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Album Reviews

Deux Furieuses

Deux Furieuses

Songs From Planet Earth

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DEUX FURIEUSES – SONGS FROM PLANET EARTH – ALBUM REVIEW

It takes bravery to be overtly political in the music industry these days, heaven forbid musical acts reveal their views and endanger those vital social metrics. deux furieuses have never shied away from addressing socio-political issues, so given the turmoil of the past few years, there should be no surprise that new album, ‘Songs From Planet Earth’, broaches many such subjects.

The duo have spent time recently playing with Brix Smith (The Fall), alongside Debbie Googe and Jen Macro (My Bloody Valentine). Experiences such as this continue to help harness their talents and focus them into the creation of powerful and daring work such as ‘Songs From Planet Earth’, which is the bands third album together.

In any chosen field, experimentation, shared experiences and learning opportunities combined with repetition and endurance are a pathway to evolution, progression and craft mastering. That maturity is borne out on this album.

WATCH ‘BRING DOWN THE GOVERNMENT’ ON YOUTUBE
deux furieuses – ‘Bring Down The Government’

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Album opener, ‘Isolation Days’ is a slow burning number which gradually ramps up and gently welcomes the listening to the experience which follows. ‘All We Need Is Sanctuary’, builds on this and really pulls you in before ‘Bring Down The Government’ grabs you by the arms and gives you a shake!

The album then takes you on a sonic and thematic journey through many of the issues facing the world right now. Thought provoking and brutally honest, the subject matters on offer are a truly depressing reflection on the state of humanity right now. What ‘Songs From Planet Earth’ does however is offer hope; a glimmer of optimism that the power is in our hands to make positive change.

On this album, deux furieuses, capture not just a snapshot of society’s ills, but a snapshot of where they are artistically. Whilst the former is rather distressing, the latter is a band near the peak of their musical powers.

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Live Reviews

Creeper

Creeper

Roundhouse, London

Friday 4th November 2022

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CREEPER – LONDON – LIVE REVIEW

The last time Creeper played a show like this in London, they “broke up” and vanished for a year. In advance of tonight there have been teases of some vampiric happenings in Camden, so it’s no surprise that the band’s dedicated fanbase sold out their biggest ever headline show at the iconic Roundhouse.

The theatre starts early with opening act Zetra. The gothic synth-gaze group are a fitting start to the evening and get the early attendees into the spirit for what is to come.

Main support act Bad Nerves are more of a straightforward proposition, blasting out their rough and ready punk rock anthems to the enjoyment of the audience.

Realistically however tonight was always going to be about one band and one band alone, our headliners Creeper. Before then however the vampire theme is played out again with clips from legendary vampire movies projected onto the curtain protecting the stage.

When that curtain finally drops the band burst onto an appropriately decorated stage with early fan favourite ‘VCR’, much to the delight of the packed venue. The opening guitar riff of ‘Born Cold’ then cuts the atmosphere in two and the crowd truly erupt.

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Creeper – ‘Born Cold’

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Big hitters ‘Suzanne’ and ‘Annabelle’ follow and you already know that tonight is going to be special. From here on out, it’s a true career-spanning setlist from the band with a surprising amount of early material finding its way back into the set, which again helps to feed that special feeling this evening.

Over the past year or so, Creeper have taken major leaps forward sonically and visually, on record and live. All that early promise is being fully realised and tonight feels like a celebration of everything they’ve done to this point. Both albums and all major EP’s are represented.

The stage presence of the band has come so far and seeing frontman Will Gould at the peak of his powers, and Hannah Greenwood own the stage like never before is incredible for fans that have been with the band since their humble beginnings.

Every word of every song is sung back by the passionate audience at the top of their lungs. There is a connection in place here between band and fans that is hard to describe, but we’ll attempt to with the word magical!

Stunning moments such as the live debut of ‘All My Friends’ ensure this evening is the spectacle it promised to be, but it’s what transpires after ‘Misery’ brings tonight to a beautiful close that will be talked about forever in Creeper folklore.

After a vampire beheads Gould, a video announces that the band has signed with Spinefarm Records and new single ‘Ghost Brigade’ has just been released. As one chapter closes, another begins and Creeper remain on course for greatness.

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Live Reviews

Bury Tomorrow

Bury Tomorrow

UEA LCR, Norwich

Monday 31st October 2022

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BURY TOMORROW – NORWICH – LIVE REVIEW

Amber leaves lay sodden on the ground, there is a crisp chill in the autumnal air and there is an awful lot of black clothing amongst the excited crowds gathering at the UEA LCR door. Yes, whilst the ghouls and spooks are out guising across Norwich this All Hallows’ Eve, the city’s metal community are haunting its largest venue.

There are no tricks here this Halloween, just the treat of a hard hitting night of action from the double-headed monster that is the co-headlining Bury Tomorrow and August Burns Red, albeit with a re-jigged undercard.

NOVELISTS FR

Gone just days ahead of the tour are Miss May I, joining Thornhill in departing the tour originally booked some 3 years ago (we all know what has transpired in that time!). Jumping in on short notice however are Novelists FR who receive a warm welcome.

As they arrive onstage in a venue festively decorated with ghostly figures, the early crowd show that they are here for some fun tonight. The French latecomers are able to deliver just what is needed to warm everyone up for the barrage of noise that is set to follow.

AUGUST BURNS RED

Up next is August Burns Red, who instantly rile the audience up with a quick run-through of System of a Down classic ‘Chop Suey!’. Clearly the band have many fans in the audience and those fans are treated to an hour of brutality from a band well versed in serving up crowd pleasing performances.

BURY TOMORROW

Our headliners Bury Tomorrow arrive onstage, dressed in white paper suits, and instantly bring the ferocity and intensity that has earned them their pedigree as a live act. The opening three tracks instigate a hot atmosphere in the crowd, until sadly a lengthy medical incident in the audience derails the momentum.

It has to be said the response from the band, the crowd, the security, the venue and medical staff is fantastic, and hopefully that individual is ok! It naturally takes a short while to find the same level of energy again, but Bury Tomorrow ensure that soon enough the party is back in full swing.

‘LIFE (Paradise Denied)’ particularly does well in getting the atmosphere back on track and helps return the band to their stride. It isn’t just Halloween that has the bodies moving tonight, and by the time the show comes to an end everyone in the venue, be it human, monster, vampire or ghost as had a great time.

Soon this tour heads off into Europe, and next year Bury Tomorrow will return with their seventh album. But right now we return to the dark, cold and creepy outdoors.

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Watch Episode 34 of our ‘Discover’ New Music Podcast with guests As Sirens Fall

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EP Reviews

As Sirens Fall

coming of (r)age

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As Sirens Fall

As Sirens Fall continue to forge their path with a confident and ambitious new EP. ‘coming of (r)age’ is a storming return from a band who continue their musical evolution with five more enormously catchy tracks.

‘cult’ eases us into the record and introduces us to the hook driven melodies that make this EP such an enjoyable listen sonically. Lyrically the record is a relatable and frank indictment on the dark times we find ourselves in and how we can still choose life.

‘boywhatever’ is a dancefloor filler built for the live setting and the title-track and ‘dynamite’ further demonstrate an added maturity within the band’s songwriting. Yes, this EP really is a big moment for As Sirens Fall as they set themselves up for world domination.

The EP closes with the hugely anthemic ‘heaven (spat us back out)’, which we recently featured on our ‘Discover’ New Music Playlist. The single is a true breakout moment from the band and can only be described these days as an out and out banger!

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Album Reviews

The Hunna

The Hunna

Self-Titled

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THE HUNNA – SELF-TITLED – ALBUM REVIEW

The Hunna have been perennial contenders for superstardom since their hugely successful debut album, ‘100’, released back in 2016. Two further albums have followed with neither 2018’s ‘Dare’, nor 2020’s ‘I’d Rather Die Than Let You In’ able to elevate the band to that next level.

It’s a harsh reality of the music industry that the opportunities to truly breakthrough are severely limited these days. Even modern day success stories are never likely to reach the levels attained by their predecessors. It must also be said that audience attention spans are more akin these days to that proverbial goldfish.

That is a callous but pragmatic view on casual music fans. Dedicated, hardcore music fans however are a different animal all together, they are able to engage longer and deeper with the acts that deserve it. That is no doubt why The Hunna have been able to garner such a passionate and dedicated fanbase.

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The Hunna – ‘Trash’

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This deep philosophical insight into the depravity of the music industry comes not from a random thought, but from the impactful opening to The Hunna’s self-titled fourth album. Single, ‘Trash’, is an abrasive punk rocker taking aim at the pitfalls of the industry. The storming track takes firm aim at the darker aspects of the industry that most artists are fearful to call out.

That sets up the album spectacularly, both sonically and lyrically, as the band are both honest and unashamed. From soaring pop ballads, to indie hits, all out rockers and everything in between, this is a diverse collection that represents well everything The Hunna have been and everything that they want to be.

There are moments that those goldfish will enjoy (albeit temporarily), and there is certainly plenty on this album for the diehards to sink their teeth into. The Hunna are a band that continue to grow and evolve, and this album ensures that they are as relevant now as they were back in 2016!

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Album Reviews

Asylums

Asylums

Signs of Life

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ASYLUMS – SIGNS OF LIFE – ALBUM REVIEW

Southend rockers Asylums have been one of the best kept secrets in the music world since arriving on the scene with 2016 debut, ‘Killer Brain Waves’. Two more albums have followed in 2018 and 2020 with the band continuing to grow sonically and put themselves on the cusp of mainstream success.

Now, the prolific group return with their fourth studio album, ‘Signs of Life’, prepared to conquer the world once again!

Recorded at the legendary Rockfield Studios (in the room that Queen recorded ‘Bohemian Rhapsody’ no less), with the revered producer Dave Eringa (Manic Street Preachers, Idlewild), you can sense that level of creative genius running through this superb collection of songs.

There is a real diverse palette of genre-bending output spread across an album that rocks hard, has indie mainstream appeal and leans into some off the cuff influences as well.

WATCH ‘INSTANT COFFEE’ FROM ASYLUMS ON YOUTUBE
Asylums – ‘Instant Coffee’

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Whilst tracks such as ‘Instant Coffee’ and album opener ‘Scatterbrain’ are instantly gratifying just like those much needed early morning gulps of caffeinated goodness, every track on this album deserves attention.

In fact, there is so much here to sink your teeth into that you could describe this album as a real smorgasbord of music.

From start to finish ‘Signs of Life’ is a joy to listen to and is most definitely Asylums at their very best. Perhaps it’s finally time that the secret gets out and Asylums make an indelible mark of this hyperactive industry!

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Live Reviews

Sum 41

Sum 41

Alexandra Palace, London

Friday 21st October 2022

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SUM 41 – LONDON – LIVE REVIEW

Outside the venue its wet, miserable and 2022 is kicking our ass. Once inside Alexandra Palace in London however, well, its summer 2001, we’re with our friends and we don’t have a care in the world!

Yes, tonight the venue plays host to not just headliners Sum 41 but also special guests Simple Plan as we all get to relive our youth. But up first, some fresh blood and local artist Cassyette, who has been busy making a name for herself over the past couple of years.

With tonight’s show sold out well in advance, there is a decent crowd in early for her to impress and impress she does. Owning the stage like a seasoned veteran, she is able to stir up that early crowd and get them engaged fully in proceedings.

Tracks such as ‘Dear Goth’ and ‘Mayhem’ sound huge in this large venue and intimate that hers is a name that will become more familiar for the masses in the future.

WATCH ‘DEAR GOTH’ ON YOUTUBE
Cassyette – ‘Dear Goth’

After a short gap, Simple Plan are ready to launch into a barrage of pop punk goodness. With a full production behind them, and the audience lapping up every moment, you’d be forgiven for thinking that Simple Plan were the headliners tonight.

All the fan favourites are present as the band commence our journey back in time. This is an immensely fun show that reinforces just how iconic Simple Plan are in their field.

Finally it’s time for headliners Sum 41 to arrive on stage to huge levels of expectation. With the band celebrating the anniversaries of their first two albums, ‘All Killer No Filler’ and ‘Does This Look Infected?’, fans are ready for a party.

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Sum 41 – ‘War’

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And it’s a party that they get with barely any lull in pace or atmosphere. Fan favourites such as ‘Motivation’, ‘The Hell Song’, ‘We’re All to Blame’, ‘War’ and ‘Underclass Hero’ dominate the setlist.

Whilst those two early albums are focused on, it’s a career spanning set from the band. Add to this pyro galore and you have a sensational show. ‘In Too Deep’, ‘Pieces’ and ‘Still Waiting’ all feature later in a relentlessly good set.

By the time the evening ends with ‘Fat Lip’, the band have succeeded in removing all our cares and have done their legacy justice.

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Album Reviews

Architects

Architects

the classic symptoms of a broken spirit

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ARCHITECTS – THE CLASSIC SYMPTOMS OF A BROKEN SPIRIT – ALBUM REVIEW

Just 18 months removed from their stunning and evolutionary ninth album, ‘For Those That Wish To Exist’, Architects are back album with their tenth album, ‘the classic symptoms of a broken spirit’!

Momentum is certainly on the bands side, so striking while the iron is hot, the band are right to release their follow up so soon after such a well received record. This is borne out through the substantiated quality of this album.

A dud of an album at this point could be a momentum killer – see ‘Temper Temper’, so this is a calculated risk from the band. That calculation however was right with them clearly knowing the quality of the music they had.

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Architects – ‘deep fake’

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The album is straight into the action on opener ‘deep fake’, and manages to keep a relentless pace throughout the next forty plus minutes. There is no dip in either ferocity or excellence as the likes of singles ‘tear gas’, ‘when we were young’ and ‘a new moral low ground’ demonstrate.

The depth on this album is truly impressive though as beyond the singles you still have tracks as good as ‘spit the bone’, doomscrolling’ and ‘all the love in the world’. In reality there isn’t a bad track on another superb offering from one of heavy music’s biggest hopes.

They may now be ten albums in, but over the past three, Architects are shown their development and progression to something much bigger than their beginnings. Their upcoming tour with Biffy Clyro will introduce them to an even more diverse audience, and as they continue to break the mainstream and pickup fans, the world very much is their oyster!

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Album Reviews

Arctic Monkeys

Arctic Monkeys

The Car

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ARCTIC MONKEYS – THE CAR – ALBUM REVIEW

Arctic Monkeys are undoubtedly one of the biggest, most talented bands on the planet. They have very much earned the right to do whatever they want musically… but wow.

How do you follow up an ill received, lacklustre, bloated, flop of an album such as ‘Tranquility Base Hotel & Casino’? Well if you are Arctic Monkeys, you double down and again ditch your signature sound and attitude to release another collection of boring lounge pop dirge.

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Arctic Monkeys – ‘I Ain’t Quite Where I Think I Am’

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It’s difficult to write a balanced review of new album, ‘The Car’ in all honesty. If everybody is honest with themselves, this is not the album we wanted from the band this time around. Although I’m sure that many old school fans would love a return to the sound of their first two albums, that was never going to happen.

But after the enormous success of generational release, ‘AM’, which appeared to be the perfect middle crowd, ‘The Car’ just sucks the enjoyment out of this once formidable band. This stubbornness from the band has though, as we said earlier, been earned. It’s their well earned right to record and release the music that they want to.

It just makes you wonder what happened to that rock ‘n’ roll, eh? You know that rock ‘n’ roll, that singer Alex Turner said just won’t go away, that will never die and there’s nothing anybody can do about it! Well after these past two albums, you can’t help but wonder did Turner think to himself – challenge accepted!

If you enjoyed ‘Tranquility Base Hotel & Casino’, congratulations, you will also very much enjoy, ‘The Car’. It demonstrates just how musically talented and dexterous the band are. If however that last album wasn’t for you, I wouldn’t even bother hitting the play button on ‘The Car’!

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Live Reviews

The Snuts

The Snuts

UEA LCR, Norwich

Monday 17th October 2022

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THE SNUTS – NORWICH – LIVE REVIEW

When the industry is always looking for the next big thing, The Snuts have certainly thrown their name in that hat over the past couple of years. A huge debut album has now been followed up with a brave, adventurous and importantly well received sophomore record.

To really breakthrough though artists need to back up what they do on record when taking to the stage. Tonight we head to the UEA LCR in Norwich to see what progress the band have made on this front.

Up first however are local favourites Youth Killed It who command the stage as if they were the headliners. Full of genre-bending rifftastic sing-a-long anthems, the band control the stage with utter ease. Whilst just the opening act tonight, there would be worse bets to place than one predicting that Youth Killed It will return to headline this stage.

Next, the audience are serenaded by young singer-songwriter Heidi Curtis who is able to charm the baying crowd with her uplifting performance. Curtis is most definitely one to watch in the coming years.

Finally the venue get the group that they’ve been waiting for as The Snuts arrive onstage to a powerful politically charged video. Yes, video… the band instantly showcase their intentions to raise their live credentials with a elegant stage set up.

It’s not all style and no substance however, as The Snuts are able to back it up with a stunning performance full of effortless cool swagger. The audience are held in the palm of their hand as they mix material from their two albums.

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The Snuts – ‘The Rodeo’

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Fan favourites such as ‘Glasgow’, ‘All Your Friends’ and ‘Always’ sound absolutely huge while newer tracks ‘The Rodeo’ and ‘Zuckerpunch’ show that new album ‘Burn the Empire’ is also full of anthems.

If tonight The Snuts were auditioning to be the next breakout indie megastars then they’d have been given the part before they even finished their routine!

An encore of ‘Burn the Empire’ and ‘Fatboy Slim’ is really just the icing on what has been a delicious cake. The Snuts it would appear are ready to take over the world.

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Read our review of ‘Burn the Empire’ from The Snuts