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Foo Fighters

Foo Fighters

But Here We Are

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FOO FIGHTERS – BUT HERE WE ARE – ALBUM REVIEW

We all experience grief at some point in our lives, thus we can all relate to what the members of Foo Fighters and Dave Grohl in particular have experienced over the past year. The tragic passing of beloved drummer Taylor Hawkins shocked everyone, and Grohl, suffering the loss of a bandmate and friend not for the first time, also sadly endured the loss of his mother with whom he shared a deep bond.

This album therefore should come with a warning that you need to have a box of tissues at the ready. You’ll work through a range of emotions over the ten tracks, but feelings of loss and love will really tug on your heartstrings.

This is naturally a different album than what would have followed much maligned 2021 release, ‘Medicine at Midnight’. One constant though is that new album, ‘But Here We Are’, sees the band again work with producer Greg Kurstin for the third time. Despite the recent news of Josh Freese taking up the sticks for the band, it’s Grohl who handles drum duties for this deeply personal record, which feels very fitting.

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Foo Fighters – ‘The Glass’

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Clearly a lot of love and care has gone into the creation of this album and that shines through on every track. This is a statement of love for those lost but also an opportunity of catharsis for the band.

Lyrically the album is a brutally honest insight into Grohl working through the events of the last year. Sonically though the album is somewhat of a throwback to past glories for the band as they exorcise the demons of their previous album, which didn’t quite hit the spot for many fans.

You can say this album musically goes back to basics, and that fits the raw subject matter very well. This is in many ways the best Foo Fighters album in a decade or more. The themes behind the album will likely be the thing most remembered about this album and that should be the case, but it’s important that we don’t neglect the fact that this is a damn good album at the same time.

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Live Reviews

The Pearl Harts

The Pearl Harts

Voodoo Daddy’s, Norwich

Monday 29th May 2023

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THE PEARL HARTS – NORWICH – LIVE REVIEW

📸 (c) Denis Gorbatov / Full Pelt Music

Voodoo Daddy’s in Norwich really is a great little venue for an old school rock n roll show, so it’s a good thing that we are here tonight for just that!

There are three bands on offer tonight with our headliners The Pearl Harts celebrating the recent release of their latest album, ‘Love, Chaos’.

COLLARS

Up first are locals Collars, who do a fantastic job in getting the early crowd warmed up. The unique duo have something a little different to offer, which is always important when there are so many acts out there battling for a limited audience.

That shines through tonight and clearly the audience here in the venue appreciate the experience. The duo are able to control the crowd well and convey their sonic goods with effortless aplomb.

HOTWAX

The main support for this tour comes from upcoming rockers HotWax who take things to the next level with their assured performance. The trio play a selection of tracks from recently released EP, ‘A Thousand Times’, which sound enormous live.

The likes of ‘Treasure’, the title-track and set closer ‘Rip It Out’ demonstrate why the hype train is starting to pick up for a band with a big future. The band play with experience beyond their years and certainly make an impression on the thrilled crowd.

THE PEARL HARTS

Soon enough it’s time for our headliners to take to the stage and as soon as they do, you feel the presence of stars. The Pearl Harts have just followed up their stunning debut album with another sensational collection of fun rockers.

The duo completely own the stage and ‘Baby Chaos’, ‘Pullin’ My Brains Out’ and ‘Lara’ set the tone early for the rest of the night. Polished yet rough and ready, The Pearl Harts somehow capture the juxtaposition of the two with ease; singles ‘More’ and ‘Hypocritical’ showcasing this next.

There is a fierce power in the duo but this is seized and presented with a real shine. The crowd are almost left in awe of the ferocious majesty on display as the band plough through ‘Suck It Up’, ‘Gold’, ‘Wild Me’ and ‘Different Kinda Girl’.

On record The Pearl Harts are spectacular, but on stage they are simply phenomenal. Even broken strings can’t stop them and ‘Hurt’ and ‘Hit The Bottle’ quickly follow reminding fans of the quality of their debut album, ‘Glitter and Spit’.

The intense finale of ‘Black Blood’ is enough to ensure the audience leave with huge smiles on their faces. After all, they’ve just caught three very good bands in a great little music venue.  Surely there’s not a better way to spend a Bank Holiday?

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The Full Pelt Music Podcast – Episode 21 – The Pearl Harts

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Live Reviews

Slam Dunk Festival

Slam Dunk

Temple Newsam, Leeds

Sunday 28th May 2023

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SLAM DUNK FESTIVAL NORTH – LIVE REVIEW

Rock fans know that festival season is upon us when we get to the late May Bank Holiday weekend and Slam Dunk Festival brings rock and punk fans to Hatfield and Leeds.

This year that journey takes a little longer for some due to traffic issues, probably borne out of the fact that both events are sold out. Leeds in particular feels like the Temple Newsam is bursting at the seams today.

Queues are unimaginably long for merch, toilets, food or anything else, but thankfully the music (and weather) is very much on point!

We start the day in the ‘Knotfest’ tent for rising metallers Heriot, who attract a decent sized early crowd. That crowd is treated to a blistering set of gloriously heavy goodness and a spirited performance from a band on the cusp of bigger things.

It’s then a short walk over to one of two outdoor main stages, the ‘Amazon Rock Scene’ stage, where we will spend most of our day today. Taking this stage next are VUKOVI who absolutely own the stage and showcase their superb new album, ‘NULA’. Singer Janine is able to hold the audience in the palm of her hand and orchestrate the first truly great set of the band.

Logistically the event may be remembered for the wrong reasons, but musically today is fantastic, with that set from VUKOVI one of many that will live long in the memory for all the right reasons.

Thinking, we’ll go for a quick wonder around, it’s clear that nothing will be quick today, but we do catch a glimpse of girlfriends who are very impressive for the time we can stay. Soon though we must head back down the hill to catch Trash Boat.

This is a band that has grown significantly in almost every sense of the word over the past few years. Their latest album, ‘Don’t You Feel Amazing?’, was one of the most surprising of 2021 as the band took their sound to new heights. Today they use the stage to bring many of these tracks to life and the crowd are clearly appreciative of another excellent performance.

Trash Boat are followed on stage by Holding Absence who have just announced that their third album, ‘The Noble Art of Self Destruction’, will be out later this year. Their set today is a good mix of old and new including brand new single, ‘False Dawn’ and fan favourite ‘Afterlife’, which gets a monumental response from the passionate crowd.

Soon enough it’s over to Wargasm who are becoming one of those marmite bands where it’s almost cool to hate them. The energy and ferocity that they put into their show however can’t be denied and whilst the energy levels for some of the crowd starts to sap, the band push through with tracks such as ‘Backyard Bastards’ and ‘Spit.’ getting everyone back moving.

We then head over to the other end of the festival site (very slowly) to the ‘Kerrang’ stage where the tent is overspilling already ahead of Boston Manor. The band are on top form right now and have every person singing along to their gargantuan anthems. As they conclude their time on stage with ‘Halo’ you can’t help but think that Boston Manor deserve to be absolutely huge.

It’s a blast from the past next as Slam Dunk keep up their track record of reformations with Kids In Glass Houses. Playing their first shows in almost a decade the band focus their set on ‘Smart Casual’, which will be getting a re-release later this year. Songs like ‘Saturday’ and ‘Give Me What I Want’ still have it and so do the band who fly through the set like they’ve never been away.

Sticking to the same stage we are soon graced by PVRIS who deliver another really good performance which features a well structured setlist. Lynn Gunn leads the trio through a selection of their popular tracks with ‘You and I’ and ‘My House’ both getting big audience responses. The band will return with their fourth album in July, and new track ‘Goddess’ goes down very well today complete with guest spot from Charlotte Sands.

We are at the business end of the day now and up next on stage are Billy Talent who are able to deliver a pure masterclass in how to make the most of a shortened festival set. Banger, after banger, after banger as the band deliver suckerpunch after suckerpunch. The crowd reciprocate the bands energy and by the time the set finishes with ‘Red Flag’, the band have done enough to claim the band of the day moniker!

In the clash of the headliners, we opt to head to the ‘Dickies’ stage for punk icons The Offspring. The band have an endless stream of hit songs, and tonight the band focus more on their back catalogue then they did at Hatfield yesterday.

Their covers section in the middle feels a little too much considering their short time on stage but nobody can deny the final run of tracks which provides a great end to a packed day both musically and in terms of the volume of people on site!

Slam Dunk is a trusted brand these days and musically they’ve delivered once again, but there are undoubtedly some logistical issues that need to be fixed. Perhaps they’ve once again outgrown their homes and need to find bigger accommodation, one thing is for sure though and next May will again see a packed line-up heralding the dawning of a new festival season.

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Album Reviews

Sleep Token

Sleep Token

Take Me Back To Eden

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SLEEP TOKEN – TAKE ME BACK TO EDEN – ALBUM REVIEW

The hype around Sleep Token is interesting. They’ve been around for some seven or so years now, and already have two EP’s and two albums to their name ahead of their third full-length ‘Take Me Back To Eden’. Their success then shouldn’t be considered to be “overnight”. That said, the hype train has certainly picked up speed over the last year, perhaps influenced by a certain social media app.

Mystery still surrounds the group both naturally and by design; and whilst many are jumping on the bandwagon, there are also those that are out to shoot the band down. A somewhat polarising start to life then for the band, and that’s rather fitting listening to this new trilogy closing album.

It smacks of an album that will split fans and critics alike by its very grandiose nature. For some it will be an epic masterpiece that should be revered for its ambition. Alas for others it will be deemed a bloated, over-produced, self-indulgent slog of an album.

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Sleep Token – ‘Take Me Back To Eden’

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The truth, is probably somewhere in between the two, but definitely skewed towards the former. The ambition in making a heavy yet accessible, atmospheric yet colossal sound come to life has to be admired.

The great moments on this album are truly phenomenal, and there is so much to dissect across the hour plus, twelve song collection of sonic reverence. Multiple listens will be essential to fully grasp this offering from Sleep Token.

That said, the fact that a large part of their audience has arrived from a social media app centred on short length clips is interesting. Will this following connect with the likes of the eight minute epic title-track?

As always with Sleep Token, you may feel that there are more questions than answers on this album. But then, after all isn’t that a large part of the appeal? One thing is certain and that’s wherever they go next, the world will be watching!

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EP Reviews

Ghost

Phantomime

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Ghost

Following somewhat in the footsteps of 2016’s ‘Popestar’ EP, Ghost are back with another collection of unexpected cover songs on new EP, ‘Phantomine’.

‘Popestar’ arrived at a crucial time in the bands career and so does ‘Phantomine’, with the band on the cusp of the upper echelons of the industry. What this EP lacks over ‘Popestar’ is a big original single to lead the EP, with this collection featuring just the five cover tracks.

In their career when Ghost have ventured into covers, they’ve displayed a knack to Ghostify the tracks covered. That again is evidenced here no better than on Genesis cover ‘Jesus He Knows Me’. Other tracks though such as Iron Maiden classic ‘Phantom of the Opera’, they stay closer to the original than perhaps wished.

Overall though the five tracks work well and this is another example of the magic that this band possesses. ‘Phantomime’ may not have the impact of ‘Popestar’ in the grand scheme of things, but it will be important in Ghost folklore, so is a must own for dedicated fans, plus, hey, who doesn’t want to hear Ghost take on Tina Turner!

Read our review of IMPERA from Ghost

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Album Reviews

The Used

The Used

Toxic Positivity

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the used – toxic positivity – album review

When The Used initially broke-through in 2002 with their self-titled debut album, they were received in a somewhat marmite way by fans. They either loved them, or hated them. Few on either side though would have put any money on them going through the next twenty plus years intact.

Perhaps even fewer would have predicted that their eighth album, ‘Heartbreak’, out back in 2020 would’ve been such an important one, receiving much acclaim upon release.

That means that ‘Toxic Positivity’ does have some pressure on it to emulate the successes of its predecessor. But much of that pressure disappeared with the relatively slim build-up for the album, with only a couple of pre-release singles and ‘Giving Up’ coming just days before release.

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The Used – ‘Giving Up’

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That’s quite rare these days but is nice, because when you hit play on the new record, you don’t really know what to expect. An opening track as powerful as ‘Worst I’ve Ever Been’, would normally be given away ahead of release these days. Instead it’s a punch to the face that instantly makes a statement.

That is followed up by the one fully pre-release single, ‘Numb’, and the combative ‘I Hate Everybody’, as the themes of the album are laid bare early. Singer Bert McCracken has been brutally honest about the mental health related issues covered on this record, and some may find it a tough listen. Others though will find some solace from an album that wears its heart on its sleeve.

Musically this album is an accumulation of everything that has seen The Used though the past two decades. It’s again produced by John Feldmann, so there should be no surprise that it’s again packed full of catchy sing-a-long pop rock moments.

As well as benefitting from the lack of pre-release material, the relatively short runtime of the record also makes it disappear in an enjoyable flash. The Used however have proven why they’ve had such longevity, and against what many would’ve predicted back in the hedonistic days of 2002, the band confirm that they are no flash in the pan!

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Album Reviews

The Amity Affliction

The Amity Affliction

Not Without My Ghosts

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The Amity Affliction – not without my ghosts – album review

All too often bands at the heavier end of the sonic scale find themselves between a rock and a hard place. The choice of either evolve and be criticised or maintain their original sound and be criticised is harsh and unfair.

Even those that have navigated these uncertain seas with great success have often still faced fierce criticism. It’s a dilemma for any band wishing to expand their sound and let’s be honest enjoy greater commercial success.

I’ve always firmly advocated for bands to throw caution to the wind and do whatever it is that they want to do, so it was a shame to see the pack of wolves circling The Amity Affliction after the release of their last album, ‘Everyone Loves You… Once You Leave Them’.

Those bands that can successfully adjust their sound tend to do so by perfecting a find balance between keeping their identity intact and gradually adopting new sonic threads. Well, this may be the time for The Amity Affliction to capitalise and make their moment count.

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The Amity Affliction – ‘Not Without My Ghosts’ feat. Phem

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Their new eighth album, ‘Not Without My Ghosts’, is certainly the band striving for the sound that will take them to greater heights. Some will probably call it a return to form or some other tired cliché but in reality it’s just the encapsulation of everything that has made the band and everything that they want to be.

The good, bad and ugly of their past has guided them to what feels like their time to push themselves to the next level both musically and in terms of their career progression. If you’ve ever been a fan of the band at any point over their twenty year career, you’ll enjoy this album, but crucially it will also attract new fans with its accessibility.

The music industry is damn hard to navigate without the unwarranted pressures of certain fan groups. Following up on their polarising previous album was always going to be make or break for The Amity Affliction, thankfully though they’ve delivered exactly the record that they needed to!

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Live Reviews

Dead Man’s Whiskey

Dead Man's Whiskey

B2, Norwich

Friday 5th May 2023

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DEAD MAN’s WHISKEY – NORWICH – LIVE REVIEW

📸 (c) Denis Gorbatov / Full Pelt Music

With thousands heading into London and millions more preparing to watch the outlandish Coronation on the TV, a hundred or so hard rockers file into the B2 venue in Norwich for a old school rock show.

This feels much more of a celebration of our great nation’s true culture and community than the scenes that we’ll see in Westminster Abbey. There is less pomp and ceremony here but there is still a great time to be had.

BROKEN SOUL

Getting these festivities underway are four-piece Broken Soul who get the crowd suitably warned up with tracks such as ‘By My Side’ and ‘Always Be With Me’. They may not have the military precision of the Coldstream Guards band but that’s actually the charm! It’s rough, it’s ready and tonight Broken Soul get the crowd rocking.

ATTIC THEORY

Next up on the compact stage are sextet Attic Theory who clearly have a number of readymade fans out in the audience. Their time on stage feels short, which is always a good sign and by the time they close out their set with ‘Saints Amongst Us’, they have the venue in full swing, singing along to every word as if they were reciting the national anthem in the presence of the new king!

DEAD MAN’S WHISKEY

Feeling the tedious Coronation link coming to an end, it’s time for Dead Man’s Whiskey to sit upon the B2 throne. The group started making waves with their debut album, ‘Under the Gun’, around 2017 and seemed on the cusp of something special just as the pandemic hit.

Like many, particularly in the music industry, 2020 was something of a momentum killer, but the band now appear ready to reach for the sceptre once more. New single, ‘Masquerade’ has been very well received and tonight the crowd can’t wait to kneel before their new masters.

The band are more than prepared to lead the crowd through an hour of good honest rock n’ roll. The new material on offer is greeted with equal delight to older tracks such as ‘War Machine’ and ‘This Fight’, which is another good sign this evening.

The closing trio of ‘Hoe Street’, the emotive ‘Make You Proud’ and the fantastic ‘Racing Bullet’ showcase a band ready to ascend, perhaps not to sovereignty but certainly to the next level in the hierarchy of the music industry.

There is even time for an encore of AC/DC classic ‘Highway To Hell’, which sends the fans out the door happy. Tomorrow’s events in London will be remembered for years to come, but it’s nights like these happening every night in great venues across the land that make this country what it is!

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Album Reviews

Therapy?

Therapy?

Hard Cold Fire

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THERAPY? – HARD COLD FIRE – ALBUM REVIEW

Thankfully it feels like we are past having to talk about postponements and delays due to the pandemic, but the latest album from Therapy? is another little reminder of what we’ve been through.

Recorded in November 2021, ‘Hard Cold Fire’ is seeing the light of day now having been held back to allow the band to conclude their well received 30th Anniversary Tour. That tour celebrated the incredible journey the band have had; but a major part of their career has always been new music, so it’s fitting that they follow is up with another collection of fresh material.

In fact ‘Hard Cold Fire’ is the band’s 16th album given them an average output of an album just over every two years. Over such a sustained period this is a remarkable achievement, particularly over the past decade during which most acts of a similar ilk would have long slowed down.

Those live shows last year were a clear indication that the band won’t be slowing down anytime soon, either in work ethic or indeed sonically. The velocity at which the riffs on this album are delivered are echoed in the length of the record at just over the half hour mark.

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Therapy? – ‘Poundland of Hope and Glory’

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Musically this is Therapy? at their very best and the album simply flies by with all ten tracks adding something to the album. There are some standout moments such as fantastic opener ‘They Shoot the Terrible Master’, the juxtaposition of ‘Woe’ and ‘Joy’ and the stunningly titled ‘Poundland of Hope and Glory’ (fitting on this coronation weekend!), but every track is a winner.

If the delivery rate for Therapy? albums is something to be admired, the consistency in quality truly must be revered. ‘Hard Cold Fire’ isn’t just “another one for the collection”, this is another highly relevant and hard rocking exhibit in the case that Therapy? are one of the most criminally undervalued rock bands of the last three decades!

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EP Reviews

Jamie Lenman

iknowyouknowiknow

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Jamie Lenman

On his latest album, ‘The Atheist’, Jamie Lenman demonstrated his pop sensibilities as he delivered perhaps his most accessible album yet. The outpouring of creativity that made that album has now also produced a companion EP, ‘iknowyouknowiknow’.

Given that ‘The Atheist’ was a stunning piece of art which saw Lenman soaring to new heights, it shouldn’t be a surprise that this sister release is just as magnificent.

‘iknowyouknowiknow’ sees Lenman embracing his folkier side with the acoustic guitar at the centre of some of the EP’s most delicate and beautiful tracks.

Finishing the EP with an acoustic rendition of ‘This Town Will Never Let Us Go’ is a hauntingly perfect way to close out not just the EP but the ensemble that is ‘The Atheist’ and ‘iknowyouknowiknow’.

Lenman is a genius of a songwriter who is currently operating at his very best, and this record is the bow on top of his latest masterpiece.

Read our review of ‘The Atheist’ from Jamie Lenman

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The Full Pelt Music Podcast – Episode 13 – Jamie Lenman

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