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Split Chain

motionblur

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SPLIT CHAIN – motionblur – album review

The noise (in every sense of the word) that Split Chain have made in such a short period of time is remarkable. A string of impressive support shows, and notable festival appearances has ensured that their name is already seeping into the consciousness of heavy music fans.

With something of a Nu-Metal renaissance ongoing thanks to social media, they band have also been able to grab attention in more modern ways. All of this attention combined means that anticipation is actually high for the release of their debut album.

An often overused music press phrase, there is genuine interest here to see whether or not Split Chain can live up to this early hype. That however brings a degree of pressure with it, so the importance of ‘motionblur’ can’t really be exaggerated.

WATCH THE VIDEO FOR ‘I’M NOT DYING TO BE HERE’
Split Chain – ‘I’m Not Dying To Be Here’

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The fuzzy shoegaze (or nu-gaze!) wall of sound that has become their signature echoes through the opening trio of ‘Under The Wire’, ‘bored.tired.torn.’ and ‘I’m Not Dying To Be Here’. Each track is absorbingly catchy with heavy hooks and a high dose of singability.

Whilst obvious comparisons will arise to the likes of the mighty Deftones, there is a much needed uniqueness to the Split Chain sound that means that they aren’t simply treading old ground. Sonically relentless, the presence of grunge undertones help to manifest a relatable authenticity about these songs.

Nu-metal revivalists will find sanctuary in this album, but those engaged in the growing hardcore scene will also have their heads turned by these unflinchingly ferocious ragers. Indeed, if you’d considered the pre-requisites for this album to be deemed the success it needed to be, you’d likely have a tick next to every box.

With ‘motionblur’, Split Chain have undoubtedly delivered a stunning opening statement which backs up their early credibility and genuinely enthuses you for what’s to follow.

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Full Pelt Magazine

Vol. 95

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EP Reviews

San Demas

The Valley

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EP Reviews

DARKO

Canvas

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DARKO

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Album Reviews

Panic Shack

Panic Shack

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PANIC SHACK – PANIC SHACK – ALBUM REVIEW

The time has finally arrived for Welsh indie-punks Panic Shack to deliver their long awaited debut album. The band have built a fierce reputation with their riotous live shows and that has left fans clamouring for a first full-length collection.

Those that have been waiting will thankfully be ecstatic with this self-titled offering which somehow manages to capture the energy of those live shows and put it in a nice little package.

That’s often a hard thing to achieve for bands but the fact that their live essence exudes from each of the eleven tracks is simply a testament to the quirky charisma possessed by the group.

WATCH THE VIDEO FOR ‘GOK WAN’
Panic Shack – ‘Gok Wan’

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You have to say though that the core component of the band, which is what truly elevates them both on stage and on record, is the fun that they are clearly having. These are songs capable of calling out societal and life problems ala their modern punk-aligned contemporaries, but they are designed to be enjoyed.

The likes of ‘Gok Won’, ‘Tit School’, ‘Pockets’ and album closer ‘Thelma & Louise’ are frankly infectious. So much so that the album should probably feature a warning sticker highlighting the likelihood of a serious need to break into a mosh.

The witty lyricism of their early singles is still front and centre and there are plenty of moments which will make you pop, make you smile and make you laugh. Equally the band haven’t been afraid to address both bigger issues and their own past criticisms.

As we said at the start, their live spirit oozes from these songs and more than anything that makes you want to hear these songs live! Sometimes that early hype can fail to build to anything, but on this debut album Panic Shack have smashed it out of the park!

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Full Pelt Magazine

Vol. 94

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Album Reviews

Calva Louise

Edge of the Abyss

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CALVA LOUISE – EDGE OF THE ABYSS – ALBUM REVIEW

The individual stories of how each band member came to form Calva Louise is remarkable and when combined their journey to this point is simply incredible. Never afraid to take huge risks, their gambles have all paid off with the release now of a gnarly new album of epic proportions.

‘Edge of the Abyss’ is their fourth album and sees the trio taking giant strides towards achieving their long-held goals of success. Having each moved across the world with hopes of making music, the fact that this record is the genre-defying earworm that it is should serve as vindication for their bravery and daring to believe in themselves.

WATCH THE VIDEO FOR ‘TUNNEL VISION’
Calva Louise – ‘Tunnel Vision’

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This eleven track, forty minute collection is truly fascinating and will warrant multiple listens in order to experience every aspect. It would be easier to list the genre’s not covered here then the various influences that emerge during the record.

Whereas sometimes that means an album sounds disjointed and lacking direction, it works to the opposite effect on ‘Edge of the Abyss’. As vocalist Jess Allanic segues between English and Spanish lyrics, the sonic onslaught feeds the overarching eclecticism of the records identity.

With Allanic’s self-designed sci-fi world again providing the themes of the songs this album acts as a much needed escape from the real world. Indeed, from opener ‘Tunnel Vision’ to the fantastic finale of ‘Under The Skin’ this is Calva Louise operating on another level.

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Full Pelt Magazine

Vol. 93

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Album Reviews

BIG SPECIAL

NATIONAL AVERAGE.

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BIG SPECIAL – NATIONAL AVERAGE. – ALBUM REVIEW

Last year BIG SPECIAL, the Black Country duo of Joe Hicklin and Callum Moloney, arrived in style with an incredible opening offering. Their debut album, ‘POSTINDUSTRIAL HOMETOWN BLUES’, rightly earned high praise from fans and critics alike – including us!

With tour dates and festival appearances still in the diary, not many were expecting a follow-up any time soon. But this week the band surprised everyone when they simply dropped their sophomore collection without any of the now standardised build-up! A brave move indeed, but hey, if Taylor Swift can do it then why not?

That new album, ‘NATIONAL AVERAGE.’ picks up where its predecessor left off with that ominous soulful punk sound accompanying the scathing poetry of opening track ‘THE MESS.’.

WATCH THE VIDEO FOR ‘GOD SAVE THE PONY.’
BIG SPECIAL – ‘GOD SAVE THE PONY.’

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The following twelve tracks all follow that same pathway and are driven by the direct social commentary of the lyrics and that sonic rumble that gained the duo their plaudits in the first place.

The fact that this album follows so closely musically to their debut album is probably to be expected given the quick turnaround. Even then though you can sense elements of evolution in the sound of this album. Some though may argue not enough, but ultimately these songs will do a great job expanding their repertoire for those upcoming shows and at this point of their career that’s actually the most important thing.

Further growth can and will likely come in the future, but for now let’s all just enjoy another heavy dose of the frank BIG SPECIAL fever dream. ‘NATIONAL AVERAGE.’ after all will only solidify their place in the busy landscape of the industry.

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Full Pelt Magazine

Vol. 92

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