Vol. 150
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2024’s ‘Keep Me Fed’ found The Warning making their mark and now they are back to take things to the next level.
Their latest album, ‘Everything’s Falling’, finds the Villarreal sisters in the finest of form and is full throttle from the very beginning. There is very little let up during the ensuing twelve tracks, with the album concluding with the massive single ‘Kerosene’.
This is definitely an album for when you’re looking for a shot of adrenaline and that’s only fitting given the quick ascent of the trio. Indeed, thematically this album is born of the ride that they’ve been on.
Alongside that reflective viewpoint comes an acceptance of the unpredictability of life and that resilience reinforces the backbone of what is a record that resonates with that fabled maturity that often comes with career longevity.
The songs are carefully crafted to rock hard and rock hard is what they do. This is after all a band coming of a major arena tour with YUNGBLUD and these songs feel ready for the biggest of stages.
The Warning in full flow are hard to parallel, and this album is the band putting their foot to the floor!
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The Warning have been building a hardcore fanbase going back a few years before the world shut down. It’s since the world opened back up however that the Mexican trio have really taken off. Every show, whether it be a headline sell out, huge support slot or massive festival opportunity, has been seized with both (or all six) hands!
Now the sisters are preparing for world domination with their all-conquering fourth studio album, ‘Keep Me Fed’!
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With six of the twelve tracks already out prior to release, anticipation was high for the record and the remaining half more than meets the expectations set. In fact, if you were going to sit down to write a modern rock album with enough pop sensibility to become a crossover success, then ‘Keep Me Fed’ would be about as perfect as you could get.
We already knew that there were a plethora of strong singles on this record, but when the album as a whole hits as well as this does you have to take note. Often the hype just isn’t really justified, but with The Warning it feels like they are only warming up.
‘Keep Me Fed’ is the ideal album to jump on the bandwagon with because fans old and new will thoroughly enjoy what the trio have captured.
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 28 features our cover stars Feeder as they head back out on the road this month! We also review the latest releases from Kid Kapichi and Greywind!
Our News Report has all the latest music news including live announcements from Glastonbury Festival, Kendal Calling, Biffy Clyro, Nick Cave & The Bad Seeds, Interpol, NOFX and Samantha Fish!
Plus all the best new releases including The Treatment, The Warning, Soft Play, Scott Stapp, DragonForce, VEXED, Royal Republic, Blue Öyster Cult, Joanne Shaw Taylor, Ashen Reach, The Dandy Warhols, Gun, Sløtface, fakeyourdeath, The Lemon Twigs, Destroy Boys, Dea Matrona, Buzzard Buzzard Buzzard and BIG SPECIAL!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Gold Bloom, Attic Theory and Eville!
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 12 features cover stars Reading & Leeds Festivals as they reveal their 2024 headliners. We also review live shows from Queens of the Stone Age, Twin Atlantic and Beans On Toast. Plus we review the debut album from The Sleeping Souls!
We have our News Report rounding up new releases from Von Hertzen Brothers, Superlove, ALT BLK ERA, Blackout Problems, Feeder, Graphic Nature, Gun, The K’s, Kid Bookie and Benjamin Francis Leftwich!
Plus new live announcements from Live At Leeds, Takedown Festival, TRNSMT Festival, Roddy Woomble, Paul Weller, The Warning, In Flames, Arch Enemy, The Damned and Bad Touch!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with SAVE US, Future Static and Tribe of Ghosts!
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Long established as one of the greatest live bands to ever plug in a guitar, it’s no surprise that fans have once again been flocking to catch Muse live this summer!
With large-scale UK shows already completed in Plymouth, Huddersfield and Glasgow, this sunny Sunday sees the trio take over the recently neglected National Bowl in Milton Keynes.
Once those lovely roundabouts have been successfully navigated, fans are greeted with a fantastic amphitheatre to enjoy the glory that will be the headline set. But, before then there are two great opening performances on offer.
Up first are Mexican trio The Warning who recently impressed with their slot at Download Festival. Today the group are again able to deliver a powerful set which will undoubtedly have won over a legion of new fans. From start to finish they make the very most of their short time on stage and you can’t help but think it won’t be their last time playing stages this size.
One band no stranger to large stages are the special guests tonight, Royal Blood. The duo are fresh from the Pyramid stage at Glastonbury and are able to command this stage with relative ease.
The crowd are very much on side tonight which appears to reassure the band after their recent issues with Mike Kerr clearly very grateful for the opportunity to play. The fans are equally joyed to have such an accomplished act delivering a calculated and polished set.
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The scene is then set for the timeless Muse to once again showcase just why they are so revered. Never afraid to highlight their latest release, new album ‘Will of the People’ naturally takes centre stage tonight and that starts with the title-track which instantly whips the crowd into a frenzy.
Following that opening with a run of ‘Hysteria’, ‘Psycho’ and ‘Bliss’ just shows the embarrassment of riches that Muse can pull from. What’s nice tonight though is the addition of some rarer gems such as ‘Resistance’ and ‘Undisclosed Desires’.
Of course there are hits galore and the audience lap up the likes of ‘Time Is Running Out’, ‘Supermassive Black Hole’, ‘Plug In Baby’, ‘Uprising’ and ‘Starlight’. Equally impressive though are the receptions given to new tracks like ‘Won’t Back Down’, ‘Compliance’ and ‘You Make Me Feel Like It’s Halloween’.
The delivery of songs either old or new is exquisite as you’d expect and the stage show is as flamboyant as ever. Muse really are masters of their art and it feels almost impossible for them to give a bad performance.
The encore of ‘Kill or Be Killed’ and traditional closer ‘Knights of Cydonia’ is in itself testament to the whole new and old sentiments above. No matter what they are playing, Muse play it better than anyone!
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