Biffy Clyro had just announced a UK Arena Tour when the world shut up shop in March 2020. Since then they’ve released two albums, headlined Reading & Leeds and Download Festivals and played an intimate run of UK dates. Now, two and a half years later the band finally gets to grace again the largest indoor venues the country has to offer.
Tonight that places them at the monstrous O2 Arena in London in front of a packed Saturday night crowd. Anticipation is high, and not just for the Scottish heroes, but for special guests Architects fresh from an arena tour of their own back in May.
Both bands will be hoping the crosspollination of their audiences will earn new admirers and for Architects up first there is clearly is mixture of diehard fans and trepidatious unfamiliar audience members.
Focusing on their more accessible recent material is a clever move from the band and tracks such as ‘deep fake’ and ‘tear gas’ ease inhibitions and start to win over those starting out on the fence.
WATCH ‘ANIMALS’ ON FROM ARCHITECTS ON YOUTUBE
Architects – ‘Animals’
A smooth and effortless run through of the likes of ‘Dead Butterflies’, ‘Doomsday’, ‘when we were young’ and closer ‘Animals’ ensures many new fans will have been found tonight. A random introduction from Joel Dommett stated that Architects are one of the best bands in the UK, and whilst our headliners have a major stake in that argument, tonight our guests have ensured that they are in the conversation.
Anybody that has seen Biffy Clyro live however will know that they are one of the most consistently impressive live forces on the circuit. Tonight, to the surprise of nobody, they are once again a level above the competition.
WATCH ‘WHO’S GOT A MATCH?’ FROM BIFFY CLYRO ON YOUTUBE
Opening trio ‘DumDum’, ‘A Hunger In Your Haunt’ and ‘Tiny Indoor Fireworks’ perhaps provide a slow start to the set but from ‘Who’s Got A Match?’ onwards the venue comes alive as the band produce the proverbial banger after banger.
The composition of the setlist is well balanced with a good mix of new, old and the return of a couple of even older pre-mainstream Biffy Clyro numbers ‘57’ and ‘Glitter and Trauma’.
The stage is simple but effective with the music the focal point tonight, and with the likes of ‘Instant History’, ‘Mountains’, ‘Wolves of Winter’ and ‘Biblical’ on offer that’s all that is really needed.
Just watching the crowd reactions to the likes of ‘Living Is A Problem Because Everything Dies’, ‘The Captain’, ‘Bubbles’ and ‘Many of Horror’ makes is so obvious that Biffy Clyro are now fully established as an elite tier act. Mon the Biff!
The last time Creeper played a show like this in London, they “broke up” and vanished for a year. In advance of tonight there have been teases of some vampiric happenings in Camden, so it’s no surprise that the band’s dedicated fanbase sold out their biggest ever headline show at the iconic Roundhouse.
The theatre starts early with opening act Zetra. The gothic synth-gaze group are a fitting start to the evening and get the early attendees into the spirit for what is to come.
Main support act Bad Nerves are more of a straightforward proposition, blasting out their rough and ready punk rock anthems to the enjoyment of the audience.
Realistically however tonight was always going to be about one band and one band alone, our headliners Creeper. Before then however the vampire theme is played out again with clips from legendary vampire movies projected onto the curtain protecting the stage.
When that curtain finally drops the band burst onto an appropriately decorated stage with early fan favourite ‘VCR’, much to the delight of the packed venue. The opening guitar riff of ‘Born Cold’ then cuts the atmosphere in two and the crowd truly erupt.
Big hitters ‘Suzanne’ and ‘Annabelle’ follow and you already know that tonight is going to be special. From here on out, it’s a true career-spanning setlist from the band with a surprising amount of early material finding its way back into the set, which again helps to feed that special feeling this evening.
Over the past year or so, Creeper have taken major leaps forward sonically and visually, on record and live. All that early promise is being fully realised and tonight feels like a celebration of everything they’ve done to this point. Both albums and all major EP’s are represented.
The stage presence of the band has come so far and seeing frontman Will Gould at the peak of his powers, and Hannah Greenwood own the stage like never before is incredible for fans that have been with the band since their humble beginnings.
Every word of every song is sung back by the passionate audience at the top of their lungs. There is a connection in place here between band and fans that is hard to describe, but we’ll attempt to with the word magical!
Stunning moments such as the live debut of ‘All My Friends’ ensure this evening is the spectacle it promised to be, but it’s what transpires after ‘Misery’ brings tonight to a beautiful close that will be talked about forever in Creeper folklore.
After a vampire beheads Gould, a video announces that the band has signed with Spinefarm Records and new single ‘Ghost Brigade’ has just been released. As one chapter closes, another begins and Creeper remain on course for greatness.
Amber leaves lay sodden on the ground, there is a crisp chill in the autumnal air and there is an awful lot of black clothing amongst the excited crowds gathering at the UEA LCR door. Yes, whilst the ghouls and spooks are out guising across Norwich this All Hallows’ Eve, the city’s metal community are haunting its largest venue.
There are no tricks here this Halloween, just the treat of a hard hitting night of action from the double-headed monster that is the co-headlining Bury Tomorrow and August Burns Red, albeit with a re-jigged undercard.
NOVELISTS FR
Gone just days ahead of the tour are Miss May I, joining Thornhill in departing the tour originally booked some 3 years ago (we all know what has transpired in that time!). Jumping in on short notice however are Novelists FR who receive a warm welcome.
As they arrive onstage in a venue festively decorated with ghostly figures, the early crowd show that they are here for some fun tonight. The French latecomers are able to deliver just what is needed to warm everyone up for the barrage of noise that is set to follow.
AUGUST BURNS RED
Up next is August Burns Red, who instantly rile the audience up with a quick run-through of System of a Down classic ‘Chop Suey!’. Clearly the band have many fans in the audience and those fans are treated to an hour of brutality from a band well versed in serving up crowd pleasing performances.
BURY TOMORROW
Our headliners Bury Tomorrow arrive onstage, dressed in white paper suits, and instantly bring the ferocity and intensity that has earned them their pedigree as a live act. The opening three tracks instigate a hot atmosphere in the crowd, until sadly a lengthy medical incident in the audience derails the momentum.
It has to be said the response from the band, the crowd, the security, the venue and medical staff is fantastic, and hopefully that individual is ok! It naturally takes a short while to find the same level of energy again, but Bury Tomorrow ensure that soon enough the party is back in full swing.
‘LIFE (Paradise Denied)’ particularly does well in getting the atmosphere back on track and helps return the band to their stride. It isn’t just Halloween that has the bodies moving tonight, and by the time the show comes to an end everyone in the venue, be it human, monster, vampire or ghost as had a great time.
Soon this tour heads off into Europe, and next year Bury Tomorrow will return with their seventh album. But right now we return to the dark, cold and creepy outdoors.
When the industry is always looking for the next big thing, The Snuts have certainly thrown their name in that hat over the past couple of years. A huge debut album has now been followed up with a brave, adventurous and importantly well received sophomore record.
To really breakthrough though artists need to back up what they do on record when taking to the stage. Tonight we head to the UEA LCR in Norwich to see what progress the band have made on this front.
Up first however are local favourites Youth Killed It who command the stage as if they were the headliners. Full of genre-bending rifftastic sing-a-long anthems, the band control the stage with utter ease. Whilst just the opening act tonight, there would be worse bets to place than one predicting that Youth Killed It will return to headline this stage.
Next, the audience are serenaded by young singer-songwriter Heidi Curtis who is able to charm the baying crowd with her uplifting performance. Curtis is most definitely one to watch in the coming years.
Finally the venue get the group that they’ve been waiting for as The Snuts arrive onstage to a powerful politically charged video. Yes, video… the band instantly showcase their intentions to raise their live credentials with a elegant stage set up.
It’s not all style and no substance however, as The Snuts are able to back it up with a stunning performance full of effortless cool swagger. The audience are held in the palm of their hand as they mix material from their two albums.
Fan favourites such as ‘Glasgow’, ‘All Your Friends’ and ‘Always’ sound absolutely huge while newer tracks ‘The Rodeo’ and ‘Zuckerpunch’ show that new album ‘Burn the Empire’ is also full of anthems.
If tonight The Snuts were auditioning to be the next breakout indie megastars then they’d have been given the part before they even finished their routine!
An encore of ‘Burn the Empire’ and ‘Fatboy Slim’ is really just the icing on what has been a delicious cake. The Snuts it would appear are ready to take over the world.
Perennial contenders Pulled Apart By Horses have just released the fifth studio album of their near fifteen year career. ‘Reality Cheques’ features a more streamlined sound and tonight in Norwich we get to see how that translates on stage.
MAGNOLIA PHOTOS
Opening the early evening show at the Waterfront Studio are local newcomers Magnolia. It’s difficult to find much about the band online and even harder to pigeonhole them into any genre.
Describing themselves as psychedelic post-punk, there are certainly elements of those genres present in amongst their experimental sound. There are also many others as killer riffs segue into moments of pure randomness. There are times of brilliance and times of dreadfulness in their short set. Only a young act, there is something here, I’m just not sure what it is yet!
THE HOWLERS PHOTOS
Next up are a band clearly further along their discovery path. Londoners The Howlers recently released new EP, ‘Further Down the Line’ and songs from that record are highlights tonight.
The group own the stage like they are industry veterans and the crowd are left in awe of a top quality support slot. These are the shows where newer acts can win new fans and build their audiences and the likes of ‘The Boy I Was Before’ and ‘El Dorado’ will have done some excellent building work tonight.
PULLED APART BY HORSES PHOTOS
Finally, our headliners Pulled Apart By Horses take to the stage and from the first angry guitar strum the intimate audience are raucous! To say that both band and crowd are up for it tonight would be an understatement and that makes for a fantastic atmosphere on this Saturday night.
New album, ‘Reality Cheques’, naturally features heavily in the set list for Pulled Apart By Horses and as they open with ‘Pipe Dream’ and ‘First World Problems’ it’s clear that the album passes the live test. The new songs sound massive as do older tracks such as ‘The Haze’ and ‘The Big What If’.
During a cost of living crisis, small shows such as this are superb value for money and our headliners deliver an energetic and engaged display from start to finish – something often found lacking with arena shows.
As Pulled Apart By Horses close their set with fan favourites ‘V.E.N.O.M.’, ‘I Punched A Lion In The Throat’ and ‘High Five, Swan Dive, Nose Dive’, they reaffirm themselves a standout live act and rubberstamp the fact that five albums in they remain a creative force.
You know that gig season is in full effect when you head along to a Frank Turner show. Yes, the man that is always on tour is on his rearranged ‘Never Ending Tour of Everywhere’. Tonight that means the Junction in Cambridge and another sold out show.
It’s almost a guarantee at a Turner show that you’ll be greeted by some fantastic support acts and this tour is certainly no different. Up first are Truckstop Honeymoon who serenade the crowd with their entertaining bluegrass folk sound, and their whimsical quips! The duo will be picking up many new fans on this tour as they introduce themselves properly to the UK.
The main support act on this tour is non-other than Pet Needs, who have featured on both our ‘Discover’ New Music and Full Pelt Music Podcasts. The band are intrinsically linked to Mr. Turner at the moment. He has produced both their albums and taken them on tour around the world. That said, it really feels like the band are breaking out and solidifying their own name.
Shows like tonight will go a long way towards that and it’s telling the amount of Pet Needs merchandise on display in the audience. Early fan favourites such as ‘Tracey Emin’s Bed’ and ‘Kayak’ intermix with new songs ‘Ibiza In Winter’ and ‘Fear for the Whole Damn World’ as the band showcase their enormous potential.
Closing their generous time on stage with ‘Overcompensating’, ‘Toothpaste’ and ‘Get On the Roof’, anybody not yet alert to Pet Needs now surely are. The crowd give the band a huge ovation as they depart ready to continue to plot for world domination.
The audience is hot tonight and as Frank Turner takes to the stage the atmosphere is palpable. Imagine then the reaction as Turner bursts straight into a run of ‘Four Simple Words’, ‘The Gathering’, ‘Photosynthesis’, ‘Punches’ and ‘1933’ – hardly time for band or audience to breathe!
Turner’s latest album, ‘FTHC’, is a punk record and that ethos is certainly captured on this tour. Thankfully for Turner his audience are open to this change in pace and band and crowd are one tonight making this a great Friday night out.
Frank Turner is known to take particular care over his setlists and tonight is a typical career spanning affair with fan favourites, deep cuts and new tracks all on offer. Highlights tonight include ‘A Wave Across A Bay’, ‘Be More Kind’ and ‘Non Serviam’.
At this point you know what you are going to get from a Turner show, and that’s an amazing time. Realistically that makes him a very difficult person to review, his consistency and endurance are unrivalled and you never really get a misstep.
Tonight the show climaxes with an encore of ‘I Knew Prufrock Before He Got Famous’, ‘Recovery’, ‘Try This At Home’ and ‘I Still Believe’, which drains every remaining drop of energy out of the venue. Don’t take Turner for granted, get down to a show and have a great night!
Tonight is a hot ticket, with venue staff stating that they could’ve sold the venue out four times over, and that people had been inquiring about just listening from outside the venue.
The reason for the excitement is that tonight indie rock standouts Hard-Fi will be playing their first show in eight years. Not just that but it takes place in the intimate surrounds of one of the UK’s premier independent music venues – the Craufurd Arms in Milton Keynes (or Wolverton as singer Richard Archer points out).
Yes, the return of Hard-Fi is very welcome and given the lyrical content of some of their early material, it’s somewhat apt that the band responsible for ‘Cash Machine’ return during one of the most tumultuous weeks of the ongoing cost of living crisis.
Tonight serves as a warm up for their big return shows in Manchester and London, but before Hard-Fi arrive on stage we have the warm up for tonight. Eddz channels his inner Ian Brown, performing solo to a backing track. In front of a baying crowd, Eddz styles out the performance well and certainly leaves the stage with more fans than we he arrived.
The venue is rammed tight by the time the returning heroes arrive on stage and opener ‘Middle Eastern Holiday’ instantly engages the crowd. The atmosphere is electric as the band find their feet through the likes of ‘Can’t Get Along (Without You)’ and ‘I Shall Overcome’.
There is a slightly misguided rendition of The White Stripes classic ‘Seven Nation Army’ early in the show which feels oddly placed and generally unnecessary, however the next tracks ‘Tied Up Too Tight’ and ‘Good For Nothing’ ensure that the crowd remains firmly onboard.
A run of ‘Better Do Better’, ‘Bring It On’, ‘Fire In The House’ and ‘Cash Machine’ is fantastic, and just shows the depth of the bands back catalogue. Despite only having 3 studio albums to their name, Hard-Fi certainly have the proverbial bangers for days!
Whilst there are times that it’s clear this is their first show in a very long time, the band shake off any gremlins to deliver a memorable night for their fans. ‘Suburban Knights’ and ‘Hard To Beat’ close out the main set for a three song encore which ends of ‘Living For The Weekend’.
The band are living for this weekend and their big return shows, but after this performance, fans will be hoping that Hard-Fi stick around for a while longer!
It feels like an eternity ago that Lonely The Brave burst onto the scene with their incredible early EP, ‘Backroads’. That’s probably because that actually was almost a decade ago, and wow has the world been through some tough times since then.
It hasn’t all been smooth sailing for the band either, with the switch of vocalist in 2018 a major hurdle. Thankfully the band secured the talented Jack Bennett to fill the very big shoes of David Jakes.
The problem for the band now is that just when they would need momentum the most, the world stopped moving. The pandemic disrupted all people in all walks of life with the music industry hit very hard. Imagine then the impact on Lonely The Brave as they looked to move seamlessly into their new era.
New album, ‘The Hope List’, was released in the midst of lockdown in January 2021 and plans to tour in support were naturally delayed. That time has belatedly arrived now and tonight they play a special hometown show at the Junction in Cambridge.
There are two support acts on tap with VLMV up first, captivating the early audience with a sonic smorgasbord of guitars, synths and vocals. Cult icon Jamie Lenman then blasts though a short set of new material which ramps up the intensity in the venue. Both acts have done a good job warming up a slightly lethargic crowd ready for the hometown heroes to arrive.
Welcomed warmly onstage Lonely The Brave instantly mix new tracks such as ‘Keeper’ and ‘Distant Light’ with old favourites like ‘Black Mire’ and ‘Trick of the Light’. This is a theme that continues throughout the evening.
Bennett as we say has had big shoes to fill vocally and he manages to do those old favourites justice tonight whilst also adding new layers both sonically and corporeally.
There is an unusual tense atmosphere in the venue tonight, which feels highlighted by this being a hometown show. It’s only really when the likes of ‘The Blue, The Green’, ‘Backroads’ and ‘Black Saucers’ appear towards the end of the show that the audience relaxes a bit.
Performance wise the venue witnesses three strong sets tonight from three acts at varying stages of their careers. The industry is in a tough spot right now, but you’d hope there is enough talent on show here that these acts can kick on from here.
With the nights drawing in and the first full festival season in three years now completed, it’s time to head back indoors for our live music fix. And where better to start than in one of the UK’s many incredible intimate independent venues!
That brings us to Norwich at The Waterfront Studio for a sold out show from Canadian acts Arkells and Lights. Getting to welcome international acts such as these back into venues such as this is another reminder of the progress live music has made to return this year, and the venue fills up early with fans eager for an evening of great music.
Whether or not they’d be in receipt of such was never really in doubt considering the acts present. Up first is the multi-talented Lights who clearly has her fair share of diehard fans in attendance. Thankfully for them she has a whole hour to showcase her genre-bending indie pop, to the delights of those in the venue.
Latest album, ‘PEP’, features highly throughout a career spanning set list and album tracks such as opener ‘Prodigal Daughter’, ‘Beside Myself’ and ‘Okay Okay’ are highlights in a consistently powerful and uplifting show.
Yes, the bar for tonight is set very high by Lights, and many seasoned professionals would flounder in their attempts to follow such a performance. Luckily for both the band and the packed venue, Arkells are more than up to the challenge.
The Opening trio of ‘Past Life’, ‘Leather Jacket’ and ‘Michigan Left’ set the stage for another top tier performance from this well-oiled touring machine. At this stage of their career, the group have songs for days so it’s refreshing that they are willing to accept audience requests such as ‘Hand Me Downs’ which occurs next.
Arkells provide another career encapsulating set list with a particular focus on recent efforts ‘Blink Once’ and ‘Blink Twice’. Big hitters such as ’11:11’, ‘Knocking At The Door’ and finale ‘You Can Get It’ all elicit huge reactions from the crowd, however the highlight of the night comes from something special and unique.
Frontman Max Kerman regales the crowd with the tale of a young married couple having their first dance to ‘And Then Some’, with the track being performed by a local covers band. Kerman proceeds to recreate the moment of the first dance with the couple in the crowd, even bringing out the singer of said band, Counterfeit Brits, to sing.
Another memorable moment comes via ABBA cover, ‘Gimme! Gimme! Gimme! (A Man After Midnight)’. Expect the unexpected appears to be the theme of the night as Lights also returns to the stage to perform ‘Human Being’ with Arkells; much to the delight of an audience who will remember this night for years to come.
Live music is well and truly back, and our independent venues are leading the charge with amazing shows such as this taking place every night of the week. The tickets to catch these two fantastic international acts in intimate UK venues are surprisingly inexpensive. Thankfully for you there are a number of shows remaining on this tour, so do yourself and your local venue a favour and head along to one!
Reading & Leeds Festivals are the traditional end of the UK Festival season, and this year is a milestone year as a full calendar takes place for the first time since 2019. Let’s not dwell on why, instead let’s head straight into the action on a packed and hot Saturday at Reading Festival.
Sold out well in advance, Saturday at this year’s event is a particularly hot ticket with a stunning line-up throughout and topped by Arctic Monkeys and Bring Me The Horizon.
We are in the arena bright and early for surprise opening act Wargasm who storm the main stage with a set packed full of energy and attitude. The band appears to be on a world conquering mission, and nobody can argue their work ethic. It’s also damn hard to argue with their captivating stage presence and musical outlay.
We then head into the ‘Festival Republic’ Tent for the next couple of acts. With the new two main stage structure at Reading & Leeds Festivals the separate ‘Pit’ and ‘Lock-up’ stage has sadly been a much missed casualty. There is much less choice now for the music connoisseurs amongst the crowd; which isn’t a problem with a stacked line-up like today but is very evident on Friday and Sunday.
This change does mean there is less cohesion in the line-up with heavy rockers Static Dress followed by lad rock upstarts The Skinner Brothers in the tent. Despite their difference styles both deliver energetic and well-received performances for the early risers.
There is more indie-fuelled sing-a-long action next back on the main stages with The Lathums pulling in a decent crowd. Whilst there is nothing earth-shatteringly new about what they do, The Lathums do this modern stock-indie reasonably well.
WATCH POPPY PLAY ‘BLOODMONEY’ AT READING FESTIVAL
Poppy – ‘BLOODMONEY’
Whilst there were no moulds broken on one main stage, over on the other is Poppy, an artist who has broken every mould she’s been in. Yes, originally a Youtube sensation, then a bubblegum pop idol and now a heavy metal phenomenon, Poppy crosses many boundaries. Today she oozes rockstar appeal as she owns the stage with their eclectic musical offerings, proving along the way that she retains a very bright future.
A bright future is also ahead for Sueco, who attracts a good sized audience in the tent next for his debut UK performance. Over the next thirty minutes Sueco has that crowd in the palm of his hands as he runs through fans favourites including TikTok sensation ‘Paralyzed’.
Enter Shikari are a band more concerned with the future of the planet than that of their career and they take a main stage next for a politically charged call to arms with epic musical accompaniment. New single, ‘The Void Stares Back’ including guests Wargasm sounds absolutely huge as do tracks from previous album, ‘Nothing Is True & Everything Is Possible’.
WATCH ENTER SHIKARI PLAY ‘{ THE DREAMER’S HOTEL }’ AT READING
A passionate speech is curtailed through either a power failure or for the conspiracy theorists – censorship. Either way even with a stifled end to their set, the band show once again that they are one of the best live acts on the planet.
We’ve mentioned the stacked line-up today and part of the reason for such excitement is the collection of a number of bands in the best live act conversation. Next up on the other main stage are Fontaines D.C. who receive a hero’s welcome by swelled crowd.
WATCH FONTAINES D.C. PLAY ‘BOYS IN THE BETTER LAND’ AT READING
New album, ‘Skinty Fia’, takes centre stage as the band deliver the likes of ‘I Love You’, ‘Jackie Down the Line’ and ‘Roman Holiday’. A young fan coming out the crowd to ace guitar on ‘Boys in the Better Land’ provides one of the highlights of the festival, and the band leave the stage having proven themselves to be in the pool of future headliners.
Another band no doubt destined to headline Reading Festival in the not too distant future is Wolf Alice. Whether rocking hard on ‘Smile’, serenading us with ‘Safe From Heartbreak (If You Never Fall in Love)’ or showing their all round brilliance on ‘The Last Man on Earth’, Wolf Alice are a band that can literally do it all.
WATCH WOLF ALICE PLAY ‘HOW CAN I MAKE IT OK?’ AT READING
A twelve song set absolutely flies by this evening and with a rammed field of fans left desperate for more, surely a full headline show from the band is a must next time they come to town.
That’s one thing Reading & Leeds Festivals have always excelled at – giving new headliners their shot. That’s exactly what they do next with heavy hitters Bring Me The Horizon finally being given the main stage headline festival set they earned years ago!
What those who gather for the performance are greeted with is a band at the peak of their powers, both creatively and as a live act. The band proceed to deliver a memorable set for all the right reasons. This is a victory for Bring Me The Horizon and for heavy music and the band do all in their powers to fulfil all expectations.
WATCH BRING ME THE HORIZON PLAY ‘BAD HABITS’ WITH ED SHEERAN AT READING
Bring Me The Horizon – ‘Bad Habits’ feat. Ed Sheeran
The setlist is flawless, the visuals are stunning, the crowd interaction is on point and the band sound incredible; this is a real moment. A moment made even bigger by the band bringing out Ed Sheeran for a dose of ‘Bad Habits’ to the ear-piercing sound of teenage girls screams.
This is the sort of performance that you don’t want to follow but that’s just what Arctic Monkeys have to do next. Being one of the most hotly anticipated acts of the weekend and one much craved by fans in recent years, surely this would be easy for megastars such as Arctic Monkeys.
WATCH ARCTIC MONKEYS PLAY ‘R U MINE’ AT READING
Arctic Monkeys – ‘R U Mine’
Sadly for those in attendance what the band deliver is a lukewarm showing. The opposite of Bring Me The Horizon, the setlist is poor, the visuals are basic, the crowd interaction is nearly non-existent and the sound is too low. A stunning day such as this needed a big finish and that should in hindsight of been Bring Me The Horizon.
Arctic Monkeys are a huge act with a back catalogue you can hold against anybody else, but today it feels like a phoned in effort. It isn’t a bad show by any stretch of the imagination; it’s a good show that should’ve been a great show.
Hopefully the band can rediscover their spark with new album, ‘The Car’ on the way, but tonight belongs to a different Sheffield band!
