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Bloc Party

Bloc Party

Alpha Games

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BLOC PARTY – ALPHA GAMES – ALBUM REVIEW

It has been 6 years since Bloc Party released their last album, 2016’s ‘Hymns’. Since then solo projects, anniversary tours, pandemics and life in general have taken over, but now they are back with their sixth studio album, ‘Alpha Games’.

The group of course shot to prominence with debut album, ‘Silent Alarm’ back in 2005 and their career took them into huge venues across the world. Recent years however haven’t seen a great deal of activity from the band, with a couple of line-up changes also occurring.

It’s hard now to take stock of where the band fit into the musical landscape, are they are nostalgia act, or a creative entity still? Are they full time or part time? What direction are they heading musically?

Well, the fact we are discussing a new album demonstrates that the band still appears a viable commodity. This is great news as the band always did stand out from the crowded indie scene of the so called noughties.

Predecessor ‘Hymns’ however received rather mixed reviews, so how will ‘Alpha Games’ fare and how will it position the band moving forward?

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Bloc Party – ‘Traps’

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There are lots of questions here, but as soon as the album starts you sense the Bloc Party of old. Not in a rehash, cash in way but instead in the innovative and sonically diverse way that helped make them unique in the first place.

Opening duo ‘Day Drinker’ and ‘Traps’ set the standard early and the rest of the album manages to hold that level with only one or two slight lulls. There is a good mix of faster and slower numbers and the album flows pretty well with little drag.

This is a decent Bloc Party album that is well worth a listen, but it doesn’t really answer all the questions. Whilst this isn’t a lazy effort by any stretch of the imagination it isn’t groundbreaking either. It almost feels like the band hitting the reset button after a period of meandering change. Where they go next will be interesting.

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Rammstein

Rammstein

Zeit

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An unplanned consequence of the forced downtime of the past couple of years, ‘Zeit’, is only the eighth album in the nearly thirty years of Rammstein. That means that these days there is a real sense of occasion when they do release anything.

The anticipation started building upon the release of the title track towards the start of March, and built to a crescendo with the debut of latest single ‘Zick Zack’ at the beginning of this month. ‘Zick Zack’ particularly promised full on Rammstein insanity both musically and with its absurd video.

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Rammstein – ‘Zick Zack’

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Now the album is here and it’s once again time to get lost in the lunacy of this incredible band. ‘Armee der Tristen’ and the title track set the tone for what’s to come. This isn’t the heaviest album musically compared to previous works, but it harnesses the various elements that make up the band’s sound well.

I guess you could say that this is what you could expect an easy listening album to be like when done by these metal icons. There aren’t any bad tracks here but perhaps not any that really jump out of the pack either.

From start to finish this is a very enjoyable album that is a nice addition to the band’s back catalogue, although I’d hazard a guess that it won’t trouble the top of any best Rammstein album lists; that being more of a compliment to their previous work than any kind of jab at ‘Zeit’.

For the past decade Rammstein have been mainly a live act, so it’s a pleasant surprise to receive another album so soon after their untitled 2019 album. Soon though the band will be returning to the stage and it will be interesting to see how many ‘Zeit’ songs will feature in the set list moving forward. ‘Zick Zack’ could be lots of fun and I’m sure other songs could grow in the live setting also.

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Bowling For Soup

Bowling For Soup

Pop Drunk Snot Bread

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BOWLING FOR SOUP – POP DRUNK SNOT BREAD – ALBUM REVIEW

👀 Bowling For Soup have a new album out!

So, what are you expecting from it? With 11 albums and nearing 30 years together as a band, it shouldn’t come as a surprise to anybody what the band are offering on ‘Pop Drunk Snot Bread’.

The band has long established themselves as the foremost purveyors of fabulous pop-punk and this album is exactly what you’d want it to be. This record is packed with those catchy, sing-a-long songs that the band has such an abundance of in their back catalogue.

The danger facing any band at this point in their career is that the quality dips and they become a parody of themselves. Well, Bowling For Soup have kind of always been a parody of themselves anyway which is perhaps why they have such longevity.

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Bowling For Soup – ‘I Wanna Be Brad Pitt’

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The dip in quality has yet to arrive and this album is full of songs likely to become engrained fan favourites such as ‘I Wanna Be Brad Pitt’, ‘Getting Old Sucks (But Everybody’s Doing It)’ and ‘Alexa Bliss’.

On opening track ‘Greatest Of All Time’, Jared Reddick sings “…Never about competition, or god damn chart position, just being us we never cared…”, and that perfectly sums up this album. It isn’t the fresh new fad, it is unlikely to take the band to new heights, but, it’s fun, enjoyable and is Bowling For Soup just being themselves!

The same song also offers the line “…We only want to make you smile, maybe sing along and forget about the bad stuff…”; mission achieved, and in this messed up world that’s perhaps exactly what we need.

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Bob Vylan

Bob Vylan

Bob Vylan Presents The Price Of Life

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BOB VYLAN – BOB VYLAN PRESENTS THE PRICE OF LIFE – ALBUM REVIEW

I often find myself pondering on the state of both the world and the music industry. The climate of each has led to situation whereby musicians are unwilling to take risk. One such risk is the inclusion of politics and contentious issues, something which has almost disappeared from the musical landscape.

Not wanting to alienate any of their fragile audience, musicians tend to play it very safe these days. That is certainly not a allegation that can be thrown at Bob Vylan. The duo have been making a name for themselves over the last couple of years, firstly with their debut album and then with high profile support slots with the likes of Biffy Clyro and The Offspring.

Now feels like a very important time for the band, both from their point of view as they push on with their career, but also for a world crying out for change. Change won’t drive itself, and whilst it should be politicians not musicians pushing for improvement, it certainly never hurt in the past having musicians pushing marginalised debates into mainstream consciousness!

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Bob Vylan – ‘Pretty Songs’

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No punches are pulled on the duos sophomore record, ‘Bob Vylan Presents The Price Of Life’, which in many ways is a statement album. Lyrically pertinent and musically courageous this is the sound of a band taking their spot.

This genre-bending smorgasbord of creativity is a thematically thought provoking masterpiece from an act only just getting started. The likes of singles ‘Pretty Songs’ and ‘GDP’ gave a good indication of what to expect from the album, and the full work doesn’t disappoint.

The future looks bright for Bob Vylan, and whilst one band is unlikely to change the world, hopefully more will be impassioned enough to also wear their heart on their sleeve. Then who knows, maybe the disengaged could become engaged and positive change could happen. One thing for certain though is that this album is brilliant!

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Stone Broken

Stone Broken

Revelation

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STONE BROKEN – REVELATION – ALBUM REVIEW

Some bands just have the knack for producing consistently top quality music within their chosen genre. They find their niche and they stick with it. Stone Broken are one such band who already have two solid radio friendly rock albums behind them.

Returning now with their third effort, ‘Revelation’, it is no surprise that they have produced another superb compilation of catchy straight-laced rock music.

The album launches straight into business with pre-release singles ‘Black Sunrise’, ‘The Devil You Know’ and ‘Revelation’. From there onwards there is no ease on the throttle as the band stick with what works.

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Stone Broken – ‘The Devil You Know’

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I’ve often considered Stone Broken from a musical standpoint to be the British version of Nickelback, just without the undue hatred! One criticism of the Canadians has always been their formulated approach to writing big rock hits.

Listening to ‘Revelation’, I guess you could level that accusation here at Stone Broken. This isn’t a diverse record by any stretch of the imagination, but in fairness it doesn’t need to be. There is unlimited choice of music to listen to these days, and acts are often criticised for deviating from their path.

With that said, this is a safe album from Stone Broken. They clearly know what their fans want, they clearly now what they are good at, and, hell, it works! ‘Revelation’ is a very good record which is packed full of catchy rockers that get your head banging and your foot tapping.

As the album concludes with ‘So Damn Easy’ and ‘Gimme Some More’; Stone Broken can sign off from another excellently crafted collection of big time rockers with a sense of pride. They may not be breaking any boundaries but they continue to break down your door with the sound of huge rock hits.

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Fontaines D.C.

Fontaines D.C.

Skinty Fia

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FONTAINES D.C. – SKINTY FIA – ALBUM REVIEW

Fontaines D.C. are an interesting enigma in many ways. Bursting out from the blossoming post-punk revival in 2018, the band are often shoehorned in with the other phenomenal acts that have emerged from that scene in recent years. They have however always felt different, special if you will.

The complexities of their musical charm intertwine with the thronging noise of the genre to create a sound of their own that harnesses the poetic prowess of vocalist Grian Chatten.

Following the success of debut album ‘Dogrel’, the group, like many of others, had their momentum derailed by the pandemic. Releasing sophomore record ‘A Hero’s Death’ mid-lockdown it’s hard to truly gauge the impact of the record.

One thing for certain is that the band aren’t hanging around to see, as they now release their third album in three years, ‘Skinty Fia’.

The album is instantly enthralling and recaptures some of the raw grit of ‘Dogrel’ whilst maintaining the polish of ‘A Hero’s Death’ to great juxtaposition. ‘Skinty Fia’ literally does feel like the child of it’s predecessors and delivers everything you’d want from a Fontaines D.C. album.

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Fontaines D.C. – ‘I Love You’

Listen to ‘Jackie Down the Line’ from Fontaines D.C. on our Spotify Hot List!

The driving guitar work cohesively complements the powerful rhythm section to provide that trademark framework from which Chatten is able to deliver his charismatic lyricism. This is perhaps best demonstrated on the stunning ‘I Love You’.

It’s difficult though to really pick out the standout moments on the album due to the sheer quality of the compilation. All ten tracks warrant their inclusion and join together as a singular masterpiece.

‘Skinty Fia’ is exactly the album that Fontaines D.C. needed to release at this point in time and will only cement their reputation and position in the upper reaches of the industry.

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Jack White

Jack White

Fear Of The Dawn

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JACK WHITE – FEAR OF THE DAWN – ALBUM REVIEW

It’s new Jack White album time. What do you expect from a new Jack White album? The unexpected perhaps? One thing is for certain with this uniquely talented musician and that is that nothing certain.

White is one of those marmite, love them or hate them artists and even within his fans, some material will go down better than some others. You certainly can’t say that White isn’t interesting!

Starting as you normally do with albums – at the start – single, ‘Taking Me Back’ and the title-track ‘Fear Of The Dawn’ provide a rocking start to an album that is about to take us on a wild ride.

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Jack White – ‘Taking Me Back’

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Very soon the quirkiness of White shines through and his distinctive ability to meld the weird and the wonderful into cohesive songwriting takes over.

To use a good old fashioned musical analogy, ‘Fear Of The Dawn’ takes the listener on a rollercoaster ride. This truly is the Jack White magical mystery theme park at its finest, and listeners need to strap in for the ride.

There are parts that are pure joy, parts that you’ll grow to enjoy and other parts that you’ll accept as part of the ride, but wouldn’t miss if that weren’t there. To this extent this is a rather typical album from White; after all if you expect the unexpected then the unexpected naturally becomes the expected.

Next up, White is set to release a folk album, ‘Entering Heaven Alive’, on July 22nd. What can we expect from that release? Well, if it’s anything like ‘Fear Of The Dawn’, another piece of the incredible puzzle that is one of the most gifted musicians of his generation.

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Papa Roach

Papa Roach

Ego Trip

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PAPA ROACH – EGO TRIP – ALBUM REVIEW

Papa Roach have done a truly marvellous job over the years at staying relevant and not fading into nostalgic obscurity. Their sound always was adaptive and they have moved with the times over the thirty years since their initial inception. Wow now I feel old…

…But that’s actually the point here. As we listen to their latest (and eleventh!!) studio album, they don’t sound or feel “old”. You don’t simply sit and drift your mind back to those hedonistic days of Nu-Metal, although there is a plenty of that energy here.

As the album progresses you get big rock anthems, modern pop rock hits, rap metal and elements of all sorts of genres. It really is a smorgasbord of all the things that has fed into the Papa Roach machine over the years.

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Papa Roach – ‘Stand Up’

Realistically the band could rest on their laurels and milk their early albums for all they are worth. In the age of streaming figures the likes of ‘Last Resort’ and a handful of others are more than capable sustaining the band on the circuit.

It’s admirable then that the band has always pushed ahead, pushed boundaries and pushed themselves to further their legacy. ‘Ego Trip’ continues to do just that. Whereas some bands from the early 2000’s from all genres are doing themselves a disservice with their new outputs, this album only adds to what Papa Roach have achieved.

The album is easily as good as any of their albums from the past decade. The likes of singles ‘Kill The Noise’, ‘Swerve’, ‘Dying To Believe’ and ‘Cut The Line’ help to set a very high standard for an album that doesn’t have a bad track on it.

Listen to ‘Cut The Line’ on our ‘Hard & Heavy’ Playlist

This really is a band at the top of their game still, despite being nearly thirty years down the line. Relevance may be a debatable point, but the quality is there for all to see on ‘Ego Trip’.

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Red Hot Chili Peppers

Red Hot Chili Peppers

Unlimited Love

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RED HOT CHILI PEPPERS – UNLIMITED LOVE – ALBUM REVIEW

Whilst many members have graced the Red Hot Chili Peppers over the past 40 years, there is no doubting the iconic line-up is Kiedis, Flea, Smith and Frusciante. So, the news that Frusciante was returning to the fold in 2019 was greeted with music excitement from their fanbase.

Sadly a pandemic related lack of touring and new music stifled some of that initial joy. There is no real wave of momentum now as the classic line-up release their first album together in 16 years.

Realistically the writing and release of ‘Unlimited Love’ is a thankless task for the band. Try to recapture their glory days and they are simply rehashing old ground, but try something different and rile fans excited by this reunion!

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Pre-release singles ‘Black Summer’ and ‘Poster Child’ particularly showed that perhaps the band had shot for some middle ground in an attempt to please everybody. The obvious problem being that you can’t ever please everybody.

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Red Hot Chili Peppers – ‘Poster Child’

Clearly their creative juices have flown again with word of some 50 tracks being recorded during these sessions. 17 have made it on to this album, which makes for a runtime of nearly an hour and fifteen minutes.

Of course the band, and this line-up in particular have history of lengthy releases, but I can’t help but feel a shorter punchier release may have done them more favours; especially in todays age of short attention spans.

This kind of brings us back to the point of who the band are trying to please on ‘Unlimited Love’. Realistically and perhaps rightly it’s not a new audience, nor really any lapsed early fans! The answer instead may lie internally, as this feels like four old friends reconnecting and testing the waters.

As we stated at the start, this release would always be a thankless task, so perhaps it’s only right the band get to take the time to feel each other out again. Let’s face it for a group on the level of Red Hot Chili Peppers, anything they release will be a commercial success.

Artistically they’ve not rested on any laurels, or simply played it safe, but for a band famous for their experimentation, you have to hope they will stretch their legs a little further on their next release!

Still, ‘Unlimited Love’ likely does what it needs to do. It doesn’t recapture past glories, but it may well lay the groundwork for the band to do so.

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Fatherson

Fatherson

Normal Fears

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FATHERSON – NORMAL FEARS – ALBUM REVIEW

There are some bands that just capture you entirely when you first hear them. Fatherson were able to accomplish that with me in 2014 when I first saw them as a support act. Some 8 years and 3 albums later, the band has since established themselves in the alternative rock world, and now they are set to release their fourth album, ‘Normal Fears’.

Preceding the album have been a whopping five tracks. With the album comprising thirteen songs, I already had a good idea of what to expect from the album. That was something new and different, yet something extremely familiar.

Listen to ‘End Of The World’ on our Spotify Hot List!

From the opening salvo of ‘End Of The World’, ‘Love For Air’ and ‘Normal People’ the bands new expansive sound is clear for all to hear. Their evolution towards a poppier direction then continues to be documented with ‘Everything’, ‘Do It For Yourself’ and ‘Honest To God’.

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Fatherson – ‘Dive’

Singer Ross Leighton’s distinctive vocals still take centre stage, whether during tender moments such as ‘All The Time’ or more vibrant moments like ‘Dive’. Musically this album is a slight change of pace but it’s not a sprint to the finish. The band has done well to stay true to their sound whilst also embracing new ideas and reaching for new heights.

Fans both old and new will find pleasure with ‘Normal Fears’ capturing the sound of a band unshackled and just letting go. It has been a tough few years, with the world breaking more every day. We need music to keep us sane, and with ‘Normal Fears’ being thematically relatable and sonically aspiring, there is perhaps no better album to do that right now.

It’s always great to find a new act, but it’s even better to watch them grow.

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