Live Reviews


Upcote Farm

10th-13th July 2024

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2000trees 2024 – festival review
📸Jez Pennington

To be established means “having existed or done something for a long time and therefore recognized and generally accepted”. The 2000trees name means something, to fans it means an unrivalled weekend of thrills in a chilled environment, and to musicians it’s a proving ground, a platform for new artists to shine, but also a place to reinvent yourself or test new waters in a safe place. Trees is established as a trusted sanctum for all music lovers, everyone is welcome and good times are guaranteed.

Those who have chosen to arrive at Upcote Farm near Cheltenham early are treated to what is actually becoming the highlight of the event – a special evening in the trees. Yes, Wednesdays belong to the magical Forest stage and this year the line-up is incredible. A mixture of new acts and returning heroes, the bill reflects perfectly what this festival is all about.


With the forest stage alternating with the tiny Word stage today there is plenty of music on offer. At the Word stage alone we are able to catch great sets from KITE THIEF, CARSICK, Enola Gay and Frozemode.

📸 Carla Mundy

But truly it’s within the woods that this festival reaches mythical status. To see a band like Exit Child able to enthral the earliest of attendees with their impassioned grunge, and then have the always uplifting PET NEEDS orchestrate an excitable crowd through a joyous tone setting show before Lambrini Girls galvanise the masses into a united movement all in the space of the first couple of hours just emphasises the beauty of 2000trees.

The audience are all in this together, they believe and demonstrate the ethos of kindness and acceptance which is what makes the event so welcoming.

📸 Carla Mundy

The first of two outstanding Dead Pony sets this weekend soon leads us into the business end of night one. 2000trees royalty The Xcerts understand the assignment and pull out a memorable run through of their third album, ‘There Is Only You’ to celebrate the records 10th anniversary, which is eaten up by the crowd.

It’s around this time that the looming shadow of England vs Netherlands in the Euros takes over the festival. Despite initial reluctance to show the match out of respect to the bands, organisers end up screening the game over at The Axiom. Most impacted are Dream State, who lean into the prospect by showing the football on a TV on the stage, donning football shirts and providing fans with a goal and balls to play with as they belt out the likes of ‘White Lies’ and ‘Chin Up Princess’.

Thankfully Ollie Watkins saves us from the drama of extra time which means that headliners Boston Manor get the full attention of the crowd. Another band performing twice this weekend, they use this set to play early favourites ‘Burn You Up’, ‘Lead Feet’ and ‘Laika’ in a set which is an early contender for set of the weekend.

📸 Jez Pennington

Even when the main entertainment stops however 2000trees is best known for it’s late night activities. A legendary silent disco attracts the majority, but we head next into the camps and one of the busking stages at Camp Turner. There we catch acoustic sets from InMe frontman Dave McPherson and those scamps in PET NEEDS who manage to get mosh pits and crowd surfers in the campsite!

📸 Carla Mundy

Whether in the general campsite, the family area or the VIP section, fans wake up the next morning to the relief of warm weather! It’s rained persistently in the days leading up to the event, but the ground has held up well. The music is in full flow again from half past ten as relative locals Blank Atlas deliver a great little set on the Neu stage.

The diverse and social conscious line-up at 2000trees builds on the welcoming atmosphere and Thursday morning sees the likes of The Menstrual Cramps, Cherym, Shooting Daggers and The Oozes engaging their passionate crowds.

The structuring of the stages and times means that if you’re that way inclined you can catch non-stop music from early morning until the wee early hours. Us being somewhat inclined to support new music we dash around witnessing more superb performances from Meryl Streek, Dead Pony (again) and Enola Gay (again!).

📸 Jez Pennington

We then head back into the Forest where throughout the main days of the festival you can still see a mix of full band shows, acoustic sets and other unique offerings. We are here however for the always enjoyable Sean McGowan who plays a short sharp set of fan favourites.

2000trees is often at its finest on the smaller stages, but the main stage delivers one of the best barometers for the success of acts. Cassyette is next to grace this stage and showcase why she is steadily moving up bills such as this. A thoroughly captivating blitz of energy, you’d imagine Cassyette will be back soon in an even more prominent position.

📸 Joe Singh

It’s over at the Axiom soon thereafter that one of those magical moments is taking place with Spanish Love Songs attracting a crowd funnelling out of the confines of the large tent. That’s before Kids In Glass Houses then continue their triumphant return back on the main stage, with both bands eliciting some of those beautiful sing-a-long festival moments.

As do Boston Manor as they again prove themselves to be one of the bands of the weekend and an act ready for superstardom as they pack out the Axiom for their second set of the weekend. Manchester Orchestra deliver a charming performance next on the main stage, but clearly many of the uninitiated in the crowd are left a little underwhelmed.

We then finish day two with The Pale White in the Neu tent and The Gaslight Anthem on the main stage. Both bands allow their music to do the talking as they bring the first full day to a close. The Gaslight Anthem in particular are something of a dream booking for the festival, and they don’t disappoint.

📸 Joe Singh

The festival is in full flow now, with the weather slightly cooler come Friday, fans are ready for another busy day. It’s up to the brilliant BEX to wake the campers up, which she does to great effect with the likes of ‘Fight’ and ‘sunDae’.

📸 Gareth Bull

If you want to watch as much music as possible, you need stamina or an easy to navigate site layout, and as we catch great sets from Mouth Culture, Sløtface and Problem Patterns, we’re very grateful for the simple site layout!

VIP ticket holders at 2000trees have their own campsite, bar and viewing platform and we catch The Rumjacks main stage set from said platform next. The band are entertaining, and the platform gives a nice view of the crowd getting into the party spirit!

In fairness though that party spirit is evident throughout each day and each performance. Tropic Gold get their crowd moving in the Axiom before As December Falls solidify their reputation as a live act over on the main stage. It’s great to see even smaller acts like Other Half in the Neu tent are given the same energy they produce from a crowd not showing any signs of fatigue.

The standard of performance across the weekend is high, with no set standing out as particularly bad. Perhaps that’s because we chose correctly when looking at those dreaded clashes, but you feel that the bands take 2000trees seriously. They know the rewards of a top tier show and they put in the effort that the crowd demands.

📸 Carla Mundy

Two standout performances transpire next however as first unpeople in the Cave tent and then Nova Twins on the main stage put in epically memorable performances. unpeople come from the ashes of Press To MECO and the power of the riff remains at full strength as they get the crowd fully locked in. Equally Nova Twins ooze star power as they take ownership of the main stage crowd. If you had to pencil in a band as a potential future headliner then either of these would be good bets!

📸 Carla Mundy

Bears In Trees represent a change in pace as their pop sensibilities feel like a refreshing change of pace next in the Axiom tent. Clearly the audience feel the same and many comment on their way out how impressed they were with another band with a huge upside.

📸 Jez Pennington

The undercurrent of 2000trees has always been young British rock acts, but the organisers do sprinkle the line-up with some international flair such as headliners The Gaslight Anthem and The Chats. Up next though is grandson on the main stage who brings an element of star power himself. Many in the audience are here to see what the fuss is about, and grandson delivers a good showing which has generally positive results, albeit with a few unimpressed faces remaining.

📸 Joe Singh

The festival gets a rebrand next as Bob Vylan return for consecutive years with a sub-headline spot on the main stage. The duo rename the festival Vylanfest and state that they’ll be back next year to headline. Truth be told, they probably could’ve done so this year as the crowd take their antics to another level.

A mixture of new tracks from recent album, ‘Humble As The Sun’ and favourites such as ‘We Live Here’ and ‘Pretty Songs’ make up a thoroughly enjoyable time. Bob Vylan are one of the best live acts in the UK at present and we’d certainly put money on them following through on their headline promise!

We finish out our Friday with Hot Milk headlining the Axiom and Empire State Bastard headlining the Cave. Hot Milk have just returned from playing stadiums across the world and make a clear effort to make their headline slot special. Again, you’d be happy seeing their performance close the main stage.

Empire State Bastard on the other hand have no bells and whistles, the group fronted by Biffy Clyro’s Simon Neil and powered from behind the drum kit by Dave Lombardo destroy the Cave, causing a sonic onslaught that can only be described as magnificent. A different way to end our night compared to The Gaslight Anthem and Don Broco who will close the event, but that’s what makes 2000trees so special.

📸 Joe Singh

Campers awaken on the final day to the pitter patter of rain on their tents, and the threat of the damp stuff maintains throughout a chillier day, however thankfully the heavens never fully open.

Split Chain are our first watch today and the band who are popping up a lot lately showcase a grunge/nu-metal crossover which explains why they are a good option for an opening act. The Meffs then blow off any cobwebs on the main stage with a blistering set of punk rockers, before the poppier angst of snake eyes thrills the Axiom crowd.

📸Abbi Draper

We then head into the Forest for one last time this year. Firstly, to catch the newly formed Interlaker featuring David Jakes of Lonely the Brave and Jack Wrench of Arcane Roots. The Forest is full as knowledgeable music fans catch a glimpse of this new project. Although only a short glimpse, what is seen is more than enough to whet the appetite for what’s to come!

Next Frank Turner takes part in a live podcast Q&A and acoustic set with the Mark and Me Podcast. Moments like this are more proof of what makes 2000trees different from your standard festival.

📸 Gareth Bull

It’s then a bit of a dash to the main stage for a second The Xcerts performance of the weekend, this time more of a standard hits affair including a surprise cameo from Josh Franceschi of You Me At Six – just one of a few special guests on show this weekend.

The Nightmares in the Neu tent and The Mysterines on the main stage then both make the most of their short times on stage before we catch House of Women and Cleopatrick on the same stages although from afar as we gather any remaining stamina for the incredible run of music set to follow.

We close out our weekend with Frank Turner bringing a headline worthy show to the main stage with new album, ‘Undefeated’, standing tall alongside favourites such as ‘I Still Believe’ and ‘Four Simple Words’.

📸 Gareth Bull

Creeper are then immediately ready to deliver their own headline performance in the Axiom tent. The crowd starting off up to fifteen deep outside of the confines of the tent! What Creeper then proceed to do is simply outstanding. For a band to use their headline set to open with a ten-minute rock opera and to then play almost exclusively all new material is quite incredible. Any other band would be murdered, but not Creeper.

No, the packed tent love every single moment of the set and the time simply flies by with highlights like ‘Sacred Blasphemy’ and ‘Misery’ eliciting some of those mass sing-a-long moments. A finale of ‘Cry To Heaven’ is truly awe-inspiring and again, if we are tagging bands for future main stage headline slots, then surely Creeper must be labelled as oven-ready!

📸 Jez Pennington

The big finale for us this year is a Don Broco currently out of the limelight writing their next record. Coming out of hibernation for this show, they deliver a tailor made headline performance which is up there with the best the festival will have ever seen. The band bring some of those bells and whistles but it’s their party anthems that do the talking this evening.

Over the three nights we’ve seen three completely different headline shows, and upwards of sixty acts giving it everything on stage. Some rest will now be required but with that said, you still don’t feel like you’ve been in a battle, which big festivals can sometimes become. That again is a testament to the magic of 2000trees.

Much is said of the atmosphere here (including by us in this review!), but the number of bands saying it’s their favourite festival is telling. That’s because most fans are here for the music. You can see this with the packed tents before midday and those still seeking live music gone midnight. It’s as much the people that establish 2000trees as what it is than anything else, and long may it continue to be the best festival in the UK!

📸 Jez Pennington

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Full Pelt Magazine

Vol. 41

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Check out our two Podcasts!


Full Pelt Magazine

Vol. 3

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Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the third issue now for free!

Volume three includes an update from cover star Chris Shiflett, and a review of ‘Race the Night’ from Ash.

We have our News Report rounding up new releases from Don Broco, Lonely The Brave, Dream Wife, TesseracT, DragonForce, Staind, Duff McKagan, Skinny Lister, All Time Low, While She Sleeps, K.Flay, The Meffs, END and Mother Mother!

Plus new live announcements from British Lion, Fozzy, KITE THIEF, VV, The Amazons, The Coral, Twin Atlantic and Lonely The Brave.

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Major Moment, Tropic Gold and Future Static!

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Live Reviews

Download Festival

Donington Park, Castle Donington

Thursday 8th to Sunday 11th June 2023

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This weekend is a celebration of twenty years of Download Festival. Stepping into the void left by Monsters of Rock not just at the hyped spiritual home of rock Donington Park but to the whole UK rock/metal scene, Download has become its own monster.

This year is truly monstrous as the event is fully sold out with record breaking numbers of attendees coming to partake in the celebration. Those celebrations get off to a rough start though with unprecedented traffic problems souring the event for many before it even properly begins.

📸 Live Nation UK PR

Once the music starts though a lot if not all of those problems subside. There is a stacked bill for the anniversary party including two nights of Metallica, a closing set from Download icons Slipknot but most vitally a new headline act Bring Me The Horizon.

The gap between Monsters of Rock and Download caused a vacuum in ability for bands to hit headline status with many acts from that era missing out on that status, Korn being one such act often thought of as passed over. Think about it, if they’d headlined at Donington Park in the late nineties, they’d no doubt still be that rank higher than they are now.

In the early years of Download, a number of bands had an opportunity to cement themselves at the top level, think Audioslave, Linkin Park, System of a Down and My Chemical Romance.

Playing alongside stalwarts like Iron Maiden, Metallica, Black Sabbath and Kiss gives bands credibility and elevates their stock. 2009’s Slipknot set is still heralded as the best example of the ‘bump’!

The problem is since then only Avenged Sevenfold in 2014 have really been given that opportunity and Download has become a bit of a clichéd round robin of the likes of Def Leppard, Rammstein, Aerosmith and other favourites already mentioned.

Perhaps then the most important booking in a celebration of the past is the look to the future with Bring Me The Horizon finally getting the top spot. Whilst Download probably should’ve got in before Reading and Leeds, it’s hopefully a sign of a subtle change of tact from the festival.

That’s because the line-up is also graced this year by the likes of Hot Milk, Nova Twins and Bob Vylan in prominent slots. Mixing this with the likes of classic Download bands Disturbed, Alter Bridge, Halestorm and Skindred gives the line-up a fresh but familiar feel.

Sadly beyond the bookings of Metallica and Slipknot plus the additional day there isn’t much done to make this year feel special for those who have made Download Festival part of their lives.

Whilst the organisers could have done more both in terms of that something special and in certain ways just the very basics, they have provided a top tier line-up, so let’s take a look at the highlights!


Cancer Bats get the ball rolling on day one for us over at the second stage (now dubbed the Opus stage). The band get those that have made it into the arena pumped up with a early set packed full of ragers that ultimately ends prematurely when the sound is cut during ‘Hail Destroyer’!

Soon thereafter, Mammoth WVH get proceedings underway on the main stage (or Apex as it’s now called!). In some ways it’s fitting having the Van Halen name on this stage, in others it’s very ironic as the legendary band are often referred to by lead booker Andy Copping as one that got away.

Wolfgang and co show that with or without the last name, they have the talent needed to conquer stages like these. From start to finish it’s an excellent showing that places the band on the potential list for future festival stars.

Next up on the Opus stage are Hundred Reasons who are riding the wave of their stunning return album, ‘Glorious Sunset’. The band open with the title-track before running through a series of classic tracks much to the delight of those gathered. Hopefully this isn’t a victory lap for the band as creatively and onstage they are as good as they’ve ever been!

As we focus on the future of the festival, two names often linked to future headline status are Halestorm and Alter Bridge. It’s fine booking then to see the bands back to back next on the Apex stage.

Halestorm deliver another flawless set that seems to finish before it begins given their short allocated slot. That’s not necessarily a bad thing though given the old saying of leave the fans wanting more. Halestorm certainly do that and with a headline date pencilled in at Wembley Arena this December, the next time the band grace Donington you’d hope to see them in the sub-headline spot.

That’s the spot filled by Alter Bridge who have played in this position multiple times before; a sense perhaps then of always the bridesmaid and never the bride! Today though the band give it their all to show what they have to offer.

Watching the crowd, the set seems to be really well received which is a good sign. The band after all are always technically superb, so if enhancing that audience connection is the missing piece to progression then today’s set will have gone a long way to creating that link!

All that’s left on this special Thursday then is the first of two headline performances from the biggest metal band on the planet, Metallica. The two sets will be completely unique, giving fans the chance to see far more than a standard Metallica set list.

Night one has a good mix of hits like ‘Creeping Death’, ‘Fade To Black’, ‘Nothing Else Matters’, ‘Sad but True’ and ‘Master of Puppets’, deep cuts such as ‘Leper Messiah’, ‘King Nothing’ and ‘Orion’ plus new material from ’72 Seasons’.


Friday is a huge day for the future of heavy music with a number of hotly tipped bands performing on the main stage including headliners Bring Me The Horizon.

We start on the Opus stage though with a debut UK festival appearance from Mexicans The Warning. The sister trio deliver an assured performance which belies their position on the bill. The set is another case of leaving the audience wanting more and you have to imagine that they’ll be back very soon.

Nova Twins take to the Apex stage soon after and absolutely own the stage. The duo are able to show just why they have so much hype with a performance that should be talked about as one of the best of the weekend.

Hot Milk have the unenviable task of following the pure energy that was Nova Twins, and thankfully for the band and the crowd they are up to the task. With a debut album on the way the band are on the cusp of something special and this set will again not doubt be one of those “I was there” moments.

The effortless cool of Demob Happy delights the Avalanche stage next as they showcase their stunning new album, ‘Divine Machines’.

Back on the Apex stage with the run of younger bands, next up for us are Neck Deep who are perennial contenders for bigger things. Today they have tens of thousands of people singing back the likes of ‘December’ and you have to consider Neck Deep’s set another victory for the new breed of Download band.

It’s a short and sharp blast from the past next as we pop to the Avalanche stage for the return of The Blackout. The band perform like they’ve not been away and receive a hero’s return from the audience. With the tease of more live dates to follow, it looks like The Blackout are back and back with a bang today!

It’s a quick bolt over to the Opus stage next for Within Temptation who are clearly playing a slot below their stature. The performance the band give is headline worthy not just of this stage but of the main stage. The band has a wealth of experience and use all their tricks to deliver a masterful set full of their best crowd pleasing hits.

By the time Evanescence grace the stage, the mass of humanity in attendance is a clear indication that the band should have been on the main stage. Viewing points are few and far between but wherever you are stood the band sonically deliver. A mixture of old and new is greeted well regardless but it’s mega hit ‘Bring Me to Life’ that has the entire place singing their hearts out.

It’s then time for that set. Bring Me The Horizon take over the main stage and prove any remaining doubters wrong. Making Metallica appear average, the band give their all both aesthetically and musically and produce possibly the greatest headline performance in the twenty years of the festival.

As we said earlier, the band should have been given this slot years ago, but if they had then this moment wouldn’t have existed. Their show tonight is the proof needed that the next wave are ready now and the gatekeepers need to move aside.

This set is historic not just for the theme of the weekend or for the stature of Bring Me The Horizon, it’s historic as a watershed moment for this festival. New headliners of the future should personally thank Bring Me The Horizon for breaking through that proverbial ceiling!


On to Saturday now and nobody mention the weather! A celebration of twenty years of Download would have fittingly seem some rain and mud, and from this point on the festival is so hot that many would probably have willing traded the sun for some rain.

After last night it almost feels an anti-climax for the festival to continue, but another Metallica set should never be scoffed at. Thankfully there are still some fresh new bands breaking through lower down the bill today, and first up we catch Static Dress who seemingly channel the energy of Bring Me The Horizon with the fantastic opening Opus stage set.

One of the best bits of a festival for a publication passionate about new music is stumbling across a surprise gem on one of the side stages. This year that is ANTISAINT who simply storm the small Dogtooth stage with a ferocious set and definitely leave with more fans than they had going in.

The new look FEVER 333 then take to the main stage and deliver another memorable moment with Jason Aalon Butler scaling one of the massive towers erected in the main arena. That moment though shouldn’t take away from the already phenomenal set the band had delivered.

Lake Malice are next for us back in the Avalanche stage who are able to continue the run of top tier performances we’ve caught thus far. Whilst some of the organisational elements of the festival have been lacking, the music has been of the highest calibre and Lake Malice are another band you suspect will be back in a bigger spot sooner rather than later.

Next on the Apex stage are Ice Nine Kills, whose theatrics create a spectacle on the main stage, but musically they feel a little flat, perhaps being the first underwhelming set of the weekend.

Clutch who follow then also suffer both through technical difficulties and the energy sapping heat which probably negatively impacted Ice Nine Kills as well. The lack of enthusiasm from the crowd doesn’t help and it’s probably a good thing we are headed to a tent next.

We are set now for another one-two punch, this time in the Avalanche tent with Kid Kapichi and Bob Vylan on tap. It’s Kid Kapichi up first and they instantly raise the intensity levels with opener ‘Sardines’. Each song that follows is just as rewarding and by the time the band finish with ‘Smash the Gaff’ they’ve done just that!

One of the most exiting acts on the bill this weekend are Bob Vylan. The mention of ceilings earlier is relevant because this duo haven’t just smashed ceilings they’ve proceeded to stamp the shards into dust. Their performance to a packed crowd today is further evidence that new acts can make Download their home. That’s exactly what Bob Vylan do here as to repeat another cliché they completely own the stage.

It was always going to be hard to follow that suckerpunch and next on the main stage with the intense heat still sapping all energy, Disturbed deliver a plodding set. The set list is fine, the performance is far from phoned-in but with the audience struggling and the band following the ferocity of Bob Vylan, Disturbed feel distinctly average today.

We then head to the Opus stage expecting Placebo to also struggle to engage the tired and weary crowd. After all this is the third day which would traditionally be the home straight, and Placebo are not known for their crowd pleasing set list choices.

Pleasantly though those making the effort are surprisingly rewarded not just with an energised performance from the band but also a excellent set of songs including a very rare outing for the superb ‘Nancy Boy’. On their day Placebo can be an incredible live act and today they are at the peak of their powers which re-energises the previously zombified crowd.

It’s then time for night two of Metallica’s no repeat weekend. There are some great choice cuts in the set tonight such as a tour debut for ‘Whiplash’ plus ‘Until It Sleeps’, ‘Wherever I May Roam’ and Thin Lizzy cover ‘Whiskey in the Jar’! The finale of ‘One’ and ‘Enter Sandman’ ensures that the hits are accounted for as well as Metallica deliver another slick and graceful set.


The final day feels like a step too far, most definitely compounded by the unrelenting heat, but once again when lost in the music all those issues somehow disappear – the power of music!

Bloodywood start the day off with an engaging performance on the Apex stage, before our recent Podcast guests Blind Channel deliver on their promise to bring the energy to Download. The sight of many metalheads singing along to a rendition of Anastacia’s ‘Left Outside Alone’ is a real sight to behold and set closer ‘Dark Side’ has everybody with their middle finger in the air.

Lorna Shore then suffer again from a lack of enthusiasm from the crowd and their sound getting swallowed up by the enormous space. Joey Valence & Brae though have neither issue in the Avalanche tent with a rambunctious and fun-filled slot.

As the heat and the excesses of the weekend catch up on the crowd it’s telling that for this afternoon outdoor sets like The Amity Affliction and Avatar whilst technically great feel like a struggle. Whereas tented sets from Joey Valence and Brae and the brilliant The Meffs are able to revive the crowd and thrive on their rejuvenation.

Thankfully things start to cool as clouds begin to take over the sky as we get ready for Dinosaur Pile-Up on the Opus stage. Sadly technical difficulties shorten their set to just five songs, but those five songs sound fantastic!

I Prevail have a huge slot on the main stage and make a good impression although you do again feel something is just lacking today. Not to flog a dead horse any further but it may be the low energy levels today or the enormity of the stage swallowing the heavier sound but it’s hard to truly get into their set today.

Thankfully the smaller outdoor Opus stage seems to have a lot of energy and Bad Religion are able to take advantage of that next with a typically slick run of punk rock anthems. Opening with ‘American Jesus’ the band able to hold your attention throughout before finishing with a rousing rendition of ’21st Century (Digital Boy)’.

Next up on this stage are Ghost who really should be headlining the main stage at this point. Musically and theatrically they are on another level and you have a sense of the Bring Me The Horizons about then. Hopefully Download Festival will strike while the iron is hot because everything about their performance today is perfect.

Ghost are so good that you also feel it unnecessary to watch Slipknot, but as soon as the band hit the stage you are glad that you stayed. The history between the band and festival is huge and it’s great that they are one of the few acts that seem to properly acknowledge that this weekend.

A standard (which is great) Slipknot set follows with some sentimental set choices and an enthralling stage show. It’s really fitting for Slipknot to close out what has been an intense weekend of celebration.

Download Festival
📸 Live Nation UK PR

The busiest and longest ever Download Festival will last long in the memory for reasons both good and bad. As we said at the start, this festival is a true monster now and has enough dedicated customers to ensure that it will never go down as its predecessor did. It has however become rather soulless and corporate and it feels like the identity it created over the first decade or so could be lost.

Hopefully the event will use this success to both maintain its heritage but also to now really push for the future headliners and top acts to come through. So, congratulations Download on twenty phenomenal years, and here’s to many many more to come!

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