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Live Reviews

2000trees Festival

Upcote Farm, Cheltenham

8-11 July 2026

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2000trees 2026 review
📷GARETH BULL

Those that know, know. 2000trees Festival has gained a special place in the hearts of regular attendees and once again we headed to Upcote Farm near Cheltenham for four days of glorious musical goodness.

Last year, a heatwave tempered the enjoyment for many, but the qualities of the event still shone through. That’s ok though because that couldn’t happen again this year… could it?

The slow build of worry, fear and acceptance was tangible on social media as the forecasts solidified and we all understood that the festival would for the second consecutive year be dubbed by many as 2000degrees!

WEDNESDAY

The Wednesday of 2000trees may just be the best day of the year every year. With early attendees getting the chance to soak up intimate performances in the Word tent and on the iconic Forest Stage.

📷JEZ PENNINGTON

Setting up camp during a heatwave isn’t our idea of fun but that’s ok because we know we won’t be spending long in our tent! Indeed, we take the opportunity to get straight into the woods as Split Dogs get the prestige of kicking off the 2026 edition of 2000trees with a raucous set.

Music lovers are spoilt at this fabulous festival, and it’s been said before that 2000trees is a marathon and not a sprint. Dubbing ourselves Full Pelt however does push us to attempt this marathon at a sprint pace and despite the devilish heat we manage to clock up sixty-six sets across the weekend. So, strap in for our big overview!

📷GARETH BULL

This opening day often spotlights acts from previous years that are treated as returning heroes and on this day the likes of Karen Dio, SOAPBOX, BLACKGOLD, VENUS GRRRLS and Split Chain all get that classic Trees reception.

It feels like every year we find ourselves saying we didn’t see a bad set and this year follows that pattern. If you are astute enough, you’ll clock the sheer volume of artists who heap praise on the festival during their performances, and you can tell that comes from a place of love rather than the clichéd “you’re the best show of the tour” head pat.

What you therefore get is artists ensuring that their show is special. Early on you again sense this from Love Rarely, Bruise Control and especially the energetic Hyphen whose set is one of the rowdiest of the weekend.

📷GARETH BULL

As the evening sets in, more and more early attendees join in the fun and each set lives up to the hype. SPRINTS who took home our Album of the Year award last year bring ‘All That Is Over’ to the beautiful Forest setting and it feels like a match made in heaven. Equally, the platform given to Lake Malice who headline the Word tent is seized with both hands by a passionate band who have fans spilling out the tent.

📷JEZ PENNINGTON

2000trees sets itself apart from other events in various ways but the willingness to repeat bands across the weekend is a big one. The Dirty Nil and today’s headline band PUP will both appear again this weekend, so what we get on night one are unique performances that ensure fans are kept on their toes.

The Dirty Nil opt for a set purely consisting of covers which starts with Metallica, Cheap Trick and The Police and concludes with Nirvana, AC/DC and Thin Lizzy! PUP on the other hand choose tonight to deliver their album, ‘The Dream Is Over’ in full, which results in many a lost voice amongst the audience.

📷GARETH BULL
THURSDAY

It’s often said that the atmosphere is what makes the event affectionately dubbed Trees so special. We should know. We’ve said it. Often. It’s sounds corny or even contrived but it really does feel like one big family.

Part of this is the dedicated audience getting to track the progress of bands that they discover at the festival in smaller slots as they rise through the ranks. Buds. are an example of this as they open the main stage on Thursday. Party bags are issued to attendees and its all very small family gathering like despite being the main stage of a well-established medium sized festival.

This is again something that many artists touch upon from their vantage point on stage. Like Goldilocks herself is assessing the scale of the event – it isn’t too big, it isn’t too small, it’s just right!

The festival doesn’t change for changes sake. What works, works well and you’ll find a lot of food vendors and stalls in the same spots year on year. Shout out to Happy Bangers whose simple yet effective hotdogs have provided Full Pelt with our daily brunch every day for as long as the memory serves.

One change this year is the evolution of the Neu Stage into the Marshall Stage. The legendary amplifier brand has been supporting the festival for a number of years but step things up a notch this year with a refurbished stage and interactive installations including artist led screen printing and more.

📷MAC PRAED

This sun-soaked Thursday we catch impressive sets in this tent from newcomer Ashaine White and two Full Pelt favourites Youth Killed It and snake eyes. Marshall don’t just make amps, they back talent and across the weekend this stage welcomes some of the best on offer.

Thursday does find us darting between the different stages a lot but at 2000trees if you are that way inclined then you absolutely can. The Axiom treats us to Tooth and Coach Party and The Cave allows us to catch two acts with big momentum behind them Bleech 9:3 and the incomparable Delilah Bon.

📷Magda Campagne

This year more than ever, it’s a blessing that most stages are good sized tents. We endure the unrelenting sunshine on the main stage however for an engaging Melanie Baker, a blistering Saint Agnes, a good time guaranteed Mariachi El Bronx and perhaps the most puzzling set of the weekend for us from The Skinner Brothers. No longer generic indie guitar wannabees, now perhaps looking to cash in on the popularity of masked rockers. Quite the transformation and one that might take a little while for us to get our heads around.

Thankfully we get to seek some shelter from the sun back in the Forest today also with a delightful run of young upstarts DeadWax, the ferocious Native James and another of our favourites The Virginmarys. The duo are in top form and deliver a superbly crafted set that gives the fans what they want but ensures that stunning new album, ‘The House Beyond the Fires’, remains very much in the limelight.

📷MAC PRAED

Now, it wasn’t just the weather warnings that gave fans and organisers a shock ahead of the event this year. Alkaline Trio had been set to headline tonight as part of a European tour however just six days before the event the Trio had to pull their dates for health reasons (get well soon Matt!).

This presented an enormous challenge for organisers but one that they were able to overcome, no doubt helped by the goodwill the festival has earned. Step up Don Broco on six days’ notice to again top the bill.

📷CARLA MUNDY

With a fresh album in the bag, the band are able to deliver something different to their previous headlining slot whilst ensuring that their undeniable energy producing machine is still turned to the maximum.

The band have bangers for the days and new tracks like ‘Nightmare Tripping’ and ‘True Believers’ are already in that terrain. Fair play to the band for stepping in, stepping up and ensuring that Thursday night is party night at 2000trees 2026!

Of course, another special feature of 2000trees is what happens once the main stages conclude. There is still plenty to do into the early hours such as the legendary silent disco, special live sets in the forest using that technology or the campsite busking stages.

Thursday night we head to Camp Turner (one of many named camps that helps build that special atmosphere at Trees) to again catch Ashaine White who delivers a beautiful acoustic set that delights those lucky enough to be nearby.

FRIDAY

Somehow, we are now halfway through the festival and Friday is set to be a hot one in every sense. The temperature rises and the talent on offer just continues to soar. We begin our day with (deep breath), IOTA, Prodigal, Guillotine, Bratakus, Grandmas House, God Complex and Knives who again all clearly understand the task.

A funny moment makes us smile during Knives as a big cheer occurs when a small cloud dares cover the sun. Only for it to quickly disappear after only the briefest respite, much to the chagrin of attendees.

📷GARETH BULL

Despite the continued unrelenting heat, we head back to the main stage for Higher Power and House of Protection (complete with Jordan Fish cameo) who both manage to eek energy reserves from the crowd with fun sets.

📷JEZ PENNINGTON

Call Me Amour then pick up on this challenge in the Marshall tent and won’t take lethargy standing still. The band pull out all stops to engage the crowd who duly oblige and ensure the set is one of the best of the weekend.

The Scratch, Free Throw and Militarie Gun all then follow back-to-back and evoke varying emotions but all in a good way. It’s then the home straight for the day as a much-changed Mallory Knox return with a set of crowd-pleasers and Sunny Day Real Estate offer a rare UK appearance.

📷GARETH BULL

We then rush over to the Axiom for the return of Arcane Roots after eight years away. A true Trees band, the tent is packed as the Trees family look to welcome back one of their own. The atmospheric assault that is Arcane Roots sounds even bigger than ever and the crowd eat up every big riff and every soaring chorus. Some sets you just know will live forever in the memory and this was one of those.

How then do you close out this eclectic day of musical delights? A big old nostalgia session with Funeral For A Friend of course. A band with renewed vigour thanks to the addition of Lucas Woodland on vocals, the likes of ‘All The Rage’, ‘Rookie of the Year’, ‘Bullet Theory’ and ‘Juneau’ all do exactly what you’d want for the big penultimate night romp. We even get a surprise appearance from tomorrow nights headliner Ben Barlow.

📷MAC PRAED
SATURDAY

Somehow, it’s already the final day of the festival. Time simply flies when on the farm and this year has been no different despite the heat (have we mentioned yet that it was quite hot?).

A somewhat chilled-out morning catching sets from Ain’t, Peach, Luxury Apartments and Lakes is punctuated by two fun sets on the main stage. First another of these bands that have worked their way up the bill each year, as CARSICK make their main stage debut with a typically brash performance. Then the madcap Aussie phenom that is Battlesnake draw a massive crowd outside to witness their unique show.

📷JEZ PENNINGTON

Bicurious, Heart Attack Man, LASTELLE and Pinkshift keep us on the move and each showcases their abilities well. Gallus then bring some Scottish charm as they give us one last trip to the Marshall tent for 2026.

The afternoon and evening however is anything but chilled as we stare down the barrel of an incredible run of favourites spread across all the other stages. First up, Mouth Culture who back up what we saw at Download. We said then that they are going to be massive and we stand by that predication based on their main stage showing today.

📷GARETH BULL

As Everything Unfolds then get The Axiom moving with a set of stirring tracks including ‘Ultraviolet’ and ‘On The Inside’; and Marmozets give us a strong contender for set of the weekend on main stage. The band are still weird and wonderful and ‘Captivate You’ provides us with one of those glorious moments when you just have to take it all in and remember why you love music.

A dash back to the Forest comes next for the always brilliant A who showcase their fantastic new album, ‘PRANG’, in amongst fan favourites such as ‘Nothing’ which includes a guest appearance from The Blackout’s Sean Smith.

📷CARLA MUNDY

The XCERTS may be the Trees band. In fact, I don’t think 2000trees can legally occur without the band being represented in some way. This year they hit The Cave and perform their newly released album, ‘i think i want to go home now.’, in full. The performance is so remarkable that singer Murray Macleod is moved to tears and the audience deliver an emotional ovation. A beautiful moment from a beautiful band at this beautiful festival.

How do you top that? Dinosaur Pile-Up at the peak of their powers of course! Complete with an actual dinosaur pile-up in the crowd, and a final run of ‘Sick of Being Down’, ’11:11’, ‘Thrash Metal Cassette’, ‘Big Dogs’ and ‘Back Foot’, which quite frankly should be illegal as it’s unfair for other bands!

📷CARLA MUNDY

But oh, this magnificent final run of bands isn’t over yet and we still have a big pop-punk party to enjoy with Neck Deep. The band begin their set with ‘Can’t Kick Up the Roots’ and the don’t relent for the next hour as they ensure that the festival gets the finale it deserves.

📷GARETH BULL

That however isn’t the end of the night. There is a big football match happening which has been the talk of the town and the festival erect a big screen to let fans see the second half of the game.

As another reminder that there’s always something happening at Trees however, we quickly jolt to the Word tent to catch a comedy set from the brutally hilarious Jamali Maddix! We return just in time to see extra time and an historic England victory!

The celebration that ensues then morphs into the final night silent disco and if anybody has anything left then they see 2000trees 2026 off in style.

Having first attended 2000trees ten years ago it has been a pleasure seeing this festival grow. It’s been an organic evolution and despite its growth the event has stayed true to the foundations that it is built upon.

Next year will be the 20th anniversary of the festival and no doubt will see heightened attention coming its way. The question may then be how can the festival ensures that it retains its unique charm when the secret continually is getting out?

But that’s a question for later. Right now though, let’s just bask in the glory of another successful year for the best festival in the UK!

📷MAC PRAED

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Vol. 141

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Vol. 55

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Live Reviews

Slam Dunk Festival

Hatfield Park

Saturday 25th May 2024

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SLAM DUNK SOUTH 2024 – LIVE REVIEW

In the event programme You Me At Six frontman Josh Franceschi talks about the bands affinity with Slam Dunk Festival and the aptness that the festival acts as their final UK Festival appearance. Indeed it is fitting, but as well as looking back at the twenty year career of our headliners, it also puts into perspective the journey that the festival itself has been on.

Starting out as a single day event in Leeds back in 2006, You Me At Six first appeared in 2007 as the festival made Leeds University its home. The indoor university campus set-up expanded to include Hatfield in 2010 and would eventually take in a third day in the Midlands between 2013 and 2018 when the Hatfield event first moved outside to Hatfield Park.

Since then the event has become the two day fully outdoor event that has become something of a monster. The now traditional festival season opener has flown high, but last year a little like the story of Icarus, the event flew a little too close to the sun. As the events welcomed their biggest ever crowds, the infrastructure buckled under the strain and the festival was forced to acknowledge their failings with promises of lessons learnt this year.

Funnily enough the parallels to You Me At Six could be applied here as well, as again Franceschi admits within the programme notes that the band previously tried too hard to achieve success, made mistakes and needed to re-evaluate and return to their roots. For both the band and the festival, this approach has paid off, because from first arrival to departure this year at Hatfield goes off without an organisational hitch (although as we type this, Leeds has already run into problems!).

Slam Dunk has always been a festival where the music is at the forefront and we dive straight into festival season at the ‘GoPro’ stage with As Everything Unfolds smashing through a brilliant set as the sun shines down. ‘Ultraviolet’ rightly dominates the setlist and it’s clear that the band have something special. As we bid farewell to a regular headliner tonight, if organisers are pondering the headliners of the future then they may well wish to keep an eye on this band!

There are just the five stages this year as the festival scales back somewhat in order to refocus on the original spirit of the event. The site is more spread out this year which helps with people traffic flow and we take a stroll to the ‘Monster’ stage for a glimpse of old school punk favourites Snuff and to the ‘Kerrang’ stage for a beginnings of upstarts Honey Revenge. This is a great example of the dichotomy on offer under the genre-umbrella of the event.

The main stage will capture most of our attention today however and another band with a big future, As December Falls, pull a big and heavily engaged crowd to the stage early on. With their latest effort ‘Join the Club’ also glowing today, the future of this event does appear to be in safe hands!

Young and fresh artists have always featured prominently at Slam Dunk, but so have blasts from the past and the organisers have always had a knack of pulling out rare UK appearances from groups. Head Automatica are the first such act today, although they suffer a few technical hitches which takes the shine off of their set. That said, ‘Beating Heart Baby’ still elicits one of the biggest sing-a-longs of the day.

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The ‘Key Club’ stage is positioned a tad too close to the ‘Monster’ stage which does cause some sound bleed at times. Good luck to anyone out-noising Pennsylvanian hardcore breakthrough group One Step Closer. The group come out and smash through their set with controlled ferocity, leaving those present in little doubt that they are amongst the very best new bands on the circuit.

Meanwhile the technical gremlins continue to plague the main stage as We The Kings have their set cut down to just five songs, although that does include another huge sing-a-long for ‘Check Yes Juliet’.

As well as rarities, returns also feature prominently this year although oddly two of the biggest clash (but it wouldn’t be Slam Dunk without the clashes!). The Blackout perform seminal album, ‘The Best in Town’ in full over on the ‘GoPro’ stage and pull quite the crowd, although like us many depart twenty or so minutes in to head back to the main stage.

That’s because for the first time in some seven years Mallory Knox are back with vocalist Mikey Chapman! A handful of carefully chosen intro tracks highlight the momentous occasion before they deliver a career-spanning performance which delights their passionate fans. Despite some mic issues for Chapman, it’s fantastic to have his signature voice back at the helm of a band once heralded as the next big thing. With a tour lined up this autumn, perhaps that prophecy can still be fulfilled!

The Ghost Inside then lay waste to the ‘GoPro’ stage in another moment of celebration considering everything that they’ve been through. From there we head back to the ‘Kerrang’ tent for Pale Waves which again demonstrates the variety on offer even within the limited gene pool of Slam Dunk. Pale Waves say that they didn’t know what to expect, but what they get is a huge crowd singing every word back of what may be the best set of the whole day!

We are at the business end of the day now but there is still plenty of business to be taken care of! Another rare booking which elicits scenes of glee and sing-a-longs galore is that of Boys Like Girls who deliver the goods including hits ‘Love Drunk’ and ‘The Great Escape’.

Holding Absence frontman Lucas Woodford can then be found fronting a special performance from Funeral For A Friend on the ‘GoPro’ stage, with Woodford more than up to the task.

Then it’s back to the main stage for former headliners The All-American Rejects who are in the UK for the first time in ten years! Sadly the sound is pretty damn iffy throughout but the sing-a-long moments continue and more than compensate for their poor sound. Fans will be praying that it isn’t another ten years before they get to hear the likes of ‘Swing, Swing’, ‘Dirty Little Secret’, ‘Move Along’ and ‘Gives You Hell’ again!

We then catch the solid beginnings of The Wonder Years set as they close out the ‘Key Club’ stage. Elsewhere stages are headlined by I Prevail, Waterparks and The Interrupters but we naturally finish at the main stage with the festival farewell for You Me At Six.

The atmosphere is celebratory before the band even arrives on stage but when they do and immediately burst into ‘Save It For The Bedroom’ the place goes crazy for their heroes. Thankfully the sound is great for the headliners and the string of hits and fan favourites flies by, which is always a good sign.

The party lives up to the hype and You Me At Six are able to give a great account of what has made them such a special band whilst simultaneously showing what makes Slam Dunk what it is. Even at the end of a long, exhausting day the fans are more than willing to sing back every word of the likes of ‘Take on the World’, ‘Underdog’ and ‘Beautiful Way’.

After a year of negativity about the event, it’s great to see Slam Dunk (at Hatfield at least) firing on all cylinders, because there truly is no better way to kickstart festival season. Fans meanwhile will have one final chance to say goodbye to You Me At Six next year, and on tonight’s showing, you’d be foolish not to!

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EP Reviews

Black Sky Research

One

Black Sky Research – ‘Light up the Sky’

Following his self-imposed exile from music, former Mallory Knox vocalist Mikey Chapman is back. After a period of self-evaluation Chapman has joined forces with guitarist Luke Hicks to create Black Sky Research. Having debuted the single ‘Light up the Sky’ earlier this year, the band have now released their first EP ‘One’.

With Chapman’s distinguished vocals at the forefront there are of course Mallory Knox comparisons to be made, but on ‘One’ the band show an expansive sound that truly harnesses Chapman’s vocal power. Opening with ‘Light up the Sky’ the EP is full of peaks and valleys, crashing guitars and melancholy preludes punctuated by Chapman’s soaring vocals.

The EP is conceptual in nature and over the course of five songs details the protagonists fight to find his love during the chaos of the end of the world. ‘Midnight’, ‘Twilight’ and ‘Transmit’ all continue the story whilst laying the foundations for the band’s future sound.

There is plenty here for fans of Chapman’s previous band, equally however there is plenty to dissect from the storytelling point of view. Some lyrics almost feel autobiographical in nature as Chapman makes a statement of intent. On the EP’s finale ‘Dawn’, Chapman sings of second chances and this EP feels like a second chance for Chapman to showcase his immense talents.