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Live Reviews

2000trees Festival

Upcote Farm, Cheltenham

8-11 July 2026

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2000trees 2026 review
📷GARETH BULL

Those that know, know. 2000trees Festival has gained a special place in the hearts of regular attendees and once again we headed to Upcote Farm near Cheltenham for four days of glorious musical goodness.

Last year, a heatwave tempered the enjoyment for many, but the qualities of the event still shone through. That’s ok though because that couldn’t happen again this year… could it?

The slow build of worry, fear and acceptance was tangible on social media as the forecasts solidified and we all understood that the festival would for the second consecutive year be dubbed by many as 2000degrees!

WEDNESDAY

The Wednesday of 2000trees may just be the best day of the year every year. With early attendees getting the chance to soak up intimate performances in the Word tent and on the iconic Forest Stage.

📷JEZ PENNINGTON

Setting up camp during a heatwave isn’t our idea of fun but that’s ok because we know we won’t be spending long in our tent! Indeed, we take the opportunity to get straight into the woods as Split Dogs get the prestige of kicking off the 2026 edition of 2000trees with a raucous set.

Music lovers are spoilt at this fabulous festival, and it’s been said before that 2000trees is a marathon and not a sprint. Dubbing ourselves Full Pelt however does push us to attempt this marathon at a sprint pace and despite the devilish heat we manage to clock up sixty-six sets across the weekend. So, strap in for our big overview!

📷GARETH BULL

This opening day often spotlights acts from previous years that are treated as returning heroes and on this day the likes of Karen Dio, SOAPBOX, BLACKGOLD, VENUS GRRRLS and Split Chain all get that classic Trees reception.

It feels like every year we find ourselves saying we didn’t see a bad set and this year follows that pattern. If you are astute enough, you’ll clock the sheer volume of artists who heap praise on the festival during their performances, and you can tell that comes from a place of love rather than the clichéd “you’re the best show of the tour” head pat.

What you therefore get is artists ensuring that their show is special. Early on you again sense this from Love Rarely, Bruise Control and especially the energetic Hyphen whose set is one of the rowdiest of the weekend.

📷GARETH BULL

As the evening sets in, more and more early attendees join in the fun and each set lives up to the hype. SPRINTS who took home our Album of the Year award last year bring ‘All That Is Over’ to the beautiful Forest setting and it feels like a match made in heaven. Equally, the platform given to Lake Malice who headline the Word tent is seized with both hands by a passionate band who have fans spilling out the tent.

📷JEZ PENNINGTON

2000trees sets itself apart from other events in various ways but the willingness to repeat bands across the weekend is a big one. The Dirty Nil and today’s headline band PUP will both appear again this weekend, so what we get on night one are unique performances that ensure fans are kept on their toes.

The Dirty Nil opt for a set purely consisting of covers which starts with Metallica, Cheap Trick and The Police and concludes with Nirvana, AC/DC and Thin Lizzy! PUP on the other hand choose tonight to deliver their album, ‘The Dream Is Over’ in full, which results in many a lost voice amongst the audience.

📷GARETH BULL
THURSDAY

It’s often said that the atmosphere is what makes the event affectionately dubbed Trees so special. We should know. We’ve said it. Often. It’s sounds corny or even contrived but it really does feel like one big family.

Part of this is the dedicated audience getting to track the progress of bands that they discover at the festival in smaller slots as they rise through the ranks. Buds. are an example of this as they open the main stage on Thursday. Party bags are issued to attendees and its all very small family gathering like despite being the main stage of a well-established medium sized festival.

This is again something that many artists touch upon from their vantage point on stage. Like Goldilocks herself is assessing the scale of the event – it isn’t too big, it isn’t too small, it’s just right!

The festival doesn’t change for changes sake. What works, works well and you’ll find a lot of food vendors and stalls in the same spots year on year. Shout out to Happy Bangers whose simple yet effective hotdogs have provided Full Pelt with our daily brunch every day for as long as the memory serves.

One change this year is the evolution of the Neu Stage into the Marshall Stage. The legendary amplifier brand has been supporting the festival for a number of years but step things up a notch this year with a refurbished stage and interactive installations including artist led screen printing and more.

📷MAC PRAED

This sun-soaked Thursday we catch impressive sets in this tent from newcomer Ashaine White and two Full Pelt favourites Youth Killed It and snake eyes. Marshall don’t just make amps, they back talent and across the weekend this stage welcomes some of the best on offer.

Thursday does find us darting between the different stages a lot but at 2000trees if you are that way inclined then you absolutely can. The Axiom treats us to Tooth and Coach Party and The Cave allows us to catch two acts with big momentum behind them Bleech 9:3 and the incomparable Delilah Bon.

📷Magda Campagne

This year more than ever, it’s a blessing that most stages are good sized tents. We endure the unrelenting sunshine on the main stage however for an engaging Melanie Baker, a blistering Saint Agnes, a good time guaranteed Mariachi El Bronx and perhaps the most puzzling set of the weekend for us from The Skinner Brothers. No longer generic indie guitar wannabees, now perhaps looking to cash in on the popularity of masked rockers. Quite the transformation and one that might take a little while for us to get our heads around.

Thankfully we get to seek some shelter from the sun back in the Forest today also with a delightful run of young upstarts DeadWax, the ferocious Native James and another of our favourites The Virginmarys. The duo are in top form and deliver a superbly crafted set that gives the fans what they want but ensures that stunning new album, ‘The House Beyond the Fires’, remains very much in the limelight.

📷MAC PRAED

Now, it wasn’t just the weather warnings that gave fans and organisers a shock ahead of the event this year. Alkaline Trio had been set to headline tonight as part of a European tour however just six days before the event the Trio had to pull their dates for health reasons (get well soon Matt!).

This presented an enormous challenge for organisers but one that they were able to overcome, no doubt helped by the goodwill the festival has earned. Step up Don Broco on six days’ notice to again top the bill.

📷CARLA MUNDY

With a fresh album in the bag, the band are able to deliver something different to their previous headlining slot whilst ensuring that their undeniable energy producing machine is still turned to the maximum.

The band have bangers for the days and new tracks like ‘Nightmare Tripping’ and ‘True Believers’ are already in that terrain. Fair play to the band for stepping in, stepping up and ensuring that Thursday night is party night at 2000trees 2026!

Of course, another special feature of 2000trees is what happens once the main stages conclude. There is still plenty to do into the early hours such as the legendary silent disco, special live sets in the forest using that technology or the campsite busking stages.

Thursday night we head to Camp Turner (one of many named camps that helps build that special atmosphere at Trees) to again catch Ashaine White who delivers a beautiful acoustic set that delights those lucky enough to be nearby.

FRIDAY

Somehow, we are now halfway through the festival and Friday is set to be a hot one in every sense. The temperature rises and the talent on offer just continues to soar. We begin our day with (deep breath), IOTA, Prodigal, Guillotine, Bratakus, Grandmas House, God Complex and Knives who again all clearly understand the task.

A funny moment makes us smile during Knives as a big cheer occurs when a small cloud dares cover the sun. Only for it to quickly disappear after only the briefest respite, much to the chagrin of attendees.

📷GARETH BULL

Despite the continued unrelenting heat, we head back to the main stage for Higher Power and House of Protection (complete with Jordan Fish cameo) who both manage to eek energy reserves from the crowd with fun sets.

📷JEZ PENNINGTON

Call Me Amour then pick up on this challenge in the Marshall tent and won’t take lethargy standing still. The band pull out all stops to engage the crowd who duly oblige and ensure the set is one of the best of the weekend.

The Scratch, Free Throw and Militarie Gun all then follow back-to-back and evoke varying emotions but all in a good way. It’s then the home straight for the day as a much-changed Mallory Knox return with a set of crowd-pleasers and Sunny Day Real Estate offer a rare UK appearance.

📷GARETH BULL

We then rush over to the Axiom for the return of Arcane Roots after eight years away. A true Trees band, the tent is packed as the Trees family look to welcome back one of their own. The atmospheric assault that is Arcane Roots sounds even bigger than ever and the crowd eat up every big riff and every soaring chorus. Some sets you just know will live forever in the memory and this was one of those.

How then do you close out this eclectic day of musical delights? A big old nostalgia session with Funeral For A Friend of course. A band with renewed vigour thanks to the addition of Lucas Woodland on vocals, the likes of ‘All The Rage’, ‘Rookie of the Year’, ‘Bullet Theory’ and ‘Juneau’ all do exactly what you’d want for the big penultimate night romp. We even get a surprise appearance from tomorrow nights headliner Ben Barlow.

📷MAC PRAED
SATURDAY

Somehow, it’s already the final day of the festival. Time simply flies when on the farm and this year has been no different despite the heat (have we mentioned yet that it was quite hot?).

A somewhat chilled-out morning catching sets from Ain’t, Peach, Luxury Apartments and Lakes is punctuated by two fun sets on the main stage. First another of these bands that have worked their way up the bill each year, as CARSICK make their main stage debut with a typically brash performance. Then the madcap Aussie phenom that is Battlesnake draw a massive crowd outside to witness their unique show.

📷JEZ PENNINGTON

Bicurious, Heart Attack Man, LASTELLE and Pinkshift keep us on the move and each showcases their abilities well. Gallus then bring some Scottish charm as they give us one last trip to the Marshall tent for 2026.

The afternoon and evening however is anything but chilled as we stare down the barrel of an incredible run of favourites spread across all the other stages. First up, Mouth Culture who back up what we saw at Download. We said then that they are going to be massive and we stand by that predication based on their main stage showing today.

📷GARETH BULL

As Everything Unfolds then get The Axiom moving with a set of stirring tracks including ‘Ultraviolet’ and ‘On The Inside’; and Marmozets give us a strong contender for set of the weekend on main stage. The band are still weird and wonderful and ‘Captivate You’ provides us with one of those glorious moments when you just have to take it all in and remember why you love music.

A dash back to the Forest comes next for the always brilliant A who showcase their fantastic new album, ‘PRANG’, in amongst fan favourites such as ‘Nothing’ which includes a guest appearance from The Blackout’s Sean Smith.

📷CARLA MUNDY

The XCERTS may be the Trees band. In fact, I don’t think 2000trees can legally occur without the band being represented in some way. This year they hit The Cave and perform their newly released album, ‘i think i want to go home now.’, in full. The performance is so remarkable that singer Murray Macleod is moved to tears and the audience deliver an emotional ovation. A beautiful moment from a beautiful band at this beautiful festival.

How do you top that? Dinosaur Pile-Up at the peak of their powers of course! Complete with an actual dinosaur pile-up in the crowd, and a final run of ‘Sick of Being Down’, ’11:11’, ‘Thrash Metal Cassette’, ‘Big Dogs’ and ‘Back Foot’, which quite frankly should be illegal as it’s unfair for other bands!

📷CARLA MUNDY

But oh, this magnificent final run of bands isn’t over yet and we still have a big pop-punk party to enjoy with Neck Deep. The band begin their set with ‘Can’t Kick Up the Roots’ and the don’t relent for the next hour as they ensure that the festival gets the finale it deserves.

📷GARETH BULL

That however isn’t the end of the night. There is a big football match happening which has been the talk of the town and the festival erect a big screen to let fans see the second half of the game.

As another reminder that there’s always something happening at Trees however, we quickly jolt to the Word tent to catch a comedy set from the brutally hilarious Jamali Maddix! We return just in time to see extra time and an historic England victory!

The celebration that ensues then morphs into the final night silent disco and if anybody has anything left then they see 2000trees 2026 off in style.

Having first attended 2000trees ten years ago it has been a pleasure seeing this festival grow. It’s been an organic evolution and despite its growth the event has stayed true to the foundations that it is built upon.

Next year will be the 20th anniversary of the festival and no doubt will see heightened attention coming its way. The question may then be how can the festival ensures that it retains its unique charm when the secret continually is getting out?

But that’s a question for later. Right now though, let’s just bask in the glory of another successful year for the best festival in the UK!

📷MAC PRAED

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Full Pelt Magazine

Vol. 128

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Album Reviews

Don Broco

‘Nightmare Tripping’

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DON BROCO – NIGHTMARE TRIPPING – ALBUM REVIEW

Nobody can accuse Bedford’s Don Broco of being overnight sensations. Their steady rise began with the release of their debut album fourteen years ago, but following another huge arena tour and prominent festival appearances, nobody can disagree that their stock has never been higher.

Each of their previous four albums has brought about another sonic push and an attached hype increase. The pre-release singles for their fifth effort, ‘Nightmare Tripping’, have again generated much anticipation for the record as a whole and now it’s time for fans to dive in!

Two of those singles, ‘Cellophane’ and ‘Disappear’ kickstart the eleven track album and introduce what is another evolution of their sound. This album is the heaviest of their career so far and is very inline with the on-trend renaissance of nu-metal stylings.

The band have always had their fingers on the pulse and have often been ahead of the curve, so this probably shouldn’t be a surprise. There are obvious influences on this album with a modern Bring Me The Horizon aura blending with a droning Deftones aesthetic to good effect.

WATCH THE VIDEO FOR ‘NIGHTMARE TRIPPING’
Don Broco – ‘Nightmare Tripping’

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This is an album that compared to its predecessor, ‘Amazing Things’, is lacking in standout singles but instead is more of a complete package. This is in contrast to the way bands tend to move as their careers deepen, but if you need a big single then the title-track has you covered!

‘Nightmare Tripping’ as a song is simply Don Broco’s signature sound on steroids with Nickelback of all people pushing them to embrace their maniacal side. It’s up there with the best the band have produced, even if the album doesn’t quite pull off the same.

‘True Believers’, featuring Sam Carter of Architects, is another memorable moment, but this is an album that is greater than the sum of its parts. Fans will enjoy exploring this side of the band in greater depth whilst retaining much needed familiarity.

With much of the old guard retiring, the next wave of festival headliners is needed and what this album does for Don Broco is give them more bangers for the setlist but also demonstrates that there is more to them than just catchy singles.

The deeper the band head into their career, the more weight they add to the argument that they got next!

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Vol. 127

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Vol. 122

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Vol. 101

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Live Reviews

Download Festival

Donington Park

13-15 June 2025

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DOWNLOAD FESTIVAL 2025 – the big review

After a washout of a year last year, those making the annual pilgrimage to Donington Park this year were checking the weather forecasts regularly. Would it be scorching? Would there be storms? Rain? Snow? The forecasters had us prepared for anything this weekend.

As always though as we enter the hallowed grounds of Download Festival, we are prepared to rock! For over twenty years now this monster event has welcomed the best of the alternative scene for a weekend of revelry and kickass music and 2025 on paper looks no different.

The arena itself though does look a little different. The now standard layout remains the same, but everyone is quick to notice and appreciate the upgrades in toilets and a few other little touches such as a screen outside the Avalanche Stage and the new fancy video totems on the main stage.

FRIDAY

The weather on Friday is hot, hot, hot… so it’s nice to start our weekend off in a tent! Karen Dio is a bundle of energy as she opens proceedings on the Avalanche Stage. The early crowd enjoy every moment of her short but sweet set and Download Festival 2025 is a go!

The line-up across the Avalanche Stage this week is great and features some of the best young bands on the scene. One of the most exciting is next as unpeople bring the riffs and the audience bring the party as we get into full swing today.

After a quick sojourn over to the main stage where CKY bring back memories of Tony Hawk games and teenage tomfoolery. The current line-up continues to defy the odds and as the sun beats down, they get the vocal cords of another crowded year warmed up.

There’s plenty of singing to be done next as we return to the Avalanche tent for Scottish breakouts Dead Pony. The likes of ‘MK Nothing’, ‘RAINBOWS’ and ‘MANA’ have the crowd repeating every word and the band can leave the stage knowing that they’ve smashed their opportunity.

Speaking of smashing opportunities and it’s back to the main stage for Boston Manor. Wow. The boys from Blackpool read the assignment and they understood every word. With a busy crowd, the sun shining and the beers flowing, Boston Manor deliver the biggest set of the entire weekend.

Every one of the nine tracks is delivered with passion and energy and the audience give the band everything that they have. This is just goosebump inducingly good. This set is one of those moments that you have to stand back and take in. It’s one of those moments in which a band solidifies their future and ensures that when they return, they will be playing even higher up the bill!

The run now on the main stage will become the stuff of legend and Rise Against are next up. A band who can be a little hit or miss, especially with their festival sets are fully on top of their game today. Blasting out the likes of ‘Prayer of the Refugee’, ‘Satellite’ and closer ‘Savior’, they all sound huge today and Friday is setting a tough measure to follow.

A quick trip for Trophy Eyes on the Avalanche Stage shows that the tent is still in full swing before it’s time for Jimmy Eat World to make their return to Download. Bringing in the likes of ‘My Best Theory’ and ‘Get It Faster’ helps their set to flow and of course ‘The Middle’ presents one of the biggest moments of the festival.

The nostalgic feel continues next with the ever-delightful Weezer bringing hits such as ‘Hash Pipe’, ‘Beverly Hills’ and ‘Buddy Holly’ to the main stage crowd. A Download appearance is a long overdue thing for the band and their first time didn’t disappoint.

Download Festival debuts is the Friday night theme and we can’t help but check out McFly in the Avalanche tent next. The crowd is expectedly large, if considerably smaller than Busted last year. McFly mix some snippets of rock classics amongst their own hit songs and those gathered have a whale of a time.

The biggest and longest overdue Download Festival debut however is reserved for our Friday night headliners Green Day. There is a real sense of occasion as the band hit the stage, and you feel that this is a true moment in time for the festival.

When a band can begin a performance with a run of ‘American Idiot’, ‘Holiday’, ‘Know Your Enemy’ and ‘Boulevard of Broken Dreams’ and make a two-hour set go by in a flash then you know that they are special.

It’s not often rain is welcomed at Donington but perhaps the moment of the festival is the shower that begins with precision just as Billie Joe sings the line “…Here comes the rain again…” during ‘Wake Me Up When September Ends’!

Green Day’s ability to make a packed field feel like a small venue is a gift and tonight they simply make headlining a major festival look easy. As the fireworks and ‘Good Riddance (Time of Your Life)’ close out a fantastic day, we can’t wait to do it all again tomorrow!

SATURDAY

Friday felt big and by comparison Saturday feels a little more subdued. We have a much talked about headline set to come and there are still some exciting acts spread across the stages however.

After a mysterious gap on the Opus stage results in nothing, we start our day as Static Dress continue their ascent up the line-up by opening the main stage. They do their best to wake up a clearly hungover early crowd and can leave knowing they didn’t fluff their lines.

BEX is fully prepared to win over a docile pre-midday audience in the Avalanche stage and brings her infectious energy and a couple of “Big BEX” colleagues to get the crowd engaged. Her short set is a resounding success, and the future looks very bright for an act Full Pelt have highlighted since the beginning.

Two more such exciting young acts, VENUS GRRRLS and Split Chain sandwich some hardcore icons on the main stage. Hatebreed cause chaos with their brutal set, but it’s both the two younger acts that really show themselves as ready to step up next.

Another set that will stand the test of time and prove to be a defining career milestone is that of Poppy on the main stage. The sort of act that old school Download Festival attendees would’ve bottled relentlessly, Poppy is incredible this afternoon. Even the most hardened sceptics in the audience appear to be won over by a superb set.

AWOLNATION are our next stop off over on the Opus stage and they lean heavily on their breakthrough record, ‘Megalithic Symphony’ much to the delight of the crowd. ‘Sail’ naturally provides another one of those big moments.

Teen Mortgage are good fun in the Dogtooth tent before we catch the beginning of Smash Into Pieces on the Avalanche stage. They say dress for the job that you want and not the one you have – well Smash Into Pieces bring a show ready for the main stage and the crowd love it today.

For a number of years fans have clamoured for Don Broco to be given a logo spot on the main stage. Those fans knew that the band could own such a slot and to nobody’s surprise that’s exactly what the band do. In a similar vein to Boston Manor yesterday, the band know what they need to do today, and they simply smash it.

Shinedown next are given a big opportunity to step up to sub-headline the main stage. We remember first seeing them low down the bill in 2009 and since then they’ve worked their way up the line-up. With a performance and show like they deliver today, you wouldn’t put it past them one day topping the whole thing!

A unique experience is on offer next as festival favourite Frank Carter is back. Not with his Rattlesnakes however, nor one of his other past bands but instead with the legendary Sex Pistols! Present day John Lydon may not endorse this collaboration but a rammed full Opus stage at Download Festival most certainly does.

Speaking of unique experience, a different sort of experience is next as Sleep Token act as a beacon for all young acts that says that headlining is not unattainable. The rise or even explosion of Sleep Token is a refreshing phenomenon and the volume of their t-shirts on parade this weekend show that they deserve this shot.

They are however something of a marmite band and those that love them, really love them and if you don’t “get it” then you actively seek to tear them down. Their set this weekend will only split the crowd even more.

What it is not is the statement that Bring Me The Horizon delivered. It’s also not one of the instantly forgettable sets that have topped the bill. Musically and stylistically the band are captivating. However, those very aesthetics and the whole no audience engagement element of their mystique also make the performance quite inaccessible to those not already clued in.

It’s a shame that the performance doesn’t win universal acclaim because in some ways it needed to. The reality is though that this festival needed to evolve and bring in fresh blood and the fact that Sleep Token were given this chance and they didn’t completely fumble the ball must be seen as a win for the future.

SUNDAY

The heat and the mammoth scale of the festival looks to be taking it’s toll on the audience and the arena is relatively quiet as Sunday gets underway with the mesmerizing Harpy in the Avalanche tent.

After a downpour during Sex Pistols last night, the rain is still lingering this morning which may also mean some stick to the comfort of their tents to sleep off lasts nights fun. Orbit Culture and Archers both bring a crisp brutality to the morning air and do their best to blow away the Sunday morning cobwebs.

Before we get back into our musical entertainment, let’s shout out the food and drink offerings with the new dedicated bars and areas continuing to provide individual feels to the arena. The Guinness bar is a favourite for us and we are won over by Supermac’s who we hope will be back again next year!

Right, back to the music and we are back at the Opus stage for an always visceral Nothing More. The group only have limited time but they undoubtedly make the most of it with the likes of ‘If It Doesn’t Hurt’ showing their ability to enthral and entertain.

The afternoon phase of Sunday is then something of a mixed bag with Vower making the most of their Dogtooth slot, Jinjer doing a good but perhaps slightly underwhelming turn on the main stage, Alien Ant Farm and Jerry Cantrell both delivering alright sets that perhaps dip due to understandable lethargy from the crowd, and a superb House of Protection statement set.

As we head into the final run of bands for the weekend Spiritbox do what they need to do in their big main stage spot and Airbourne do what Airbourne do over on the Opus stage. Neither set will likely prove that memorable, but both are a good time.

The heat this weekend whilst not quite at 2023 levels is certainly a factor in Sunday feeling quite sluggish. Many fans seem exhausted and the bands on offer whilst technically sound lack the ability to grab these fans by the collar and drag them from their stupor – case in point the very good Unprocessed who play to a rather tepid gathering in the Dogtooth tent.

It takes a firm festival favourite like Bullet For My Valentine to get momentum building again and the fans are treated to another run through of their seminal album, ‘The Poison’. Frontman Matt Tuck has never made any bones about his desire to headline, and he makes another bold proclamation at the end of their set. Up until recently you’d have probably laughed this suggestion off but with the band regaining their own momentum and the festival in a new era it’s entirely possible.

Another Welsh group reclaiming their past glories is Kids In Glass Houses and we catch them closing out the fantastic Avalanche stage for the weekend with a crowd-pleasing set.

Then there was one left. Closing out the entire festival are the band that Bullet will be hoping to emulate – Korn. A prime example of a band who lost out when Monsters of Rock died. If a Donington event had existing when Korn were at their peak, then perhaps they would’ve topped the bill before now but at last in 2025 it’s happening!

It seems that every single person at the festival wants to see the band take their opportunity with both hands and that love from the audience erupts as the opening echoes of ‘Blind’ ring around the arena.

A simplistic but effective production means that the band let their songs speak for themselves and as they blast out ‘Here to Stay’, ‘Got the Life’, ‘Clown’ and ‘Did My Time’, the band and audience find themselves in a combined state of euphoria.

A splendid outing for rarity ‘Twisted Transistor’ is a highlight but by the time they bring everything home with ‘Freak on a Leash’ the band have solidified themselves as bonified headliners at a festival that they are synonymous with.

There is perhaps no better way to finish the weekend and close the chapter on another Download Festival. This year’s will last long in the memory and is up there with the best. For the diehard attendees, Download Festival is their diary marker that they plan their year around. So the question now turns to who will make their mark next year?

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Live Reviews

2000trees

Upcote Farm

10th-13th July 2024

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2000trees 2024 – festival review
📸Jez Pennington

To be established means “having existed or done something for a long time and therefore recognized and generally accepted”. The 2000trees name means something, to fans it means an unrivalled weekend of thrills in a chilled environment, and to musicians it’s a proving ground, a platform for new artists to shine, but also a place to reinvent yourself or test new waters in a safe place. Trees is established as a trusted sanctum for all music lovers, everyone is welcome and good times are guaranteed.

Those who have chosen to arrive at Upcote Farm near Cheltenham early are treated to what is actually becoming the highlight of the event – a special evening in the trees. Yes, Wednesdays belong to the magical Forest stage and this year the line-up is incredible. A mixture of new acts and returning heroes, the bill reflects perfectly what this festival is all about.

WEDNESDAY

With the forest stage alternating with the tiny Word stage today there is plenty of music on offer. At the Word stage alone we are able to catch great sets from KITE THIEF, CARSICK, Enola Gay and Frozemode.

📸 Carla Mundy

But truly it’s within the woods that this festival reaches mythical status. To see a band like Exit Child able to enthral the earliest of attendees with their impassioned grunge, and then have the always uplifting PET NEEDS orchestrate an excitable crowd through a joyous tone setting show before Lambrini Girls galvanise the masses into a united movement all in the space of the first couple of hours just emphasises the beauty of 2000trees.

The audience are all in this together, they believe and demonstrate the ethos of kindness and acceptance which is what makes the event so welcoming.

📸 Carla Mundy

The first of two outstanding Dead Pony sets this weekend soon leads us into the business end of night one. 2000trees royalty The Xcerts understand the assignment and pull out a memorable run through of their third album, ‘There Is Only You’ to celebrate the records 10th anniversary, which is eaten up by the crowd.

It’s around this time that the looming shadow of England vs Netherlands in the Euros takes over the festival. Despite initial reluctance to show the match out of respect to the bands, organisers end up screening the game over at The Axiom. Most impacted are Dream State, who lean into the prospect by showing the football on a TV on the stage, donning football shirts and providing fans with a goal and balls to play with as they belt out the likes of ‘White Lies’ and ‘Chin Up Princess’.

Thankfully Ollie Watkins saves us from the drama of extra time which means that headliners Boston Manor get the full attention of the crowd. Another band performing twice this weekend, they use this set to play early favourites ‘Burn You Up’, ‘Lead Feet’ and ‘Laika’ in a set which is an early contender for set of the weekend.

📸 Jez Pennington

Even when the main entertainment stops however 2000trees is best known for it’s late night activities. A legendary silent disco attracts the majority, but we head next into the camps and one of the busking stages at Camp Turner. There we catch acoustic sets from InMe frontman Dave McPherson and those scamps in PET NEEDS who manage to get mosh pits and crowd surfers in the campsite!

THURSDAY
📸 Carla Mundy

Whether in the general campsite, the family area or the VIP section, fans wake up the next morning to the relief of warm weather! It’s rained persistently in the days leading up to the event, but the ground has held up well. The music is in full flow again from half past ten as relative locals Blank Atlas deliver a great little set on the Neu stage.

The diverse and social conscious line-up at 2000trees builds on the welcoming atmosphere and Thursday morning sees the likes of The Menstrual Cramps, Cherym, Shooting Daggers and The Oozes engaging their passionate crowds.

The structuring of the stages and times means that if you’re that way inclined you can catch non-stop music from early morning until the wee early hours. Us being somewhat inclined to support new music we dash around witnessing more superb performances from Meryl Streek, Dead Pony (again) and Enola Gay (again!).

📸 Jez Pennington

We then head back into the Forest where throughout the main days of the festival you can still see a mix of full band shows, acoustic sets and other unique offerings. We are here however for the always enjoyable Sean McGowan who plays a short sharp set of fan favourites.

2000trees is often at its finest on the smaller stages, but the main stage delivers one of the best barometers for the success of acts. Cassyette is next to grace this stage and showcase why she is steadily moving up bills such as this. A thoroughly captivating blitz of energy, you’d imagine Cassyette will be back soon in an even more prominent position.

📸 Joe Singh

It’s over at the Axiom soon thereafter that one of those magical moments is taking place with Spanish Love Songs attracting a crowd funnelling out of the confines of the large tent. That’s before Kids In Glass Houses then continue their triumphant return back on the main stage, with both bands eliciting some of those beautiful sing-a-long festival moments.

As do Boston Manor as they again prove themselves to be one of the bands of the weekend and an act ready for superstardom as they pack out the Axiom for their second set of the weekend. Manchester Orchestra deliver a charming performance next on the main stage, but clearly many of the uninitiated in the crowd are left a little underwhelmed.

We then finish day two with The Pale White in the Neu tent and The Gaslight Anthem on the main stage. Both bands allow their music to do the talking as they bring the first full day to a close. The Gaslight Anthem in particular are something of a dream booking for the festival, and they don’t disappoint.

📸 Joe Singh
FRIDAY

The festival is in full flow now, with the weather slightly cooler come Friday, fans are ready for another busy day. It’s up to the brilliant BEX to wake the campers up, which she does to great effect with the likes of ‘Fight’ and ‘sunDae’.

📸 Gareth Bull

If you want to watch as much music as possible, you need stamina or an easy to navigate site layout, and as we catch great sets from Mouth Culture, Sløtface and Problem Patterns, we’re very grateful for the simple site layout!

VIP ticket holders at 2000trees have their own campsite, bar and viewing platform and we catch The Rumjacks main stage set from said platform next. The band are entertaining, and the platform gives a nice view of the crowd getting into the party spirit!

In fairness though that party spirit is evident throughout each day and each performance. Tropic Gold get their crowd moving in the Axiom before As December Falls solidify their reputation as a live act over on the main stage. It’s great to see even smaller acts like Other Half in the Neu tent are given the same energy they produce from a crowd not showing any signs of fatigue.

The standard of performance across the weekend is high, with no set standing out as particularly bad. Perhaps that’s because we chose correctly when looking at those dreaded clashes, but you feel that the bands take 2000trees seriously. They know the rewards of a top tier show and they put in the effort that the crowd demands.

📸 Carla Mundy

Two standout performances transpire next however as first unpeople in the Cave tent and then Nova Twins on the main stage put in epically memorable performances. unpeople come from the ashes of Press To MECO and the power of the riff remains at full strength as they get the crowd fully locked in. Equally Nova Twins ooze star power as they take ownership of the main stage crowd. If you had to pencil in a band as a potential future headliner then either of these would be good bets!

📸 Carla Mundy

Bears In Trees represent a change in pace as their pop sensibilities feel like a refreshing change of pace next in the Axiom tent. Clearly the audience feel the same and many comment on their way out how impressed they were with another band with a huge upside.

📸 Jez Pennington

The undercurrent of 2000trees has always been young British rock acts, but the organisers do sprinkle the line-up with some international flair such as headliners The Gaslight Anthem and The Chats. Up next though is grandson on the main stage who brings an element of star power himself. Many in the audience are here to see what the fuss is about, and grandson delivers a good showing which has generally positive results, albeit with a few unimpressed faces remaining.

📸 Joe Singh

The festival gets a rebrand next as Bob Vylan return for consecutive years with a sub-headline spot on the main stage. The duo rename the festival Vylanfest and state that they’ll be back next year to headline. Truth be told, they probably could’ve done so this year as the crowd take their antics to another level.

A mixture of new tracks from recent album, ‘Humble As The Sun’ and favourites such as ‘We Live Here’ and ‘Pretty Songs’ make up a thoroughly enjoyable time. Bob Vylan are one of the best live acts in the UK at present and we’d certainly put money on them following through on their headline promise!

We finish out our Friday with Hot Milk headlining the Axiom and Empire State Bastard headlining the Cave. Hot Milk have just returned from playing stadiums across the world and make a clear effort to make their headline slot special. Again, you’d be happy seeing their performance close the main stage.

Empire State Bastard on the other hand have no bells and whistles, the group fronted by Biffy Clyro’s Simon Neil and powered from behind the drum kit by Dave Lombardo destroy the Cave, causing a sonic onslaught that can only be described as magnificent. A different way to end our night compared to The Gaslight Anthem and Don Broco who will close the event, but that’s what makes 2000trees so special.

📸 Joe Singh
SATURDAY

Campers awaken on the final day to the pitter patter of rain on their tents, and the threat of the damp stuff maintains throughout a chillier day, however thankfully the heavens never fully open.

Split Chain are our first watch today and the band who are popping up a lot lately showcase a grunge/nu-metal crossover which explains why they are a good option for an opening act. The Meffs then blow off any cobwebs on the main stage with a blistering set of punk rockers, before the poppier angst of snake eyes thrills the Axiom crowd.

📸Abbi Draper

We then head into the Forest for one last time this year. Firstly, to catch the newly formed Interlaker featuring David Jakes of Lonely the Brave and Jack Wrench of Arcane Roots. The Forest is full as knowledgeable music fans catch a glimpse of this new project. Although only a short glimpse, what is seen is more than enough to whet the appetite for what’s to come!

Next Frank Turner takes part in a live podcast Q&A and acoustic set with the Mark and Me Podcast. Moments like this are more proof of what makes 2000trees different from your standard festival.

📸 Gareth Bull

It’s then a bit of a dash to the main stage for a second The Xcerts performance of the weekend, this time more of a standard hits affair including a surprise cameo from Josh Franceschi of You Me At Six – just one of a few special guests on show this weekend.

The Nightmares in the Neu tent and The Mysterines on the main stage then both make the most of their short times on stage before we catch House of Women and Cleopatrick on the same stages although from afar as we gather any remaining stamina for the incredible run of music set to follow.

We close out our weekend with Frank Turner bringing a headline worthy show to the main stage with new album, ‘Undefeated’, standing tall alongside favourites such as ‘I Still Believe’ and ‘Four Simple Words’.

📸 Gareth Bull

Creeper are then immediately ready to deliver their own headline performance in the Axiom tent. The crowd starting off up to fifteen deep outside of the confines of the tent! What Creeper then proceed to do is simply outstanding. For a band to use their headline set to open with a ten-minute rock opera and to then play almost exclusively all new material is quite incredible. Any other band would be murdered, but not Creeper.

No, the packed tent love every single moment of the set and the time simply flies by with highlights like ‘Sacred Blasphemy’ and ‘Misery’ eliciting some of those mass sing-a-long moments. A finale of ‘Cry To Heaven’ is truly awe-inspiring and again, if we are tagging bands for future main stage headline slots, then surely Creeper must be labelled as oven-ready!

📸 Jez Pennington

The big finale for us this year is a Don Broco currently out of the limelight writing their next record. Coming out of hibernation for this show, they deliver a tailor made headline performance which is up there with the best the festival will have ever seen. The band bring some of those bells and whistles but it’s their party anthems that do the talking this evening.

Over the three nights we’ve seen three completely different headline shows, and upwards of sixty acts giving it everything on stage. Some rest will now be required but with that said, you still don’t feel like you’ve been in a battle, which big festivals can sometimes become. That again is a testament to the magic of 2000trees.

Much is said of the atmosphere here (including by us in this review!), but the number of bands saying it’s their favourite festival is telling. That’s because most fans are here for the music. You can see this with the packed tents before midday and those still seeking live music gone midnight. It’s as much the people that establish 2000trees as what it is than anything else, and long may it continue to be the best festival in the UK!

📸 Jez Pennington

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Magazine

Full Pelt Magazine

Vol. 35

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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!

Volume 35 features our cover star Frank Turner as announces show 3000 and shares his 10th studio album, ‘Undefeated’. Plus we review the new releases from Emily Barker, P.O.D., Dea Matrona, The Exact Opposite, DAYTIME TV and EEVAH.

Our News Report has all the latest music news including live announcements from Frank TurnerDavid Gilmour, Massive Wagons, The Lemon Twigs, Alien Ant Farm, LostAlone, Levellers, Don Broco and Myles Kennedy.

Plus all the best new releases including P.O.D., Robert Jon & The Wreck, Black Country Communion, Fire From The Gods, The Lovely Eggs, Mannequin Death Squad, FM, Blossoms, Jaret Ray Reddick, SAFIRE, Yours Truly, Hamish Hawk, Mt. Onsra, VOWER, Our Hollow, Our Home, Heriot, Lizzy Farrall, Raven Numan, Soft Play and Richie Kotzen!

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including SHADE UK, HRTLSS, Sleep Theory, Peter Bibby, The Fever Kings and Caroline Romano!

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