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Album Reviews

As December Falls

As December Falls

Join The Club

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AS DECEMBER FALLS – JOIN THE CLUB – ALBUM REVIEW

If one thing is for sure with As December Falls it’s that the band isn’t afraid of hard graft. Recent years have seen the band play every stage willing to host them and new album, ‘Join the Club’, represents their third studio album in less than five years!

But then what is the old saying? “Find a job you love, and you will never have to work a day in your life”. Given their chosen style of music is joyous pop punk, it’s no stretch to imagine that the band feel this way.

‘Join the Club’ is an instantly fun-filled romp through the genre which doesn’t let up throughout its thirty-two minute runtime. If you are a pop punk fan then this album is a perfect example of everything good about the oft maligned music.

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As December Falls – ‘Join The Club’

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At its core ‘Join the Club’ is simply an enjoyable collection of songs which just flies by when listening, which is always a good sign. Deeper down its an expansion of the groups previous two efforts with the band sounding more assured and ready to take over the world.

Hard work sadly doesn’t always pay off in life and certainly not in the music industry, but everything does seem to be falling into place for As December Falls to climb the echelons of this tricky business. ‘Join the Club’ is exactly the album they need to capitalise on their current momentum, so it will be exciting to see where they go next!

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Album Reviews

Saint Agnes

Saint Agnes

Bloodsuckers

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SAINT AGNES – BLOODSUCKERS – ALBUM REVIEW

The rise of Saint Agnes to this point has been slow and steady, but post pandemic the band have certainly been growing their cult following and making an indent on the masses. If you’ve been following their development then it’s obvious that ‘Bloodsuckers’ is an important release for the band as it could smash down a considerable amount of barriers.

The pre-release singles such as the title-track and ‘Animal’ undoubtedly set the stall perfectly for the band to catapult themselves into the rock mainstream, and as soon as you hit play on ‘Bloodsuckers’ you have to sit back and admire a band taking things to the next level!

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Saint Agnes – ‘Bloodsuckers’

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The record begins with a ferocious defiance interwoven between the gothic aesthetic and modern nu-metalesque sonic exploration. Lyrically this is an angry yet stubborn start with singer Kitty Austen full of hatred but offering hope such as “…never feel afraid to be the outsider, I promise you’re never alone, because what the fuck do they know…” on the biting ‘Outsider’.

As the album develops you begin to hear a more diverse palate of musical and lyrical delivery with the likes of ‘This Is Not The End’ and ‘At War With Myself’ and ‘Forever and Ever’ making this more of a well rounded record.

There is still plenty of rage on the second half of the album however with the double header of ‘Middle Finger’ and the Mimi Barks featuring ‘Body Bag’ offering a tonne of controlled fury to maintain the fierce pace.

If this album needed to be big and bold to continue the rise of Saint Agnes, then the band has delivered exactly the record that was called for.

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Album Reviews

Greta Van Fleet

Greta Van Fleet

Starcatcher

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GRETA VAN FLEET – ‘STARCATCHER’ – ALBUM REVIEW

It’s seems almost impossible for anyone to review anything that Greta Van Fleet do either on stage or in the studio without comparing them to a certain mythical classic rock band. Our aim is to not use their name because ultimately, no matter the obvious sonic resemblance, Greta Van Fleet have forged their path through their own talents.

Every release thus far has been exceptional and as they release their third studio album, ‘Starcatcher’, the pre-release singles have again evidenced a band of enormous musical capability. There is an ethereal raw power in their song-writing and this materialises in the most visceral of fashions.

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Greta Van Fleet – ‘Meeting the Master’

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Thematically ambitious, whilst sticking to a tried and tested formula, ‘Starcatcher’ is a continuation of its predecessor ‘The Battle at Garden’s Gate’ and will instantly gratify fans of the band.

There are a plethora of songs which sound like they were born for the live setting and as the band continue to mature and grow their audience that’s a vital element. Lead single ‘Meeting the Master’ teased listeners into the experience that this album presents and arriving at the back end of the record ensures that the album finishes as strongly as it begins.

With this release, Greta Van Fleet continue to prove that they are no mere flash in the pan and no cheap imitation. Yes, rather than another band stuck in the past, this group are literally the future of rock music!

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Album Reviews

Blur

Blur

The Ballad of Darren

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BLUR – THE BALLAD OF DARREN – ALBUM REVIEW

‘The Ballad of Darren’ marks the first new Blur album in eight years and only their second in the past twenty years. That other release was 2015 effort ‘The Magic Whip’, which was missing completely from the bands setlists at Wembley Stadium this month.

That point is made because upon listening to this release, ‘The Ballad of Darren’, equally sounds like an album set to be lost to this moment in time. Musically this is of course another solid record from the band, and not many would have expected anything different.

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Blur – ;St. Charles Square’

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Ultimately though the record lacks anything truly memorable. When selecting their setlists for those historic Wembley gigs, there would have been certain songs that it would be unthinkable for them not to play. If in ten years the band make a return again for more huge shows, you don’t feel that any of these songs will be in that conversation.

If you are a dedicated Blur fan then this record is an unexpected new addition to your collection. You will listen to it solidly for the coming weeks and months. Thereafter it may fall back behind the classics but will certainly continue hold its own.

Blur are musically exceptional and this at its core is another stunning collection of songs. Those reviewing this album purely on quality will write words of praise and quite rightly so.  However, to drive home the point, for anyone other than a diehard follower, this will also be an instantly forgettable collection of melancholic hymns.

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EP Reviews

Yellowcard

Childhood Eyes

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Yellowcard

When Yellowcard disbanded back in 2017, that was it, there were no plans for live shows let alone new music, it was the end of an era. Thankfully things changed when the group returned at last year’s Riot Fest.

Now the next step has arrived with the band offering new music in the shape of new EP, ‘Childhood Eyes’. The reflective record sees the band sonically embracing their 2007 album, ‘Paper Walls’, but ultimately capturing the essence of everything that made the band so loved.

The title-track of the five song EP is particularly heralding of a clichéd return to form and could be placed on any of their iconic releases and still hold its own. The other tracks will have you bouncing, they will tug on your heartstrings and will make you fall in love with the Yellowcard all over again!

‘Childhood Eyes’ is certainly Yellowcard at their finest and whets the appetite for what’s still to come.

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Album Reviews

James and the Cold Gun

James and the Cold Gun

James and the Cold Gun

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JAMES AND THE COLD GUN – ALBUM REVIEW

It takes a lot of courage and self-belief to walk away from a band experiencing considerable success, but that’s exactly what James Joseph did. Switching from bass player in a well known band to guitar and vocals as the frontman of a completely unknown entity, Joseph teamed up with fellow James, James Biss, and the duo set about building a new legacy under the moniker James and the Cold Gun.

A handful of key support slots and a well received debut EP have led the now five-piece band to their all-important self-titled debut album!

Described as a “…no frills rock n roll ripper…” by Joseph, this fits the narrative from the original duo when we spoke to them in a year ago on our ‘Discover’ New Music Podcast. Joseph in particular was clear that his previous band had changed to the point of no longer aligning with his desired creative output, with Joseph wanting a back to basics approach.

From the opening riff of ‘Chewing Glass’, it’s abundantly clear that Joseph has accomplished his desire. This is good old fashioned rock n roll and this album does exactly what it promises, repeatedly punching you in the face with another dirty riff, another bouncing chorus and all round gloriously effortless rock.

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James and the Cold Gun – ‘Chewing Glass’

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This is a well-rounded debut album, which shows that the band have plenty to offer other than just noise. The songs are well crafted and have an accessible enough sound that they should cut across in bigger venues just as well as they will in tiny clubs.

The likes of ‘Something to Say’, ‘Bittersweet’ and ‘My Silhouette’ may lead the pack but whilst it may be cliché, there really isn’t a bad track on what the band can be proud of as a memorable debut album.

In thirty-eight minutes of pure rock n roll adrenaline, James and the Cold Gun ensure that the bravery and confidence talked of in our opening sentence was well placed and fully justified!

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Read our review of ‘False Start’ from James and the Cold Gun

Watch Episode 18 of our ‘Discover’ New Music Podcast with guests James and the Cold Gun!

‘Discover’ New Music Podcast – Episode 18 – James and the Cold Gun

Read our review of James and the Cold Gun live in Norwich

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Album Reviews

Jim Lockey and the Solemn Sun

Jim Lockey and the Solemn Sun

Colour

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JIM LOCKEY AND THE SOLEMN SUN – COLOUR – ALBUM REVIEW

It’s over a decade ago now that Jim Lockey and the Solemn Sun released their two stunning albums, ‘Atlases’ and ‘Death’. At the time the band seemed to be on the cusp of much bigger things following a series of big support slots and important festival appearances.

Then in 2014 the group rebranded simply as Solemn Sun and tweaked their musical output for a new EP. When this change was met with apathy from their fans though the band soon disappeared into the ether and it appeared to be the end of a group that had shown so much promise.

A hero’s return under the full Jim Lockey and the Solemn Sun name occurred at 2000trees in 2019 but then the pandemic hit! Now the band make their full-scale return with their third album, ‘Colour’, following another huge set at this year’s 2000trees.

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Jim Lockey and the Solemn Sun – ‘Reno’

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The album starts with fantastic recent single, ‘Reno’ and quickly gathers pace with the euphoric ‘Medicine’ and ‘Conditional Love’ following. It’s soon evident that their sound has evolved greatly from both their first two albums and their 2014 EP.

This may be Jim Lockey and the Solemn Sun but this is a splendid new version that takes the best elements of their past and combines them with a gloriously pop-tinged new sonic palate.

As the album progress through its ten tracks, it becomes very clear that the band are operating on a level way above anything they’ve done before, and given the quality of those early albums that is quite astonishing!

‘Colour’ is a truly remarkable return for a band that always felt like it had unfinished business. Well, the ten year wait has been more than worth it because this masterpiece of an album deserves to take the band to highest echelons of the industry. Simply magnificent!

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Album Reviews

PVRIS

PVRIS

EVERGREEN

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PVRIS – EVERGREEN – ALBUM REVIEW

The last few years have proven to be a highly transitional time for PVRIS. Pandemic navigating releases, line-up changes, record label moves and expansions of their sound have all compounded a period of tumultuous change.

Throughout all of this Lynn Gunn has steered the ship through stormy waters and PVRIS remain on a steady course towards delivering on their enormous early promise. Now with the release of their fourth studio album, ‘EVERGREEN’, it feels like PVRIS are ready to show the truest form of themselves.

This candid and refreshing record is a stunning journey of sonic exploration across eleven tracks, all of which add something significant to the album as a whole. That said, it’s worth noting that this may be the most cohesive collection from the band yet.

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PVRIS – ‘GODDESS’

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Whether delivering heavy rock hooks, serenading us with delicate moments of melancholy or exploring recent EDM influences, ‘EVERGREEN’ sees Gunn at her creative peak. Gunn has always shown great ambition musically and that shines through intensely on this album.

Having caught PVRIS live at Slam Dunk Festival this summer, we can attest that the likes of ‘ANIMAL’ and ‘GODDESS’ sound absolutely huge live and you feel listening to this album that plenty of other tracks will also excel in the live setting.

After a period of upheaval, ‘EVERGREEN’ is the perfect statement needed from Gunn that the project remains not just viable but also striving for greatness!

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Live Reviews

Iron Maiden

Iron Maiden

Utilita Arena, Birmingham

Tuesday 4th July 2023

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IRON MAIDEN – BIRMINGHAM – LIVE REVIEW

The metalheads have taken over Birmingham with battlejackets visable on every street corner. Yes, the mighty Iron Maiden are in town and a sold out Utilita Arena is braced for a theatrical evening of fun with a band currently firing on all cylinders.

The legendary group are here as part of their aptly titled ‘The Future Past’ Tour which sees them focus on material from their latest studio release, ‘Senjutsu’ and their 1986 sixth album ‘Somewhere In Time’.

Up first however are openers Lord of the Lost, fresh from the indignity of finishing last at this year’s Eurovision. Given the reputation of Maiden fans to be rather harsh on their support acts, and the German groups recent past, we were concerned that Lord of the Lost would go down like a certain variety of balloon!

That thankfully isn’t the case though as they deliver a polished yet honest performance which is well received by the waiting masses. The band are able to show that they possess quality with substance and some great songs, which is probably why Eurovision fans weren’t interested! If that experience was a disappointment, this one is a big success for the band.

Soon enough those familiar strains of UFO’s ‘Doctor Doctor’ start to fill the arena and the atmosphere kicks up a few dozen notches. With an updated stage show complementing a setlist full of rarer heard fan favourites it doesn’t take long for the band to suck you right in.

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Iron Maiden – ‘Stranger in a Strange Land’

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Within moments Iron Maiden have the audience in the palm of their collective hand as they lead them back and forth from new tracks like ‘The Writing on the Wall’ to deep cuts like ‘Stranger in a Strange Land’ and classics such as ‘Can I Play With Madness’!

With multiple appearances from Eddie plus all the usual trimmings this show is Maiden at their very best. The carefully curated setlist makes this a unique opportunity for the diehards but also a fine example of what the band do for any newcomers. This is perhaps best summed up by the final main set run of ‘Heaven Can Wait’, ‘Alexander the Great’, ‘Fear of the Dark’ and ‘Iron Maiden’.

By the time ‘The Trooper’ and ‘Wasted Years’ close out the evening, Maiden have one again shown themselves the masters of their craft. Those metalheads then head back out into the Birmingham night filled with glorious, dramatic metal!

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Live Reviews

Muse

Muse

National Bowl, Milton Keynes

Sunday 25th June 2023

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Muse – Milton Keynes – Live Review

Long established as one of the greatest live bands to ever plug in a guitar, it’s no surprise that fans have once again been flocking to catch Muse live this summer!

With large-scale UK shows already completed in Plymouth, Huddersfield and Glasgow, this sunny Sunday sees the trio take over the recently neglected National Bowl in Milton Keynes.

Once those lovely roundabouts have been successfully navigated, fans are greeted with a fantastic amphitheatre to enjoy the glory that will be the headline set. But, before then there are two great opening performances on offer.

Up first are Mexican trio The Warning who recently impressed with their slot at Download Festival. Today the group are again able to deliver a powerful set which will undoubtedly have won over a legion of new fans. From start to finish they make the very most of their short time on stage and you can’t help but think it won’t be their last time playing stages this size.

One band no stranger to large stages are the special guests tonight, Royal Blood. The duo are fresh from the Pyramid stage at Glastonbury and are able to command this stage with relative ease.

The crowd are very much on side tonight which appears to reassure the band after their recent issues with Mike Kerr clearly very grateful for the opportunity to play. The fans are equally joyed to have such an accomplished act delivering a calculated and polished set.

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Muse – ‘Kill or Be Killed’

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The scene is then set for the timeless Muse to once again showcase just why they are so revered. Never afraid to highlight their latest release, new album ‘Will of the People’ naturally takes centre stage tonight and that starts with the title-track which instantly whips the crowd into a frenzy.

Following that opening with a run of ‘Hysteria’, ‘Psycho’ and ‘Bliss’ just shows the embarrassment of riches that Muse can pull from. What’s nice tonight though is the addition of some rarer gems such as ‘Resistance’ and ‘Undisclosed Desires’.

Of course there are hits galore and the audience lap up the likes of ‘Time Is Running Out’, ‘Supermassive Black Hole’, ‘Plug In Baby’, ‘Uprising’ and ‘Starlight’. Equally impressive though are the receptions given to new tracks like ‘Won’t Back Down’, ‘Compliance’ and ‘You Make Me Feel Like It’s Halloween’.

The delivery of songs either old or new is exquisite as you’d expect and the stage show is as flamboyant as ever. Muse really are masters of their art and it feels almost impossible for them to give a bad performance.

The encore of ‘Kill or Be Killed’ and traditional closer ‘Knights of Cydonia’ is in itself testament to the whole new and old sentiments above. No matter what they are playing, Muse play it better than anyone!

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