Vol. 110
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White Lies have always been a difficult band to pigeonhole into a specific genre and that’s ultimately what has helped to set them apart. They have their own identity and each record released tends to show a degree of evolution.
It shouldn’t be much of a surprise then that their new seventh studio album, ‘Night Light’, continues their ambitious path of growth and finds itself as another uniquely crafted set of songs. It’s worth noting that whilst it is of course a set of nine different songs, the album is greater than the sum of its parts and feels purposefully crafted as a singular piece of work.
The opening track, ‘Nothing On Me’ feels like it’s welcoming us to the town of Hawkins before exploding into a bombastic synth-laden groove which soon segues into the more melancholic ‘All The Best’.
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Each track then flows elegantly into the next and mixes the various elements of their sound at different times. This is overarchingly however a slower more methodical record with hypnotic capabilities.
You won’t find yourself rocking out to these songs like you can much of their more front-footed work. No, instead you’ll want to seal yourself off in a dark room and allow yourself to get lost in the music.
There is much to take from this album as a listener even if actually in the context of their entire career it may not receive the acclaim they are used to. Fans of their more exuberant work will feel this is a bit flat, but that doesn’t make this a bad record – in fact it’s a very good one!
If every band stayed static in their sound then music would be boring, so fair play to White Lies for continuing to strive for something bigger and bolder.
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