Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the seventh issue now for free!
Volume seven includes an update from cover stars The Xcerts, reviews of Blink 182 and Funeral For A Friend live, album reviews for Creeper, REWS, Beartooth and The Dollyrots and a load more!
We have our News Report rounding up new releases from Bring Me The Horizon, Feeder, Blossoms, The Sleeping Souls, Thornhill, MOSKITO, Waterparks, Delilah Bon, South of Salem, Powerwolf, Gama Bomb, Employed To Serve, PLAIINS, Scott Stapp, END and Lord of the Lost!
Plus new live announcements from Bryan Adams, YONAKA, Stonedead Festival, Casey and Haunt the Woods.
Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the second issue now for free!
Volume two includes reviews of October Drift and Philip Seth Campbell.
We have our News Report rounding up new releases from Demob Happy, The Struts, The Rolling Stones, Dream Nails, Militarie Gun, REWS, Haunt The Woods, Scaler, The Cadillac Three, Pendulum, Wargasm, Daytime TV, HourHouse, Black Water County, The Pearl Harts, Gama Bomb, The Hyena Kill, Amongst Liars, Dead Poet Society and Death Of Me!
Plus new live announcements from Enter Shikari, Keane, The Big Moon, Wayward Sons, Of Mice & Men, Meryl Streek and BIG SPECIAL.
Welcome everyone to another edition of our weekly music News Report!
This week we begin with the best live announcements from the past week and up first are Skindred!
Coinciding with the release of their new album, ‘Smile’, the group revealed details of three new live dates set for next March. These dates are punctuated by a headline show at the historic Wembley Arena.
Regarding headlining Wembley Arena for the first time, singer Benji Webbe says: “Standing on that stage is a mark of sheer hard work.We have stood upon that stage supporting many truly great acts. Now it’s Skindred’s time to take the headline slot.You may think you’ve seen us, however this is our opportunity to rise, and to step up like never before!My Sound we come to take over and truly come to rock Wembley with a heart full of gratitude and a set full of the most rockin’ tunes that we have ever played live. Unity, love and togetherness. Let’s ‘ave it. Quadruple XL.”
This week also saw Simple Plan announce details of a new EU/UK Tour which will begin in January next year!
Support on all dates comes from Mayday Parade and State Champs.
Drummer Chuck Comeau shares, “We’re super excited to be coming back to Europe and the UK early next year! After an amazing arena tour with our good friends Sum 41 last fall and some incredible festival shows this spring, we’re thrilled to come back on our own headlining tour, playing full shows for our UK and Euro fans all over the continent.”
“It’s gonna be great to play a bunch of new songs from our latest album ‘Harder Than it Looks’ as well as all the fans’ favourites from our early records. We might even throw in a few jams we rarely play live to celebrate, as 2024 marks the 25th anniversary of the band and the 20th anniversary of our second album,‘Still Not Getting Any’!.
We’re stoked to bring our friends State Champs and Mayday Parade with us, two fantastic bands that we and our fans love! This is probably one of the strongest UK / European tour line-up we’ve ever put together and we can’t wait for it to kick off next year!”
This week saw Muncie Girls share news of their split. Thankfully the group will treat fans to one final Farewell Tour later this year!
The band shared, “After nearly 13 years, a demo CD, a demo tape, three 12” EPs, three 7” singles, a 12” split record and two albums, we’re saying goodbye to our band Muncie Girls. We started this band when we were 17 and the biggest goal we could muster up was to release a 7” single. We ended up doing more things and going to more places than we could ever have imagined. We were lucky to be from a town with such a brilliant music scene and venue, the Cavern, and I remember how it felt to travel to so many cities and discover other scenes just like ours.
The community we found ourselves a part of was so special and really became our lives. If it weren’t for the kindness of total strangers putting on shows for us, feeding us and letting us stay at their houses, we would never have been able to do any of the things that we’ve done. We were even once temporarily adopted by a family in Texas when we went to play SXSW and they baked us cherry pie and drove us to our gigs. We were taken on a tour around Australia by complete strangers who became some of our best friends. We went to Japan after some strangers offered to book us a tour and we travelled around on trains and borrowed local bands’ gear, guitars, everything. We spent most of our time touring in mainland Europe where we made friends for life, playing in squats, venues, gardens, bunkers, wherever.
I often heard stories of bands having to sleep in their vans or in parks or service stations. We always had somewhere to stay, no one ever let us sleep rough. I know we were incredibly lucky and we have our scene and our friends and fans to thank for that. We’ve relied so much on people’s kindness; I hope that we were always grateful enough.
We’ve decided to do a farewell tour and we hope that you’ll join us at a show. Muncie Girls will always be a massive part of our lives and we will each always play music, just in different projects now. Thank you everyone!”
Stockholm trio, Normandie, have today returned with, ‘Blood In The Water’, their first new music since 2021’s ‘Dark & Beautiful Secrets’ album.
Speaking of the track, frontman Philip Strand says, “Blood In The Water is about how “hurt people, hurt people”, how negativity is contagious and how it can lead people into negative spirals, where they unknowingly hurt the ones around them.”
‘Dark & Beautiful Secrets’ subject matter drew heavily from Philip’s religious childhood, as the band moves into a new era, ‘Blood In The Water’ touches on that a little and acts as the perfect bridge.
“Even though i left the church at a very young age, I was raised with the belief that every person is born with a clean slate, and then our experiences and traumas form us as people. I’ve always seen hurtful people as damaged, sad and maybe even wrongfully judged by their behaviour, rather their past. Nobody was born evil, it’s something we pick up along the way and usually comes from pain and suffering in some way.
With this song, i wanted to get into the mind of the hurtful/hurt person and try to understand their behaviours and patterns. “Love me til my heart stops, hit me like a freight truck” is one of my favourite lines. I’m positioning love as a drug, with the person’s tolerance building, leading them to seek being really blown away by their feelings, to cover the pain inside.”
Haunt The Woods have shared their new single, ‘Now Is Our Time’, which you can check out above.
The track comes from upcoming new album, ‘Ubiquity’, which is released on September 29th.
The band comment: “Written during the global lockdown, ‘Now Is Our Time’ is an angered proclamation of the struggle to sustain oneself in this modern world. Forced to sell our lives by the hour in order to survive, without security or peace of mind and without a feasible alternative.
“Now is the time for change, and the only way for change is to come together against the oppressive, archaic system we find ourselves living in.”
This week saw Delaire The Liar share new single, ‘angel number.’, which you can check out above!
The track will feature on upcoming new EP, ‘Self Defence’, which is set for release on September 1st.
Speaking on ‘Self Defence’, the band said: “In the throes of desperation, there’s no telling the lengths a person will go to preserve themselves or their loved ones. This EP presents a series of fictional scenarios to challenge the typical understanding of self defence. The usual themes surrounding the topic are present; antagonism, violence, action and reaction, but with a focus on the more drastic instances that require a less reflexive and more considered approach. Instances that require a deeper understanding of the self, emotional capacity for pain, physical capacity for punishment, moral detachment and sacrifice for the benefit of yourself or someone else. This EP explores whether there is any defence too drastic or too difficult to justify when love, pride and responsibility is involved.”
Grove Street are next up in our News Report with their latest single, ‘Ulterior Motives’, which you can of course check out above!
The single is the latest taste of their upcoming debut album, ‘The Path To Righteousness’, which is out on September 29th.
“Ulterior Motives is a song that goes through the motions of someone who is stuck in a toxic and abusive relationship with someone or something – be it a partner, friend or substance, or even a vice like gambling – and cannot find a way out. They keep getting pulled back into the situation at hand; they’re in love, addicted, and can’t see the impact of damage that’s being done to them, because they’ve got rose tinted glasses on.
The second verse changes focus from the relationship/addiction itself to how people around that person turn a blind eye to what’s going on, because it’s easier for many to just play ignorant to issues than to call it out or address it, which in turn just enables the problem to manifest further.
The outro finds the person coming to the realisation that they’re better off out of the relationship/addiction, and in order to live a better life they gotta move on.
Musically this is one of our favourite tracks on the record, I feel like it captures our sound as a whole perfectly; from the bouncy hip-hop inspired grooves in the intro that lead into the thrash feel. The outro is personally my proudest part of the record, I remember writing that and being so surprised with myself – like, where the fuck did that come from!!” – Sandy (guitars)
“The Ulterior Motives video started life as a ‘Tour Survival Guide’ skit imagined by Sully (vocals). We were spitballing ideas in the van about all the trials and tribulations we’ve faced being in a touring band, reminiscing about all the previous funny ventures we’ve experienced together. Most of these skits are based on true stories, like the time our van got clamped in Slovenia and Joe (bass), using nothing but brute force, managed to rip it off. We hope that other bands can relate to our experiences, and it’ll also give people an insight into the touring lifestyle.” – Josh (drums)
Sydney Sprague has shared new single, ‘Nobody Knows Anything’, which you can check out above.
The tracks features on new album, ‘Somebody In Hell Loves You’, which is out September 15th.
“When I started writing songs for this record during covid lockdown it felt like the movie had ended and the credits had rolled on life but we were all still here for some reason,” explains Sydney going into the process of recording the new album.
“Everything was just floating in this void and because of that I felt like I had all the time in the world to just do whatever I wanted. It was weirdly the freest I’ve ever felt. Writing became a way to entertain myself and make myself laugh instead of a way to wallow. I spent a lot of time reflecting on the past and the people around me and processing things I’d never been able to. I was able to be more honest than I’d ever been in my songs. The fact that I’m able to share them now feels a little scary because when I was writing them they were really just for me, but I hope they can bring people the same sense of escape that they brought me.”
Attic Theory premiere ‘Papier-Mâché’ featuring Kevin Martin of Candlebox ahead of highly anticipated debut album ‘What We Fear The Most’.
Vocalist Lewis Wright says, “The ‘Papier-Mâché’ lyrics are about hiding your true self underneath a thin layered metaphorical mask because you have been convinced, by someone you used to be close to, that you are not behaving how they believe you should and the only remedy is for you to be strongly medicated and to suppress the feelings they don’t agree with. The message I wanted to convey is about being able to gain the strength to remove the mask and not let the past or anyone else define you.”
Lewis continues, “The animated music video (by Studface Productions) was influenced by ‘one flew over the cuckoo’s nest’ and is set in an old rundown insane asylum. This is the archaic perception of mental health and we wanted the video to symbolise that society has thankfully escaped those outdated ways of thinking and the band are rescued by an unlikely hero; Atticus T. Mouse.”
“It’s been such a creative period for the band and we are so proud of what we’ve achieved so far, but this has been a phenomenal opportunity which we are especially grateful for. What a huge honour to have our friend Kevin Martin of Candlebox singing on ‘Papier-Mâché’. I’ve admired his musicianship for years and I am a massive fan of Candlebox so this is definitely a fanboy moment for me that has been ticked off my bucket list”, concludes Wright.
Cold Culture – ‘Downfall’
Danish newcomers Cold Culture present you with their infectious new single ‘Downfall’
“Downfall is about when the person you need the most is being distant, in a difficult time in your life. A lot of feelings and thoughts go through people, when they’re unsure of what they want, which can lead to mistakes, and misunderstanding.” – Mads Zelasny (Vocalist)
Tribe of Ghosts – ‘HIVE’
Brighton’s Industrial / Post Metal band Tribe Of Ghosts have today shared a brand new single titled ‘HIVE’.
“When we were writing Hive, we felt that we were at a point where we understood our sound and what we wanted to create. With this in mind, we wanted to craft a song that sets the scene of the world that we build with our music, that explores the electronic and the organic, and declares our intent of giving into the chaos that oozes out of us on stage and in the writing process.” – Guitarist Adam Sedgwick.