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Live Reviews

Download Festival

Donington Park, Castle Donington

Thursday 8th to Sunday 11th June 2023

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DOWNLOAD FESTIVAL 2023 REVIEW

This weekend is a celebration of twenty years of Download Festival. Stepping into the void left by Monsters of Rock not just at the hyped spiritual home of rock Donington Park but to the whole UK rock/metal scene, Download has become its own monster.

This year is truly monstrous as the event is fully sold out with record breaking numbers of attendees coming to partake in the celebration. Those celebrations get off to a rough start though with unprecedented traffic problems souring the event for many before it even properly begins.

📸 Live Nation UK PR

Once the music starts though a lot if not all of those problems subside. There is a stacked bill for the anniversary party including two nights of Metallica, a closing set from Download icons Slipknot but most vitally a new headline act Bring Me The Horizon.

The gap between Monsters of Rock and Download caused a vacuum in ability for bands to hit headline status with many acts from that era missing out on that status, Korn being one such act often thought of as passed over. Think about it, if they’d headlined at Donington Park in the late nineties, they’d no doubt still be that rank higher than they are now.

In the early years of Download, a number of bands had an opportunity to cement themselves at the top level, think Audioslave, Linkin Park, System of a Down and My Chemical Romance.

Playing alongside stalwarts like Iron Maiden, Metallica, Black Sabbath and Kiss gives bands credibility and elevates their stock. 2009’s Slipknot set is still heralded as the best example of the ‘bump’!

The problem is since then only Avenged Sevenfold in 2014 have really been given that opportunity and Download has become a bit of a clichéd round robin of the likes of Def Leppard, Rammstein, Aerosmith and other favourites already mentioned.

Perhaps then the most important booking in a celebration of the past is the look to the future with Bring Me The Horizon finally getting the top spot. Whilst Download probably should’ve got in before Reading and Leeds, it’s hopefully a sign of a subtle change of tact from the festival.

That’s because the line-up is also graced this year by the likes of Hot Milk, Nova Twins and Bob Vylan in prominent slots. Mixing this with the likes of classic Download bands Disturbed, Alter Bridge, Halestorm and Skindred gives the line-up a fresh but familiar feel.

Sadly beyond the bookings of Metallica and Slipknot plus the additional day there isn’t much done to make this year feel special for those who have made Download Festival part of their lives.

Whilst the organisers could have done more both in terms of that something special and in certain ways just the very basics, they have provided a top tier line-up, so let’s take a look at the highlights!

THURSDAY

Cancer Bats get the ball rolling on day one for us over at the second stage (now dubbed the Opus stage). The band get those that have made it into the arena pumped up with a early set packed full of ragers that ultimately ends prematurely when the sound is cut during ‘Hail Destroyer’!

Soon thereafter, Mammoth WVH get proceedings underway on the main stage (or Apex as it’s now called!). In some ways it’s fitting having the Van Halen name on this stage, in others it’s very ironic as the legendary band are often referred to by lead booker Andy Copping as one that got away.

Wolfgang and co show that with or without the last name, they have the talent needed to conquer stages like these. From start to finish it’s an excellent showing that places the band on the potential list for future festival stars.

Next up on the Opus stage are Hundred Reasons who are riding the wave of their stunning return album, ‘Glorious Sunset’. The band open with the title-track before running through a series of classic tracks much to the delight of those gathered. Hopefully this isn’t a victory lap for the band as creatively and onstage they are as good as they’ve ever been!

As we focus on the future of the festival, two names often linked to future headline status are Halestorm and Alter Bridge. It’s fine booking then to see the bands back to back next on the Apex stage.

Halestorm deliver another flawless set that seems to finish before it begins given their short allocated slot. That’s not necessarily a bad thing though given the old saying of leave the fans wanting more. Halestorm certainly do that and with a headline date pencilled in at Wembley Arena this December, the next time the band grace Donington you’d hope to see them in the sub-headline spot.

That’s the spot filled by Alter Bridge who have played in this position multiple times before; a sense perhaps then of always the bridesmaid and never the bride! Today though the band give it their all to show what they have to offer.

Watching the crowd, the set seems to be really well received which is a good sign. The band after all are always technically superb, so if enhancing that audience connection is the missing piece to progression then today’s set will have gone a long way to creating that link!

All that’s left on this special Thursday then is the first of two headline performances from the biggest metal band on the planet, Metallica. The two sets will be completely unique, giving fans the chance to see far more than a standard Metallica set list.

Night one has a good mix of hits like ‘Creeping Death’, ‘Fade To Black’, ‘Nothing Else Matters’, ‘Sad but True’ and ‘Master of Puppets’, deep cuts such as ‘Leper Messiah’, ‘King Nothing’ and ‘Orion’ plus new material from ’72 Seasons’.

FRIDAY

Friday is a huge day for the future of heavy music with a number of hotly tipped bands performing on the main stage including headliners Bring Me The Horizon.

We start on the Opus stage though with a debut UK festival appearance from Mexicans The Warning. The sister trio deliver an assured performance which belies their position on the bill. The set is another case of leaving the audience wanting more and you have to imagine that they’ll be back very soon.

Nova Twins take to the Apex stage soon after and absolutely own the stage. The duo are able to show just why they have so much hype with a performance that should be talked about as one of the best of the weekend.

Hot Milk have the unenviable task of following the pure energy that was Nova Twins, and thankfully for the band and the crowd they are up to the task. With a debut album on the way the band are on the cusp of something special and this set will again not doubt be one of those “I was there” moments.

The effortless cool of Demob Happy delights the Avalanche stage next as they showcase their stunning new album, ‘Divine Machines’.

Back on the Apex stage with the run of younger bands, next up for us are Neck Deep who are perennial contenders for bigger things. Today they have tens of thousands of people singing back the likes of ‘December’ and you have to consider Neck Deep’s set another victory for the new breed of Download band.

It’s a short and sharp blast from the past next as we pop to the Avalanche stage for the return of The Blackout. The band perform like they’ve not been away and receive a hero’s return from the audience. With the tease of more live dates to follow, it looks like The Blackout are back and back with a bang today!

It’s a quick bolt over to the Opus stage next for Within Temptation who are clearly playing a slot below their stature. The performance the band give is headline worthy not just of this stage but of the main stage. The band has a wealth of experience and use all their tricks to deliver a masterful set full of their best crowd pleasing hits.

By the time Evanescence grace the stage, the mass of humanity in attendance is a clear indication that the band should have been on the main stage. Viewing points are few and far between but wherever you are stood the band sonically deliver. A mixture of old and new is greeted well regardless but it’s mega hit ‘Bring Me to Life’ that has the entire place singing their hearts out.

It’s then time for that set. Bring Me The Horizon take over the main stage and prove any remaining doubters wrong. Making Metallica appear average, the band give their all both aesthetically and musically and produce possibly the greatest headline performance in the twenty years of the festival.

As we said earlier, the band should have been given this slot years ago, but if they had then this moment wouldn’t have existed. Their show tonight is the proof needed that the next wave are ready now and the gatekeepers need to move aside.

This set is historic not just for the theme of the weekend or for the stature of Bring Me The Horizon, it’s historic as a watershed moment for this festival. New headliners of the future should personally thank Bring Me The Horizon for breaking through that proverbial ceiling!

SATURDAY

On to Saturday now and nobody mention the weather! A celebration of twenty years of Download would have fittingly seem some rain and mud, and from this point on the festival is so hot that many would probably have willing traded the sun for some rain.

After last night it almost feels an anti-climax for the festival to continue, but another Metallica set should never be scoffed at. Thankfully there are still some fresh new bands breaking through lower down the bill today, and first up we catch Static Dress who seemingly channel the energy of Bring Me The Horizon with the fantastic opening Opus stage set.

One of the best bits of a festival for a publication passionate about new music is stumbling across a surprise gem on one of the side stages. This year that is ANTISAINT who simply storm the small Dogtooth stage with a ferocious set and definitely leave with more fans than they had going in.

The new look FEVER 333 then take to the main stage and deliver another memorable moment with Jason Aalon Butler scaling one of the massive towers erected in the main arena. That moment though shouldn’t take away from the already phenomenal set the band had delivered.

Lake Malice are next for us back in the Avalanche stage who are able to continue the run of top tier performances we’ve caught thus far. Whilst some of the organisational elements of the festival have been lacking, the music has been of the highest calibre and Lake Malice are another band you suspect will be back in a bigger spot sooner rather than later.

Next on the Apex stage are Ice Nine Kills, whose theatrics create a spectacle on the main stage, but musically they feel a little flat, perhaps being the first underwhelming set of the weekend.

Clutch who follow then also suffer both through technical difficulties and the energy sapping heat which probably negatively impacted Ice Nine Kills as well. The lack of enthusiasm from the crowd doesn’t help and it’s probably a good thing we are headed to a tent next.

We are set now for another one-two punch, this time in the Avalanche tent with Kid Kapichi and Bob Vylan on tap. It’s Kid Kapichi up first and they instantly raise the intensity levels with opener ‘Sardines’. Each song that follows is just as rewarding and by the time the band finish with ‘Smash the Gaff’ they’ve done just that!

One of the most exiting acts on the bill this weekend are Bob Vylan. The mention of ceilings earlier is relevant because this duo haven’t just smashed ceilings they’ve proceeded to stamp the shards into dust. Their performance to a packed crowd today is further evidence that new acts can make Download their home. That’s exactly what Bob Vylan do here as to repeat another cliché they completely own the stage.

It was always going to be hard to follow that suckerpunch and next on the main stage with the intense heat still sapping all energy, Disturbed deliver a plodding set. The set list is fine, the performance is far from phoned-in but with the audience struggling and the band following the ferocity of Bob Vylan, Disturbed feel distinctly average today.

We then head to the Opus stage expecting Placebo to also struggle to engage the tired and weary crowd. After all this is the third day which would traditionally be the home straight, and Placebo are not known for their crowd pleasing set list choices.

Pleasantly though those making the effort are surprisingly rewarded not just with an energised performance from the band but also a excellent set of songs including a very rare outing for the superb ‘Nancy Boy’. On their day Placebo can be an incredible live act and today they are at the peak of their powers which re-energises the previously zombified crowd.

It’s then time for night two of Metallica’s no repeat weekend. There are some great choice cuts in the set tonight such as a tour debut for ‘Whiplash’ plus ‘Until It Sleeps’, ‘Wherever I May Roam’ and Thin Lizzy cover ‘Whiskey in the Jar’! The finale of ‘One’ and ‘Enter Sandman’ ensures that the hits are accounted for as well as Metallica deliver another slick and graceful set.

SUNDAY

The final day feels like a step too far, most definitely compounded by the unrelenting heat, but once again when lost in the music all those issues somehow disappear – the power of music!

Bloodywood start the day off with an engaging performance on the Apex stage, before our recent Podcast guests Blind Channel deliver on their promise to bring the energy to Download. The sight of many metalheads singing along to a rendition of Anastacia’s ‘Left Outside Alone’ is a real sight to behold and set closer ‘Dark Side’ has everybody with their middle finger in the air.

Lorna Shore then suffer again from a lack of enthusiasm from the crowd and their sound getting swallowed up by the enormous space. Joey Valence & Brae though have neither issue in the Avalanche tent with a rambunctious and fun-filled slot.

As the heat and the excesses of the weekend catch up on the crowd it’s telling that for this afternoon outdoor sets like The Amity Affliction and Avatar whilst technically great feel like a struggle. Whereas tented sets from Joey Valence and Brae and the brilliant The Meffs are able to revive the crowd and thrive on their rejuvenation.

Thankfully things start to cool as clouds begin to take over the sky as we get ready for Dinosaur Pile-Up on the Opus stage. Sadly technical difficulties shorten their set to just five songs, but those five songs sound fantastic!

I Prevail have a huge slot on the main stage and make a good impression although you do again feel something is just lacking today. Not to flog a dead horse any further but it may be the low energy levels today or the enormity of the stage swallowing the heavier sound but it’s hard to truly get into their set today.

Thankfully the smaller outdoor Opus stage seems to have a lot of energy and Bad Religion are able to take advantage of that next with a typically slick run of punk rock anthems. Opening with ‘American Jesus’ the band able to hold your attention throughout before finishing with a rousing rendition of ’21st Century (Digital Boy)’.

Next up on this stage are Ghost who really should be headlining the main stage at this point. Musically and theatrically they are on another level and you have a sense of the Bring Me The Horizons about then. Hopefully Download Festival will strike while the iron is hot because everything about their performance today is perfect.

Ghost are so good that you also feel it unnecessary to watch Slipknot, but as soon as the band hit the stage you are glad that you stayed. The history between the band and festival is huge and it’s great that they are one of the few acts that seem to properly acknowledge that this weekend.

A standard (which is great) Slipknot set follows with some sentimental set choices and an enthralling stage show. It’s really fitting for Slipknot to close out what has been an intense weekend of celebration.

Download Festival
📸 Live Nation UK PR

The busiest and longest ever Download Festival will last long in the memory for reasons both good and bad. As we said at the start, this festival is a true monster now and has enough dedicated customers to ensure that it will never go down as its predecessor did. It has however become rather soulless and corporate and it feels like the identity it created over the first decade or so could be lost.

Hopefully the event will use this success to both maintain its heritage but also to now really push for the future headliners and top acts to come through. So, congratulations Download on twenty phenomenal years, and here’s to many many more to come!

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Categories
Live Reviews

Evanescence / Within Temptation

O2 Arena, London

Monday 14th November 2022

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Evanescence / Within temptation – london – live review

In many ways the world is broken, but in others the world is now healing after the previous two to three years. All regular gig attendees had their carefully curated schedules wiped out by the pandemic. Cancellations, postponements, uncertainty, changed plans, travel and hotel arrangements in tatters; it’s not been easy for music lovers.

Most of those tours have now finally taken place, but tonight is another where digging out the tickets reminds you just how long ago you actually brought them! So, understandable then that anticipation is high and the venue is full early.

Of course the opportunity to catch both Evanescence and Within Temptation together in the same night may well be a big reason for the atmosphere in London’s O2 Arena. Before that though we get our support act Veridia, who instantly look at home on the big stage.

The group are a fitting opening act and get the crowd suitably warmed up for what’s to come. A tender performance of ‘I’ll Never Be Ready’ with Amy Lee gets those mobile phones up in the air, but there is enough in the set as a whole to warrant further investigation from new fans.

Our co-headliners are rotating the closing slot on this tour and tonight that will be Evanescence, so up next it’s Within Temptation who take to the stage complete with stunning production.

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Within Temptation – ‘Faster’

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If the stage show wasn’t headline worthy alone, the moment the band arrive their presence and energy is truly off the charts. ‘Faster’, ‘Paradise (What About Us?)’ and ‘Stand My Ground’ all help to build on that early atmosphere and create a real moment.

The fact that singer Sharon den Adel is clearly under the weather makes the beauty of their performance even more incredible. The final run of ‘Ice Queen’, ‘What Have You Done’ and ‘Mother Earth’ provides a superb climax to the set and leaves you wondering just how Evanescence can top it!

Soon enough it’s time for them to try, albeit with a much simpler stage show. Evanescence are a rarer proposition on these shores and them going on last feels right in many ways, but as the show gets going it’s clear that the energy levels have dropped.

Their latest album, ‘The Bitter Truth’, is very good and deserves the spotlight live, but tonight following Within Temptation’s huge show it’s clear the audience are after the classics. The atmosphere therefore feels a little flatter, only rising again for the likes of ‘Going Under’, ‘Call Me When You’re Sober’ and ‘Imaginary’.

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Evanescence – ‘Wasted On You’

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New tracks like ‘Wasted On You’ do sound epic tonight however and showcase where the band are very well. Amy Lee reminds everyone what an incredible talent she is and their finale of ‘My Immortal’ and ‘Bring Me to Life’ is probably the highlight of the night.

Having waited for years for this tour neither band disappoint and with two headline worthy performances the show represents great value for money. Both bands have just been announced as returning at Download in the summer, so do the right thing and get them noted on your clashfinder now!

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Read our review of ‘The Bitter Truth’ from Evanescence

Categories
Features

Album of the Year 2021

Album of the Year 2021

We countdown our Top 50 Albums of 2021

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2021 has been another tough year to live through. There have been some signs of normal life, for example the return of live music, but we end it as we started with true normality a distant memory.

This year has however been a stunning year for new music releases. Yes, lockdown musicians and the odds are their creativity will take over. In Full Pelt Music’s first full year of existence we have reviewed 65 albums and the quality of those releases has been exceptional.

Last year we counted down our Top 20 albums of the year, with a special Advent Calendar countdown on our Twitter. This year we have expanded! Our 2021 countdown has taken place across all our social platforms, and has listed our Top 50 albums of the year!

With that social media countdown completed, it’s now time to compile our completed Top 50 in one place. So let’s get started!

Album of the Year 2021
What we said:

“there are stunning moments spread throughout the album”

Read our review of ‘Lo! Soul’

Check out:
Roddy Woomble – ‘Architecture in LA’
Album of the Year 2021
What we said:

“there are plenty of songs on this album that rate amongst the best that the band has produced”

Read our review of ‘Waiting For Good Luck’

Check out:
The Treatment – ‘Rat Race’
Album of the Year 2021
What we said:

“Garbage are an incredible musical force”

Read our review of ‘No Gods No Masters’

Check out:
Garbage – ‘No Gods No Masters’
Album of the Year 2021
What we said:

“we have thrashing guitars, thumping drums, bizarre lyrics and plenty of bells and whistles to emphasise his brilliantly quirky musicianship”

Read our review of ‘The Lunar Injection Kool Aid Eclipse Conspiracy’

Check out:
Rob Zombie – ‘The Triumph of King Freak (A Crypt of Preservation and Superstition)’
Album of the Year 2021
What we said:

“was anybody craving a new album from The Offspring in 2021? Perhaps not, but actually in this messed up world we live in, maybe, just maybe, we needed it!”

Read our review of ‘Let The Bad Times Roll’

Check out:
The Offspring – ‘Let The Bad Times Roll’
Album of the Year 2021
What we said:

“this is an artist pouring all of their self into their creation and discovering magic”

Read our review of ‘Watch Me Break Apart’

Check out:
Dead Nature – ‘Watch Me Break Apart’
Album of the Year 2021
What we said:

“this record manages to encapsulate the sound that the band has nurtured over the past few years both on record and in the live setting”

Read our review of ‘How to Ruin Your Life’

Check out:
Paris Youth Foundation – ‘The Back Seat’
Album of the Year 2021
What we said:

“remind you how gloriously heavy yet anthemic the band can get”

Read our review of ‘The Bitter Truth’

Check out:
Evanescence – ‘Use My Voice’
Album of the Year 2021
What we said:

“it won’t take long for people to stop and take notice of this great young band”

Read our review of ‘Fractured Party Music’

Check out:
Pet Needs – ‘Toothpaste’
What we said:

“this is Volbeat at their very best”

Read our review of ‘Servant of the Mind’

Check out:
Volbeat – ‘Shotgun Blues’
Album of the Year 2021
What we said:

“vitality shouldn’t be mistaken for relevance and whilst the band may have peaked commercially, they remain of utmost importance to a generation of music fans”

Check out:
Rise Against – ‘Nowhere Generation’
Album of the Year 2021
What we said:

“anybody that had any doubts about the natural talents of this group of musicians, they should now acknowledge a new force”

Read our review ‘The Battle at Garden’s Gate’

Check out:
Album of the Year 2021
What we said:

“over the top, outlandish, brash and most of all fun, the album not only lives up to but surpasses all expectations”

Read our review of ‘Van Weezer’

Check out:
Van Weezer – ‘Hero’
Album of the Year 2021
What we said:

“quality continues to run throughout the entire record and there is very little ease on the throttle”

Read our review of ‘Below’

Check out:
Beartooth – ‘Skin’
What we said:

“another very good release from a band overdue commercial success”

Read our review of ‘Into the Blue’

Check out:
The Joy Formidable – ‘Into the Blue’
What we said:

“a middle finger up at the haters”

Read our review of ‘Still Sucks’

Check out:
Limp Bizkit – ‘Dad Vibes’
What we said:

“a delicate masterpiece from a songwriter of the highest level”

Read our review of ‘The Hole Around My Head’

Check out:
Will Varley – ‘Pushing Against Us’
What we said:

“an enjoyable listen and the band clearly still has something to say”

Read our review of ‘The Ultra Vivid Lament’

Check out:
Manic Street Preachers – ‘The Secret He Had Missed’
What we said:

“up there with the best that Beans On Toast has released”

Read our review of ‘Survival of the Friendliest’

Check out:
Beans On Toast – ‘Humans’
What we said:

“it really is time to stop being surprised by the quality in this band”

Read our review of ’21st Century Love Songs’

Check out:
The Wildhearts – ‘Remember These Days’
What we said:

“the extravagance of the band is what makes them great and thankfully their 7th studio album has it in abundance”

Read our review of ‘Motorheart’

Check out:
The Darkness – ‘Jussy’s Girl’
What we said:

“for their tenth album the band has set out to create their masterpiece”

Read our review of ‘Coral Island’

Check out:
The Coral – ‘Change Your Mind’
What we said:

“a strong debut album that lays the foundations of what will likely be a long and successful career”

Read our review of ‘W.L.’

Check out:
The Snuts – ‘Glasgow’
What we said:

“this is a stunning pop rock album”

Check out:
Pale Waves – ‘Fall to Pieces’
What we said:

“the album is laced with quality and shows the ease with which AFI are able to produce catchy songs”

Read our review of ‘Bodies’

Check out:
AFI – ‘Dulceria’
What we said:

“Iron Maiden doing exactly what you’d expect Iron Maiden to do”

Read our review of ‘Senjutsu’

Check out:
Iron Maiden – ‘Senjutsu’
What we said:

“this is very much Numan at the top of his game

Read our review of ‘Intruder’

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Gary Numan – ‘Intruder’
What we said:

“the signature of a band comfortable in their skin”

Read our review of ‘Pressure Machine’

Check out:
The Killers – ‘Quiet Town’
What we said:

“the very thing that identifies their sound is their lack of boundaries, their quirkiness and willingness to experiment”

Read our review of ‘The Myth of the Happily Ever After’

Check out:
Biffy Clyro – ‘A Hunger In Your Haunt’
What we said:

“well crafted and superbly delivered album that is well worth your time and attention”

Read our review of ‘A Matter of Life & Love’

Check out:
Skinny Lister – ‘Damn The Amsterdam’

The quality of this year’s releases has been truly phenomenal as our opening 30 albums attests. The competition is extremely tight for the coveted top spot and that is clear throughout the prestigious Top 20 that follows.

What we said:

“a sublime collection of upbeat, heartfelt and powerful songs that is bound to be stuck on repeat for the foreseeable future”

Read our review of ‘A Funeral For Youth’

Check out:
Miss Vincent – ‘Rosalie’
What we said:

“The Pretty Reckless have solidified themselves in the upper echelons of Hard Rock”

Read our review of ‘Death by Rock and Roll’

Check out:
The Pretty Reckless – ‘Only Love Can Save Me’
What we said:

“you are fully absorbed by the mix of heavy hooks and catchy sing-a-long pop vocals”

Read our review of ‘Dark & Beautiful Secrets’

Check out:
Normandie – ‘Hostage’
What we said:

“Trash Boat have delivered their best work yet and they appear ready to lead the charge for British rock”

Read our review of ‘Don’t You Feel Amazing?’

Check out:
Trash Boat – ‘He’s So Good’
What we said:

“there are moments of grandeur that harness the bands expansive sound spread throughout”

Read our review of ‘The Greatest Mistake of My Life’

Check out:
Holding Absence – ‘Afterlife’
What we said:

“the album attacks your senses and gets your feet stomping and your head banging”

Read our review of ‘When Life Was Hard And Fast’

Check out:
Ricky Warwick – ‘When Life Was Hard & Fast’
What we said:

“Trivium have well and truly earned their place at the top table of metal”

Read our review of ‘In the Court of the Dragon’

Check out:
Trivium – ‘Feast of Fire’
Album of the Year 2021
What we said:

“a stunning release from a band assumedly at the peak of their powers”

Read our review of ‘American Noir’

Check out:
Creeper – ‘Midnight’
Album of the Year 2021
What we said:

“there is a real good mix of sounds on this album which together encompass Kennedy’s various alter egos”

Read our review of ‘The Ides of March’

Check out:
Myles Kennedy – ‘In Stride’
Album of the Year 2021
What we said:

“the power of this album doesn’t just lie with Bennett of course and the rest of the band have summoned even more power and majesty then before”

Read our review of ‘The Hope List’

Check out:
Lonely The Brave – ‘Bound’
Album of the Year 2021
What we said:

“the album really feels like a love letter to both the bands own history and the music of those that influenced the members”

Read our review of ‘Medicine at Midnight’

Check out:
Foo Fighters – ‘Love Dies Young’
Album of the Year 2021
What we said:

“an album packed with rock club dancefloor fillers, designed to get you moving”

Read our review of ‘Sticky’

Check out:
Frank Carter & The Rattlesnakes – ‘My Town’
Album of the Year 2021
What we said:

“there are grandiose ambitions spread throughout the album with the band obviously striving for more”

Read our review of ‘For Those That Wish To Exist’

Check out:
Architects – ‘Animals’
Album of the Year 2021
What we said:

“IDLES continue to be one of the most exciting and vital bands around”

Read our review of ‘CRAWLER’

Check out:
IDLES – ‘Car Crash’
Album of the Year 2021
What we said:

“an album of pure, unadulterated, adrenaline-filled pop rock pleasure”

Read our review of ‘Amazing Things’

Check out:
Don Broco – ‘Bruce Willis’
Album of the Year 2021
What we said:

“Press To MECO have always had a knack for creating ferocious yet catchy songs and this album is packed full of tasty rifftastic bangers”

Read our review of ‘Transmute’

Check out:
Press to MECO – ‘A Test Of Our Resolve’
Album of the Year 2021
What we said:

“the band are still able to mix catchy pop melodies with hard hitting beats to create a sound equally at home in front of mosh pits and dancefloors”

Read our review of ‘Seize the Power’

Check out:
Yonaka – ‘Call Me A Saint’
Album of the Year 2021
What we said:

“the duo however manage to amplify these electronic elements without losing their rock attitude and resonance”

Read our review of ‘Typhoons’

Check out:
Royal Blood – ‘Boilermaker’
Album of the Year 2021
What we said:

“a rare talent that have now reinforced their passion and ability to create great music for anybody who wants to listen but without concession on their vision”

Read our review of ‘Written & Directed’

Check out:
Black Honey – ‘Believer’
Album of the Year 2021
What we said:

“this record feels like it comes from a band at the peak of their powers, but knowing this group, they will still have plenty more to come”

Read our review of ‘Blue Weekend’

Check out:
Wolf Alice – ‘Smile’

Well there you have it! What a truly magnificent year for new music 2021 has been. What will 2022 have in store? Remember to discover the best new acts by following our ‘Discover’ New Music Playlist’!

Stay tuned for our 2021 Year in Review coming very soon.

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Read our review of Creeper live in London

Categories
Album Reviews

Evanescence

The Bitter Truth

Evanescence The Bitter Truth Album Cover
Evanescence – ‘The Bitter Truth’

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Evanescence – The Bitter Truth – Album Review

Evanescence are an interesting entity. Officially a group for over 25 years but with only three all original studio albums if we don’t include 2017’s ‘Synthesis’. Amy Lee remains the only original member, and only member to survive from 2003’s breakthrough debut album ‘Fallen’.

It can’t be argued that the band are not absolutely huge despite this lack of new material. In fact, you are left to wonder what a more prolific band could have achieved. Now in 2021, the band are back with their first all new studio album since their self-titled 2011 release.

What should we expect from the band? Can they produce anything as good as their early albums? Well, it’s evident from very early on that this is a return to form for the band. There is plenty of what we have come to expect from Evanescence but there is also a good deal of experimentation. Certainly enough to keep the album interesting as it progresses.

Listen to ‘Better Without You’ on our Spotify Hot List!

‘Feeding The Dark’ and ‘Better Without You’ remind you how gloriously heavy yet anthemic the band can get. Meanwhile ‘Use My Voice’, ‘Take Cover’ and ‘Far From Heaven’ help to explore the versatility of the band.

Evanescence – ‘Use My Voice’

Having gone ten years since their last album you could be forgiven for questioning the bands drive. With a release like ‘The Bitter Truth’ however you must now question what could have been had the band managed a more regimented release schedule.

What ‘The Bitter Truth’ does is make you remember just how good Evanescence can be, and hope that it’s not another ten years before they follow it up!

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