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Magazine

Full Pelt Magazine

Vol. 21

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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!

Volume 21 is a special edition celebrating our ‘Discover’ New Music Week! We also have album reviews for Frank Carter & The Rattlesnakes and Alkaline Trio, an EP review for Dream State and live reviews of The Sleeping Souls & Sean McGowan in Nottingham and the Slam Dunk Winter Jam in Norwich.

Our News Report has all the latest music news including live announcements from Latitude Festival, Y Not Festival, Truck Festival, Kendal Calling, Wychwood Festival, Live At Leeds, Liam Gallagher & John Squire, Billy Talent, Eagles, The Black Crowes, Placebo, October Drift, Pitchshifter, The Wildhearts and Alkaline Trio!

Plus all the best new releases including Frank Turner, Courting, The Zutons, Bad Wolves, Buzzard Buzzard Buzzard, Don’t Panic, Blackout Problems, Shannon & The Clams, Scott Stapp, Bruce Dickinson, The Longest Johns and Amongst Liars!

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with a special bumper update including El Moono, Ashen Reach, SWARM6IX, Shooting Daggers, Feral Family, Attendant, VENUS GRRRLS, Gürl, Neversaid, The Gems, FLOYA and Defects!

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Categories
Live Reviews

Slam Dunk Festival

Temple Newsam, Leeds

Sunday 28th May 2023

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SLAM DUNK FESTIVAL NORTH – LIVE REVIEW

Rock fans know that festival season is upon us when we get to the late May Bank Holiday weekend and Slam Dunk Festival brings rock and punk fans to Hatfield and Leeds.

This year that journey takes a little longer for some due to traffic issues, probably borne out of the fact that both events are sold out. Leeds in particular feels like the Temple Newsam is bursting at the seams today.

Queues are unimaginably long for merch, toilets, food or anything else, but thankfully the music (and weather) is very much on point!

We start the day in the ‘Knotfest’ tent for rising metallers Heriot, who attract a decent sized early crowd. That crowd is treated to a blistering set of gloriously heavy goodness and a spirited performance from a band on the cusp of bigger things.

It’s then a short walk over to one of two outdoor main stages, the ‘Amazon Rock Scene’ stage, where we will spend most of our day today. Taking this stage next are VUKOVI who absolutely own the stage and showcase their superb new album, ‘NULA’. Singer Janine is able to hold the audience in the palm of her hand and orchestrate the first truly great set of the band.

Logistically the event may be remembered for the wrong reasons, but musically today is fantastic, with that set from VUKOVI one of many that will live long in the memory for all the right reasons.

Thinking, we’ll go for a quick wonder around, it’s clear that nothing will be quick today, but we do catch a glimpse of girlfriends who are very impressive for the time we can stay. Soon though we must head back down the hill to catch Trash Boat.

This is a band that has grown significantly in almost every sense of the word over the past few years. Their latest album, ‘Don’t You Feel Amazing?’, was one of the most surprising of 2021 as the band took their sound to new heights. Today they use the stage to bring many of these tracks to life and the crowd are clearly appreciative of another excellent performance.

Trash Boat are followed on stage by Holding Absence who have just announced that their third album, ‘The Noble Art of Self Destruction’, will be out later this year. Their set today is a good mix of old and new including brand new single, ‘False Dawn’ and fan favourite ‘Afterlife’, which gets a monumental response from the passionate crowd.

Soon enough it’s over to Wargasm who are becoming one of those marmite bands where it’s almost cool to hate them. The energy and ferocity that they put into their show however can’t be denied and whilst the energy levels for some of the crowd starts to sap, the band push through with tracks such as ‘Backyard Bastards’ and ‘Spit.’ getting everyone back moving.

We then head over to the other end of the festival site (very slowly) to the ‘Kerrang’ stage where the tent is overspilling already ahead of Boston Manor. The band are on top form right now and have every person singing along to their gargantuan anthems. As they conclude their time on stage with ‘Halo’ you can’t help but think that Boston Manor deserve to be absolutely huge.

It’s a blast from the past next as Slam Dunk keep up their track record of reformations with Kids In Glass Houses. Playing their first shows in almost a decade the band focus their set on ‘Smart Casual’, which will be getting a re-release later this year. Songs like ‘Saturday’ and ‘Give Me What I Want’ still have it and so do the band who fly through the set like they’ve never been away.

Sticking to the same stage we are soon graced by PVRIS who deliver another really good performance which features a well structured setlist. Lynn Gunn leads the trio through a selection of their popular tracks with ‘You and I’ and ‘My House’ both getting big audience responses. The band will return with their fourth album in July, and new track ‘Goddess’ goes down very well today complete with guest spot from Charlotte Sands.

We are at the business end of the day now and up next on stage are Billy Talent who are able to deliver a pure masterclass in how to make the most of a shortened festival set. Banger, after banger, after banger as the band deliver suckerpunch after suckerpunch. The crowd reciprocate the bands energy and by the time the set finishes with ‘Red Flag’, the band have done enough to claim the band of the day moniker!

In the clash of the headliners, we opt to head to the ‘Dickies’ stage for punk icons The Offspring. The band have an endless stream of hit songs, and tonight the band focus more on their back catalogue then they did at Hatfield yesterday.

Their covers section in the middle feels a little too much considering their short time on stage but nobody can deny the final run of tracks which provides a great end to a packed day both musically and in terms of the volume of people on site!

Slam Dunk is a trusted brand these days and musically they’ve delivered once again, but there are undoubtedly some logistical issues that need to be fixed. Perhaps they’ve once again outgrown their homes and need to find bigger accommodation, one thing is for sure though and next May will again see a packed line-up heralding the dawning of a new festival season.

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Categories
Album Reviews

Billy Talent

Crisis Of Faith

Billy Talent Crisis Of Faith
Billy Talent – ‘Crisis Of Faith’

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BILLY TALENT – CRISIS OF FAITH – ALBUM REVIEW

The gap between Billy Talent’s sixth and fifth albums has been double the length of any previous inter-album gaps. Of course, the pandemic will have played a role in the delay but it’s finally time to hear the band follow up the very impressive ‘Afraid of Heights’.

‘Crisis Of Faith’ starts with ‘Forgiveness I + II’ which initially emerged back in 2019 and showed a slight stylistic change for the band. Soon thereafter though the familiar sound of the band takes over with ‘Reckless Paradise’ and ‘I Beg To Differ (This Will Get Better)’ close behind.

Over the course of their previous five albums, Billy Talent have proven themselves to be incredibly and consistently prolific in terms of quality. The pre-release singles including Rivers Cuomo collaboration ‘End Of Me’ ensured fans had no crisis of faith in the bands ability to deliver catchy and punchy punk rock, and the album as a whole repays that faith.

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Billy Talent – ‘End Of Me’ (Feat. Rivers Cuomo)

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This album certainly feels like the band are stretching their legs and trying new things, but without giving up what has won them a legion of dedicated fans. It’s always refreshing when a band is willing to test themselves and also commendable when a band tries to please their fans. ‘Crisis Of Faith’, is one of those rare albums that manages to find that middle ground and do both.

It truly is remarkable how Billy Talent are able to maintain a stream of such quality releases. ‘Crisis Of Faith’ manages to deliver on any fan expectations and reassures that despite the gap in time the band remain as relevant now as a decade ago.

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