If you attended a UK music festival this year you would’ve had a high percentage chance of catching The Skinner Brothers. The hotly-tipped band have kept busy since supporting Kasabian last year and now feels an ideal time for them to release some new music.
Well, that’s exactly what they’ve done in the shape of new four-track EP, ‘Lonedon’.
The title track is up first and showcases their Britpop influenced indie-rock perfectly. Second track ‘Mellow’ demonstrates their dexterity and ‘Loaded Gun’ sounds like it was recorded for the FIFA video game soundtrack.
Final track, ‘Make It Count’, is a superbly crafted softer sing-a-long anthem which ensures that this is a well rounded collection.
In fact, if your looking for a short taster of this much hyped new act, then this EP is exactly what you need!
Disillusioned and close to bankruptcy, it is fair to say that 2001’s ‘Free All Angels’, was a make or break record for Ash. Whilst debut album, ‘1977’, had hit the number one spot and made the band a household name, sophomore release, ‘Nu-Clear Sounds’ had seen the bands momentum stall.
Having seemingly hit rock bottom, a refreshed approach saw the band write and record what would be their saving grace, ‘Free All Angels’. Returning the band to the top of the charts, and serving as a springboard to greater success, it is again fair comment to say that the album rescued the group’s career.
This week has seen the band celebrate the 21st Anniversary of the album with three very special shows. Rejoined by guitarist Charlotte Hatherley, who departed the band in 2006, Ash have played the album in full first in Manchester, then Birmingham and finally tonight at the O2 Forum Kentish Town in London.
On the eve of the funeral for Her Majesty Queen Elizabeth II, there is a perfectly observed minutes silence at 8pm.
Shortly thereafter opening act The Gulps take to the stage and do a suitable job of raising spirits and getting those in attendance ready for our headliners.
WATCH ‘SHINING LIGHT’ ON YOUTUBE
Ash – ‘Shining Light’
A mighty roar greets Ash and particularly Hatherley to the stage and the band proceed to play the entirety of ‘Free All Angels’. The quality of the record is borne out with opening trio, ‘Walking Barefoot’, ‘Shining Light’ and ‘Burn Baby Burn’, with even frontman Tim Wheeler commenting on the run.
The singles, naturally, played a large role in the success of the album but it is the overall quality that ensures that remains as revered today as when released in 2001. ‘Candy’, ‘Someday’, ‘Sometimes’ and ‘There’s A Star’ are all glorious before ‘World Domination’ brings the run though to a close.
This doesn’t end the evening however as Wheeler quips about making the most of their time with Hatherley, before introducing the first song that they worked on together, ‘A Life Less Ordinary’.
Ash are a fine live act, but tonight the addition of Hatherley really ratchets things up a notch or two. The added layers and intricacies level up the band and the likes of ‘Goldfinger’, ‘Orpheus’ and ‘Clones’ sound absolutely huge tonight.
Towards the end of the night the band break out tracks such as ‘Numbskull’, ‘Kung Fu’ and ‘Girl From Mars’ much to the delight of the audience.
Tonight has been a reflection of a period of time not just for Ash but in British music. It’s an evening drenched in nostalgia but for those in the venue it’s all about the immediacy of the performance. It’s only fitting that a final airing of ‘Burn Baby Burn’ closes out what has been a successful celebration of a truly great album.
Welcome everyone to another edition of our weekly music News Report!
We start this week with tour announcements and they didn’t come much bigger than the above set of dates from Suede.
The group will be hitting the road hard next March in support of their new album, ‘Autofiction’, which is out now. The band will round off their tour at the legendary Brixton Academy in London.
The final tour announcement in our News Report this week comes from Ho99o9. The group will be ahead out across the continent of Europe this November including five UK shows.
You Me At Six – ‘No Future? Yeah Right’ feat. Rou Reynolds
We move our News Report onwards now to the best new releases from the past week, and where better to start than with You Me At Six?
Releasing their second new track in as many months, the group continue their new era with the Rou Reynolds featuring ‘No Future? Yeah Right’, which you can listen to above.
Willow‘s new album, ‘<COPINGMECHANISM>’, is out on September 23rd, and there was new music to enjoy this week. You can listen to new single, ‘curious/furious’, above.
Kodaline will be releasing their stripped-back live album, ‘Our Roots Run Deep’, on October 14th. This week they released the live single, ‘High Hopes’, which you can listen to above.
Regarding the single Steve says, “‘High Hopes’ is one of our oldest songs, it’s also the first song I ever wrote and sang that really resonated with me on a personal level. I’ve lost count of how many times we’ve played it but there was something special about this performance. Thanks to David Doyle for playing cello and to the crowd for singing along with us.”
The Black Angels share new single ‘Empires Falling’
The Black Angels – ‘Empires Falling’
With the release of new album, ‘Wilderness of Mirrors’, The Black Angels have debuted new single, ‘Empires Falling’, which you can check out above.
The band shares, “‘Empires Falling’ is a critical and reflective plea that examines humanity’s repetitive art of violent mass destruction. As we say in the chorus, “it’s history on repeat.” We are living in a Wilderness Of Mirrors, where it’s hard to tell what’s right from wrong, up from down, or the truth from lies as we navigate through these times where the fate of humanity is being refracted and reflected from one state of panic to another.
The world is a “bleeding animal” and we are left exhausted, polarized, and “pleading from street to bloody street.” History has proven, time and time again, that without a drastic metamorphosis from our leaders, politics, and ultimately ourselves… “you can be the one who saves yourself, or you can watch it all go to hell.”
Hamish Hawk shares new single ‘Think of Us Kissing’
Hamish Hawk – ‘Think of Us Kissing’
This week saw Hamish Hawk announce that new album, ‘Angel Numbers’, will be released February 3rd. Not just that but Hawk also shared the first single, ‘Think of Us Kissing’, which you can watch above.
Hamish had the following to say about the themes behind the single:
“Think of Us Kissing comes at you like a cannonball. It’s a tragic, romantic song about the music industry. It looks at the lengths an artist may or may not go in order to have glory showered upon them. It’s about the pitfalls of success, the perils of fame and the curse of ambition. It’s as loud and dangerous as a speeding train, and it’s a true anthem. It’s the biggest song I’ve ever written.”
We close our News Report this week with the latest single from PVA as they prepare to release debut album, ‘BLUSH’, on October 14th. You can listen to new single, ‘Bunker’, above.
Speaking on the track, the band says, “We started playing ‘Bunker’ almost as soon as the band started. Originally just a looped groove, it has evolved into the live track it is today through various compositions and outings live. The song tries to act as a reminder to overcome the want to chase things that ultimately lead to isolation.”
Pastel have shared new single, ‘S.O.H.O’, taken from upcoming EP, ‘Isaiah’, which follows October 21st.
Guitarist James Yates says, “This EP feels like a step up, like we’re growing musically and expanding on our sound! It’s everything we’re about. Trippy and chilled out with a proper deep groove to it. No other young British band is doing anything nearly as good, and we cannot wait for things to pop off in 2023 when our debut album drops.”
Rosellas – ‘Switch Off’
Fresh from a busy festival season, Rosellas share new single, ‘Switch Off’.
Rosellas commented, “This is a tune driven by a punchy, contemporary beat and moody guitars that centres its focus around the idea of getting away from it all and switching off from the moment. Not chasing dreams 24 hours a day and losing sight of the reason you began in the first place.”
Little Thief – ‘Lost In Love’
Bristol-based rock outfit Little Thief have released their latest single, ‘Lost In Love’.
Speaking about the single, vocalist and lyricist Charlie Fitzgerald says, “We wanted to write a song that explored the unspoken, unexpected, sultry passion that creeps in when you’re 6 feet deep.”
With the nights drawing in and the first full festival season in three years now completed, it’s time to head back indoors for our live music fix. And where better to start than in one of the UK’s many incredible intimate independent venues!
That brings us to Norwich at The Waterfront Studio for a sold out show from Canadian acts Arkells and Lights. Getting to welcome international acts such as these back into venues such as this is another reminder of the progress live music has made to return this year, and the venue fills up early with fans eager for an evening of great music.
Whether or not they’d be in receipt of such was never really in doubt considering the acts present. Up first is the multi-talented Lights who clearly has her fair share of diehard fans in attendance. Thankfully for them she has a whole hour to showcase her genre-bending indie pop, to the delights of those in the venue.
Latest album, ‘PEP’, features highly throughout a career spanning set list and album tracks such as opener ‘Prodigal Daughter’, ‘Beside Myself’ and ‘Okay Okay’ are highlights in a consistently powerful and uplifting show.
Yes, the bar for tonight is set very high by Lights, and many seasoned professionals would flounder in their attempts to follow such a performance. Luckily for both the band and the packed venue, Arkells are more than up to the challenge.
The Opening trio of ‘Past Life’, ‘Leather Jacket’ and ‘Michigan Left’ set the stage for another top tier performance from this well-oiled touring machine. At this stage of their career, the group have songs for days so it’s refreshing that they are willing to accept audience requests such as ‘Hand Me Downs’ which occurs next.
Arkells provide another career encapsulating set list with a particular focus on recent efforts ‘Blink Once’ and ‘Blink Twice’. Big hitters such as ’11:11’, ‘Knocking At The Door’ and finale ‘You Can Get It’ all elicit huge reactions from the crowd, however the highlight of the night comes from something special and unique.
Frontman Max Kerman regales the crowd with the tale of a young married couple having their first dance to ‘And Then Some’, with the track being performed by a local covers band. Kerman proceeds to recreate the moment of the first dance with the couple in the crowd, even bringing out the singer of said band, Counterfeit Brits, to sing.
Another memorable moment comes via ABBA cover, ‘Gimme! Gimme! Gimme! (A Man After Midnight)’. Expect the unexpected appears to be the theme of the night as Lights also returns to the stage to perform ‘Human Being’ with Arkells; much to the delight of an audience who will remember this night for years to come.
Live music is well and truly back, and our independent venues are leading the charge with amazing shows such as this taking place every night of the week. The tickets to catch these two fantastic international acts in intimate UK venues are surprisingly inexpensive. Thankfully for you there are a number of shows remaining on this tour, so do yourself and your local venue a favour and head along to one!
Welcome everybody to another edition of our weekly music News Report!
We are starting this week with the best tour announcements from the past week and we begin with a special treat for Pendulum fans.
Yes, after their secret sets at Reading & Leeds Festivals, Pendulum revealed not one but two dates at the legendary O2 Academy Brixton for March next year.
Pet Needs have just released their sophomore album, ‘Primetime Entertainment’, and this week they announced the obligatory headlining tour to accompany the release.
Support for these shows comes variously from Tundra and Bridget..
The tour finishes in their hometown Colchester on December 16th with special guest Sean McGowan plus Ecto Peach and Oxbowlake!
Speaking about the show, Johnny says: “We’re headlining a 400-capacity venue in our hometown Colchester at Christmas. I moved here 7-8 years ago now. For local bands, if you play Colchester Arts Centre, you’ve got credibility. I never thought we’d headline that venue and If we can sell it out, that’d be incredible.”
We move our News Report now onwards to the best new releases from the past week and we start off with the return of Nickelback!
Yes the Canadians returned this week with new single, ‘San Quentin’, which you can listen to above. The track will feature on new album, ‘Get Rollin’, which will be released 31st March.
This week Black Star Riders shared the latest look at new album, ‘Wrong Side Of Paradise’, which is out January 20th. You can check out new single, ‘Pay Dirt’, above.
Frontman Ricky Warwick comments: “Rock’n’Roll is my lover, friend, enemy, ally, religion and saviour. Rock’n’Roll is my life.Christian Martucci and the late Todd Youth wrote the music for this. And when I heard it, it stank with defiance and attitude. It didn’t need changing, just some words to echo the power of the chords.It’s an ode to Rock’n’Roll… But also a dig at those that don’t learn their art and don’t play from the heart!”
About the album Ricky adds: “I am very proud of this record, Black Star Riders’ fifth release and the first with our new and exciting relationship with Earache Records. As with all BSR albums, ‘Wrong Side Of Paradise’ is an anthemic statement of intent, driven by ferocious guitars and thundering drums. I can only write about my own personal experiences, my families, my friends and how I see a world that is unraveling and changing faster than we can comprehend. That being said, I’m a firm believer in the power of positivity, something that echoes throughout this album”
In addition to the new record, Black Star Riders will embark on their 10th Anniversary tour, starting from 13th February 2023.
Ricky Warwick further comments: “Can you believe 2023 is 10 years of Black Star Riders? … How time flies while you are having fun! We decided to do something special to commemorate this occasion. For the UK tour only, to coincide with the album’s release, we will be bringing back the legendary Scott Gorham (guitar) and Jimmy DeGrasso (drums) for the dates to make them extra special!”
Our News Report continues with the latest single from The Cult, ‘A Cut Inside’, which you can listen to above.
The track comes from new album, ‘Under The Midnight Sun’, which is out on October 7th.
Leading to 2020, The Cult had been on a rolling cycle of releasing albums, touring, and recording. As the world shut down and everyone was forced to reprioritise the way they approached life and work. “When the world stopped, I had this moment to write in real time, to calculate,” says Ian Astbury.
When lockdown lifted and the group could meet to record, they teamed up with Dalgety. “I was compelled by this vision, this anomaly, this memory, of being under the midnight sun. Tom helped us bring a new musical shape and frequency to our process.”
Pixies up next in our News Report as they shared new track, ‘Dregs of the Wine’, this week, which you can listen to above.
The track comes from upcoming new album, ‘Doggerel’, which is out September 30th.
BlackFrancis says the song is about, “Living in Los Angeles in the ‘90s with my then-wife, hanging out with Joey and his ex-wife, lots of trips to Las Vegas, a lot of drinking, little bit drug taking, some genuine good times.”
Flashforward to the present day. Joey Santiago was jamming at home on his guitar and the initial idea behind the song may well have been lost to the moment.
He recalls, “I guess I was in kind of a zombie state, just playing. After I stopped playing I put it down and went, ‘Well, that was a fucking waste of time, what a piece of shit I am.’ I beat myself up a lot, but my girlfriend, unbeknownst to me, was recording me. She played it back to me and I go, ‘Fuck! Hold on a second here! This stuff is good!’”
Smith/Kotzen release ‘Got A Hold On Me’ live video
Smith/Kotzen – ‘Got A Hold On Me (live)’
The duo of Adrian Smith and Richie Kotzen will release ‘Better Days… And Nights’ on September 16th.
This week they shared the live video for ‘Got A Hold On Me’, which you can check out above.
Adrian Smith comments, “I think everyone in the band was extremely happy with how our very first tour turned out. We were all naturally a little anxious as we’d never played live together before but once we got out there, everything fell into place really easily and we all had a tremendous amount of fun. I can’t wait until we can do it again and get to play in many more places next time round.”
Richie Kotzen adds, “We spent a lot of time discussing which of the songs from the live show to include on this CD. We wanted to capture an accurate snapshot of the special vibe we all felt on the tour and I think we’ve achieved this in the songs we’ve selected, and hope our fans will agree. We’re looking forward to seeing everybody again on future tours.”
This week also saw Maximo Park share their latest single, ‘Merging Into You’, which you can check out above.
Singer Paul Smith comments on the song:
“Merging Into You’s organ sound reminds me of some of our early songs, which ended up on the flipside of our first singles. The song is a romantic look at the first, tentative moments of a relationship, enhanced by Du Blonde’s brilliant voice. We’re all fans of Beth’s music and she added a different texture to our sound, along with Faye MacCalman’s swooning sax that carries the song to its close.”
Stray From The Path share video for ‘Needful Things’
Stray From The Path – ‘Needful Things’
Stray From The Path celebrate the release of new album, ‘Euthanasia’, with the debut of the video for ‘Needful Things’.
The band will shortly play an intimate UK Tour to celebrate the album release even further.
Speaking of tour, guitarist, Tom Williams, says “We are stoked to return back to the UK and mainland Europe to do some small and intimate album release shows for our new record, ‘Euthanasia’. By the time we get there, it will be almost three years since we’ve been back. We’ve dropped ‘Guillotine’ and ‘III’ and our UK/EU people have been wanting us back ASAP, I’m glad we can get back there for them. We’re bringing with us a brand new album, two amazing up and coming bands in Vatican and Guilt Trip, and three years of too much time spent away from some of our favourite places on earth.”
As our News Report continues we look towards Wednesday 13 who this week debuted new single, ‘Insides Out’, which you can check out above.
The track comes ahead of 9th album, ‘Horrifier’, which is out October 7th.
About the track, Wednesday 13 says: “Our latest single ‘Insides Out’ is a very heavy song, so it only made sense to make a video to match the sound! Torture and violence is the main theme of this song, and we continue along the lines of the last music video with another horror movie theme here too.”
Beth Orton is another artist with an imminent album release. Her latest effort, ‘Weather Alive’ is out September 23rd, and this week she released her latest single. You can check out ‘Fractals’ above.
Orton says of the song, “The track is a beautiful example of the nature of collaboration, where people come in as they are,” she says. “You’re hearing the first take. I would never have been able to conjure that music without these musicians.”
Oakman have announced that their new EP, ‘SCP’, will be out September 30th. This week also saw the band share the video for the title track, which you can watch above.
“It is finally the end of a period. We are very excited to be able to give you the last pieces of this new baby,” says lead singer, Marine, about the new EP. “The last few months have gone by quickly and have been quite intense but it’s also a relief because we cannot wait to get our heads into what will be the next part of Oakman. We hope you enjoy this EP and we hope you can feel the sincerity of the emotions we wanted to share with you. Soon, this EP will belong to you.”
About the song, the band says, “Marine was watching a show during lockdown called “Crazy Ex-Girlfriend”. The main character reminded her of a character she had played when she was doing theater. After the foundation of ‘SCP’ was written, she wrote the lyrics about these two characters. ‘SCP’ is a sarcastic and second degree track about the fear of loneliness and not being loved at all costs with a neurotic side.”
Grave Goods share the song ‘Die’ from their debut album, ‘Tuesday. Nothing Exists’, out now!
Speaking of the single, drummer Sarah Grimes said, “Lois sent us the idea for DIE as a sort of electronic track, and when we were all together we worked out how to make it into a live band sound and add our own stamp to it. Whilst recording at Invada we felt that the build up towards the end of DIE needed more layers, so Lois and Phil tried out a couple of synths and settled on a sound that worked – it’s the only song that has synth.
During the last 15 minutes of our recording time Phil added extra layers by messing around with some guitar feedback – the final sound to be recorded on the album, which is kind of special when you think about it especially as DIE is the closing track of the album.”
Harpy – ‘Medicine’
Harpy is back to share her brand new single, ‘Medicine’!
“Sometimes we don’t want to be saved. Sometimes we want to feel the pain, to revel in the misery. We do things that are bad for us, because sometimes they feel good… so good that we go back to them again, and again, and again. That’s what Medicine is about.” – Harpy
Creature Cult – ‘ughly’
Creature Cult are a duo from Colchester, Essex consisting of Connar Ridd (vocals/guitar) and Jonn Downham (synths/backing vocals). The present their latest single, ‘ughly’.
Explaining the track further, Connar said, “I had to leave a job recently because I was told I didn’t dress the way they wanted me to when I was dressed perfectly fine. If someone without piercings and tattoos and bleached hair would have worn the same thing I doubt there would have been an issue. I’m bored of being made to feel like an alien for just trying to be who I am, this song is exactly about it. It’s about paranoia to leave the f*cking house because you’re thinking about what homophobic comment someone is gunna say when you’re queuing in the corner shop. About feeling exhausted to be yourself because people try and make it hard for you to be. But there is a community for people who stick together and stand tall, a community where difference is celebrated and we are all ‘freaks’ together, and this song is a f*ck you to the people who try to take that away.”
Jonn adds, “I was recently sitting at a bus stop and had a group of guys hurling the foulest homophobic comments at me simply because I was wearing makeup and dressed in a faux-fur coat. It’s both crazy and sad that there are people who still have these sorts of views towards others simply for being or looking different to what’s considered ‘normal’. It’s not okay”
THE AMAZONS – HOW WILL I KNOW IF HEAVEN WILL FIND ME? – ALBUM REVIEW
Reading rockers The Amazons are back with their third album, ‘How Will I Know If Heaven Will Find Me?’.
The band burst onto the scene with their 2017 self-titled debut and quickly established themselves as one of the hottest young rock bands in the country. Follow up ‘Future Dust’ was far from a flop, but probably didn’t build on their momentum as well as they’d have hoped. It will be interesting then to see how ‘How Will I Know If Heaven Will Find Me?’ fares and what impact it will have, if any, on the group’s career trajectory.
WATCH ‘HOW WILL I KNOW?’ FROM THE AMAZONS ON YOUTUBE
Making their name for out all arena rock anthems, this new record follows a path hinted at on its predecessor with a more melodic sound. Sombre and delicate, the harder side of the band only makes rare appearances as they explore their softer capabilities.
Whilst there will certainly be some fans slightly alienated by this, there will be many more that will welcome this change of pace; after all the band have successfully shown this side in past.
When we look beyond the aesthetics of the album, blinker ourselves from their past output and focus solely on the eleven tracks that make up ‘How Will I Know If Heaven Will Find Me?’, then we are looking are a superb record. A delicately crafted collection of melancholic glory!
Yes, The Amazons may be evolving before our eyes, but they are also proving themselves to be the future superstars that their debut album promised.
When we caught The Amazons supporting Royal Blood in arenas recently, we speculated that they would soon be headlining such venues themselves. With this album the band have ensured that trajectory remains.
After a ten year wait between ‘Scream’ and 2020’s ‘Ordinary Man’, Ozzy Osbourne is already back with new album, ‘Patient Number 9’. This is something of a miracle given the ongoing health concerns surrounding the iconic rocker, so it’s with a sense of relief that we press the play button.
The title track and opening campaign single, ‘Patient Number 9’ starts us off and showcases the first of many guests featuring on this album in Jeff Beck. Zakk Wylde, Tony Iommi, Mike McCready, Eric Clapton, Josh Homme, Dave Navarro, Robert Trujillo, Duff McKagan, Chris Chaney, Chad Smith and the late great Taylor Hawkins all have credits on this collaborators dream of an album.
WATCH ‘PATIENT NUMBER 9’ ON YOUTUBE
Ozzy Osbourne – ‘Patient Number 9’
You may think that such an eclectic mix of stars would contribute to the album feeling disjointed and lacking cohesion. That would it turns out be an incorrect preconception as in fact the record flows well and is distinctively an Ozzy Osbourne record. That said each guest adds personal touches and influences and enables this to be some of Osbourne’s most diverse work.
The critical acclaim that adorned ‘Ordinary Man’ will undoubtedly bleed into ‘Patient Number 9’ with Ozzy Osbourne showing that there is life in the old dog yet.
The only possible criticism would be that perhaps at a little over an hour the record is a song or two too long, but ultimately at this stage of Osbourne’s career we should be grateful for everything we are able to get.
Question marks remain over his ability to tour again, but if ‘Ordinary Man’ and ‘Patient Number 9’ ultimately represent the finale of his distinguished career then Ozzy can enjoy his well earned retirement safe in the knowledge that his career finished as authoritatively as it began.
PANIC! AT THE DISCO – VIVA LAS VENGEANCE – ALBUM REVIEW
Panic! At The Disco was a vessel for frontman Brendon Urie years prior his total custody of the moniker as an all out solo project. Recent releases have seen Urie fully embrace the spotlight and allow his ego to run untapped.
Often this is a bad thing, but in the case of Urie he possesses that flamboyance and je ne sais quoi that only a handful of musicians do. No matter the project or outlet he would naturally become the centre of attention, so in this case it’s only right to let that creativity and showmanship loose.
New album, ‘Viva Las Vengeance’, is everything that you’d imagine that it will be. To some that would be a bad thing, this is modern day Panic! At The Disco by numbers to many extents after all.
But importantly there is one sonic element that Urie has incorporated that helps keep things interesting and gives fans a taste of something a little different. That component is the outpouring of love for 70’s glam rock! This album is a love letter to T-Rex, Queen, Bowie et al, and Urie is able to pull it off with utter panache.
Panic! At The Disco – ‘Don’t Let The Light Go Out’
The title-track, ‘Middle Of A Breakup’, ‘Don’t Let The Light Go Out’ and ‘Local God’ all lead the charge before the likes of ‘Star Spangled Banger’ and ‘God Killed Rock And Roll’ unashamedly and theatrically drive the point home.
Panic! At The Disco aren’t breaking any moulds these days, in fact they are something of a safe bet. Again, to some this is a boring and uninspired trend over recent albums, but others will argue if it isn’t broke then don’t fix it.
What is clear on ‘Viva Las Vengeance’ is that Urie is having fun, he is doing what he wants to do and for him that’s all that matters; and hey if doing so can keep him headlining festivals and playing the biggest arenas in the world then he’d be mad to change at this point!
Few artists have the momentum that YUNGBLUD has right now. Having burst onto the scene in 2018 with his debut album, ‘21st Century Liability’, there has been no slow in pace since then with a new third self-titled album now upon us.
2020’s ‘weird!’ not just continued the impetus of ‘21st Century Liability’ but instead strapped a jetpack to this young musicians back. The question here then is does this third effort suffice to keep the train rolling?
Simply put, yes! Seemingly that momentum is relentless and YUNGBLUD is once again able to not just capitalise on his successes but fully build on them. His distinctive vocal presence ensures that all his work is easily identifiable, which almost allows some additional freedom to experiment musically.
Surrounded by talented collaborators such as WILLOW on single, ‘Memories’; YUNGBLUD is able to push boundaries whilst not alienating his pre-amassed and incredibly loyal fanbase.
The snobbish gatekeepers of rock music will be disgusted to hear that this hugely talented musician described as the future of rock but whilst dinosaurs like Gene Simmons continue the tired trope that rock music is dead we need to evolve and unshackle ourselves from our preconceived notions of what rock music is!
The difference between YUNGBLUD and some of the posers that have trod this path is that he has the musical substance to equal his powerful aesthetic. He achieves his admiration through a total package and that sets him apart from many of his contemporaries.
This self-titled album is exhibit number three in the case for YUNGBLUD as the future of rock, and the jury are ready to return their verdict of guilt!
PET NEEDS – PRIMETIME ENTERTAINMENT – ALBUM REVIEW
Eighteen months ago, mid-pandemic, Colchester punks Pet Needs burst onto the scene with their debut album, ‘Fractured Party Music’. An all or nothing exercise for a band at a crossroads in their career, the album permeated into the consciousnesses of the Xtra Mile Recordings scene of bands and their hardcore fans.
The catchy pop hooks and rambunctious rock and roll energy of the album established the band their own dedicated fanbase and took them on an adventure of a lifetime touring the world.
Now the band are once again ready to unleash a smorgasbord of musical pleasure into the wild as they follow up that debut with their oh-so important sophomore record, ‘Primetime Entertainment’.
Picking up where their debut left off, the record bursts straight into life with ‘Lost Again’, ‘Ibiza In Winter’ and the anthemic ‘Get On The Roof’. Listeners are left in no doubt about the direction of the band as they hoist their punk rock mast again.
Like predecessor ‘Fractured Party Music’, ‘Primetime Entertainment’ is also produced by Frank Turner. His fingerprints are all over the album with the sonic growth of Turner’s latest effort ‘FTHC’ also present on this album.
‘Spirals’ is an incredible rip-roaring track which pushes everything the band offers to the extreme. Given the energy and passion of Pet Needs live, ‘Spirals’, is surely destined to be a highlight of their upcoming tour.
Thematically speaking, ‘Primetime Entertainment’, is Pet Needs at their honest and reflective best. There’s plenty of the tongue in cheek lyrics which made ‘Fractured Party Music’, such a fun record, but there’s perhaps a greater sense of seriousness this time around.
When the world is in a bad way, and you just want to lose yourself in some loud guitars and singable songs; don’t fear Pet Needs are here again to service your needs with another liberating release of energy!
