YONAKA follow up their stunning 2021 Mixtape with new EP, ‘Welcome To My House’ continuing to see them spread their wings and reach for the stars!
The band have set a very high standard with their previous releases and remarkably there appears to be no end in sight with this new collection maintaining their majesty and power.
Lyrically this is a personal record as singer Theresa Jarvis literally seeks to welcome us into her house, sharing analytic insights in to a range of her feelings.
Across the seven tracks, YONAKA again sonically push their boundaries as their unique blend of heavy rock, electronic and pop music synchronises into an energetic identity which sets them apart from the pack.
Each of the tracks on this EP bring something different to the party and over the course of just north of twenty minutes the group once again showcase their immense talent. ‘Welcome To My House’ continues a journey that will surely see the band taking over the world!
PJ Harvey has announced her new album, ‘I Inside the Old Year Dying’, will be out on July 7th.
Ahead of her first album since 2016, Harvey has also debuted brand new single, ‘A Child’s Question, August’, which you can check out above.
On the new single: “I think the album is about searching, looking – the intensity of first love, and seeking meaning,” says Harvey. “Not that there has to be a message, but the feeling I get from the record is one of love – it’s tinged with sadness and loss, but it’s loving. I think that’s what makes it feel so welcoming: so open.”
Grian Chatten, vocalist of Dublin’s critically acclaimed band Fontaines D.C., has shared his debut solo single, ‘The Score’, which you can check out above.
Commenting on the track, Chatten explains, “‘The Score’ is a heavyweight bated breath of lust. I wrote it in Madrid between an electric fan and a dying plant and I intend to keep it there. It was inspired by sugar and sunset.”
Very first German rock/metal Eurovision Song Contest representatives, Lord of the Lost, have released an official music video for ‘Destruction Manual’, which you can check out above.
The band on the new video: “A video where the whole band is represented by women. That is something I’ve wanted to do for half of my life. But it wasn’t the right time until now: the moment has come! Next to Louisa, we have four outstanding female musicians from all over the world at our instruments, and we love the energy that all five of them radiate here. What can I say? We’ve never looked so stunning!”
Next in our News Report is K.Flay who this week released her latest single, ‘Raw Raw’, which you can check out above.
Regarding the single K.Flay says, “‘Raw Raw’ is the start of my next chapter. After losing half my hearing last fall, I was faced with a sudden and intense episode of fear and vulnerability. Like, could I even make music again? Once I got into my recovery and started writing and recording, I knew that I could. And what I wanted to create was music that felt properly rock but also properly future oriented. Uninhibited and different.
“With ‘Raw Raw’ I wanted to capture what vulnerability really feels like. Outwardly it might seem tender, but on the inside it’s messy and bloody and somewhat terrifying. It’s a chainsaw buzzing at your throat.”
Loose Articles share video for ‘Sinead Loves Bitcoin
Manchester indie punks Loose Articles this week shared new single ‘Sinead Loves Bitcoin’, which you can check out above.
“The song is about our pal and local legend Sinead Ferguson, who’s a band photographer,” say the band of the story behind the track. “She had her instagram account hijacked by Bitcoin hackers who were posing as her and trying to sell everyone Bitcoin for £10,000. For a split second everyone thought Sinead was a Bitcoin dealer, so we turned it into a song where she was stealing your wifi and hacking your social media accounts to sell Bitcoin.”
The band have launched a spoof NFT scheme to accompany the track, alongside Sinead’s Bitcoin Fund, which will offer fans the ability to donate money to the band to unlock perks.
Tiers range from £0–20+ and include incentives like a specially recorded B-side short story, a cassette tape of the release, a DTG Ape Loose Articles shirt, and more special gifts TBC.
Salisbury punk rockers CARSICK have shared their latest single, ‘Anaconda Frank’, which you can check out above.
The band are also set to drop their forthcoming debut EP ‘Drunk Hymns’ on 30th June.
Anaconda Frank is our biggest rager yet,” the band said of the song. “We wanted to capture the chaotic energy of our lives right now and so we’ve drawn on a bunch of real experiences we’ve had recently – covering everything from addiction to giant exotic snakes. It’s about being in a transitional stage of your life and figuring out what exactly it is you want to do and the kind of person you want to be.”
New York-based punk band Oxymorrons continue their genre-bending revolution with their latest single, ‘Last Call’ featuring Troi Irons.
When asked what inspired them to write such an honest song and share themselves so openly, the band explained, “‘Last Call’ is an exercise in vulnerability and using our music to help us better understand ourselves and our coping mechanisms. Too many times we’ve all found ourselves drowning at the bottom of a bottle, using alcohol to help us feel something different or feel nothing at all. Whether you’ve struggled in the past or are struggling right now, we hope this song helps you feel seen and plays a role in helping you not struggle in the future.”
Featured artist Troi Irons brought a different perspective to the track, sharing, “I’ve long been a fan of the Oxymorrons and what they do so I was thrilled to hop on this song. I don’t really drink but it’s more a metaphor for how humans tend to reach for the closest thing to help us feel less alone. It’s not always healthy. Hopefully people reach for the music to feel less alone with this one.”
DETHRXNER – ‘STAY COLD’
Copenhagen’s DETHRXNER share their new single, ‘STAY COLD’ featuring Aaron Matts of ten56..
“‘Stay Cold’ is a track about resilience and perseverance in the face of challenges. The lyrics convey a determination to stick to one’s plan, despite past failures and missed opportunities – it’s ultimately a declaration of staying strong, staying true to oneself, and staying focused on success, no matter how tough the journey may be” – Vocalist Neema Rad
Tribe of Ghosts – ‘Sunburner (Deny the Rot)’
Tribe Of Ghosts share their brand new single ‘Sunburner (Deny the Rot)’.
“When my mental health began severely declining before my diagnosis, I always associated the Sun as some kind of aggressor or enemy as it would cause emotional and physical discomfort whenever I saw it… This discomfort would bring on these intense feelings of anxiety and intense physical pain that I would daily attempt to mask and ignore as I didn’t want to accept that I was mentally unwell.” – Guitarist Adam Sedgwick.
Welcome everyone to another edition of our weekly music News Report!
We start this week with the return of Greta Van Fleet, who have shared new single ‘Meeting the Master’, which you can check out above.
The track will feature on their newly announced upcoming album, ‘Starcatcher’, which will be released July 21st.
On the single, the band notes, “‘Meeting The Master’ peers into an esoteric world heeded by the word of a wise teacher. Sung in the voice of a devout believer, and eventual group exclamation, the song details the love these fervent followers have for their teacher and their firm belief in his vision. It’s an exotic spiritual journey. A dark comedy that inevitably ends in chaos.”
With regards to the album, “We didn’t really have to force or be intense about writing, because everything that happened was very instinctual,” Jake says. “If anything, the record is our perspective, and sums up where we are as a group and individually as musicians.”
Throughout the ten-song collection the band explores the duality of fantasy versus reality and the contrast between light and darkness. “We had this idea that we wanted to tell these stories to build a universe,” says Wagner. “We wanted to introduce characters and motifs and these ideas that would come about here and there throughout our careers through this world.”
The band took multiple concepts from critically acclaimed second album The Battle at Garden’s Gate and brought them into Starcatcher, although Sam’s take on the new record’s big ideas hint instead at new beginnings. “When I imagine the world of Starcatcher, I think of the cosmos,” he says. “It makes me ask a lot of questions, like ‘Where did we come from?’ or ‘What are we doing here?’ But it’s also questions like, ‘What is this consciousness that we have, and where did it come from?’”
This week also saw Peter Gabriel share the latest taste of new album, ‘i/o’, with the release of the title-track.
Speaking about the new track, Gabriel says:
“This month the song is “i/o” and “i/o” means input / output. You see it on the back of a lot of electrical equipment and it just triggered some ideas about the stuff we put in and pull out of ourselves, in physical and non-physical ways. That was the starting point of this idea and then trying to talk about the interconnectedness of everything. The older I get, I probably don’t get any smarter, but I have learned a few things and it makes a lot of sense to me that we are not these independent islands that we like to think we are, that we are part of a whole. If we can see ourselves as better connected, still messed up individuals, but as part of a whole, then maybe there’s something to learn?”
‘i/o’ as a potential album title has long-been known within fan circles, and is now the name of the current project, the album and the forthcoming tour, but as Gabriel says, “It’s been around for a long time as a title for this project. I always knew I was going to write a song called “i/o”, but the title came first.”
Therapy? continue to build to the release of new album, ‘Hard Cold Fire’ on May 5th. This week saw the band share new single, ‘Poundland of Hope and Glory’, which you can check out above.
The band say, “This track started out as a hard take on how people lose themselves in narratives to the point that the myth takes on greater importance than the fact. Just like the old adage about the liar repeating the lie so much that they eventually believe it themselves, the culture around us is bursting with fairy stories we tell ourselves.”
Like Moths To Flames debut ‘Predestination Paradox’
Like Moths To Flames have released their first new music in two years with return single ‘Predestination Paradox’, which you can check out above.
“I think there are a lot of things that we all commit to, where we know how it will end,” says LMTF’s Chris Roetter. “This song is meant to portray the experience of learning that almost everything has an inevitable expiration date. We never know how much time we are offered or how much time is left, yet we still immerse ourselves in these deep relationships.”
2000trees announce Soft Play as their final headliner!
We move our News Report on now to the best festival announcements from the past week and up first is 2000trees.
This week saw a wave of additions to the line-up including headliners Soft Play making their live return. Also added to the line-up were Dinosaur Pile-Up, Hell Is For Heroes, Gaffa Tape Sandy, Haggard Cat and more.
They join the likes of Bullet For My Valentine, Frank Carter and the Rattlesnakes, Bob Vylan, Holding Absence, Deaf Havana, Hundred Reasons, Skindred and many more.
Bristol-based rock multi-instrumentalist Lucky Thief shares his new single, ‘Silencer’.
Speaking about the inspiration behind the single, Lucky Thief explains, “Silencer is about being unable to control how we speak. So many people have opinions that are narrow minded, selfish and ill-considered; This song airs my frustration with them. It also looks at how hard it is for me to stay quiet, if I feel something deserves to be said, I will not be silenced.”
Harker – ‘Wasting Time’
Brighton, UK punk rock powerhouse Harker have released a new single titled ‘Wasting Time’.
The band comment, “‘Wasting Time’ is about the breakdown of communication in modern life – it’s easy to misunderstand and mislead when you only talk through a digital screen. Talk to your loved ones in person, debate face to face, and know when to set your boundaries if it’s not working. ‘Wasting Time’ is a back to basics, 4 chord postpunk pop ruckus track – heavy hooks and fuzzed out guitar walls, just how we like it.”
Cape Crush – ‘Sandwich Wars’
Cape Crush, hailing from Massachusetts, have unveiled their new single, ‘Sandwich Wars’.
Vocalist Ali Lipman, says “‘Sandwich Wars” is an emo pop anthem I wrote about not apologizing for yourself. I wrote it from the point of view of giving advice to a younger version of yourself. It was inspired by the advice of my former roommate Chelsea who left earth too soon about not being so quick to blame yourself. Our house was called Club Sammich, which is where the Sandwich Wars title comes from. It’s got some personal imagery in, but hopefully it conveys that your mistakes don’t define the person you become. I think Sandwich Wars is the band’s favorite song on the EP. This came together as a full band song with James really driving home the riffs and all those little musical moments that keep you listening (like the car crash), Jake’s bass and backing vocals in the last chorus, and Cody’s energetic beats. We love playing this one and we hope people enjoy listening!”
Watch Episode 42 of our ‘Discover’ New Music Podcast with guests ANGER PARTY!
Up next are Skindred who also have a new album, ‘Smile’, on the way August 4th.
This week saw the group reveal a new autumn tour which will see the band joined by Blackgold.
Regarding the tour drummer Arya Goggin says, “There is a lot to Smile about when it comes to this TOUR! We are taking out an amazing new band called BlackGold too. They are bringing “Nu Metal” back and I think ‘Dred fans will love them. Go check ‘em out!”
The Cult have announced three special summer shows in Cardiff, Halifax and Scarborough alongside a full EU Tour.
Accompanying the tour announcement is the release of The Cult’s fiery, expressionistic new video for ‘Vendetta X’, the third single from ‘Under The Midnight Sun’.
As The Cult return to the stage to launch the next chapter of ‘Under The Midnight Sun’, Ian Astbury hopes that the album’s new dimensions provoke reactions both primal and sublime in listeners’ consciousness – echoing what he himself experienced during its creation.
“At the core of it all, music contains the vibrational frequency of how we once communicated before we could even speak,” Astbury says. “Bird songs, animal calls, string theory, quantum physics, psychedelics… The record ultimately becomes about discovering and celebrating anew the beauty from those strangely natural moments that surround and inspire us.”
Our other festival announcement comes from 110 Above presents OTHR Festival!
The slightly scaled back version of 110 Above will feature Circa Waves, Jack Garratt, Twin Atlantic, Black Honey, Lauran Hibberd, Fatherson, King No-One, Coach Party, Courting, Chappaqua Wrestling and many more.
We move on now to the best new releases from the past week and up first are When Rivers Meet you have shared their brand new single, ‘Play My Game’.
You can listen to the track above, which will feature on upcoming new album, ‘Aces Are High’, which arrives late summer.
Regarding the forthcoming album the duo say, “As our music is progressing, we’re finding our sound even more. When we went in the studio this time, we’ve never been so sure on what we wanted to create—we had a really clear vision and have stuck to it.
“Before we held back on being too rocky, but this time we allowed ourselves to create what we wanted to hear, without restricting ourselves. We also allowed ourselves to express the different colours to our music with tracks like ‘Golden’ and ‘By Your Side’, so this album has more extremes. We still call upon our influences from all the years but remain true to ourselves to create music we love.”
A new project next as our News Report brings you How We End. Featuring Jen Majura (Ex-Evanescence) on guitar and Diva Satanica (Ex-Nervosa) on vocals, How We End promises to be an exciting new chapter.
Rounding out the group are Jake E (Cyhra, Ex-Amaranthe) on vocals, Tom Naumann (Primal Fear) on guitar, Mitch Kunz (bass) and Adde Larsson (drums).
This week saw the group arrive with their single, ‘My Fighting Heart’, which you can check out above.
Dead Man’s Whiskey have this week shared their latest single, ‘Masquerade’, which you can check out above!
The single is the first track to be taken from a forthcoming new studio album, ‘In The Storm’, due out September 29th.
Vocalist Nico Rogers says, “’This song has been a bit of a journey for us. In its earliest form we’ve had this song for a couple of years, although it’s grown a lot.
It’s brimming with a kind of dissatisfied energy we all had while we wrote it, in a way I think a lot of people will feel too. It’s a rallying cry against what’s happened to music right now, the three ringed circus of algorithmically generated hits that keep turning up. We know how far we are from those perfect cookie cutter artists and this song is about that dichotomy. We don’t want to conform, we make the music we love.
I think that shows in the sound too, not just on this track, but on the album as a whole. It’s heavier, darker. Like we got a little older, found a new gear, and now we’re going full throttle in it.”
Norwegian metalcore act Fixation are now gearing up for their debut album with the release of a brand new single ‘Ignore the Disarray’.
About the new track the band states: “This song is about those with a desire to control other people. It’s not about religion itself, but about those who use religion or their perception of reality to justify oppression, hate and control.”
DEADLETTER – ‘The Snitching Hour’
DEADLETTER share new single ‘The Snitching Hour’.
Lead singer Zac Lawrence comments: “Are we slowly but surely being tacitly tempted into a culture of casual betrayal? The messages we are fed, on the outside, might be read as being solely in the interest of public safety – but take a closer look, and perhaps there’s a more insidious undertone to it all…”
The Throwaway Scene – ‘Fake Death’
Sheffield emo rock outfit, The Throwaway Scene have released their brand new single ‘Fake Death’.
“This track is a slight departure from my previous lyrical stylings/choices with a view of exploring narrative that was less self-centered. I think vocally it just “feels” different too ‘cos the delivery of the lines is a lot more direct than before. Due to life’s unfortunate timing we were recording vocals on the day we found out a family member had passed so Fake Death will always be quite a personal song.” – Vocalist, Oliver.
Welcome everyone to another edition of our weekly music News Report!
This week we begin with the best new releases from the past week and up first are the returning metal icons Avenged Sevenfold.
In a big news week, the group revealed that their new studio album, ‘Life Is But A Dream’, will be released on June 2nd. That release is preceded by their lead single, ‘Nobody’, which you can check out above.
The band stated, “We’re thrilled to announce our new album, Life Is But A Dream… available June 2, 2023. Written and recorded over the span of four years, the album was inspired by the writing and philosophy of Albert Camus. Our good friend and brilliant artist, Wes Lang, encapsulated our theme of existentialism through visual art for the album packaging.”
British metallers Bury Tomorrow have shared the latest taste of their upcoming album, ‘The Seventh Sun’. You can listen to new single, ‘Begin Again’, above now ahead of the album release date of March 31st.
Speaking on ‘Begin Again’, guitarist Kristan Dawson says the track is “representative of the change we have all faced in the past few years. It represents an element of renewal and appreciation of where we have been as a band and where we are yet to go. Musically, it serves as a contrast to the heaviness we have presented in the first three singles, but packs a punch in a more positive way.”
Australian punk rockers Trophy Eyes are back with new single, ‘Blue Eyed Boy’, a track particularly close to home.
Trophy Eyes’ John Floreani says the song “was written about a trip I took back to my hometown. One friend in particular, maybe my best friend, had recently moved back and regressed into their old ways. I’d mourned the death of this friend long ago, as did the rest of us in our small social circle. To see him again brought me great childhood joy yet simultaneously an overwhelming sense of dread.
I was reminded of something my mother told me as a young boy when my grandmother died; “if you see her now, like this, it’s the only way you’ll remember her. Best hold on to the good times, you’ll always have those.”
Far From Saints, the new project featuring Stereophonics frontman Kelly Jones, have shared their latest single, ‘Take It Through The Night’, which you can listen to above.
The group also this week revealed the news that their self-titled debut album will be released on June 16th.
The members had the following to say:
“It took nine days to record and four years to get it to you! Your record collection will love it!” – Kelly
“It’s a labor of love to make a record these days, because you never know what’s going to happen with it frankly, and the outpouring of good vibes and comments, so far, has been really cool to watch.” – Dwight
“This is kind of the first time I’m anticipating not feeling somewhat sad around an album release. I’m comfortable with who I am now as a person, as an artist, and I hang my hat not on the praise I receive, but on the work itself. I’m proud of this record, and its part in the greater cycle of creativity and inspiration. I’m grateful to be part of that.” – Patty
‘Blackout’, the new album from From Ashes To New, is out on July 28th. This week though saw the band share the latest single from the album, ‘Hate Me Too’, which you can check out above.
“So many of us fall victim to the classic toxic relationship,” says vocalist Matt Brandyberry. “Feeling like you can’t live without someone but knowing you’d be better off if you could. Oftentimes these feelings are mutual, but neither of you can see it. Sometimes we just need an anthem to remind us that being stuck isn’t always the only option and violence never.”
Next in our News Report is ‘Blood In The Water’, the latest single from Ayron Jones, which you can check out above.
Jones announced this week that his second album, ‘Chronicles of the Kid’, will be released on June 23rd.
“As a child, I vividly remember sitting in church and hearing the preacher speak about generational curses,” Jones explains. “For me, the concept of the weight of trauma traveling through time and space, affecting many generations until treated is an idea I take seriously. ‘Blood in the Water’ is my way of actively choosing to heal and transform this trauma by creating new stories and identities for not only myself, but also my family’s future generations. I understand that energy can never be destroyed nor created anew; it can only be shifted. Therefore, while I cannot choose the life I have been given, I can strive forward and choose to take control of the future– to break these curses now and forevermore.”
“It was the height of the pandemic and like everyone else, I was stuck inside watching the world pass by while having no idea what the future held,” Jones remembers. “Then it happened, the phone rang and I got the call telling me my song went No. 1. Just like that, I’d become one of the biggest names in rock and roll, but I couldn’t leave my couch. I had no idea how much my life had changed until August of ’21, when I went on tour for the first time since signing my first major record deal. That’s when it all hit me. ‘Chronicles of The Kid’ is the story of the truth – my truth. With my voice as my pen and my guitar as the page, the album is an audio journal of self-discovery told through tales of, temptations, triumphs, failures, sacrifice and the price of fame.”
MAN WITH A MISSION are next up in our News Report as the group reveal a brand new tour including three stops in the UK this June.
Regarding the tour MAN WITH A MISSION’s Jean-Ken Johnny (guitar / vocals / rap) says, “We are so excited to announce our WOLVES ON PARADE TOUR is coming to the UK, Europe and North America in May & June! It’s been years since we last toured internationally and we’ve missed playing for you all so much! Can’t wait to catch up with you all!”
Brighton based Electronic Post-Hardcore duo fakeyourdeath have dropped their sophomore single ‘consume’.
“consume explores the idea of materialistic greed and how, as a society, we are fed this idea that without things we cannot be happy. but ultimately that’s a lie. it’s a narrative spun by the powers that be and consume was written to see the truth and challenge that way of thinking. consume depicts our disgust at a materialistic culture we all hate and yet want to be a part of.” – Vocalist, Candi Underwood
Northern Captives – ‘Anxiety Dreams’
UK Alternative Rock outfit Northern Captives release their brand-new single titled ‘Anxiety Dreams’.
“It’s written as an internal monologue battling anxiety by accepting its existence and not allowing it to direct your decisions or impact what you do day to day. We often speak to ourselves in ways we’d never dream of talking to anyone else. It’s important to check in with yourself and make sure your internal dialogue is positive.” – Vocalist, Sam Cook.
JACKALS – ‘DIG IN’
Northern noise hounds JACKALS have unveiled their new single ‘DIG IN’.
“Dig in is based on the idea of drug addiction but narrated by the drug itself, the song personifies the drug and its direct effects on a person. When you let drugs into your life they can sort of take on a whole persona unto themselves and we wanted to shine a light on that and show how destructive these can be. Like that one toxic friend you’ve had that keeps trying to worm their way back into your life.” –JACKALS
Welcome everyone to another edition of our weekly music News Report!
Where else could we start this week other than with Glastonbury Festival and their initial 2023 line-up! We now know that Elton John will be joined in headlining the Pyramid Stage by Arctic Monkeys and Guns N Roses!
Also playing over the weekend will be Alt-J, Blondie, Manic Street Preachers, Nova Twins, Royal Blood, slowthai, Texas and Legends Slot filling Yusuf (Cat Stevens).
It was a good week for festival fans this week as our News Report continues with this stunning line-up from 2000trees Festival!
The absolutely stacked line-up now features added American Football, Eagles of Death Metal, Electric Six, Employed To Serve, Joy Formidable, Tigercub and Black Honey.
The full line-up also hosts the likes of Frank Carter and the Rattlesnakes, Hundred Reasons, Skindred, Deaf Havana, Rival Schools, Bob Vylan, Empire State Bastard, Holding Absence, Kid Kapichi, Cancer Bats, Dream State, LostAlone, Witch Fever, Blackgold, Guise, Mimi Barks, Pet Needs, Press To Meco and many more!
“For us, seeing fans just as excited about the bands lower down the line up as they are about the bigger artists is what 2000trees is all about, and this announcement is no different. Heriot and Kneecap were big personal highlights from 2000trees 2022, so to be able to have Heriot return to smash the Main Stage and Kneecap bringing the carnage to the Forest Stage is going to be something special! And there’s still two headliners to come sooner than you might think…” – Festival booker James
Leicester’s The Long Road festival returns in 2023 with a line-up including Jon Pardi, Blackberry Smoke and many more.
Commenting on today’s announcement, TLR’s Tennessee-born Creative Director Baylen Leonard said: “We’re delighted to announce the first wave of artists for The Long Road 2023. Our festival is about offering a unique, inclusive experience for our visitors, with amazing music, great food, and a welcoming atmosphere. Our line-up reflects the very best in Country and Americana music today, and we can’t wait to welcome visitors to Stanford Hall for what is going to be a truly unforgettable bank holiday weekend.”
Also this week, pop disruptor Ashnikko announced her hotly anticipated world tour and debut album ‘WEEDKILLER’, which is out June 2nd.
Speaking on the announcement Ashnikko states “My bioluminescent heart is glowing. My post-apocalyptic fae world is here for you to journey into. My wings have been ripped out, but I’ve built them anew using WEEDKILLER machine parts. I am the one sent here to eliminate you, WEEDKILLER.”
This week saw Underoath return with their brand new single, ‘Let Go’, which you can check out above.
In discussing the song, the band said, “This is actually the first song we completed after recording (last year’s) Voyeurist. It took a few different forms but we got it to a place where we knew this is what it should be. It’s about letting go of whatever trauma or demons that might be holding you back. As hard as it is to make those decisions sometimes, I feel like we can never grow without stepping out of those toxic environments.”
DMA’S have this week shared their latest single, ‘Something We Are Overcoming’, which you can listen to above.
The track comes ahead of new album, ‘How Many Dreams?’, which is out March 31st.
“‘Something We Are Overcoming’ started as a moving ballad about perseverance but quickly morphed into a trancey anthem of a side quest that is slightly but steadily DMA’S. We hope you like it.” – DMA’S
Brighton’s snake eyes have shared new single, ‘no one is truly cool’, and you can check out the video above.
Commenting on the new single, vocalist Jim Heffy says: “I met a bloke in a band I like at a festival after separately having a really lovely chat with one of their bandmates. he was stand-offish and, to be honest, a bit of a prick, giving proper ‘too cool for school’ vibes. the whole exchange left a bad taste in my mouth.”
“the fake cool guy thing can only go so far. no need for a fake personality. just be real, be yaself. even Keith Richards puts down the whiskey and cigs sometimes and watches ‘the last of us’ in his pants with a bowl of nik naks like everyone else.”
The official video for the track was created by the band’s drummer and visual director Thomas Coe-Brooker, who explains of the concept: “in keeping with the song, we thought it’d be fun to make a really cool looking video in the least cool of spaces – a family garage. kinda like when you’re having band practice as a teenager and you’re all really sending it like total bad asses…but ultimately, your mum’s seconds from bursting in to tell you it’s too loud and that your dinner’s ready. that, but with satisfying, nicely framed angles and dreamy in-camera long exposure, 90s style.”
Hell’s Ditch have shared new single, ‘Ghosts’, ahead of their debut EP, ‘Take Cover’, out March 23rd.
Vocalist Nick Davis explains: “Ghosts is about the hanging weight of the past, the present and the future. Capitalism puts a premium on individual success, which leads people to feel like their failing if they don’t achieve certain goals or milestones. It’s all too easy to plant trees, grow them, and then cut them down inside the confines of your own head. I wrote most of the lyrics while watching my cats seemingly stare at nothing on the ceiling”.
paradise fell. – ‘VICES.’
Alternative artist paradise fell has shared their debut offering ‘VICES.’.
“VICES. is a frantic confrontation of the irony; that something which kills us slowly, sets us free in the moment. It makes us feel alive. The bad habits we have are the only things that can save us from the drudgery of daily life. The very things that are killing us, become a cornerstone of our identity. They become familiar. They become part of who we are. A comfort in a chaotic world.” – paradise fell.
Hunch Power – ‘Eye for an Eye’
Hunch Power hits back with their new pacifist anthem, ‘Eye for an Eye’.
“I’d been wanting to write a pacifist song about revenge for ages. I was sure about borrowing Ghandi’s famous words for the title and chorus but I couldn’t find the right music to go with it. One day I remembered an old idea I never demoed and realised the music matched perfectly so I wrote new lyrics and the band loved it” – Singer Harvey Springfield
Welcome everyone to another edition of our weekly music News Report, where we roundup the best news from the past week. We start this week with the latest tour announcements, including the above from The Hunna!
Having just revealed the details of their upcoming new self-titled album, the band have now scheduled in a lengthy UK Tour for later this year. Support comes from Kid Kapichi and Lucy Deakin.
‘Trash’, the lead single from the new album kicks things off by giving the music industry both barrels, taking pot-shots at the execs who told them “TikTok, TikTok or else you get dropped”.
“We’re not calling anyone specific out,“ explains Ryan. “it’s just overall industry suckiness. It highlights things we’ve experienced in the industry over the years and things we see going on and hear about now. There’s a lot of bad shit that still goes on in the industry and a lot of it gets swept under the rug. But we’re in the position where we’re on our fourth album, we feel refreshed and confident and this is what we’re going to say. You either like it or you don’t, it’s cool either way. We are who we are.”
Nile Rodgers & Chic announces End of Summer Parties
The legendary Nile Rodgers and Chic have announced two massive concert appearances at the iconic London venue O2 Academy Brixton, on Monday 19th September 2022 as well as a second show at O2 Victoria Warehouse, Manchester on the 21st of September.
Nile Rodgers said, “After the blues of Covid we’ve had an incredible summer in the UK getting up front and close with all of our incredible fans. What better way to celebrate the last day of summer and the first day of autumn than with our final UK shows of the year at Brixton and Manchester. We want to invite all the Lionesses who’ve made the whole country so proud to get up on stage for what will truly be Good Times!”
Another band with new tour dates to reveal as we continue our News Report is none other than The Wonder Years, who will hit the UK this November!
Speaking of the tour, frontman Dan ‘Soupy’ Campbell, says “Fun Fact: We’ve been touring the UK longer than anywhere in the world, including the US. This year marks 15 years since our first UK tour and the memories we’ve made—from playing literal basements up to Alexandria Palace—have been and continue to be some of our most treasured. So it’s with an immeasurable joy that we get to tell you today that, for the first time since 2019, we’re doing a headlining UK tour this November. We can’t wait to play everything for you—new stuff from THGOF, old favourites, the whole damn thing.”
A single piece of festival news in our News Report this week and it comes from Manchester event Neighbourhood Festival.
The festival has revealed a second wave of acts including Pastel, Himalayas, Michael Gallagher, Planet, Rats, Rosellas, and Youth Sector.
They join the already announced The Snuts, Everything Everything, Sundara Karma, Baby Queen, Lauran Hibberd, Louis Dunford, Stone, Ten Tonnes, The Goa Express, The Royston Club, The Skinner Brothers and Courting!
This week also saw IDLES debut the video for their track, ‘Stockholm Syndrome’.
Speaking on the video, directors Charlotte Gosch and the band’s own Lee Kiernan explain, “The process of making the video was very fulfilling for the both of us as we were able to physically create what we were imagining. Both the masks and shapes were handmade and painted by ourselves and friends.
Working with our DOP Rob French we were also able to realise the long shots of each verse and the opening scene of the dancers. We both love the exhaustive and immediate feeling that a long shot can convey, like in Gus Van Sant’s Gerry, which we referenced quite literally.
The initial idea of the video was to try and visualise the monotony hell of having to work to survive and how the ‘machine’ eventually engulfs you and strips you of your freedoms. But we wanted to achieve this in a metaphorical way that kept the meaning as open as possible. So it becomes rather a visual representation that can be read in many different ways.”
There was also new music from LIFE this week as they debuted new single, ‘Duck Egg Blue’, which you can check out above.
The track will feature on new album, ‘North East Coastal Town’, which is out on August 19th.
Speaking on the new release vocalist Mez says: “‘Duck Egg Blue’ is a realist’s love song. The journey of trying to navigate through each other’s feelings and emotions, the strains of close quarters trapped in a tiny flat, the minutiae of everyday life. The overarching sentiment is that no matter what happens, after all that is said and done, we love each other, and we are there for each other.”
Fellow previous ‘Discover New Music Playlist members Oakman have also released new music this week. You can listen to new single, ‘All The Way Up’, above.
About the song, the band says, “‘All The Way Up’represents this long journey in a life between fear, hesitation and the desire to never stop going further. Since we were born, we all have dreams that we never stop fighting for. For which we will always be regarded as an alien by others because we are often misunderstood and not supported. And when everything else gets in the way, it’s often psychologically hard to continue to find strength. But every day is a new day and every day brings a new strength to keep going all the way up.”
The Lounge Society have shared new track, ‘Upheaval’, the latest track to be taken from their upcoming debut album ‘Tired of Liberty’, out August 26th.
The band comments, “Upheaval has a calmer atmosphere than anything we’ve done before and looking back on the album as a whole, it may in fact be one of the most important tracks on there. In the studio Dan [Carey, producer] really helped us bring a certain vintage feel to life – with deep textured acoustic guitars, heavily impacted by the ambient room mixing we focused on in the closing stages of the album. This song, more than anything else we’ve ever done, feels like us together as four mates playing a song that we love.”
Grave Goods – ‘Source’
Grave Goods have shared their new single, ‘Source’, taken from debut album ‘TUESDAY. NOTHING EXISTS.’, which is out 9th September.
On the track, drummer Sarah Grimes said, “This was the second song we wrote. It was written on drums and guitar first, we wanted it to be really minimal in the verse with drums and vocals and contrasted with louder choruses with the guitar and drums working together with bass added later. When we were structuring the song we took the guitar line from the chorus and used it as the intro to hook people in.
When we wrote the song initially, I had a mic set up beside me and I whispered “ha ha” at the end of each bar during the verses. Those were dropped as we started to play the song live but while we were recording we decided to add it back in – me whispering “Ha Ha” on my tiptoes trying to reach Lois’ mic.”
ENOLA – ‘Strange Comfort’
Melbourne-based singer, songwriter, producer and multi-instrumentalist ENOLA, sharesnew single ‘Strange Comfort’.
ENOLA says of the track, “There is a comfort in knowing that suffering can be a universal experience. We are alone, yet together in our aloneness.”
On the accompanying video they say, “In the film I am not playing a role or character & I’m not playing myself as I am today. I am looking back at a past self and a time & place gone. A time of fearlessness, hopelessness & rebellion.”
With the pandemic taking a hold back in early 2020, Download Festival became one of the first major festival victims. It was perhaps fitting therefore that the small Pilot version of the event was the first step on the road back to normality last year.
That does mean though that as we head into Donington Park in 2022, it is the first fully fledged festival since the 2019 edition. After three long years, it is finally time for rock and metal fans to convene again on these hallowed grounds.
There are a number of changes this year to the layout of the festival but the best change is the installation of a strange golden orb in the sky. The usual brown flooring has also been painted green. Yes, goodbye Drownload and hello sunburn!
The main changes to the festival relate to the layout of the campsites, parking and transport hubs. Given these new changes, a little extra signage may have assisted seasoned attendees finding their way around, but in general the changes work well. There is a lot of walking required, however there always is at Donington Park however the event is laid out.
Once inside the area the setup is pretty standard if a little cut back with smaller stages, fewer food stalls and no wrestling or other extra areas. But, it’s Download and everyone is just glad to be here.
So then, on to the music! Opening the main stage on Friday are NWOCR favourites Wayward Sons who make the most of their short time on stage. They are quickly followed by Canadians Theory (of a Deadman) who also only have a short time to show their stuff. Thankfully for them they are able to call upon some festival-perfect material as the crowd sing along to ‘Bitch Came Back’, ‘Hate My Life’ and ‘Bad Girlfriend’.
Recently rejigged Bury Tomorrow follow on the main stage and bring the first real taste of heavy to the festival. The band are clearly honoured by the opportunity and try their best to win over the audience, with our first pyro of the weekend helping to add to the occasion. By the time the band leave the stage and a pile of bodies in the audience, the set has to be considered a success.
We go walkabout next and visit first the second stage for a man who has already played Download Festival with both Alter Bridge and Slash, Myles Kennedy. With two solo albums now to his name, Kennedy only grows his legacy with another top class performance.
Secondly we head to the Avalanche Stage for something new. American pop-punk band Meet Me @ the Altar have intensifying hype around them, and keeping with the tone of the day they are able to grasp this opportunity with both hands. Expect bigger things from the band in the near future.
As day one begins to draw to a close with catch two of Download’s house bands with Skindred on the main stage and Airbourne over on the second stage. Both bands attract big crowds, because fans know what to expect from them. High energy, entertaining rock shows are delivered by both as fans get to revel in what they have missed over the last three years.
Having delivered an incredible headlining performance at the Pilot event last summer, Frank Carter & The Rattlesnakes return to Donington Park next to headline the second stage. Carter and co show the crowd what they missed last year with another stunning performance. This band must be considered one of the best live bands on the planet and who would put it past them headlining the main stage in the future.
Download Festival after all needs to begin focusing on that next generation of headline acts, because many of the old guard are saying farewell. It is the ‘End of the Road’ for KISS, but not before one final triumphant showcase this year.
The band are able to deliver all the pageantry of a KISS show with every party trick played with precision. As the fans walk away with ‘Rock and Roll All Nite’ stuck in their heads, the band have brought the party and night one is closed out in style.
Saturday morning brings a fresh day with the sun still shining bright, but early risers at the main stage are left waiting with opening act The Raven Age almost forty minutes late. When the band do arrive they are able to show their continued growth with a matured performance.
This delay subsequently leads to a 30+ minute lag on main stage times throughout the rest of the day which plays havoc with fans carefully curated schedules. It does mean however that we can head to the second stage and catch the energetic Cassyette who is capitalising on the momentum earned over the last year.
It’s then back to the main stage for the classic rock sounds of Those Damn Crows and Monster Truck. Both bands continue the impressive start to the festival. Clearly every act is out to cast off the shackles of recent years and make an impression.
Both of these bands leave the fans wanting more, which is all a band can do with these early festival slots. It’s probably a good thing then, that these two bands will be touring the UK together later this year!
Up next for us is one of the performances of the weekend from Holding Absence over on the Avalanche stage. With songs like ‘Afterlife’ and ‘Wilt’ seemingly made for festival crowds to sing along to, the band completely own the packed tent during their time on stage.
Shinedown are also a band that knows how to control a crowd, and they have a large crowd to play with next on the main stage. With a new album on the way, the band incorporate new tracks ‘The Saints of Violence and Innuendo’ and ‘Planet Zero’ into their tried and tested, crowd pleasing set.
It’s then back to the Avalanche stage for another standout performance. This time it’s Creeper on the stage, the band again showing an innate ability to hold the audience in the palm of their hands. Creeper continue to grow and evolve and it will be interesting to see where the band head next.
We stick next to the Avalanche stage for headliners Funeral For A Friend. Perhaps it’s the fact that we’ve just witnessed two fantastic performances on this stage from Holding Absence and Creeper but something feels a little off for this set. It’s not a lacklustre performance as the band give it their all, but on a weekend full of great performances what is probably a really good one feels a little underwhelming.
There is never anything underwhelming however about Iron Maiden. The band are icons for a reason and their current stage show is possibly their best ever. With Maiden on form and a packed Donington Park in fine voice, this headline set was always going to be one for the ages, and it doesn’t disappoint.
Now onto Sunday morning, with hangovers taking hold, feet aching and stamina’s waning. It’s up to Wargasm to blow away any cobwebs as they open the main stage, and that’s just what they do. The band are developing into something of a marmite band, but there is no doubting the passion and energy that they put into every performance; and judging by the reaction they go down very well this morning.
Sidetracking from the music for a moment, we commented in our Neck of the Woods Festival review about the cost of food and drink this year. There are no surprises therefore that prices are high at Download Festival, but the quality on offer at that price is disappointing. Inflation is one thing, but shrinkflation begins to rub, and more than one meal this weekend leaves a sour taste in our mouth (figuratively and literally in one case!).
Well, if the amenities on offer are disappointing, thankfully the music isn’t. As we have said, the quality of performances this weekend is consistently high. Both The Velveteers in the Dogtooth tent and The Last Internationale on the second stage are fine examples of this quality from top to bottom.
Massive Wagons follow on the second stage and again appear on top form. As many bands have this weekend, they tailor their set list perfectly for their time on stage and it’s wall to wall bangers as the kids would say.
Tremonti next are more methodical as they display their technical prowess. Mark Tremonti and co are mightily impressive and the audience are equally receptive.
We shoot then across to the main stage where Rise Against are another band that fail to meet expectations. The band are an incredible force, but sadly today they struggle to translate from the stage for whatever reason.
Volbeat have no problems though as they are instantly able to grab the audience. They deliver a career spanning setlist to the delight of the field, which shows just why they have established themselves as potential future headliners.
We then find time to dart across to the Avalanche stage one last time as Trash Boat showcase one of the albums of last year, ‘Don’t You Feel Amazing?’. Trash Boat have really come into their own and have the entire tent bouncing along.
Korn are the penultimate band to play the main stage this weekend and they make the most of their position with one of the best performances of the festival. The band are longtime Download Festival favourites and they evidence today just why that is.
There is another look at the future next as Yonaka pack out the Dogtooth tent. Those that have made the effort to catch the band are rewarded by an incredible performance from one of the most exciting young rock bands around.
Last but certainly not least with have Biffy Clyro who are one of the biggest rock bands in the UK, but seemingly another marmite band amongst regular Download Festival goers.
One thing for certain is that those that chose to the stay until the end are rewarded by way of a sublime headlining performance. Biffy Clyro are another level live act and tonight they deliver a superb closing show fitting of closing this event.
Consistent high calibre performances have encapsulated the return of Download Festival this weekend. The event has a special place in the hearts of its fan base and will celebrate next year with a special four day 20th anniversary celebration. We can’t wait!
As May draws to a close, the traditional UK Festival season commences. Of course 2022 is the first full season in three long years following the pandemic-related disruption to the 2020 and 2021 summers.
It must be fate then that as we journey towards Earlham Park in Norwich, the skies are grey and the rain begins to fall. It wouldn’t be the UK summer without some of the wet stuff now would it?
Our destination on this chilly spring Sunday is a new venture called Neck of the Woods. The one day festival sees organisers take over a venue vacated by yesterdays Let’s Rock Retro Festival.
I’ve long championed the notion that Norwich needs an indie/rock festival and if tagging along to this existing event makes one viable then I’m all for it. Line-up wise Neck of the Woods is certainly going for the growing younger indie crowd with only headliners The Kooks of a certain vintage.
Access is quick and easy and the atmosphere once inside is nice and relaxed. The usual overpriced festival food and bars are present as are four stages of music.
Given the ongoing cost of living crisis it’s somewhat disappointing yet fully expected post-pandemic that food and drink prices have increased since last year. A hot dog, fries and a can of pop coming to a staggering £14.50! As I say, expected given the past couple of years, but a little frustrating.
The site is setup well for a one day event with the stages spread out between two different areas, each with one outdoor and one tented stage. As expected there is some sound bleed at times, but nothing too invading.
There are a handful of stalls and other activities scattered around the site, with ample facilities such as toilets plus a separate VIP area. Thankfully there are no major queuing issues all day with the amount and distribution of everything on site seemingly well measured.
That’s the amenities taken care of then, now onto the music! That is after all why we are all in this field, with a little sunshine now poking through.
Opening the main stage are local favourites Youth Killed It who do a fantastic job in getting the early attendees engaged. Their unique brand of indie punk captures the imagination of the young audience and shows great promise for a band coming into their own.
The main stage and the tented second stage, sponsored by local venue The Waterfront, alternate meaning eager music aficionados can catch an endless stream of musical pleasures if their legs can hold them. We are able to hold this pace for the first half of the event, allowing us to take in some great young acts including a fair few to have featured on our ‘Discover’ New Music Playlist!
One such act is Liverpudlian indie upstarts Rats who open the second stage with a blistering set which wins over every single person present. A glimpse into the future of indie music, and the future is once again looking bright.
Next on the main stage are The Lottery Winners who, with their great onstage banter and even better musical output, may be the perfect festival band. The group have the audience in the palm of their hands throughout their short set and leave the crowd wanting more, which is all you can really hope to do.
Another enthralling act grace the second stage next with their superb 80’s tinged Synth-Pop are Deco. This is a name that is popping up on many a festival line-up this summer and is certainly one to watch out for.
Also on the one to watch list is the fabulous Lauran Hibberd who has been making waves for a couple of years now. Hibberd is preparing to release her debut album later this year, and on the evidence of today it is set to be a big one. Fully expect to see this name playing higher up festival bills next summer!
The Royston Club continue the hot streak of great young bands at Neck of the Woods next with another top showing in the tent. With many fans seemingly already in the know, the band are able to create a fun atmosphere as our legs begin to tire.
No time for rest just yet as we return to the main stage for a band that feel on the cusp of something really big. The Snuts hit the number one spot with their debut album and recently played some huge shows across the country including Brixton Academy.
Songs such as ‘All Your Friends’, ‘Always’ and ‘Glasgow’ from that album feel like they were made with days like today in mind. With the sun now making regularly scheduled appearances from behind the cloud and the crowd fully in the festival spirit, the band go down as expected. A hero’s reception for a group surely destined to headline this sort of event.
Now after that relentless run of superb music, we must stop and retreat to check out the VIP offerings. With a private bar and toilets along with ample seating including a good view of the main stage, the VIP area is basically what you’d expect at a festival; nothing too fancy but a nice place to chill out.
But whilst we rest, the music doesn’t. The organisers have done well to secure a line-up featuring some of the best new bands on the scene with a splattering of larger acts to draw the crowds.
Whilst we relax we get to enjoy dodie who offers something slightly different to the indie lad rock predominantly featured. An enjoyable set from dodie allows us time to recuperate before another onslaught of music.
We pick things back up towards the top of the bill now with Sea Girls on the main stage. Sea Girls are a band that I’ve heard of but never actually listened to. Not really knowing what to expect, the band are able to quickly get my attention. They also have the attention of the majority of the attendees with a clear connection existing between band and fans.
Their time on stage sails by very quickly which is usually a good sign, and with their name featuring on many festivals this summer, I feel they’ve earned a little more attention from me before I hopefully see them again.
In fact, one of my favourite things about festivals is discovering new music. I’d like to say NOISY on the third stage are a new discovery but they’ve actually featured on our ‘Discover’ New Music Playlist already. That said catching them live here gives new emphasis to their music as the band play one of the most energetic and passionate sets of the day.
Perhaps this energy and passion is what make our sub-headliners DMA’s fall a little flat having to follow them. Another band that I’ve not personally delved too deeply in before, I can’t say that are able to grab me as much as many others have today. A slower paced set perhaps wasn’t what the doctor ordered following NOISY in a small tent and prior to Yonaka in the big tent.
DMA’s are pleasant enough and perhaps do deserve deeper inspection, but as the weather gets colder and the feet start to ache, they struggle to capture my imagination today.
That was never going to be a problem for our second stage headliners Yonaka however! This after all is a band built on energy and passion, a band whose bond with the audience is synergetic.
Arriving slightly late on stage, the band power through their set which just adds even further impedance and immediacy to their performance. A sublime mixture of the stunning and the powerful encapsulates Yonaka as they deliver the likes of ‘Ordinary’, ‘Call Me a Saint’ and the incredible ‘Rockstar’.
Fans in attendance have probably just witnessed the performance of the day, but having slightly overrun it’s time to leg it back to the main stage where The Kooks have just arrived for their headline performance.
Their setlist tonight features debut album ‘Inside In/Inside Out’ predominantly to celebrate its 15th anniversary. Adding in a few hits from that albums successors makes for a pretty great festival setlist.
Opening with ‘Seaside’ and ‘See the World’, the band instantly have the crowd in hand. They are able to maintain this connection throughout their performance which is more than worthy of the headline slot.
By the time ‘Naïve’ closes their set and sends the fans off into the night, it is very much job achieved both for The Kooks and for Neck of the Woods. Norwich does need an event like this, and whilst far from sold out, the event is well enough attended to be deemed a successful debut.
Hopefully Neck of the Woods can build on this solid start, build their brand and bring some of the biggest indie acts to Norwich in the coming years. Most importantly though I hope that they maintain the focus on new bands!
Today has been a day of discovery, finding great new acts before enjoying a handful of the best indie acts around at the moment; the perfect mix. I’d imagine we will be hearing a lot more from a number of these acts over the coming years, and hopefully we will be back at Earlham Park next year.
Pale Waves reveal UK Tour, debut new single and announce new album
Welcome everyone to another edition of our weekly music News Report, and it has been as huge news week for fans of Pale Waves!
This week saw the band announce a new UK Tour to take place in November. The run of dates will include a huge show at the O2 Brixton Academy in London.
That isn’t it though, as the band also announced that they will be releasing their third album, ‘Unwanted’, this August.
They also debuted the first single from the album, ‘Lies’, which you can check out below.
“‘Lies’ is about someone who built up my trust and destroyed it like a wrecking ball,” says frontwoman Heather Baron-Gracie. “it caused some real trust issues, but fortunately for me that person is no longer in my life. Once you do me wrong you’re gone!”
Pale Waves have been on a personal and artistic journey since the release of their debut album ‘My Mind Makes Noises’ in 2018. These experiences have begun to inform their songs in recent years and are what jump to the fore on ‘Unwanted’.
“It was really the only thing this album could be called,” says Baron-Gracie, now 27. “It’s bold and unapologetic, and that’s what the Pale Waves community is about. We don’t need to fit a perfect mould, we don’t need to apologise for being ourselves, and we won’t change for anyone. That acceptance is what connects us.”
Five Finger Death Punch announce new album ‘Afterlife’
We move our News Report onwards now on to the new releases from this past week, and we start with Five Finger Death Punch.
The metal icons this week revealed that their new album, ‘Afterlife’, will be released on August 19th. In announcing the album, the band also debuted new track, ‘IOU’, which you can check out above.
“AFTERLIFE was hands down my favorite record to make.” says 5FDP guitarist Zoltan Bathory and continues: “It is our ninth album so at this point, we have legions of loyal fans, and our signature sound is more than established. It became its own island, our ground zero we operate from and we can always come back to. So when we started this record, there was an excitement of impending musical adventures, we knew we could step away as far as we wanted to, there was a freedom of truly “anything goes.”
This resulted in an album that is way more diverse than our previous ones, while it feels more unified, because there is a framework of overarching stories in Ivan’s lyrics and interconnecting musical motifs between songs. It was not planned as a concept album, but we were so hyper-focused on painting a complete picture, it somehow feels like one… We are very proud of it and are just as impatient as the fans waiting for the release, can’t wait to share it.”
The HU also had new music to present this week as the band debuted new track, ‘This Is Mongol’. You can listen to the track above, which comes ahead of their highly anticipated sophomore album due this summer.
Speaking about the video, singer and tumur hhuur player Jaya said, “We shot in the Mojave Desert, Nevada and the environment reminded us of Gobi Desert in Mongolia. We enjoyed shooting the video, which happened during our tour and gave us a little break to reminisce about home. The song perfectly matched the environment we made the video in. It was one of the best memories we created as a band and it was special because our producer Dashka was with us to oversee the whole process.”
The Lounge Society have announced that their debut album, ‘Tired of Liberty’, will arrive August 29th. This week they debuted new track ‘Blood Money’.
The band comments: “Blood Money is a reaction to the culture of greed that’s seeping into the corridors of power across the world. It’s a reminder that ultimately, we all suffer at the hands of self-serving elites, and it’s our personal perspective on the effects of dirty politics on the everyday lives of ourselves and people we know.
For us it’s a song that completely captures this record and us as a band. It feels like the perfect development from our previous releases to our debut album and exactly how this record should be introduced. The balance of driving guitar riffs and the groove of the drums and bass is sort of a snapshot of the album. We’d never claim to be a purely dance based band and we’d never claim to be a purely guitar riff-based band because it’s the combination of the two which excites us.
On Blood Money it felt like in the studio we took our sound to a different level. We approached the album recording in a totally fresh way to how we have recorded in the past and we got exactly what we wanted.
We had good friends & Speedy label mates of ours Anouska (Honeyglaze) and Jojo (Heartworms) do some extra vocals in the chorus, and it really elevated it and gave it an almost operatic feel which was amazing to see develop in the studio.”
Call to the Faithful – ‘The Problem’
Fierce UK Rockers Call to the Faithful return with their first offering of 2022, ‘The Problem’.
The band says: “The Problem is biographical account of the miserable situation so many of us find ourselves in, unable to break free of living paycheck to paycheck while being continuously belittled by a generation so detached from modern struggles that they provide useless solutions like “simply work harder” and “don’t waste your money at Starbucks”.
smallmint – ‘The Dark’
Northern Ireland stalwart’s smallmint have unveiled their new single, ‘The Dark’, plucked from debut LP ‘where we all end up in the end’.
Speaking of the album’s production, Cameron-Braithwaite says:
“We wanted the album to feel natural and to actually sound like a band playing live in a room, which is exactly how it was recorded. It was important for us to keep that space and energy in the recordings — no need for overproduction or too many overdubs, so that the arrangement of the music and the emotion within the lyrics could speak for themselves.”