Vol. 102
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Full Pelt Magazine
Tag: Album Review
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LASTELLE
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Die Spitz
Something To Consume
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DIE SPITZ – SOMETHING TO CONSUME – ALBUM REVIEW
American alt-rockers Die Spitz have been a regular on our ‘Discover’ New Music Playlist in recent months as they released an increasingly impressive string of raucous punk ragers.
Now the Austin, Texas four-piece are ready to unleash their debut album, ‘Something to Consume’ but the question is really – is the world ready for it? We ask because, spoiler alert, good grief is it good!
The quartet uniquely switch-up their songwriting, vocals and instruments and therefore it’s not much of a surprise that the eleven tracks on this record are reasonably eclectic. There is however an intense and chaotic overarching aesthetic that just reaches out and grabs you by the collar.
WATCH THE VIDEO FOR ‘POP PUNK ANTHEM (SORRY FOR THE DELAY’
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Opening track, ‘Pop Punk Anthem (Sorry for the Delay)’ explains that “…my visions clear…” before the guttural cry of “…you’re part of me…” and the rawness of the music really does make you feel that you are part of their vision.
Yes, there are political undertones but the songs here act more in defiance of the ever-surreal realities of life. This is music to escape in, to believe in and its visceral nature is truly captivating.
At a time when it has never been easier to release music, it has never been harder to actually be heard but on ‘Something to Consume’ Die Spitz are screaming so loud that it’s impossible not to hear them. This is a genuinely exciting album that signals the groups arrival as ones to watch.
This is a very bold statement from Die Spitz and everybody needs to sit up and listen.
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Twenty One Pilots
Breach
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TWENTY ONE PILOTS – BREACH – ALBUM REVIEW
Ten years ago Twenty One Pilots released their fourth studio album, ‘Blurryface’. The band who had achieved moderate success to that point, suddenly solidified themselves at the top of the industry with an album that captured imaginations, won hearts and beckoned a new era of creativity for the duo.
Since then singer Tyler Joseph and drummer Josh Dun have lived and breathed the overarching story told across their following albums, ‘Trench’, ‘Scaled and Icy’ and ‘Clancy’. Now though after ten years, a fifth album, ‘Breach’ allegedly brings an end to these conceptually intertwined releases.
Sure to elicit mixed emotions from fans, this series has become entrenched within the bands identity so it will be sad for some to move on. Equally there will be those excited to hear what the band create next.
WATCH THE VIDEO FOR ‘THE CONTRACT’
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In the meantime, though there is this new album, ‘Breach’, to get our heads around. After another teasing series of easter eggs sent fans into a frenzy, the band dropped lead single, ‘The Contract’ at the start of summer and recently followed it up with ‘Drum Show’ (which happens to be the first to feature lead vocals from Dun).
Both of these singles are standout moments on the album, but in pretty typical Twenty One Pilots fashion are just the tip of the iceberg. The forty-seven minute, thirteen track collection is sonically explorative and lyrically ambitious with plenty of callbacks and nods to the series as a whole.
Indeed, if this is actually to be the end of this concept, the album in its entirety and the finale of ‘Intentions’ feel very well crafted. Given the success that this series has provided the band, you’d think it would be hard to do the period justice but somehow on ‘Breach’ the duo have managed to do just that!
The question soon though will turn to the obvious – what comes next?
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Vol. 101
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Suede
Antidepressants
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SUEDE – ANTIDEPRESSANTS – ALBUM REVIEW
Britpop summer may be quickly disappearing into the rear-view mirror as the first chills of autumn slowly bite but there is still plenty for 90’s indie aficionados to get excited about!
Continuing their regular post-reunion releases, Suede are here to provide a comforting warmth just like your favourite jumper. The band continue to be daring in their song writing however and ‘Antidepressants’ is a darker record focusing on the tense state of modern life.
Despite the much-publicised nostalgic feel of the summer, and unlike their contemporaries Suede are very much living in the now and not off past glories. Opening track ‘Disintegrate’ is superbly brooding before the band instinctively broaden the scope of the themes across the entire forty-minute collection.
WATCH THE VIDEO FOR ‘DISINTEGRATE’
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The incomparable Brett Anderson guides listeners through the record with a more spoken style of vocals akin to modern day contemporaries of the post-punk movement. Apt then that Anderson has called ‘Antidepressants’ the bands post-punk record when comparing it to predecessor ‘Autofiction’ which he terms the groups punk album.
The album is the perfect encore for ‘Autofiction’ and really is quite remarkable considering the band originally wanted to pursue a mellower direction. Like the song of the same name on this album however this is ‘Broken Music for Broken People’.
The ominous ‘Life Is Endless, Life Is A Moment’ is a fittingly chilling finale to a collection which sonically and lyrically feels far more relevant than a Suede album should do in 2025. The band continue to show themselves to be timeless with this incredible latest masterpiece!
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Vol. 100
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Connor Selby
The Truth Comes Out Eventually
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CONNOR SELBY – THE TRUTH COMES OUT EVENTUALLy – ALBUM REVIEW
Young troubadour Connor Selby has certainly been impressing fans of blues infused guitar music and with his third album, ‘The Truth Comes Out Eventually’, Selby is again drawing attention.
Having already supported The Who at Wembley Stadium and Pearl Jam in Hyde Park, Selby isn’t unused to being under a microscope. On this album however he is opening himself up in a different way with his most personal lyrical work to date.
Questioning and exploring his place in the world, Selby really bears his soul across these ten delicately crafted tracks. This in parallel makes this his most engaging collection so far also.
WATCH THE VIDEO FOR ‘AMELIA’
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Sonically this could also be described as his most eclectic and expansive set of songs as well. This all makes this a truly remarkable record that focuses the undoubted talents of Selby and channels them into his best record so far in his career.
Whilst the slick guitar work and tender, soulful melodies that you’d expect are central to the album’s coherence, there is a real mixture of blues, folk and big orchestral band exuberance on here.
All in all, this is an absorbing listen well worth a little exploration for fans new and old. The talent on show is immense and there are worse ways to spend forty-five of your minutes!
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Bryan Adams
Roll With The Punches
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BRYAN ADAMS – ROLL WITH THE PUNCHES – ALBUM REVIEW
Bryan Adams is such an incredibly enduring artist that it becomes easy to take him for granted. Prolific both on stage and in the studio, Adams is a household name but probably never truly gets the credit he deserves.
Looking at the credits for his new album, ‘Roll With The Punches’ you may momentarily think of the Little Britain bit – “write the theme tune, sing the theme tune”. Adams is of course front and centre of his own record, but for the first time he is also releasing the album on his own label.
It doesn’t stop there however as the album credits him with lead vocals, bass, guitar, production, drums, piano, background vocals, keyboards, percussion, organ and harmonica across the ten tracks.
WATCH THE VIDEO FOR ‘ROLL WITH THE PUNCHES’
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Now, looking at this you might fear that musicians when not allowing external assurance and critical thinking can disappear up their own… well you know how that sentence ends! The good news is however that on this album Adams has masterfully navigated those rocky waters and created a career defining statement.
Adams is on a roll (pun only slightly intended) as his 2022 album, ‘So Happy It Hurts’ was also very good. It’s great to see, or rather hear, an artist with the legacy of Bryan bloody Adams still able to deliver engaging and rocking albums such as these.
Perhaps, just perhaps he will begin to be heralded up there with the very best this industry has seen. The plethora of mega hits he possesses are still getting complemented by superb new material and that’s worth celebrating!
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Nova Twins
Parasites & Butterflies
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NOVA TWINS – PARASITES & BUTTERFLIES – ALBUM REVIEW
Those following the careers of Amy Love and Georgia South aka Nova Twins will already have picked up on the musical and lyrical balance of vulnerability and strength. Their third album fully encapsulates this juxtaposition and thus becomes their most fully formed offering yet.
Don’t worry however, their ferocious trademark sound is still very much front and centre on ‘Parasites & Butterflies’ and the duo are able to deliver another sensory overload of pure adrenaline fuelled hybrid rock.
From opening track ‘Glory’ into the incredible run of pre-release singles, ‘Piranha’, ‘Monsters’ and ‘Soprano’ these twins know how to push boundaries and create songs that will get you dancing, get you thinking, get you feeling and ultimately get you raving about what you’ve just listened to.
WATCH THE VIDEO FOR ‘PIRANHA’
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Some unavoidable and significant topics are covered off across these tracks as again the band show a willingness to talk openly, frankly and directly about anything and everything. Sonically and thematically the duo have thus far been fearless and they shown no signs of slowing down.
At a time when terms such a vital get thrown around with great abondance when describing bands, you can’t deny the criticality of having acts like Nova Twins both having their voices heard and pushing the envelope with their writing.
Truly you still find yourself calling them one of the most exciting bands on the scene right now and this new album only further solidifies them as genuine stars.
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