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Magazine

Full Pelt Magazine

Vol. 43

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Magazine

Full Pelt Magazine

Vol. 14

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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!

Volume 14 features cover stars Don Broco as they conclude their ‘Amazing Things’ era. We also catch Halestorm play their biggest headline show to date and The Darkness as they celebrate 20 years of ‘Permission to Land’!

We have our News Report rounding up new releases from Green Day, IDLES, Dream State, While She Sleeps, Architects, Marisa and the Moths, TheCityIsOurs, DragonForce, Scott Stapp, South of Salem, Royal Tusk, Casey, Bad Touch and I DON’T KNOW HOW BUT THEY FOUND ME!

Plus new live announcements from Victorious Festival, Steelhouse Festival, Radar Festival, Maid of Stone, All Points East, Noel Gallagher’s High Flying Birds, Dream State, Rituals, Scorpions, Creeper, The Cadillac Three, Limp Bizkit, Bloc Party, Twin Atlantic, Knocked Loose, The Almighty, Sepultura, Orbit Culture, Deaf Havana, Kasabian, Millie Manders and the Shutup and The Zutons!

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with SAVE USThe Gems and Interlaker!

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Categories
Live Reviews

Paramore

O2 Arena, London

Thursday 20th April 2023

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PARAMORE – LONDON – LIVE REVIEW

It’s fitting that Paramore come back to the UK around Easter time as their return has been received much like the second coming. Yes, you’d struggle to find a more engaged and dedicated audience than the hardcore Paramore fanbase.

Tonight their tour arrives in London at the gargantuan O2 Arena. It’s within this cavernous space that opening act Rozi Plain serenade the early attendees. What I can hear sounds delightful however their sound does struggle to fill the venue.

Our next act don’t struggle with that issue however as indie icons Bloc Party deliver a short and succinct set that mixes old and new to good measure. The uninitiated in the crowd seem somewhat unsure of what they are watching, but those familiar like myself have a great time with this gem of the landfill indie era. How can anybody not perk up to the likes of ‘Banquet’, ‘Flux’ and ‘Helicopter’?

WATCH ‘HELICOPTER’ ON YOUTUBE
Bloc Party – ‘Helicopter’

Read our review of ‘Alpha Games’ from Bloc Party

Soon enough the lights are dimmed and Paramore arrive on stage where they quickly deliver two new tracks ‘You First’ and ‘The News’ from recent album ‘This Is Why’. Soon thereafter classic tracks ‘That’s What You Get’ and ‘Playing God’ kick the evening into another level.

The dynamics of arena seating has always intrigued and annoyed me; particularly the perhaps controversial issue of whether fans in seating should stand up during the show. Personally, it’s fine but it needs to be all or nothing – either everyone stands or everyone sits, not little pockets of standing people ignoring the fact they are blocking the view of those around that remain seated.

WATCH ‘THIS IS WHY’ ON YOUTUBE
Paramore – ‘This Is Why’

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The other thing that gets me is the disrespect of only standing during certain songs. Tonight it was telling the moment Hayley Williams said “my band are letting me play a solo song” or “Zac is going to sing a HalfNoise song” that the vast majority instantly sat down before even a note was played clearly indicating that they weren’t interested in even giving these tracks an opportunity.

This was a theme throughout the night with the older hits getting people stood up (usually to just film the song on their phones), and anything more obscure being treated with utter contempt. This isn’t of course a new phenomenon but it was very noticeable this evening.

Performance wise though, whether the audience reciprocated or not, the entire set was Paramore on top form. It was great to see the band clearly enjoying themselves again, something else which was evident from the night.

By the encore of ‘All I Wanted’ and ‘This Is Why’, the band have delivered the goods and the fans whether sat down or stood up are all clearly pleased with the show. It’s great to have the band back!

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Read our review of ‘This Is Why’ from Paramore

Categories
Album Reviews

Bloc Party

Alpha Games

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BLOC PARTY – ALPHA GAMES – ALBUM REVIEW

It has been 6 years since Bloc Party released their last album, 2016’s ‘Hymns’. Since then solo projects, anniversary tours, pandemics and life in general have taken over, but now they are back with their sixth studio album, ‘Alpha Games’.

The group of course shot to prominence with debut album, ‘Silent Alarm’ back in 2005 and their career took them into huge venues across the world. Recent years however haven’t seen a great deal of activity from the band, with a couple of line-up changes also occurring.

It’s hard now to take stock of where the band fit into the musical landscape, are they are nostalgia act, or a creative entity still? Are they full time or part time? What direction are they heading musically?

Well, the fact we are discussing a new album demonstrates that the band still appears a viable commodity. This is great news as the band always did stand out from the crowded indie scene of the so called noughties.

Predecessor ‘Hymns’ however received rather mixed reviews, so how will ‘Alpha Games’ fare and how will it position the band moving forward?

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Bloc Party – ‘Traps’

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There are lots of questions here, but as soon as the album starts you sense the Bloc Party of old. Not in a rehash, cash in way but instead in the innovative and sonically diverse way that helped make them unique in the first place.

Opening duo ‘Day Drinker’ and ‘Traps’ set the standard early and the rest of the album manages to hold that level with only one or two slight lulls. There is a good mix of faster and slower numbers and the album flows pretty well with little drag.

This is a decent Bloc Party album that is well worth a listen, but it doesn’t really answer all the questions. Whilst this isn’t a lazy effort by any stretch of the imagination it isn’t groundbreaking either. It almost feels like the band hitting the reset button after a period of meandering change. Where they go next will be interesting.

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Read our review of ‘Skinty Fia’ from Fontaines D.C.