Categories
Live Reviews

Download Festival

Donington Park, Castle Donington

Thursday 8th to Sunday 11th June 2023

Follow us on Social Media

DOWNLOAD FESTIVAL 2023 REVIEW

This weekend is a celebration of twenty years of Download Festival. Stepping into the void left by Monsters of Rock not just at the hyped spiritual home of rock Donington Park but to the whole UK rock/metal scene, Download has become its own monster.

This year is truly monstrous as the event is fully sold out with record breaking numbers of attendees coming to partake in the celebration. Those celebrations get off to a rough start though with unprecedented traffic problems souring the event for many before it even properly begins.

📸 Live Nation UK PR

Once the music starts though a lot if not all of those problems subside. There is a stacked bill for the anniversary party including two nights of Metallica, a closing set from Download icons Slipknot but most vitally a new headline act Bring Me The Horizon.

The gap between Monsters of Rock and Download caused a vacuum in ability for bands to hit headline status with many acts from that era missing out on that status, Korn being one such act often thought of as passed over. Think about it, if they’d headlined at Donington Park in the late nineties, they’d no doubt still be that rank higher than they are now.

In the early years of Download, a number of bands had an opportunity to cement themselves at the top level, think Audioslave, Linkin Park, System of a Down and My Chemical Romance.

Playing alongside stalwarts like Iron Maiden, Metallica, Black Sabbath and Kiss gives bands credibility and elevates their stock. 2009’s Slipknot set is still heralded as the best example of the ‘bump’!

The problem is since then only Avenged Sevenfold in 2014 have really been given that opportunity and Download has become a bit of a clichéd round robin of the likes of Def Leppard, Rammstein, Aerosmith and other favourites already mentioned.

Perhaps then the most important booking in a celebration of the past is the look to the future with Bring Me The Horizon finally getting the top spot. Whilst Download probably should’ve got in before Reading and Leeds, it’s hopefully a sign of a subtle change of tact from the festival.

That’s because the line-up is also graced this year by the likes of Hot Milk, Nova Twins and Bob Vylan in prominent slots. Mixing this with the likes of classic Download bands Disturbed, Alter Bridge, Halestorm and Skindred gives the line-up a fresh but familiar feel.

Sadly beyond the bookings of Metallica and Slipknot plus the additional day there isn’t much done to make this year feel special for those who have made Download Festival part of their lives.

Whilst the organisers could have done more both in terms of that something special and in certain ways just the very basics, they have provided a top tier line-up, so let’s take a look at the highlights!

THURSDAY

Cancer Bats get the ball rolling on day one for us over at the second stage (now dubbed the Opus stage). The band get those that have made it into the arena pumped up with a early set packed full of ragers that ultimately ends prematurely when the sound is cut during ‘Hail Destroyer’!

Soon thereafter, Mammoth WVH get proceedings underway on the main stage (or Apex as it’s now called!). In some ways it’s fitting having the Van Halen name on this stage, in others it’s very ironic as the legendary band are often referred to by lead booker Andy Copping as one that got away.

Wolfgang and co show that with or without the last name, they have the talent needed to conquer stages like these. From start to finish it’s an excellent showing that places the band on the potential list for future festival stars.

Next up on the Opus stage are Hundred Reasons who are riding the wave of their stunning return album, ‘Glorious Sunset’. The band open with the title-track before running through a series of classic tracks much to the delight of those gathered. Hopefully this isn’t a victory lap for the band as creatively and onstage they are as good as they’ve ever been!

As we focus on the future of the festival, two names often linked to future headline status are Halestorm and Alter Bridge. It’s fine booking then to see the bands back to back next on the Apex stage.

Halestorm deliver another flawless set that seems to finish before it begins given their short allocated slot. That’s not necessarily a bad thing though given the old saying of leave the fans wanting more. Halestorm certainly do that and with a headline date pencilled in at Wembley Arena this December, the next time the band grace Donington you’d hope to see them in the sub-headline spot.

That’s the spot filled by Alter Bridge who have played in this position multiple times before; a sense perhaps then of always the bridesmaid and never the bride! Today though the band give it their all to show what they have to offer.

Watching the crowd, the set seems to be really well received which is a good sign. The band after all are always technically superb, so if enhancing that audience connection is the missing piece to progression then today’s set will have gone a long way to creating that link!

All that’s left on this special Thursday then is the first of two headline performances from the biggest metal band on the planet, Metallica. The two sets will be completely unique, giving fans the chance to see far more than a standard Metallica set list.

Night one has a good mix of hits like ‘Creeping Death’, ‘Fade To Black’, ‘Nothing Else Matters’, ‘Sad but True’ and ‘Master of Puppets’, deep cuts such as ‘Leper Messiah’, ‘King Nothing’ and ‘Orion’ plus new material from ’72 Seasons’.

FRIDAY

Friday is a huge day for the future of heavy music with a number of hotly tipped bands performing on the main stage including headliners Bring Me The Horizon.

We start on the Opus stage though with a debut UK festival appearance from Mexicans The Warning. The sister trio deliver an assured performance which belies their position on the bill. The set is another case of leaving the audience wanting more and you have to imagine that they’ll be back very soon.

Nova Twins take to the Apex stage soon after and absolutely own the stage. The duo are able to show just why they have so much hype with a performance that should be talked about as one of the best of the weekend.

Hot Milk have the unenviable task of following the pure energy that was Nova Twins, and thankfully for the band and the crowd they are up to the task. With a debut album on the way the band are on the cusp of something special and this set will again not doubt be one of those “I was there” moments.

The effortless cool of Demob Happy delights the Avalanche stage next as they showcase their stunning new album, ‘Divine Machines’.

Back on the Apex stage with the run of younger bands, next up for us are Neck Deep who are perennial contenders for bigger things. Today they have tens of thousands of people singing back the likes of ‘December’ and you have to consider Neck Deep’s set another victory for the new breed of Download band.

It’s a short and sharp blast from the past next as we pop to the Avalanche stage for the return of The Blackout. The band perform like they’ve not been away and receive a hero’s return from the audience. With the tease of more live dates to follow, it looks like The Blackout are back and back with a bang today!

It’s a quick bolt over to the Opus stage next for Within Temptation who are clearly playing a slot below their stature. The performance the band give is headline worthy not just of this stage but of the main stage. The band has a wealth of experience and use all their tricks to deliver a masterful set full of their best crowd pleasing hits.

By the time Evanescence grace the stage, the mass of humanity in attendance is a clear indication that the band should have been on the main stage. Viewing points are few and far between but wherever you are stood the band sonically deliver. A mixture of old and new is greeted well regardless but it’s mega hit ‘Bring Me to Life’ that has the entire place singing their hearts out.

It’s then time for that set. Bring Me The Horizon take over the main stage and prove any remaining doubters wrong. Making Metallica appear average, the band give their all both aesthetically and musically and produce possibly the greatest headline performance in the twenty years of the festival.

As we said earlier, the band should have been given this slot years ago, but if they had then this moment wouldn’t have existed. Their show tonight is the proof needed that the next wave are ready now and the gatekeepers need to move aside.

This set is historic not just for the theme of the weekend or for the stature of Bring Me The Horizon, it’s historic as a watershed moment for this festival. New headliners of the future should personally thank Bring Me The Horizon for breaking through that proverbial ceiling!

SATURDAY

On to Saturday now and nobody mention the weather! A celebration of twenty years of Download would have fittingly seem some rain and mud, and from this point on the festival is so hot that many would probably have willing traded the sun for some rain.

After last night it almost feels an anti-climax for the festival to continue, but another Metallica set should never be scoffed at. Thankfully there are still some fresh new bands breaking through lower down the bill today, and first up we catch Static Dress who seemingly channel the energy of Bring Me The Horizon with the fantastic opening Opus stage set.

One of the best bits of a festival for a publication passionate about new music is stumbling across a surprise gem on one of the side stages. This year that is ANTISAINT who simply storm the small Dogtooth stage with a ferocious set and definitely leave with more fans than they had going in.

The new look FEVER 333 then take to the main stage and deliver another memorable moment with Jason Aalon Butler scaling one of the massive towers erected in the main arena. That moment though shouldn’t take away from the already phenomenal set the band had delivered.

Lake Malice are next for us back in the Avalanche stage who are able to continue the run of top tier performances we’ve caught thus far. Whilst some of the organisational elements of the festival have been lacking, the music has been of the highest calibre and Lake Malice are another band you suspect will be back in a bigger spot sooner rather than later.

Next on the Apex stage are Ice Nine Kills, whose theatrics create a spectacle on the main stage, but musically they feel a little flat, perhaps being the first underwhelming set of the weekend.

Clutch who follow then also suffer both through technical difficulties and the energy sapping heat which probably negatively impacted Ice Nine Kills as well. The lack of enthusiasm from the crowd doesn’t help and it’s probably a good thing we are headed to a tent next.

We are set now for another one-two punch, this time in the Avalanche tent with Kid Kapichi and Bob Vylan on tap. It’s Kid Kapichi up first and they instantly raise the intensity levels with opener ‘Sardines’. Each song that follows is just as rewarding and by the time the band finish with ‘Smash the Gaff’ they’ve done just that!

One of the most exiting acts on the bill this weekend are Bob Vylan. The mention of ceilings earlier is relevant because this duo haven’t just smashed ceilings they’ve proceeded to stamp the shards into dust. Their performance to a packed crowd today is further evidence that new acts can make Download their home. That’s exactly what Bob Vylan do here as to repeat another cliché they completely own the stage.

It was always going to be hard to follow that suckerpunch and next on the main stage with the intense heat still sapping all energy, Disturbed deliver a plodding set. The set list is fine, the performance is far from phoned-in but with the audience struggling and the band following the ferocity of Bob Vylan, Disturbed feel distinctly average today.

We then head to the Opus stage expecting Placebo to also struggle to engage the tired and weary crowd. After all this is the third day which would traditionally be the home straight, and Placebo are not known for their crowd pleasing set list choices.

Pleasantly though those making the effort are surprisingly rewarded not just with an energised performance from the band but also a excellent set of songs including a very rare outing for the superb ‘Nancy Boy’. On their day Placebo can be an incredible live act and today they are at the peak of their powers which re-energises the previously zombified crowd.

It’s then time for night two of Metallica’s no repeat weekend. There are some great choice cuts in the set tonight such as a tour debut for ‘Whiplash’ plus ‘Until It Sleeps’, ‘Wherever I May Roam’ and Thin Lizzy cover ‘Whiskey in the Jar’! The finale of ‘One’ and ‘Enter Sandman’ ensures that the hits are accounted for as well as Metallica deliver another slick and graceful set.

SUNDAY

The final day feels like a step too far, most definitely compounded by the unrelenting heat, but once again when lost in the music all those issues somehow disappear – the power of music!

Bloodywood start the day off with an engaging performance on the Apex stage, before our recent Podcast guests Blind Channel deliver on their promise to bring the energy to Download. The sight of many metalheads singing along to a rendition of Anastacia’s ‘Left Outside Alone’ is a real sight to behold and set closer ‘Dark Side’ has everybody with their middle finger in the air.

Lorna Shore then suffer again from a lack of enthusiasm from the crowd and their sound getting swallowed up by the enormous space. Joey Valence & Brae though have neither issue in the Avalanche tent with a rambunctious and fun-filled slot.

As the heat and the excesses of the weekend catch up on the crowd it’s telling that for this afternoon outdoor sets like The Amity Affliction and Avatar whilst technically great feel like a struggle. Whereas tented sets from Joey Valence and Brae and the brilliant The Meffs are able to revive the crowd and thrive on their rejuvenation.

Thankfully things start to cool as clouds begin to take over the sky as we get ready for Dinosaur Pile-Up on the Opus stage. Sadly technical difficulties shorten their set to just five songs, but those five songs sound fantastic!

I Prevail have a huge slot on the main stage and make a good impression although you do again feel something is just lacking today. Not to flog a dead horse any further but it may be the low energy levels today or the enormity of the stage swallowing the heavier sound but it’s hard to truly get into their set today.

Thankfully the smaller outdoor Opus stage seems to have a lot of energy and Bad Religion are able to take advantage of that next with a typically slick run of punk rock anthems. Opening with ‘American Jesus’ the band able to hold your attention throughout before finishing with a rousing rendition of ’21st Century (Digital Boy)’.

Next up on this stage are Ghost who really should be headlining the main stage at this point. Musically and theatrically they are on another level and you have a sense of the Bring Me The Horizons about then. Hopefully Download Festival will strike while the iron is hot because everything about their performance today is perfect.

Ghost are so good that you also feel it unnecessary to watch Slipknot, but as soon as the band hit the stage you are glad that you stayed. The history between the band and festival is huge and it’s great that they are one of the few acts that seem to properly acknowledge that this weekend.

A standard (which is great) Slipknot set follows with some sentimental set choices and an enthralling stage show. It’s really fitting for Slipknot to close out what has been an intense weekend of celebration.

Download Festival
📸 Live Nation UK PR

The busiest and longest ever Download Festival will last long in the memory for reasons both good and bad. As we said at the start, this festival is a true monster now and has enough dedicated customers to ensure that it will never go down as its predecessor did. It has however become rather soulless and corporate and it feels like the identity it created over the first decade or so could be lost.

Hopefully the event will use this success to both maintain its heritage but also to now really push for the future headliners and top acts to come through. So, congratulations Download on twenty phenomenal years, and here’s to many many more to come!

Share this review on Social Media

Read our review of Slam Dunk Festival

Categories
Live Reviews

Alter Bridge

O2 Arena, London

Monday 12th December 2022

Follow us on Social Media

ALTER BRIDGE – LONDON – LIVE REVIEW

As the year draws to a close, music publications such as us turn our attention to our end of year lists. There will be nods to the best albums, singles, festivals and gigs as December progresses towards it festive finale. The only problem is that 2022 isn’t quite done yet!

Tonight for example the O2 Arena in London welcomes a fantastic package tour with three incredible acts set to grace the stage. Perhaps then those engravers should hold fire on etching the award winner’s names just yet!

This evening is the final night of a tour that has hit five other UK and Irish arenas already this month having first made its way around Europe, and there’s an end of tour / end of year atmosphere in the venue.

WATCH ‘EPIPHANY’ FROm MAMMOTH WVH ON YOTUBE
Mammoth WVH – ‘Epiphany’

Find Full Pelt Music on Youtube

The first band up is Mammoth WVH led by Wolfgang Van Halen who showcases his natural talent and feels right at home on this massive stage. Playing a blistering set of material from their self-titled debut release, the band finish with ‘Don’t Back Down’ and leave the stage with many more fans than when they arrived.

WATCH ‘THE STEEPLE’ FROM HALESTORM ON YOUTUBE
Halestorm – ‘The Steeple’

Read our review of ‘Back From The Dead’ from Halestorm

Next up are a band who debatably should be headlining arenas themselves these days, as the screams of Lzzy Hale welcome Halestorm to the stage. Opener, ‘The Steeple’, sets the theme with new album, ‘Back From The Dead’ taking centre stage. That’s no bad thing though as it’s a fantastic album as demonstrated by the likes of ‘Wicked Ways’, ‘Mine’ and the title track.

All the usual Halestorm fun is packed into an abridged set where we still get crowd interaction, over-sized drumsticks and massive rock songs such as ‘Love Bites (So Do I)’ and ‘Familiar Taste of Poison’. ‘I Miss The Misery’ closes out the short but sweet set and leaves you thinking surely a Halestorm arena headline tour must be next on the cards.

WATCH ‘SILVER TONGUE’ FROM ALTER BRIDGE ON YOUTUBE
Alter Bridge – ‘Silver Tongue’

A band very familiar with headlining arenas at this point though is our headline act tonight, Alter Bridge. Another band with a new album to show off, the huge ‘Silver Tongue’ gets the ball rolling as the group once again demonstrate their obscene talents.

A musically sublime performance features their debut album more than recent tours with ‘Shed My Skin’, ‘Burn It Down’ and ‘In Loving Memory’ all highlights. The set list weaves between albums and highlights the musical dexterity of the band along with the commitment of their fans that stand in awe through hits and deep cuts alike.

‘This Is War’ and title track ‘Pawns & Kings’ show that the band remain very much on form as far as new material goes, but naturally it’s favourites such as ‘Metalingus’ and ‘Blackbird’ that elicit the best audience responses tonight.

An encore of ‘Rise Today’ and ‘Open Your Eyes’ seals the deal and sends the crowd into the wintery embers of 2022 happy and thoroughly entertained. It’s tours like this that remind us what we’ve been missing in the past couple of years, and serve as grounds to hold back on those end of year awards until all the entries have made their case!

Share this Review on Social Media

Read our review of ‘Pawns & Kings’ from Alter Bridge

Categories
Album Reviews

Alter Bridge

Pawns & Kings

Follow us on Social Media

ALTER BRIDGE – PAWNS & KINGS – ALBUM REVIEW

What an incredible story Alter Bridge are when you sit back and think about it; forming from the ashes an enormously successful band, with a relatively unknown but highly talented singer, with said singer even later auditioning for Led Zeppelin.

That singer then joining the legendary Slash for a new project and the original act briefly reforming; and then both the singer and guitarist of this band pursuing very successful solo careers. There is even a Frank Sinatra covers album in the mix now, but throughout all this Alter Bridge have remained ever present and ever evolving.

Now regrouped again, the band have bestowed upon us their seventh studio album, ‘Pawns & Kings’. Despite all the distractions, this continues their record of a new album every three years having started that pattern with debut album, ‘One Day Remains’ back in 2004 – which is somehow almost twenty years ago!

During this time the band have delivered many hits and a few misses, but this album feels important. The band have established themselves in rocks arena filling ranks, but haven’t shown any measurable growth in a decade or so. Whilst charting reasonably well their previous two albums have met mixed reviews and it does seem like Alter Bridge need an injection of momentum.

WATCH ‘THIS IS WAR’ ON YOUTUBE
Alter Bridge – ‘This Is War’

Find Full Pelt Music on Youtube

‘Pawns & Kings’ may well be just what the doctor ordered. Starting out fast, heavy and soaring, the band set the bar high with ‘This Is War’, ‘Dead Among The Living’ and ‘Silver Tongue’.

‘Sin After Sin’ and ‘Stay’ then demonstrate that evolution we mentioned. Myles Kennedy as a vocalist and Mark Tremonti as a guitarist are often ranked as amongst the best in their fields. In recent years the two have proven themselves well equipped in each other’s departments and on ‘Pawns & Kings’ the two show just how far their dexterity has come.

Throughout the second half of this album, Alter Bridge maintain the quality that has perhaps tapered off on recent albums. This isn’t a token effort with a handful of quality singles. This is an old school Alter Bridge album which shows the cohesion that made sophomore album ‘Blackbird’ such a success.

The story of Alter Bridge is truly unique and it’s a testament to the talents of those involved that this far into their career, even with multiple side projects, they can still deliver a album as magnificent as this!

Share this review on Social Media

Read our review of ‘The Ides of March’ from Myles Kennedy

Read our review of ‘Marching In Time’ from Tremonti

Categories
Album Reviews

Myles Kennedy

The Ides of March

Myles Kennedy Album Cover The Ides of March
Myles Kennedy – ‘The Ides of March’

Follow us on Social Media

MYLES KENNEDY – THE IDES OF MARCH – ALBUM REVIEW

Nobody should be shocked anymore at the quality of output from Myles Kennedy. He has set a high benchmark with his work with both Alter Bridge and Slash. He then produced a stunning piece of art with his debut solo album, ‘Year of the Tiger’. Therefore it shouldn’t be a surprise where this review is heading!

The disbelief perhaps comes with that Kennedy has once again managed to capture magic. With his output stretched between various projects, you could actually forgive him for the odd misstep and maybe that time will come. But ‘The Ides of March’ certainly isn’t that time.

WATCH ‘THE IDES OF MARCH’ ON YOUTUBE
Myles Kennedy – ‘The Ides Of March’

Despite featuring a more expansive and traditional to Kennedy sound, the record still manages to showcase Kennedy in a different way to his well known day jobs. What sets Kennedy apart is how he has now solidified a third project at a high standard. His role with Slash now far outstrips the use of the phrase side-project. Now his solo work has also reached the echelons of a main project.

It will be interesting to see how Kennedy splits himself into three going forward, but clearly his solo work now will be seen in an equally accomplished light. The likes of the titular ‘The Ides of March’ are magnificent and elevate this album to magnum opus proportions.

Listen to ‘In Stride’ on our Spotify Hot List!

There is a real good mix of sounds on this album which together encompass Kennedy’s various alter egos.  You could say that ‘The Ides of March’ acts like a greatest hits record, just without any of his established hits. What is meant by that is that this album would be the perfect introduction to Kennedy and the work that his astonishing voice has soundtracked.

In conclusion, ‘The Ides of March’ is Myles Kennedy at his very best, which as we know is very good indeed. The biggest challenge for Kennedy going forward will be to keep up his track record for quality.

Share this review on Social Media

Read our review of ‘The Battle at Garden’s Gate’ from Greta Van Fleet

Categories
Features

What are the Greatest WWE Entrance Themes?

We countdown our Top 10 WWE Entrance Theme Songs!

WWE Entrance Themes

WWE Entrance Themes aren’t all we write about! For Music News, Reviews, Blogs and more follow us on our Social Media Channels!

10, 9, 8, 7, 6, 5, 4, 3, 2, 1… and then the music hits and the fans go mad!

It’s almost time for that famous countdown as WWE’s Royal Rumble is this month. In honour of that countdown to wrestlers entering the ring, we are going to countdown our Top 10 WWE Entrance Theme Songs.

Find out more about the Royal Rumble at WWE.Com

WWE’s Royal Rumble officially kicks off the road to Wrestlemania, so what better time than now to celebrate our favourite WWE Entrance Theme Songs? But, what are the rules?

For this countdown we will be heavily focusing on themes supplied by artists other than Jim Johnston and CFO$, as that’s another list altogether! Therefore you won’t find the likes of The Rock, D-Generation X or John Cena in this list; although I’m sure Johnston’s influence will be present.

As we are celebrating WWE’s Royal Rumble this will only feature WWE entrance themes so no ‘Judas’ by Fozzy!

So let’s get ready to rumble…

10

Boy Hits Car – ‘LoveFuryPassionEnergy’

Lita

Starting off our list at number 10 is Lita whose entrance theme was provided by Boy Hits Car. ‘LoveFuryPassionEnergy’ is a kickass theme which fitted perfectly with the legendary Lita’s rebellious attitude.

9

Story Of The Year – ‘Just Close Your Eyes’

Christian

WWE – Christian Entrance Video

When Christian returned to WWE he took on ‘Just Close Your Eyes’ as his theme song. Originally by Waterproof Blonde, we have gone for the later Story Of The Year cover as the definitive version.

Interesting Fact! When in TNA, Christian used an adapted – or ripped off – version of ‘My Last Breath’ by Evanescence!

8

Killswitch Engage – ‘This Fire Burns’

CM Punk

WWE – CM Punk Entrance Video

This awesome track from Killswitch Engage was kicked around for a while, with Randy Orton using it for a short time. ‘This Fire Burns’ found it’s home however as the entrance theme for the brash young CM Punk.

7

Rev Theory – ‘Voices’

Randy Orton

WWE – Randy Orton Entrance Video

Speaking of Randy Orton, he eventually settled on ‘Voices’ by Rev Theory and the Viper never looked back.

6

Saliva – ‘Booyaka 619’

Rey Mysterio

WWE – Rey Mysterio Entrance Video

Another wrestler to never look back having settled on an iconic theme song is Rey Mysterio who we can’t imagine hitting the ring and not being accompanied by ‘Booyaka 619’ from Saliva.

5

Disturbed – ‘Glass Shatters’

‘Stone Cold’ Steve Austin

Whilst ‘Stone Cold’ Steve Austin is probably most remembered for his classic entrance theme, he for a while was introduced by an awesome version created by Disturbed. ‘Glass Shatters’ gave a great new twist to his classic song and we actually prefer it!

4

Limp Bizkit – ‘Rollin”

Undertaker

Limp Bizkit – ‘Rollin”

The Undertaker’s well known demonic entrance number is truly iconic, and it’s easy to forget that during his American Badass phase he actually had a few epic entrance tracks.

You could argue for ‘American Bad Ass’ by Kid Rock here, but personally we loved his spell with the classic ‘Rollin’’ by Limp Bizkit.

Interesting Fact! Fred Durst and co even played Undertaker to ring at Wrestlemania 19.

3

Living Colour – ‘Cult of Personality’

CM Punk

WWE – CM Punk Entrance Video

Whilst we have tried hard to select just one track from certain wrestlers who have been graced by multiple awesome theme songs, CM Punk is the only wrestler that had to feature twice.

After returning from a short hiatus, Punk took the incredible ‘Cult of Personality’ by Living Colour as his new entrance theme. This combination became so iconic that Punk even used the theme when he transitioned to the UFC.

2

Motorhead – ‘The Game’

Triple H

WWE – Triple H Entrance Video

If we had broken down Triple H’s theme songs and also included original WWE compositions then we could well have had a Top 10 of Triple H’s theme songs.

For the bulk of his career Triple H has been serenaded to the ring by the legendary Motorhead. Both ‘King of Kings’ and ‘Line In The Sand’ are epic but we had to pick his classic ‘The Game’.

1

Alter Bridge – ‘Metalingus’

Edge

WWE – Edge Entrance Video

If Triple H is the king of theme songs, Edge is very close. ‘Never Gonna Stop’ by Rob Zombie was epic and it was a surprise when he ditched the song.

Who knew at the time that he would pick the greatest wrestling theme song ever as its successor? ‘Metalingus’ by Alter Bridge accompanied Edge through the greatest years of his career.

Whilst we of course were excited by Edge’s return at the Royal Rumble in 2020, we were even more excited by the return of this epic theme song!

What is your favourite WWE Entrance Themes? Let us know on social media!

Be sure to check out our Features section for more Top 10’s

Check out our ‘Hot List’ Spotify Playlist