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Live Reviews

2000trees Festival

Upcote Farm, Cheltenham

8-11 July 2026

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2000trees 2026 review
📷GARETH BULL

Those that know, know. 2000trees Festival has gained a special place in the hearts of regular attendees and once again we headed to Upcote Farm near Cheltenham for four days of glorious musical goodness.

Last year, a heatwave tempered the enjoyment for many, but the qualities of the event still shone through. That’s ok though because that couldn’t happen again this year… could it?

The slow build of worry, fear and acceptance was tangible on social media as the forecasts solidified and we all understood that the festival would for the second consecutive year be dubbed by many as 2000degrees!

WEDNESDAY

The Wednesday of 2000trees may just be the best day of the year every year. With early attendees getting the chance to soak up intimate performances in the Word tent and on the iconic Forest Stage.

📷JEZ PENNINGTON

Setting up camp during a heatwave isn’t our idea of fun but that’s ok because we know we won’t be spending long in our tent! Indeed, we take the opportunity to get straight into the woods as Split Dogs get the prestige of kicking off the 2026 edition of 2000trees with a raucous set.

Music lovers are spoilt at this fabulous festival, and it’s been said before that 2000trees is a marathon and not a sprint. Dubbing ourselves Full Pelt however does push us to attempt this marathon at a sprint pace and despite the devilish heat we manage to clock up sixty-six sets across the weekend. So, strap in for our big overview!

📷GARETH BULL

This opening day often spotlights acts from previous years that are treated as returning heroes and on this day the likes of Karen Dio, SOAPBOX, BLACKGOLD, VENUS GRRRLS and Split Chain all get that classic Trees reception.

It feels like every year we find ourselves saying we didn’t see a bad set and this year follows that pattern. If you are astute enough, you’ll clock the sheer volume of artists who heap praise on the festival during their performances, and you can tell that comes from a place of love rather than the clichéd “you’re the best show of the tour” head pat.

What you therefore get is artists ensuring that their show is special. Early on you again sense this from Love Rarely, Bruise Control and especially the energetic Hyphen whose set is one of the rowdiest of the weekend.

📷GARETH BULL

As the evening sets in, more and more early attendees join in the fun and each set lives up to the hype. SPRINTS who took home our Album of the Year award last year bring ‘All That Is Over’ to the beautiful Forest setting and it feels like a match made in heaven. Equally, the platform given to Lake Malice who headline the Word tent is seized with both hands by a passionate band who have fans spilling out the tent.

📷JEZ PENNINGTON

2000trees sets itself apart from other events in various ways but the willingness to repeat bands across the weekend is a big one. The Dirty Nil and today’s headline band PUP will both appear again this weekend, so what we get on night one are unique performances that ensure fans are kept on their toes.

The Dirty Nil opt for a set purely consisting of covers which starts with Metallica, Cheap Trick and The Police and concludes with Nirvana, AC/DC and Thin Lizzy! PUP on the other hand choose tonight to deliver their album, ‘The Dream Is Over’ in full, which results in many a lost voice amongst the audience.

📷GARETH BULL
THURSDAY

It’s often said that the atmosphere is what makes the event affectionately dubbed Trees so special. We should know. We’ve said it. Often. It’s sounds corny or even contrived but it really does feel like one big family.

Part of this is the dedicated audience getting to track the progress of bands that they discover at the festival in smaller slots as they rise through the ranks. Buds. are an example of this as they open the main stage on Thursday. Party bags are issued to attendees and its all very small family gathering like despite being the main stage of a well-established medium sized festival.

This is again something that many artists touch upon from their vantage point on stage. Like Goldilocks herself is assessing the scale of the event – it isn’t too big, it isn’t too small, it’s just right!

The festival doesn’t change for changes sake. What works, works well and you’ll find a lot of food vendors and stalls in the same spots year on year. Shout out to Happy Bangers whose simple yet effective hotdogs have provided Full Pelt with our daily brunch every day for as long as the memory serves.

One change this year is the evolution of the Neu Stage into the Marshall Stage. The legendary amplifier brand has been supporting the festival for a number of years but step things up a notch this year with a refurbished stage and interactive installations including artist led screen printing and more.

📷MAC PRAED

This sun-soaked Thursday we catch impressive sets in this tent from newcomer Ashaine White and two Full Pelt favourites Youth Killed It and snake eyes. Marshall don’t just make amps, they back talent and across the weekend this stage welcomes some of the best on offer.

Thursday does find us darting between the different stages a lot but at 2000trees if you are that way inclined then you absolutely can. The Axiom treats us to Tooth and Coach Party and The Cave allows us to catch two acts with big momentum behind them Bleech 9:3 and the incomparable Delilah Bon.

📷Magda Campagne

This year more than ever, it’s a blessing that most stages are good sized tents. We endure the unrelenting sunshine on the main stage however for an engaging Melanie Baker, a blistering Saint Agnes, a good time guaranteed Mariachi El Bronx and perhaps the most puzzling set of the weekend for us from The Skinner Brothers. No longer generic indie guitar wannabees, now perhaps looking to cash in on the popularity of masked rockers. Quite the transformation and one that might take a little while for us to get our heads around.

Thankfully we get to seek some shelter from the sun back in the Forest today also with a delightful run of young upstarts DeadWax, the ferocious Native James and another of our favourites The Virginmarys. The duo are in top form and deliver a superbly crafted set that gives the fans what they want but ensures that stunning new album, ‘The House Beyond the Fires’, remains very much in the limelight.

📷MAC PRAED

Now, it wasn’t just the weather warnings that gave fans and organisers a shock ahead of the event this year. Alkaline Trio had been set to headline tonight as part of a European tour however just six days before the event the Trio had to pull their dates for health reasons (get well soon Matt!).

This presented an enormous challenge for organisers but one that they were able to overcome, no doubt helped by the goodwill the festival has earned. Step up Don Broco on six days’ notice to again top the bill.

📷CARLA MUNDY

With a fresh album in the bag, the band are able to deliver something different to their previous headlining slot whilst ensuring that their undeniable energy producing machine is still turned to the maximum.

The band have bangers for the days and new tracks like ‘Nightmare Tripping’ and ‘True Believers’ are already in that terrain. Fair play to the band for stepping in, stepping up and ensuring that Thursday night is party night at 2000trees 2026!

Of course, another special feature of 2000trees is what happens once the main stages conclude. There is still plenty to do into the early hours such as the legendary silent disco, special live sets in the forest using that technology or the campsite busking stages.

Thursday night we head to Camp Turner (one of many named camps that helps build that special atmosphere at Trees) to again catch Ashaine White who delivers a beautiful acoustic set that delights those lucky enough to be nearby.

FRIDAY

Somehow, we are now halfway through the festival and Friday is set to be a hot one in every sense. The temperature rises and the talent on offer just continues to soar. We begin our day with (deep breath), IOTA, Prodigal, Guillotine, Bratakus, Grandmas House, God Complex and Knives who again all clearly understand the task.

A funny moment makes us smile during Knives as a big cheer occurs when a small cloud dares cover the sun. Only for it to quickly disappear after only the briefest respite, much to the chagrin of attendees.

📷GARETH BULL

Despite the continued unrelenting heat, we head back to the main stage for Higher Power and House of Protection (complete with Jordan Fish cameo) who both manage to eek energy reserves from the crowd with fun sets.

📷JEZ PENNINGTON

Call Me Amour then pick up on this challenge in the Marshall tent and won’t take lethargy standing still. The band pull out all stops to engage the crowd who duly oblige and ensure the set is one of the best of the weekend.

The Scratch, Free Throw and Militarie Gun all then follow back-to-back and evoke varying emotions but all in a good way. It’s then the home straight for the day as a much-changed Mallory Knox return with a set of crowd-pleasers and Sunny Day Real Estate offer a rare UK appearance.

📷GARETH BULL

We then rush over to the Axiom for the return of Arcane Roots after eight years away. A true Trees band, the tent is packed as the Trees family look to welcome back one of their own. The atmospheric assault that is Arcane Roots sounds even bigger than ever and the crowd eat up every big riff and every soaring chorus. Some sets you just know will live forever in the memory and this was one of those.

How then do you close out this eclectic day of musical delights? A big old nostalgia session with Funeral For A Friend of course. A band with renewed vigour thanks to the addition of Lucas Woodland on vocals, the likes of ‘All The Rage’, ‘Rookie of the Year’, ‘Bullet Theory’ and ‘Juneau’ all do exactly what you’d want for the big penultimate night romp. We even get a surprise appearance from tomorrow nights headliner Ben Barlow.

📷MAC PRAED
SATURDAY

Somehow, it’s already the final day of the festival. Time simply flies when on the farm and this year has been no different despite the heat (have we mentioned yet that it was quite hot?).

A somewhat chilled-out morning catching sets from Ain’t, Peach, Luxury Apartments and Lakes is punctuated by two fun sets on the main stage. First another of these bands that have worked their way up the bill each year, as CARSICK make their main stage debut with a typically brash performance. Then the madcap Aussie phenom that is Battlesnake draw a massive crowd outside to witness their unique show.

📷JEZ PENNINGTON

Bicurious, Heart Attack Man, LASTELLE and Pinkshift keep us on the move and each showcases their abilities well. Gallus then bring some Scottish charm as they give us one last trip to the Marshall tent for 2026.

The afternoon and evening however is anything but chilled as we stare down the barrel of an incredible run of favourites spread across all the other stages. First up, Mouth Culture who back up what we saw at Download. We said then that they are going to be massive and we stand by that predication based on their main stage showing today.

📷GARETH BULL

As Everything Unfolds then get The Axiom moving with a set of stirring tracks including ‘Ultraviolet’ and ‘On The Inside’; and Marmozets give us a strong contender for set of the weekend on main stage. The band are still weird and wonderful and ‘Captivate You’ provides us with one of those glorious moments when you just have to take it all in and remember why you love music.

A dash back to the Forest comes next for the always brilliant A who showcase their fantastic new album, ‘PRANG’, in amongst fan favourites such as ‘Nothing’ which includes a guest appearance from The Blackout’s Sean Smith.

📷CARLA MUNDY

The XCERTS may be the Trees band. In fact, I don’t think 2000trees can legally occur without the band being represented in some way. This year they hit The Cave and perform their newly released album, ‘i think i want to go home now.’, in full. The performance is so remarkable that singer Murray Macleod is moved to tears and the audience deliver an emotional ovation. A beautiful moment from a beautiful band at this beautiful festival.

How do you top that? Dinosaur Pile-Up at the peak of their powers of course! Complete with an actual dinosaur pile-up in the crowd, and a final run of ‘Sick of Being Down’, ’11:11’, ‘Thrash Metal Cassette’, ‘Big Dogs’ and ‘Back Foot’, which quite frankly should be illegal as it’s unfair for other bands!

📷CARLA MUNDY

But oh, this magnificent final run of bands isn’t over yet and we still have a big pop-punk party to enjoy with Neck Deep. The band begin their set with ‘Can’t Kick Up the Roots’ and the don’t relent for the next hour as they ensure that the festival gets the finale it deserves.

📷GARETH BULL

That however isn’t the end of the night. There is a big football match happening which has been the talk of the town and the festival erect a big screen to let fans see the second half of the game.

As another reminder that there’s always something happening at Trees however, we quickly jolt to the Word tent to catch a comedy set from the brutally hilarious Jamali Maddix! We return just in time to see extra time and an historic England victory!

The celebration that ensues then morphs into the final night silent disco and if anybody has anything left then they see 2000trees 2026 off in style.

Having first attended 2000trees ten years ago it has been a pleasure seeing this festival grow. It’s been an organic evolution and despite its growth the event has stayed true to the foundations that it is built upon.

Next year will be the 20th anniversary of the festival and no doubt will see heightened attention coming its way. The question may then be how can the festival ensures that it retains its unique charm when the secret continually is getting out?

But that’s a question for later. Right now though, let’s just bask in the glory of another successful year for the best festival in the UK!

📷MAC PRAED

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Categories
Live Reviews

Download Festival

Donington Park

12-14 June 2026

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DOWNLOAD FESTIVAL 2026 REVIEW

The last few years has seen Download Festival undertake something of a soft reset with fans dubbing this new era of the Donington Park event Download 2.0. Post-pandemic the festival simply hasn’t looked back and continues to go from strength to strength.

This year the event is sold out. Something which longtime attendees won’t have experienced often. That does mean that the arena is rammed and again those old school rockers find everything takes a little longer. That said, compared to some other festivals, it never feels dangerous or unsafe.

It’s corny but the Download Family makes this the occasion that it is. These past few years have seen high percentages of first-time attendees and with rock back in fashion, the future of heavy music appears to be healthy.

FRIDAY

Those that enter the arena early on Friday have Scene Queen getting the weekend started on the main stage. An act that in the darker days of rock gatekeeping would’ve been bottled off stage, instead is given a great reception as her bimbo-core brand brings colour to the world and typifies this new Download.

Of course, like all festivals, clashes are inevitable and again this year there are four music stages to pick from. In the biggest change to the arena layout in a decade the Avalanche Stage now occupies part of the campervan field, creating a whole new area. This works well as a standalone space and alleviates some of the pressure caused by the hyper-attendance.

For us we stay on the main stage for a nostalgic sing-along with P.O.D as the packed crowd sings back the likes of ‘Boom’, ‘Youth of the Nation’ and ‘Alive’. Then we catch great little sets from James and the Cold Gun in the Dogtooth, Paleface Swiss at the Opus Stage and Lakeview in the Avalanche tent as we catch our bearings again.

Organisers have done well to open up space and make the most of the arena, which continues to fill up as the day goes on. There are the usual food stalls with some returning favourites and festival standards. Queue wise despite the crowds (barring some really popular options), things aren’t too bad.

The festival is now in full-swing and the sheer scale of the crowd becomes clear as we arrive at the main (Apex) stage for Pendulum. With a bigger crowd then some past headliners have got the band deliver a textbook performance that elicits delirious scenes. The highlight being an appearance by Rou Reynolds (Enter Shikari) on their cover of ‘Sorry, You’re Not a Winner’.

The great thing that Download has always done is intermix iconic acts and new bands and we catch the always joyous Lake Malice next who celebrate announcing their debut album with a full-throttle performance.

The buzz around Electric Callboy continues to mount and if we are judging band by crowd participation and volume then again this is a band in the headliner conversation. Time will tell if the novelty ever wears off but seeing a crowd full of metalheads living their best lives to the first of two airings for ‘RATATATA’ is a joy to behold.

We are split three-ways on the clash front next with Cypress Hill, Halestorm and Feeder taking to the bigger stages. We plump for Halestorm on Opus (plus a bonus side of Story of the Year in the Avalanche) and whilst we don’t know what we’ve missed elsewhere; Lzzy and co deliver a stunning audition for future headliners. Again, seeing the smiles on faces as they breakout their cover of Lady Gaga’s ‘Bad Romance’, sums up the festival this year and backs up our decision.

Day one is all about Limp Bizkit though. The band who were meant to headline the first ever Download only to pull out finally take that top spot some twenty-three years later. The main stage is simply a party as the band show that they belong in this slot. After an emergency causes a delay, the band reprise ‘Break Stuff’ and day one is an enormous success.

SATURDAY

There’s an emotional return to Donington Park for The Wildhearts to kick off Saturday with Ginger receiving a hero’s welcome and blowing away any cobwebs from the night before.

One thing that has crept in in recent years is shorter sets. Back in the day thirty minutes was the minimum, but Tropic Gold are able to make the most of their twenty minutes in the Dogtooth tent. This allows us time though to catch South Arcade on the main stage who deliver one of the most engaging sets of the weekend.

We then head to Opus to catch Drowning Pool, however due to a change in schedule are greeted by As Everything Unfolds. Despite the genre and fanbase differential, the band capitalise on the larger stage and do a great job in winning over some confused old rockers!

Two bands that we were incredibly excited for in advance are back-to-back next in the Avalanche tent. Die Spitz and Mouth Culture both deliver punchy sets but it’s Mouth Culture who enter the conversation for set of the weekend. From the moment they arrive with ‘Ratbag’, the band had the audience in the palm of their hands. We’ve said it before, but this band deserve to be massive.

The weather this year was a hot topic in advance with the forecast very difficult to predict. The rains that greeted campers on Wednesday and Thursday however thankfully subsided and the three main days are graced with a deceptive amount of sun (based upon the number of red necks on display).

Many would’ve predicted heavy rain during BABYMETAL due to their previous main stage appearances seeing two of the worst weather events in the history of Download. This year (though winds are high), the rain stays away. This finally gives the band that uninterrupted opportunity to showcase their unique performance and judging by the amount of people singing back ‘Gimme Chocolate!!’, their set is a winner.

We are at the tail end of the day now and this is when people typically begin flagging a bit. What better way to stay alert then a textbook Trivium face-melting set. Stepping up to sub-headliners with ease (despite the wind cutting back their bells and whistles), the band make a clear and undeniable statement that it’s their destiny to headline this event in the future.

Next, we sneak in a cheeky Hot Milk performance in the Avalanche as the band deliver a trademark emotive set to a crowd eager for some energy. That may be because, closing the day is a now standard three-hour slog with Guns N Roses.

No longer the most dangerous band in the world, instead the most dad-rock band in the world. It’s a technically sound performance which includes all of the hits that you’d want to hear and some great deeper cut choices too. Would a shorter more chaotic set be more fun? Maybe. But the third coming of Guns N Roses still provides amazing bang for your buck.

SUNDAY

Opening the main stage on Sunday when the majority of the crowd is hungover and warn out is a treacherous spot. unpeople though are a band that can knock any challenge out of the park and by the end of their set everyone is on board the hype train.

Whilst the food queues have coped well this weekend, the same can’t be said for the bars and merch stands with both at times looking horrendous. Even on Sunday morning the merch stalls are still too much for some to bother, instead we checkout Catch Your Breath and Mammoth on the Opus stage who both go down well as we gather energy for what’s to come.

The story of RØRY is truly remarkable and is inspiring in so many different ways. Clearly her slot on the main stage is a big moment for her and her fans. The performance is captivating and ‘BLOSSOM’ was made for stages like this!

We are then back in the Avalanche tent for The Pretty Wild and TX2 who keep the trend going of not catching a bad performance so far. What is frustrating however is the increasing propensity of groups setting up their own mini areas of chairs and blankets. Chairs have always been controversial at Download and within reason we feel the choice should remain. However full camps being set-up in the centre of tents is potentially dangerous.

The Pretty Reckless are next on the Apex and deliver a slow burning performance that in many ways is sublime however is arguable too slowly paced for the big slot they are in. Fitting only eight tracks into a fifty-minute set feels a little like a wasted opportunity to showcase their fantastic back catalogue to a big crowd. The energy displayed at the top of the hill for a secret set from Skindred drawing even more attention to this fact.

Speaking of headline size crowds, Ice Nine Kills draw a massive crowd to the main stage, however instead we are back in the Avalanche tent for two of our favourites. First up, Dinosaur Pile-Up who may just capture that set of the weekend with an incredibly fun slot and then the ever-majestic Ash who’s own warm reception again shows the mindset of the event is much different to their last appearance in 2008.

It’s then time for the final run-in. Bad Omens make the mother of all Download debuts in the sub-headline slot and deliver a performance that leaves little doubt that when they return they will top the bill.

A Day To Remember then headline Opus and show their versatility again. Wherever you book them, they will deliver one of the most fun sets of the festival. They may feel further away from the top spot then a few years back, but you can’t ever envisage a time when they won’t deliver the goods.

Finally, it’s down to the reunited Linkin Park to closeout the entire weekend. With a monstrous crowd, and all the hype in the world, the band hit the stage with ‘The Emptiness Machine’ and don’t look back.

It’s worth noting that somehow Emily Armstrong is the first female headliner ever at Download. A massive moment, albeit many years too late and not without its own controversies. With so many amazing women in rock, we prey that it won’t be long before we see a truly organic headliner.

After a more ambient mid-set, the final run-in for Linkin Park is insane. ‘What I’ve Done’, ‘Numb’, ‘Heavy Is The Crown’, ‘Bleed It Out’, ‘Papercut’, ‘In The End’ and ‘Faint’ is one hell of a way to close out Download 2026.

With Linkin Park 2.0 and Download 2.0 showing us that with a mixture of nostalgia and new favourites, you can achieve wonderful results, we simply can’t wait to get back to Donington Park in 2027!

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Magazine

Full Pelt Magazine

Vol. 115

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Full Pelt Magazine

Vol. 99

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Categories
Album Reviews

Dinosaur Pile-Up

I’ve Felt Better

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DINOSAUR PILE-UP – I’ve felt better – album review

Life can be incredibly cruel, and Dinosaur Pile-Up have always seemed to suffer more than their fair share of bad luck or in industry terms ‘technical issues’.

2019’s ‘Celebrity Mansions’ looked like it would elevate the band to new heights but firstly a global pandemic and subsequently the hospitalisation of frontman Matt Bigland with life-threatening illness naturally curtailed their well-earned momentum.

Bigland highlighted his case on his social media at the tail end of last year, before bringing the band back to life earlier this year with return single, ‘’Bout to Lose It’. That same track opens new album, ‘I’ve Felt Better’ and is the first of many that feel like Bigland exercising his demons.

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Dinosaur Pile-Up – ”Bout To Lose it’

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The sense of catharsis that exude from the likes of ‘I’ve Felt Better’, ‘Sick of Being Down’, ‘My Way’ and even ‘Love’s the Worst’ is palpable. You can really feel the pain and frustration felt by Bigland in these stunningly to the point tracks.

There is still a real tongue in cheek fun that seeps from the record meaning that the bands undeniable charm is still centric to their sound. Grungy throughout with metal and alt rock hijacking riffs and hooks at every turn, this is another Dinosaur Pile-Up romp that just needs to be enjoyed at full volume.

After a lengthy gap like this, some bands struggle to recapture what made them special, but this is absolutely Dinosaur Pile-Up at their very best. An acknowledgement of their past but equally a brand new beginning for a band that really do deserve all the success in the world.

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Magazine

Full Pelt Magazine

Vol. 95

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Full Pelt Magazine
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Magazine

Full Pelt Magazine

Vol. 91

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Magazine

Full Pelt Magazine

Vol. 87

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Full Pelt Magazine

Vol. 81

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Full Pelt Magazine

Vol. 77

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