Vol. 63
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 31 features our cover stars Slash featuring Myles Kennedy and the Conspirators as they infiltrate the masses at Wembley Arena. It’s also a bumper week for new releases as we review Feeder, Bob Vylan, The K’s, The Black Keys, Dead Pony and ANIIMALIA.
Our News Report has all the latest music news including live announcements from Noisy, The Dandy Warhols, The Black Angels, White Reaper, Militarie Gun, Tom Morello, Gun, Mothica, Glass Animals and The Commoners!
Plus all the best new releases including Bob Vylan, Dead Pony, The K’s, Boston Manor, Paul Weller, Oakman, Marisa and the Moths, Between You & Me, Raven Numan, Within Temptation, Thomas Nicholas Band, Tom Jenkins, Susan Santos, The Zutons, BLACKGOLD, Millie Manders and the Shutup, TORA DAA, Dayseeker, Mimi Barks, Alien Ant Farm, Better Lovers, BIG SPECIAL and Glass Animals!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including HRTLSS, BEX and QUEEN LAYA!
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After a career long gap of five years between ‘Turn Blue’ and ‘Let’s Rock’, ‘Ohio Players’ marks the fourth album from The Black Keys in the past five years! Making up for lost time perhaps the duo have certainly showered their fans with new music lately, so it’s perhaps not surprising that the hype around this record feels slightly muted.
They say that absence makes the heart grow fonder and perhaps everyone is a little Black Keys’d out? It’s good then that the band have brought in the likes of Beck and Noel Gallagher to work with whilst recording this, their twelfth studio album.
The presence of those guest musicians and particularly Lil Noid and Juicy J does help to bring something a little different to the now formulaic garage rock of the duo. That said the structure of these bluesy rockers is still the same that brought the band their acclaim.
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At forty-five minutes and fourteen tracks this isn’t a short sharp shock to the system despite the changes. This is another flex by the duo who again showcase their incredible talents over what is a thoroughly enjoyable collection.
What this album doesn’t really do though despite the featured writers is offer much different to any of their previous work. That isn’t a bad thing of course, and if this was outlandishly different then people would no doubt criticise the band for abandoning their roots.
All in all, fans of the band will genuinely get pleasure from this album and that makes it another successful outing from The Black Keys.
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 27 features our cover stars 2000trees as unveil their stunning 2024 line-up! We also catch last week’s cover stars Lake Malice live in Norwich and review the new album from Grace Petrie!
Our News Report has all the latest music news including live announcements from Garbage, The Black Keys, BERRIES, Another Sky, Seasick Steve, Himalayas, Editors, Dream Wife, Oakman, InMe, Indoor Pets, Twin Atlantic, Crushed By Waves, Future Static, Brighten the Corners, Y Not Festival, Make A Scene and RADAR Festival!
Plus all the best new releases including Creeper, Seasick Steve, Delilah Bon, Like Moths To Flames, Pillow Queens, FM, Smash Into Pieces, The Pearl Harts, Twin Atlantic, Saxon, Robert Jon & The Wreck, The Commoners, Jinjer, Hockey Dad, Slash, Marisa and the Moths and Dream Wife!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Young Fatigue, QUEEN LAYA and LOVELOST!
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 19 features cover stars Korn as they announce their biggest ever UK headline show! We also have album reviews for Hannah Wicklund and Casey.
Our News Report has all the latest music news including live announcements from Teenage Cancer Trust, Call of the Wild and PVRIS!
Plus all the best new releases including Bob Vylan, The Black Keys, Thomas Nicholas Band, Robert Jon & The Wreck, Aaron West and the Roaring Twenties, LØLØ, Gun, iDKHOW, Dayseeker, Benjamin Francis Leftwich, Gen and the Degenerates, Courting, Dead Poet Society, Florence Black, Marisa and the Moths, Issues, Exit Eden, Disturbed, K.Flay, New Model Army, Fit For A King and Being As An Ocean!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Katie Pruitt, Cyan Kicks and Air Drawn Dagger!
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It’s been eight long years since The Black Keys last played in the UK, so you’d expect demand to be high for their return. Tonight though, the cavernous O2 Arena in London is actually relatively quiet both in attendance and crowd energy.
As opening act Shannon and the Clams take to the stage the venue is eerily quiet, and it takes the band a few songs to hit their stride. As fans filter into the venue however, the band get into the groove and by the end of their time on the stage, the group has a check in the win column.
Next up are main support, US indie rock group Spoon, who are touring in support of their tenth studio album, ‘Lucifer on the Sofa’. New tracks ‘Wild’, ‘My Babe’ and ‘The Hardest Cut’, all sit pretty in an assured set, which whilst enjoyable, does little to raise the energy levels in the venue.
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By the time The Black Keys arrive on stage, the standing section at least is more dense and anticipation finally seems to have raised a few levels. Opening with ‘I Got Mine’ and ‘Fever’ and accompanied by a simple by effective stage set the band get the audience on side early.
It’s telling from this point in that the majority of the audience are only really interested in anything ‘El Camino’ or earlier with any newer tracks getting a lukewarm response. When the band do drop a ‘Tighten Up’ or ‘Howlin’ For You’ though the crowd goes wild.
The lack of excitement in the crowd seems somewhat matched by the sluggish delivery from the stage. The duo have had a number of struggles in that eight year gap and it does feel a little like going through the motions tonight rather than a big return to past glories.
Again, when the likes of ‘Gold on the Ceiling’ and ‘Lonely Boy’ do arrive then there is a rush of adrenaline in the venue. What could’ve been a huge party though ended up being a chilled out family barbeque where the only excitement comes when the chef calls out that the burgers are ready!
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Flashback almost 10 years ago now and the already well established The Black Keys were on the cusp of real superstardom after the incredible success of ‘El Camino’. Then the disruption began.
Whilst touring follow up album, ‘Turn Blue’, drummer Patrick Carney dislocated his shoulder and several shows were cancelled. Once that tour concluded the band went on an extended hiatus, returning in 2019 with ‘Let’s Rock’ to somewhat of a whimper.
A covers album followed last year, and any momentum the band still had seemed to dissipate. Neither, ‘Let’s Rock’ or ‘Delta Kream’ were bad albums, but neither lived up to the high standards and expectations of the band.
On now to March this year and a fantastic single, ‘Wild Child’ peaked interest again. Could The Black Keys rediscover the magic that established them as one of the biggest and best live bands rock bands on the planet?
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Well, here we are in May 2022 and we now have their eleventh studio album, ‘Dropout Boogie’, and thankfully that special touch seems to have returned. ‘Wild Child’ and fellow single, ‘It Ain’t Over’ open the album superbly and remind fans just why they fell in love with the band.
Yes, this truly is a clichéd return to form for The Black Keys, who have seemingly benefitted from returning to basics. This is a simple yet effective hard rock stomp capturing the elements of blues and garage rock that helped define their sound.
Billy F Gibbons featuring track, ‘Good Love’ is another highlight, but really there isn’t a bad song on the album. Carney and Dan Auerbach have their synchronicity back, and fans have The Black Keys back on top form.
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