Dunk is in the bag and festival season is underway – let’s gooooo!
Isn’t it funny that particular years at festivals get remembered for certain things? There are years at festivals that are infamous for the weather, events revered for landmark performances, weekends fondly remembered for a special attraction, and of course those other oddities that make something memorable.
2000trees is now a staple of the festival calendar. The pilgrimage to Upcote Farm in Cheltenham has become a must for passionate fans and when something becomes routine, even a positive one like attending this great festival – our brains need something to help differentiate between each occasion.
Well, 2025 is going to be long engrained in the memories of attendees for a number of reasons which we will get into during this review. 2025 at 2000trees for now though can simply be summed up with three words – heat, Kneecap and wasps!
📸 Gareth Bull
Yes, in amongst the endless jokes from bands about counting the trees were quips of 2000 degrees and 2000 wasps. The intense and unrelenting heat has a massive effect on the weekend; it makes everything difficult and means many will have had to tailor their expectations of what they wanted to see across the weekend.
It would be easy to write an essay on the inferno that we all survived, but all we will say is that the wonderful 2000trees community deserve all the credit in the world for banding together to ensure that the festival was still a resounding success.
We came to see some bands though, so let’s get this thing started!
WEDNESDAY
The Wednesday at 2000trees is seriously special. A relatively small selection of early birds get to make the most of the beautiful Forest stage. This stunning setting always has a unique atmosphere, but the opening night party always hits differently.
📸 Jez Pennington
The first band on, just two hours after the gates open, are returning heroes Haggard Cat! The band have no problems in getting the crowd moving and the love they receive just goes to demonstrate the connection that this group of passionate fans build with those acts that impress at 2000trees.
Another fantastic example of this comes next as Blank Atlas hit the tiny Word stage near to the forest. Usually reserved for podcasts, comedians and kids activities, on Wednesday the Word stage alternates with the Forest Stage to give fans a relentless live music experience like only trees can. Having wowed crowds with an early morning set last year, Blank Atlas return to deliver another great slot this year.
2000trees are a rarity among bigger festivals in that appearances over consecutive years aren’t just accepted, they are expected! Wednesday is known for bringing favourites back and next is a group made of members of various trees favourites – Vower. They keep the evening building nicely, as do Buds. in the Word tent next.
📸 Gareth Bull
It’s clear that unpeople are heading for big things and they play the first of two sets this weekend next. They take the route of not repeating any songs across their two performances and this set takes the party theme to a new level with new songs punctuated by fun covers of ‘Fight for Your Right (To Party)’, ‘Hash Pipe’ and ‘Sugar’!
Other Half, Blood Command and Meryl Streek all keep the night flowing perfectly before Panic Shack provide an early highlight and Grove Street ramp up the intensity of the crowd.
We are then treated to a special throwback set from Kid Kapichi which is poignant with this being the last festival for the original line-up. The Meffs are their incendiary selves as they headline the Word tent and Forest stage headliners Hot Milk bring their fantastic new album, ‘Corporation P.O.P.’ to life with a fun set.
📸 Joe Singh
As the blazing sun finally disappears, the best bit of trees can commence – the after-hours activities. The silent disco at trees is legendary and a recent addition is a live band in the forest but played through the silent disco system. Listening to 2000trees royalty The Xcerts through our headset is a very different experience and the band make the most of the setting by delivering a crowd pleasing setlist.
📸 Gareth Bull
THURSDAY
A warm night sleep then finds us awaking to an even hotter Thursday and the first day proper of the festival. As we’ve touched on, if you are that way inclined then you can watch non-stop live music all day and we happen to be that way inclined. So, deep breath…
Hangovers be damned, first up in the NEU tent at 10:30am (yes it’s early but it’s far too hot to be in your own tent) are Terminals who like Blank Atlas before do a great job of engaging the morning zombies.
📸 Sophie Ditchfield
Meryl Streek follows his fantastic Word tent set with a bigger opening set on the main stage and Youth Killed It kill it with a great set over at the Axiom stage. It helps in this heat that four of the stages are tented, but Karen Dio attracts a relatively decent crowd for her bop of a set back at the main stage.
PAVÉ, HIMALAYAS and CHROMA all keep the pace going with more really fun performances. It’s already becoming clear that the standard of acts booked for trees again this year is high, and despite the hazardous conditions, each band is determined to grab their opportunity with both bands.
Indeed, across the weekend there aren’t many disappointing performances at all and that is a credit to the artists but also a testament to the regard this festival is held in. Bands want to do it justice but also know that a big performance here can elevate their career more than an early set at a bigger festival. At 2000trees they are playing to a smaller crowd of engaged fans and not a group of often disinterested attendees looking to kill time.
📸 Jez Pennington
The continued rise of unpeople began at 2000trees and it’s marvellous to see them really thriving. As such their appearance today on the main stage feels like a crowning moment for them and the reaction to the likes of ‘The Garden’ just convince you further that this bands trajectory will see them headline this festival within five years.
📸 Joe Singh
Dream Nails and SNAYX are next on our watchlist before we head into the Axiom to enjoy the return of another typical trees band – Puppy. Having been away for a while, the trio get a huge reception and the likes of ‘World Stands Still’ and ‘Entombed’ remind you how special the band are.
📸 Sophie Ditchfield
The Hunna make the most of their first trees appearance on the main stage and you can’t help to enjoy the infectious Hyphen in the NEU tent. BIG SPECIAL sound big and special on the main stage and Kid Kapichi smash out a second set of the weekend at the Axiom stage as we head into the first evening of the full festival.
This year features five acts billed as headliners and the first of those is up next on the main stage. PVRIS are out celebrating the anniversary of their incredible debut ‘White Noise’ and songs from that album feature prominently in what is a truly fantastic performance. Lynn Gunn is an absolute star and the singalongs that the band conjure in the most intense sunshine are refreshing as hell.
📸 Sophie Ditchfield
2000trees continues to grow year on year and that is demonstrated by Twin Atlantic returning to headline the Axiom having previously twice headlined the main stage. Clearly bands want to play trees and the festival have a great relationship with their regulars. The crowd loves every moment of another standard set from the fan favourites.
Kneecap were a controversial booking for the festival (if that even is possible), even prior to the media frenzy that has accompanied them in recent months. Although they’ve played before, musically they were an outside choice as a headliner.
When first announced some speculated online how many (or few to be precise) would watch them. Well now they are the most infamous band at the festival and the field is packed! Easily one of the biggest crowds the festival has seen, there is a real party atmosphere amongst attendees.
The set itself feels more like a celebration of cause as much as a rousing endorsement of their musical output. It however will go down as one of those ‘I was there’ moments for 2000trees.
📸 Joe Singh
It’s then time to hit the full multi-stage, multi-channel silent disco again and take in another live disco set, this time from the ever-charming Dream State.
FRIDAY
Friday feels hotter still and you can certainly see the crowds really beginning to flag. Each band however still get their own personal group of fun starters and somehow the 2000trees atmosphere never wanes despite the challenging environment we are in.
Failstate and Mallavora get the early slots today and again are both able to make the most of them. EVER, Eville and Oversize follow for us and we again find ourselves locked into a cycle of mightily impressive bands one after the other.
The good times vibes are essential to 2000trees and Press Club, Youth Fountain and BLACKGOLD keep them coming as we make our way through our third day in heaven (but with the climate of hell).
📸 Gareth Bull
We then make our way to the forest and another special feature of 2000trees. You can often catch bigger artists doing intimate things in the woods and this year we have the privilege of trees icon Frank Turner playing his album, ‘Love, Ire & Song’ acoustically in full.
📸 Jez Pennington
Trash Boat, VENUS GRRRLS, FIDLAR and Benefits get things a lot noisier again next and all four are again in top form. As are Coheed and Cambria who attract a huge crowd to the co-headline performance. Always a bit of a marmite band, the crowd at trees welcomes them with open arms and the band get to see for themselves why this event is so special.
We’ve had a few returns and reformations at 2000trees this year, but it’s the appearance of Frank Turner led Million Dead that has garnered the most excitement. They don’t disappoint and their five-piece version sounds absolutely huge headlining the Axiom today.
📸 Joe Singh
The last band on the main stage today are Taking Back Sunday and whilst a fun time is had, poor sound mix, an uninspired setlist and a lack of real energy mean that they are perhaps the first band to not truly hit the spot this weekend.
📸 Gareth Bull
Thankfully that feeling doesn’t last long because next we head into the campsites, which at 2000trees are another unique feature. Whilst the partiers will rave in the silent disco, others will find themselves at the tiny busking stages. We head to Camp Turner to catch a special unplugged performance from Cyan Kicks which is simply stunning. The beautiful set being the best way to finish the penultimate day of this special festival.
SATURDAY
With the sun still showing zero sign of giving in, the final day of 2000trees is here and Saturday begins with a really fun run of Honey Buzz, Gen and the Degenerates, Love Rarely and The Molotovs. These acts ensure that despite surreal levels of lethargy kicking in the crowd is still given a rousing slap across the face!
📸 Joe Singh
Perhaps though a bucket of water over the head would work better today and Bad Sign, Catbite and Daytime TV are on hand to deliver that with more enjoyable performances. Love Is Noise sadly experiences catastrophic technical problems next however and cuts his set short.
Split Chain, Employed To Serve, Anxious and Soapbox are all on hand afterwards however to reinvigorate us as we head into the final straight of the weekend. Cyan Kicks then plug themselves in and deliver another real highlight of the festival in the forest. Magical!
📸 Jez Pennington
The set of the weekend however belongs to the incredible VUKOVI who absolutely own the main stage and elicit frenzied scenes that belie the overpowering temperatures.
Making no reference to the footwear needed by vocalist Janine due to the lava like feel of the stage floor, the charm and charisma that she possesses should see VUKOVI able to headline this event in the future. Each track sounds massive today and if the weekend had ended here, it would’ve been very fitting.
📸 Carla Mundy
It doesn’t end here however, and we still have time to squeeze in performances from La Dispute, letlive., SPRINTS and final main stage headliner Alexisonfire. Underground favourites, returning icons, new heroes and a band made to headline trees – just a perfect reflection of what this festival is all about.
📸 Jez Pennington
Throughout this review we’ve used the word special an awful lot to describe 2000trees and that’s because no other word does it justice. The event feels like less of a typical festival and more of a family gathering. As it continues to grow however, the event will face some dilemmas because if it grows too big it will lose the very thing that makes it so special.
Thus far, despite the growth the organisers have managed to do that. They can’t do anything about the weather or the damn wasps, but they may have some online criticism coming their way this year for car park exiting and VIP overcrowding.
📸 Jez Pennington
That said though, the things that they got right this weekend far outweighed any issues. Every festival has issues, it’s how they are dealt with that demonstrates the passion of the organisers and you can be sure that 2000trees will ensure that concerns are listened to. Credit must also be given to the organisers for sticking by their guns and allowing artistic integrity to remain intact.
Despite the wasps, the controversy, the extreme heat and any minor gripes 2000trees 2025 is another resounding success. The bands, the atmosphere, the food, the drink, the party, the side quests, just everything about this festival is special and we can’t wait for 2026!
The continued evolution of VUKOVI has been something to marvel at over the past few years and to say that they are on a hot streak would be undervaluing the quality of their recent output.
2022’s ‘NULA’ was a standout release amongst an ever-growing scene and the vision and ambition that elevated that record return in abundance on follow up ‘MY GOD HAS GOT A GUN’!
The chemistry between enchanting vocalist Janine Shilstone and the hyper-talented Hamish Reilly is astonishingly powerful and from the opening ambience of ‘THIS IS MY LIFE AND MY TRAUMA’ you will be captivated by the creative force that they wield.
The intense ‘GUNGHO’ then quickly obliterates any sense that the duo might take their foot off the peddle. The pace that follows is almost unrelenting with the now signature sound of VUKOVI turned up to eleven!
Highly emotive, deeply personal and incredibly relatable – the lyrical themes that flow from song to song are entirely engaging. The vulnerability of modern life is laid bare with an unashamed honesty and juxtaposed against dose of playful wit.
Ultimately that hot streak is truly still intact with ‘MY GOD HAS A GOT A GUN’ being another complete whirlwind of a record. The pre-release singles such as ‘MISTY ECSTASY’ and ‘SNO’ may have set the tone, but tracks like ‘FALLEN BEHIND’ and ‘FUC KIT UP’ help to make this perhaps their hottest album yet!
