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2000trees Festival

Upcote Farm, Cheltenham

8-11 July 2026

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2000trees 2026 review
📷GARETH BULL

Those that know, know. 2000trees Festival has gained a special place in the hearts of regular attendees and once again we headed to Upcote Farm near Cheltenham for four days of glorious musical goodness.

Last year, a heatwave tempered the enjoyment for many, but the qualities of the event still shone through. That’s ok though because that couldn’t happen again this year… could it?

The slow build of worry, fear and acceptance was tangible on social media as the forecasts solidified and we all understood that the festival would for the second consecutive year be dubbed by many as 2000degrees!

WEDNESDAY

The Wednesday of 2000trees may just be the best day of the year every year. With early attendees getting the chance to soak up intimate performances in the Word tent and on the iconic Forest Stage.

📷JEZ PENNINGTON

Setting up camp during a heatwave isn’t our idea of fun but that’s ok because we know we won’t be spending long in our tent! Indeed, we take the opportunity to get straight into the woods as Split Dogs get the prestige of kicking off the 2026 edition of 2000trees with a raucous set.

Music lovers are spoilt at this fabulous festival, and it’s been said before that 2000trees is a marathon and not a sprint. Dubbing ourselves Full Pelt however does push us to attempt this marathon at a sprint pace and despite the devilish heat we manage to clock up sixty-six sets across the weekend. So, strap in for our big overview!

📷GARETH BULL

This opening day often spotlights acts from previous years that are treated as returning heroes and on this day the likes of Karen Dio, SOAPBOX, BLACKGOLD, VENUS GRRRLS and Split Chain all get that classic Trees reception.

It feels like every year we find ourselves saying we didn’t see a bad set and this year follows that pattern. If you are astute enough, you’ll clock the sheer volume of artists who heap praise on the festival during their performances, and you can tell that comes from a place of love rather than the clichéd “you’re the best show of the tour” head pat.

What you therefore get is artists ensuring that their show is special. Early on you again sense this from Love Rarely, Bruise Control and especially the energetic Hyphen whose set is one of the rowdiest of the weekend.

📷GARETH BULL

As the evening sets in, more and more early attendees join in the fun and each set lives up to the hype. SPRINTS who took home our Album of the Year award last year bring ‘All That Is Over’ to the beautiful Forest setting and it feels like a match made in heaven. Equally, the platform given to Lake Malice who headline the Word tent is seized with both hands by a passionate band who have fans spilling out the tent.

📷JEZ PENNINGTON

2000trees sets itself apart from other events in various ways but the willingness to repeat bands across the weekend is a big one. The Dirty Nil and today’s headline band PUP will both appear again this weekend, so what we get on night one are unique performances that ensure fans are kept on their toes.

The Dirty Nil opt for a set purely consisting of covers which starts with Metallica, Cheap Trick and The Police and concludes with Nirvana, AC/DC and Thin Lizzy! PUP on the other hand choose tonight to deliver their album, ‘The Dream Is Over’ in full, which results in many a lost voice amongst the audience.

📷GARETH BULL
THURSDAY

It’s often said that the atmosphere is what makes the event affectionately dubbed Trees so special. We should know. We’ve said it. Often. It’s sounds corny or even contrived but it really does feel like one big family.

Part of this is the dedicated audience getting to track the progress of bands that they discover at the festival in smaller slots as they rise through the ranks. Buds. are an example of this as they open the main stage on Thursday. Party bags are issued to attendees and its all very small family gathering like despite being the main stage of a well-established medium sized festival.

This is again something that many artists touch upon from their vantage point on stage. Like Goldilocks herself is assessing the scale of the event – it isn’t too big, it isn’t too small, it’s just right!

The festival doesn’t change for changes sake. What works, works well and you’ll find a lot of food vendors and stalls in the same spots year on year. Shout out to Happy Bangers whose simple yet effective hotdogs have provided Full Pelt with our daily brunch every day for as long as the memory serves.

One change this year is the evolution of the Neu Stage into the Marshall Stage. The legendary amplifier brand has been supporting the festival for a number of years but step things up a notch this year with a refurbished stage and interactive installations including artist led screen printing and more.

📷MAC PRAED

This sun-soaked Thursday we catch impressive sets in this tent from newcomer Ashaine White and two Full Pelt favourites Youth Killed It and snake eyes. Marshall don’t just make amps, they back talent and across the weekend this stage welcomes some of the best on offer.

Thursday does find us darting between the different stages a lot but at 2000trees if you are that way inclined then you absolutely can. The Axiom treats us to Tooth and Coach Party and The Cave allows us to catch two acts with big momentum behind them Bleech 9:3 and the incomparable Delilah Bon.

📷Magda Campagne

This year more than ever, it’s a blessing that most stages are good sized tents. We endure the unrelenting sunshine on the main stage however for an engaging Melanie Baker, a blistering Saint Agnes, a good time guaranteed Mariachi El Bronx and perhaps the most puzzling set of the weekend for us from The Skinner Brothers. No longer generic indie guitar wannabees, now perhaps looking to cash in on the popularity of masked rockers. Quite the transformation and one that might take a little while for us to get our heads around.

Thankfully we get to seek some shelter from the sun back in the Forest today also with a delightful run of young upstarts DeadWax, the ferocious Native James and another of our favourites The Virginmarys. The duo are in top form and deliver a superbly crafted set that gives the fans what they want but ensures that stunning new album, ‘The House Beyond the Fires’, remains very much in the limelight.

📷MAC PRAED

Now, it wasn’t just the weather warnings that gave fans and organisers a shock ahead of the event this year. Alkaline Trio had been set to headline tonight as part of a European tour however just six days before the event the Trio had to pull their dates for health reasons (get well soon Matt!).

This presented an enormous challenge for organisers but one that they were able to overcome, no doubt helped by the goodwill the festival has earned. Step up Don Broco on six days’ notice to again top the bill.

📷CARLA MUNDY

With a fresh album in the bag, the band are able to deliver something different to their previous headlining slot whilst ensuring that their undeniable energy producing machine is still turned to the maximum.

The band have bangers for the days and new tracks like ‘Nightmare Tripping’ and ‘True Believers’ are already in that terrain. Fair play to the band for stepping in, stepping up and ensuring that Thursday night is party night at 2000trees 2026!

Of course, another special feature of 2000trees is what happens once the main stages conclude. There is still plenty to do into the early hours such as the legendary silent disco, special live sets in the forest using that technology or the campsite busking stages.

Thursday night we head to Camp Turner (one of many named camps that helps build that special atmosphere at Trees) to again catch Ashaine White who delivers a beautiful acoustic set that delights those lucky enough to be nearby.

FRIDAY

Somehow, we are now halfway through the festival and Friday is set to be a hot one in every sense. The temperature rises and the talent on offer just continues to soar. We begin our day with (deep breath), IOTA, Prodigal, Guillotine, Bratakus, Grandmas House, God Complex and Knives who again all clearly understand the task.

A funny moment makes us smile during Knives as a big cheer occurs when a small cloud dares cover the sun. Only for it to quickly disappear after only the briefest respite, much to the chagrin of attendees.

📷GARETH BULL

Despite the continued unrelenting heat, we head back to the main stage for Higher Power and House of Protection (complete with Jordan Fish cameo) who both manage to eek energy reserves from the crowd with fun sets.

📷JEZ PENNINGTON

Call Me Amour then pick up on this challenge in the Marshall tent and won’t take lethargy standing still. The band pull out all stops to engage the crowd who duly oblige and ensure the set is one of the best of the weekend.

The Scratch, Free Throw and Militarie Gun all then follow back-to-back and evoke varying emotions but all in a good way. It’s then the home straight for the day as a much-changed Mallory Knox return with a set of crowd-pleasers and Sunny Day Real Estate offer a rare UK appearance.

📷GARETH BULL

We then rush over to the Axiom for the return of Arcane Roots after eight years away. A true Trees band, the tent is packed as the Trees family look to welcome back one of their own. The atmospheric assault that is Arcane Roots sounds even bigger than ever and the crowd eat up every big riff and every soaring chorus. Some sets you just know will live forever in the memory and this was one of those.

How then do you close out this eclectic day of musical delights? A big old nostalgia session with Funeral For A Friend of course. A band with renewed vigour thanks to the addition of Lucas Woodland on vocals, the likes of ‘All The Rage’, ‘Rookie of the Year’, ‘Bullet Theory’ and ‘Juneau’ all do exactly what you’d want for the big penultimate night romp. We even get a surprise appearance from tomorrow nights headliner Ben Barlow.

📷MAC PRAED
SATURDAY

Somehow, it’s already the final day of the festival. Time simply flies when on the farm and this year has been no different despite the heat (have we mentioned yet that it was quite hot?).

A somewhat chilled-out morning catching sets from Ain’t, Peach, Luxury Apartments and Lakes is punctuated by two fun sets on the main stage. First another of these bands that have worked their way up the bill each year, as CARSICK make their main stage debut with a typically brash performance. Then the madcap Aussie phenom that is Battlesnake draw a massive crowd outside to witness their unique show.

📷JEZ PENNINGTON

Bicurious, Heart Attack Man, LASTELLE and Pinkshift keep us on the move and each showcases their abilities well. Gallus then bring some Scottish charm as they give us one last trip to the Marshall tent for 2026.

The afternoon and evening however is anything but chilled as we stare down the barrel of an incredible run of favourites spread across all the other stages. First up, Mouth Culture who back up what we saw at Download. We said then that they are going to be massive and we stand by that predication based on their main stage showing today.

📷GARETH BULL

As Everything Unfolds then get The Axiom moving with a set of stirring tracks including ‘Ultraviolet’ and ‘On The Inside’; and Marmozets give us a strong contender for set of the weekend on main stage. The band are still weird and wonderful and ‘Captivate You’ provides us with one of those glorious moments when you just have to take it all in and remember why you love music.

A dash back to the Forest comes next for the always brilliant A who showcase their fantastic new album, ‘PRANG’, in amongst fan favourites such as ‘Nothing’ which includes a guest appearance from The Blackout’s Sean Smith.

📷CARLA MUNDY

The XCERTS may be the Trees band. In fact, I don’t think 2000trees can legally occur without the band being represented in some way. This year they hit The Cave and perform their newly released album, ‘i think i want to go home now.’, in full. The performance is so remarkable that singer Murray Macleod is moved to tears and the audience deliver an emotional ovation. A beautiful moment from a beautiful band at this beautiful festival.

How do you top that? Dinosaur Pile-Up at the peak of their powers of course! Complete with an actual dinosaur pile-up in the crowd, and a final run of ‘Sick of Being Down’, ’11:11’, ‘Thrash Metal Cassette’, ‘Big Dogs’ and ‘Back Foot’, which quite frankly should be illegal as it’s unfair for other bands!

📷CARLA MUNDY

But oh, this magnificent final run of bands isn’t over yet and we still have a big pop-punk party to enjoy with Neck Deep. The band begin their set with ‘Can’t Kick Up the Roots’ and the don’t relent for the next hour as they ensure that the festival gets the finale it deserves.

📷GARETH BULL

That however isn’t the end of the night. There is a big football match happening which has been the talk of the town and the festival erect a big screen to let fans see the second half of the game.

As another reminder that there’s always something happening at Trees however, we quickly jolt to the Word tent to catch a comedy set from the brutally hilarious Jamali Maddix! We return just in time to see extra time and an historic England victory!

The celebration that ensues then morphs into the final night silent disco and if anybody has anything left then they see 2000trees 2026 off in style.

Having first attended 2000trees ten years ago it has been a pleasure seeing this festival grow. It’s been an organic evolution and despite its growth the event has stayed true to the foundations that it is built upon.

Next year will be the 20th anniversary of the festival and no doubt will see heightened attention coming its way. The question may then be how can the festival ensures that it retains its unique charm when the secret continually is getting out?

But that’s a question for later. Right now though, let’s just bask in the glory of another successful year for the best festival in the UK!

📷MAC PRAED

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Slam Dunk Festival

Hatfield Park

Saturday 25th May 2024

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SLAM DUNK SOUTH 2024 – LIVE REVIEW

In the event programme You Me At Six frontman Josh Franceschi talks about the bands affinity with Slam Dunk Festival and the aptness that the festival acts as their final UK Festival appearance. Indeed it is fitting, but as well as looking back at the twenty year career of our headliners, it also puts into perspective the journey that the festival itself has been on.

Starting out as a single day event in Leeds back in 2006, You Me At Six first appeared in 2007 as the festival made Leeds University its home. The indoor university campus set-up expanded to include Hatfield in 2010 and would eventually take in a third day in the Midlands between 2013 and 2018 when the Hatfield event first moved outside to Hatfield Park.

Since then the event has become the two day fully outdoor event that has become something of a monster. The now traditional festival season opener has flown high, but last year a little like the story of Icarus, the event flew a little too close to the sun. As the events welcomed their biggest ever crowds, the infrastructure buckled under the strain and the festival was forced to acknowledge their failings with promises of lessons learnt this year.

Funnily enough the parallels to You Me At Six could be applied here as well, as again Franceschi admits within the programme notes that the band previously tried too hard to achieve success, made mistakes and needed to re-evaluate and return to their roots. For both the band and the festival, this approach has paid off, because from first arrival to departure this year at Hatfield goes off without an organisational hitch (although as we type this, Leeds has already run into problems!).

Slam Dunk has always been a festival where the music is at the forefront and we dive straight into festival season at the ‘GoPro’ stage with As Everything Unfolds smashing through a brilliant set as the sun shines down. ‘Ultraviolet’ rightly dominates the setlist and it’s clear that the band have something special. As we bid farewell to a regular headliner tonight, if organisers are pondering the headliners of the future then they may well wish to keep an eye on this band!

There are just the five stages this year as the festival scales back somewhat in order to refocus on the original spirit of the event. The site is more spread out this year which helps with people traffic flow and we take a stroll to the ‘Monster’ stage for a glimpse of old school punk favourites Snuff and to the ‘Kerrang’ stage for a beginnings of upstarts Honey Revenge. This is a great example of the dichotomy on offer under the genre-umbrella of the event.

The main stage will capture most of our attention today however and another band with a big future, As December Falls, pull a big and heavily engaged crowd to the stage early on. With their latest effort ‘Join the Club’ also glowing today, the future of this event does appear to be in safe hands!

Young and fresh artists have always featured prominently at Slam Dunk, but so have blasts from the past and the organisers have always had a knack of pulling out rare UK appearances from groups. Head Automatica are the first such act today, although they suffer a few technical hitches which takes the shine off of their set. That said, ‘Beating Heart Baby’ still elicits one of the biggest sing-a-longs of the day.

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The ‘Key Club’ stage is positioned a tad too close to the ‘Monster’ stage which does cause some sound bleed at times. Good luck to anyone out-noising Pennsylvanian hardcore breakthrough group One Step Closer. The group come out and smash through their set with controlled ferocity, leaving those present in little doubt that they are amongst the very best new bands on the circuit.

Meanwhile the technical gremlins continue to plague the main stage as We The Kings have their set cut down to just five songs, although that does include another huge sing-a-long for ‘Check Yes Juliet’.

As well as rarities, returns also feature prominently this year although oddly two of the biggest clash (but it wouldn’t be Slam Dunk without the clashes!). The Blackout perform seminal album, ‘The Best in Town’ in full over on the ‘GoPro’ stage and pull quite the crowd, although like us many depart twenty or so minutes in to head back to the main stage.

That’s because for the first time in some seven years Mallory Knox are back with vocalist Mikey Chapman! A handful of carefully chosen intro tracks highlight the momentous occasion before they deliver a career-spanning performance which delights their passionate fans. Despite some mic issues for Chapman, it’s fantastic to have his signature voice back at the helm of a band once heralded as the next big thing. With a tour lined up this autumn, perhaps that prophecy can still be fulfilled!

The Ghost Inside then lay waste to the ‘GoPro’ stage in another moment of celebration considering everything that they’ve been through. From there we head back to the ‘Kerrang’ tent for Pale Waves which again demonstrates the variety on offer even within the limited gene pool of Slam Dunk. Pale Waves say that they didn’t know what to expect, but what they get is a huge crowd singing every word back of what may be the best set of the whole day!

We are at the business end of the day now but there is still plenty of business to be taken care of! Another rare booking which elicits scenes of glee and sing-a-longs galore is that of Boys Like Girls who deliver the goods including hits ‘Love Drunk’ and ‘The Great Escape’.

Holding Absence frontman Lucas Woodford can then be found fronting a special performance from Funeral For A Friend on the ‘GoPro’ stage, with Woodford more than up to the task.

Then it’s back to the main stage for former headliners The All-American Rejects who are in the UK for the first time in ten years! Sadly the sound is pretty damn iffy throughout but the sing-a-long moments continue and more than compensate for their poor sound. Fans will be praying that it isn’t another ten years before they get to hear the likes of ‘Swing, Swing’, ‘Dirty Little Secret’, ‘Move Along’ and ‘Gives You Hell’ again!

We then catch the solid beginnings of The Wonder Years set as they close out the ‘Key Club’ stage. Elsewhere stages are headlined by I Prevail, Waterparks and The Interrupters but we naturally finish at the main stage with the festival farewell for You Me At Six.

The atmosphere is celebratory before the band even arrives on stage but when they do and immediately burst into ‘Save It For The Bedroom’ the place goes crazy for their heroes. Thankfully the sound is great for the headliners and the string of hits and fan favourites flies by, which is always a good sign.

The party lives up to the hype and You Me At Six are able to give a great account of what has made them such a special band whilst simultaneously showing what makes Slam Dunk what it is. Even at the end of a long, exhausting day the fans are more than willing to sing back every word of the likes of ‘Take on the World’, ‘Underdog’ and ‘Beautiful Way’.

After a year of negativity about the event, it’s great to see Slam Dunk (at Hatfield at least) firing on all cylinders, because there truly is no better way to kickstart festival season. Fans meanwhile will have one final chance to say goodbye to You Me At Six next year, and on tonight’s showing, you’d be foolish not to!

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Vol. 7

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Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the seventh issue now for free!

Volume seven includes an update from cover stars The Xcerts, reviews of Blink 182 and Funeral For A Friend live, album reviews for Creeper, REWS, Beartooth and The Dollyrots and a load more!

We have our News Report rounding up new releases from Bring Me The Horizon, Feeder, Blossoms, The Sleeping Souls, Thornhill, MOSKITO, Waterparks, Delilah Bon, South of Salem, Powerwolf, Gama Bomb, Employed To Serve, PLAIINS, Scott Stapp, END and Lord of the Lost!

Plus new live announcements from Bryan Adams, YONAKA, Stonedead Festival, Casey and Haunt the Woods.

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with SpyresFuture Static and Crushed by Waves!

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Live Reviews

Download Festival

Donington Park

10th to 12th June 2022

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With the pandemic taking a hold back in early 2020, Download Festival became one of the first major festival victims. It was perhaps fitting therefore that the small Pilot version of the event was the first step on the road back to normality last year.

Read our review of Download Pilot Festival

That does mean though that as we head into Donington Park in 2022, it is the first fully fledged festival since the 2019 edition. After three long years, it is finally time for rock and metal fans to convene again on these hallowed grounds.

There are a number of changes this year to the layout of the festival but the best change is the installation of a strange golden orb in the sky. The usual brown flooring has also been painted green. Yes, goodbye Drownload and hello sunburn!

The main changes to the festival relate to the layout of the campsites, parking and transport hubs. Given these new changes, a little extra signage may have assisted seasoned attendees finding their way around, but in general the changes work well. There is a lot of walking required, however there always is at Donington Park however the event is laid out.

Once inside the area the setup is pretty standard if a little cut back with smaller stages, fewer food stalls and no wrestling or other extra areas. But, it’s Download and everyone is just glad to be here.

FRIDAY REVIEW

So then, on to the music! Opening the main stage on Friday are NWOCR favourites Wayward Sons who make the most of their short time on stage. They are quickly followed by Canadians Theory (of a Deadman) who also only have a short time to show their stuff. Thankfully for them they are able to call upon some festival-perfect material as the crowd sing along to ‘Bitch Came Back’, ‘Hate My Life’ and ‘Bad Girlfriend’.

Recently rejigged Bury Tomorrow follow on the main stage and bring the first real taste of heavy to the festival. The band are clearly honoured by the opportunity and try their best to win over the audience, with our first pyro of the weekend helping to add to the occasion. By the time the band leave the stage and a pile of bodies in the audience, the set has to be considered a success.

We go walkabout next and visit first the second stage for a man who has already played Download Festival with both Alter Bridge and Slash, Myles Kennedy. With two solo albums now to his name, Kennedy only grows his legacy with another top class performance.

Read our review of ‘The Ides of March’ from Myles Kennedy

Secondly we head to the Avalanche Stage for something new. American pop-punk band Meet Me @ the Altar have intensifying hype around them, and keeping with the tone of the day they are able to grasp this opportunity with both hands. Expect bigger things from the band in the near future.

As day one begins to draw to a close with catch two of Download’s house bands with Skindred on the main stage and Airbourne over on the second stage. Both bands attract big crowds, because fans know what to expect from them. High energy, entertaining rock shows are delivered by both as fans get to revel in what they have missed over the last three years.

Read our review of Airbourne live in Norwich

Having delivered an incredible headlining performance at the Pilot event last summer, Frank Carter & The Rattlesnakes return to Donington Park next to headline the second stage. Carter and co show the crowd what they missed last year with another stunning performance. This band must be considered one of the best live bands on the planet and who would put it past them headlining the main stage in the future.

Read our review of ‘Sticky’ from Frank Carter & The Rattlesnakes

Download Festival after all needs to begin focusing on that next generation of headline acts, because many of the old guard are saying farewell. It is the ‘End of the Road’ for KISS, but not before one final triumphant showcase this year.

The band are able to deliver all the pageantry of a KISS show with every party trick played with precision. As the fans walk away with ‘Rock and Roll All Nite’ stuck in their heads, the band have brought the party and night one is closed out in style.

SATURDAY REVIEW

Saturday morning brings a fresh day with the sun still shining bright, but early risers at the main stage are left waiting with opening act The Raven Age almost forty minutes late. When the band do arrive they are able to show their continued growth with a matured performance.

This delay subsequently leads to a 30+ minute lag on main stage times throughout the rest of the day which plays havoc with fans carefully curated schedules. It does mean however that we can head to the second stage and catch the energetic Cassyette who is capitalising on the momentum earned over the last year.

It’s then back to the main stage for the classic rock sounds of Those Damn Crows and Monster Truck. Both bands continue the impressive start to the festival. Clearly every act is out to cast off the shackles of recent years and make an impression.

Both of these bands leave the fans wanting more, which is all a band can do with these early festival slots. It’s probably a good thing then, that these two bands will be touring the UK together later this year!

Up next for us is one of the performances of the weekend from Holding Absence over on the Avalanche stage. With songs like ‘Afterlife’ and ‘Wilt’ seemingly made for festival crowds to sing along to, the band completely own the packed tent during their time on stage.

Read our review of ‘The Greatest Mistake of My Life’ from Holding Absence

Shinedown are also a band that knows how to control a crowd, and they have a large crowd to play with next on the main stage. With a new album on the way, the band incorporate new tracks ‘The Saints of Violence and Innuendo’ and ‘Planet Zero’ into their tried and tested, crowd pleasing set.

It’s then back to the Avalanche stage for another standout performance. This time it’s Creeper on the stage, the band again showing an innate ability to hold the audience in the palm of their hands. Creeper continue to grow and evolve and it will be interesting to see where the band head next.

Read our review of Creeper live in London

We stick next to the Avalanche stage for headliners Funeral For A Friend. Perhaps it’s the fact that we’ve just witnessed two fantastic performances on this stage from Holding Absence and Creeper but something feels a little off for this set. It’s not a lacklustre performance as the band give it their all, but on a weekend full of great performances what is probably a really good one feels a little underwhelming.

There is never anything underwhelming however about Iron Maiden. The band are icons for a reason and their current stage show is possibly their best ever. With Maiden on form and a packed Donington Park in fine voice, this headline set was always going to be one for the ages, and it doesn’t disappoint.

Read our review of ‘Senjutsu’ from Iron Maiden
SUNDAY REVIEW

Now onto Sunday morning, with hangovers taking hold, feet aching and stamina’s waning. It’s up to Wargasm to blow away any cobwebs as they open the main stage, and that’s just what they do. The band are developing into something of a marmite band, but there is no doubting the passion and energy that they put into every performance; and judging by the reaction they go down very well this morning.

Sidetracking from the music for a moment, we commented in our Neck of the Woods Festival review about the cost of food and drink this year. There are no surprises therefore that prices are high at Download Festival, but the quality on offer at that price is disappointing. Inflation is one thing, but shrinkflation begins to rub, and more than one meal this weekend leaves a sour taste in our mouth (figuratively and literally in one case!).

Well, if the amenities on offer are disappointing, thankfully the music isn’t. As we have said, the quality of performances this weekend is consistently high. Both The Velveteers in the Dogtooth tent and The Last Internationale on the second stage are fine examples of this quality from top to bottom.

Massive Wagons follow on the second stage and again appear on top form. As many bands have this weekend, they tailor their set list perfectly for their time on stage and it’s wall to wall bangers as the kids would say.

Tremonti next are more methodical as they display their technical prowess. Mark Tremonti and co are mightily impressive and the audience are equally receptive.

Read our review of ‘Marching In Time’ from Tremonti

We shoot then across to the main stage where Rise Against are another band that fail to meet expectations. The band are an incredible force, but sadly today they struggle to translate from the stage for whatever reason.

Read our review of ‘Nowhere Generation’ from Rise Against

Volbeat have no problems though as they are instantly able to grab the audience. They deliver a career spanning setlist to the delight of the field, which shows just why they have established themselves as potential future headliners.

Read our review of Volbeat live in London

We then find time to dart across to the Avalanche stage one last time as Trash Boat showcase one of the albums of last year, ‘Don’t You Feel Amazing?’. Trash Boat have really come into their own and have the entire tent bouncing along.

Read our review of ‘Don’t You Feel Amazing?’ from Trash Boat

Korn are the penultimate band to play the main stage this weekend and they make the most of their position with one of the best performances of the festival. The band are longtime Download Festival favourites and they evidence today just why that is.

Read our review of ‘Requiem’ from Korn

There is another look at the future next as Yonaka pack out the Dogtooth tent. Those that have made the effort to catch the band are rewarded by an incredible performance from one of the most exciting young rock bands around.

Read our review of ‘Seize the Power’ from Yonaka

Last but certainly not least with have Biffy Clyro who are one of the biggest rock bands in the UK, but seemingly another marmite band amongst regular Download Festival goers.

One thing for certain is that those that chose to the stay until the end are rewarded by way of a sublime headlining performance. Biffy Clyro are another level live act and tonight they deliver a superb closing show fitting of closing this event.

Read our review of Biffy Clyro live in London

Consistent high calibre performances have encapsulated the return of Download Festival this weekend. The event has a special place in the hearts of its fan base and will celebrate next year with a special four day 20th anniversary celebration. We can’t wait!

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