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Album Reviews

VUKOVI

VUKOVI

NULA

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VUKOVI – NULA – ALBUM REVIEW

After more than a decade of scratching and clawing, momentum is finally behind VUKOVI as they release their third album, ‘NULA’. Both of this albums predecessors, 2017’s self-titled debut and 2020 follow up ‘Fall Better’ have felt like breakthrough moments only for momentum to stall.

In the aftermath of their debut, two members departed and soon after ‘Fall Better’ was released, the world stopped for the pandemic that derailed so many bands. Thankfully VUKOVI are one band that have made it through and have new music to show for it!

Top tier live shows and a slew of promising singles have rebuilt that all important momentum and now ‘NULA’ is upon us to surely push the band to the next level. The stars finally appeared aligned but there is one all important deciding factor remaining – is the album any good?

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VUKOVI – ‘LASSO’

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Ominous opening ‘DEPATURE’ instantly sucks us in and prepares us for the journey we are about to embark on. ‘TAINTED’ and ‘LASSO’ then lock the listener in and ensure they are going nowhere.

Musically immediate and fearless, ‘NULA’, feels like a statement in every sense of the word. Pre-release singles ‘SLO’, ‘I EXIST’, ‘KILL IT’ and ‘HURT’ all set what could’ve been an unattainable standard for the album as a whole. Thankfully the remaining tracks and the cohesiveness of the album manages to maintain and elevate that standard.

Whichever way you want to look at it this is the statement we suggest is it – sonically, thematically and in relation to the viability of the band. The album finishes with a statement of a song in ‘XX’ to really drive the message home.

What message? Well amongst other socially important ones, the fact that the time is very much now for a band long overdue sustained success!

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Read our review of VUKOVI live in Norwich

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Album Reviews

Slipknot

Slipknot

The End, So Far

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SLIPKNOT – THE END, SO FAR – ALBUM REVIEW

There has always been a mystique surrounding Slipknot, from their early days as unknown masked maniacs through to present day’s constant speculation on their future. The latter was fuelled further by the title of their seventh album, ‘The End, So Far’.

This album signals the end of their working relationship with Roadrunner which started way back in 1998. The purposefully triggering title however will leave fans wondering what the future holds. Promotional tactic, genuine end in sight, or just fun and games, perhaps not even the band themselves know.

What we do know however is that we have just shy of an hour of new Slipknot music to sink our teeth into, and as demonstrated by interesting album opener, ‘Adderall’, we also know this will be another divisive album for fans old and new.

Bands the size of Slipknot almost always become a victim of their own success. For some they can do no wrong, for others they can do no right. The reality, as is usually the case in life, is often somewhere in the middle.

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Slipknot – ‘Adderall’

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‘The End, So Far’ is one of those albums. There are some stunning moments, some weaker moments, some songs built for their old school fans and some material so far removed from the realms of Slipknot that it may alienate portions of their fanbase.

Ultimately Slipknot have always been anti-establishment in terms of the music industry, and they remain so now even if they’ve become that establishment! Slipknot are going to do whatever they want to do and they’ve earned that right.

The question to ask here is perhaps if this (which is very unlikely) is the final stand of Slipknot, does this album do them justice. The answer is yes, there is more than enough quality on this record to ensure this isn’t in the bottom few of any ‘All Slipknot albums ranked’ lists.

Almost predictably at this point in their career, it’s also not going to trouble the top of that list; which brings us back around to that point of the truth often being in the middle! Fans just need to enjoy this album for what it is, and make the most of the band whilst they are still around.

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Album Reviews

The Snuts

The Snuts

Burn The Empire

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THE SNUTS – BURN THE EMPIRE – ALBUM REVIEW

2021 saw The Snuts snag a surprise number one album with their debut, ‘W.L’. Since then the band has hit the road hard, touring all over and gracing plenty of festival main stages. If world domination isn’t their aim, then they may want to slow down!

Read our review of ‘W.L’ from The Snuts

That however is very unlikely to happen as the band return with sophomore album, ‘Burn The Empire’. This is a naturally important release for the band, and not just because of good old fashioned second album syndrome.

No, ‘W.L’, whilst a huge hit for the band was a collection of tracks from the bands career thus far, honed and crafted on the road. This is the band’s debut album in terms of writing and recording in a short period of time. This may then be the first true snapshot of the group’s talent and potential longevity.

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The Snuts – ‘Burn The Empire’

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Starting with the politically charged duo ‘Burn The Empire’ and ‘Zuckerpunch’, it’s clear that this also signifies a shackles off moment for the band. Having recently also called out their own record label, clearly The Snuts have no fear, and that’s refreshing considering the often maligned, play it safe culture in music these days.

The themes that run through the album feel particularly relevant right now and the band certainly get credit for their open and direct dialect. They also deserve credit for their musical bravery, showing a willingness to experiment away from the lad rock that has got them this far.

For a band to grow and evolve they need that willingness to experiment and can be forgiven for the odd misstep, such as ‘Cosmic Electronica’, which doesn’t quite hit the spot that they were no doubt aiming for.

All too often when bands have a highly successful debut, subsequent albums only require a hit or two to add to the bands legacy with the rest of the album often instantly forgettable. ‘Burn The Empire’ definitely provides a handful of hits to bolster the setlist, but whilst there is the odd tedious moment the rest of the album also holds up well.

This album will do exactly what it needs to do for The Snuts, as they continue their momentum towards world domination. We’ve needed a new breakout indie band for a while now, and don’t put it beyond this band to be the one to do it!

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Read our review of The Snuts live in Colchester

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Live Reviews

Frank Turner

Frank Turner

Junction, Cambridge

Friday 30th September 2022

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FRANK TURNER – CAMBRIDGE – LIVE REVIEW

You know that gig season is in full effect when you head along to a Frank Turner show. Yes, the man that is always on tour is on his rearranged ‘Never Ending Tour of Everywhere’. Tonight that means the Junction in Cambridge and another sold out show.

It’s almost a guarantee at a Turner show that you’ll be greeted by some fantastic support acts and this tour is certainly no different. Up first are Truckstop Honeymoon who serenade the crowd with their entertaining bluegrass folk sound, and their whimsical quips! The duo will be picking up many new fans on this tour as they introduce themselves properly to the UK.

The main support act on this tour is non-other than Pet Needs, who have featured on both our ‘Discover’ New Music and Full Pelt Music Podcasts. The band are intrinsically linked to Mr. Turner at the moment. He has produced both their albums and taken them on tour around the world. That said, it really feels like the band are breaking out and solidifying their own name.

Shows like tonight will go a long way towards that and it’s telling the amount of Pet Needs merchandise on display in the audience. Early fan favourites such as ‘Tracey Emin’s Bed’ and ‘Kayak’ intermix with new songs ‘Ibiza In Winter’ and ‘Fear for the Whole Damn World’ as the band showcase their enormous potential.

WATCH ‘GET ON THE ROOF’ FROM PET NEEDS ON YOUTUBE
Pet Needs – ‘Get on The Roof’

Read our review of ‘Primetime Entertainment’ from Pet Needs

Closing their generous time on stage with ‘Overcompensating’, ‘Toothpaste’ and ‘Get On the Roof’, anybody not yet alert to Pet Needs now surely are. The crowd give the band a huge ovation as they depart ready to continue to plot for world domination.

The audience is hot tonight and as Frank Turner takes to the stage the atmosphere is palpable. Imagine then the reaction as Turner bursts straight into a run of ‘Four Simple Words’, ‘The Gathering’, ‘Photosynthesis’, ‘Punches’ and ‘1933’ – hardly time for band or audience to breathe!

Turner’s latest album, ‘FTHC’, is a punk record and that ethos is certainly captured on this tour. Thankfully for Turner his audience are open to this change in pace and band and crowd are one tonight making this a great Friday night out.

Frank Turner is known to take particular care over his setlists and tonight is a typical career spanning affair with fan favourites, deep cuts and new tracks all on offer. Highlights tonight include ‘A Wave Across A Bay’, ‘Be More Kind’ and ‘Non Serviam’.

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Frank Turner – ‘Non Serviam’ (Live)

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At this point you know what you are going to get from a Turner show, and that’s an amazing time. Realistically that makes him a very difficult person to review, his consistency and endurance are unrivalled and you never really get a misstep.

Tonight the show climaxes with an encore of ‘I Knew Prufrock Before He Got Famous’, ‘Recovery’, ‘Try This At Home’ and ‘I Still Believe’, which drains every remaining drop of energy out of the venue. Don’t take Turner for granted, get down to a show and have a great night!

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Read our review of ‘FTHC’ from Frank Turner

Watch Episode 1 of The Full Pelt Music Podcast with guest Frank Turner

The Full Pelt Music Podcast – Episode 1 – Frank Turner

Read our review of Arkells live in Norwich

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Live Reviews

Hard-Fi

Hard-Fi

Craufurd Arms, Milton Keynes

Thursday 29th September 2022

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HARD-FI – MILTON KEYNES – LIVE REVIEW

Tonight is a hot ticket, with venue staff stating that they could’ve sold the venue out four times over, and that people had been inquiring about just listening from outside the venue.

The reason for the excitement is that tonight indie rock standouts Hard-Fi will be playing their first show in eight years. Not just that but it takes place in the intimate surrounds of one of the UK’s premier independent music venues – the Craufurd Arms in Milton Keynes (or Wolverton as singer Richard Archer points out).

Yes, the return of Hard-Fi is very welcome and given the lyrical content of some of their early material, it’s somewhat apt that the band responsible for ‘Cash Machine’ return during one of the most tumultuous weeks of the ongoing cost of living crisis.

Tonight serves as a warm up for their big return shows in Manchester and London, but before Hard-Fi arrive on stage we have the warm up for tonight. Eddz channels his inner Ian Brown, performing solo to a backing track. In front of a baying crowd, Eddz styles out the performance well and certainly leaves the stage with more fans than we he arrived.

The venue is rammed tight by the time the returning heroes arrive on stage and opener ‘Middle Eastern Holiday’ instantly engages the crowd. The atmosphere is electric as the band find their feet through the likes of ‘Can’t Get Along (Without You)’ and ‘I Shall Overcome’.

There is a slightly misguided rendition of The White Stripes classic ‘Seven Nation Army’ early in the show which feels oddly placed and generally unnecessary, however the next tracks ‘Tied Up Too Tight’ and ‘Good For Nothing’ ensure that the crowd remains firmly onboard.

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Hard-Fi – ‘Cash Machine’

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A run of ‘Better Do Better’, ‘Bring It On’, ‘Fire In The House’ and ‘Cash Machine’ is fantastic, and just shows the depth of the bands back catalogue. Despite only having 3 studio albums to their name, Hard-Fi certainly have the proverbial bangers for days!

Whilst there are times that it’s clear this is their first show in a very long time, the band shake off any gremlins to deliver a memorable night for their fans. ‘Suburban Knights’ and ‘Hard To Beat’ close out the main set for a three song encore which ends of ‘Living For The Weekend’.

The band are living for this weekend and their big return shows, but after this performance, fans will be hoping that Hard-Fi stick around for a while longer!

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EP Reviews

Oakman

SCP

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Oakman

The evolution of Oakman in recent years has culminated with the release of their third EP, ‘SCP’. The French pop-punk trio have given deeper exploration of the pop element of the genre and the outcome is majestic.

Opening with the statement dancefloor filler ‘Night’, the six track record is an uplifting yet brutally honest and personal collection.

‘Murder’ and ‘Fantasy’ knuckle down on this formula and exude vulnerability and strength in equal measure.

Oakman sound natural on this EP and are able to showcase their superb songwriting skills with freedom. Their pop-punk roots remain, but the band appear ready to elevate themselves both artistically and professionally with their new sound.

Watch Episode 22 of our ‘Discover’ New Music Podcast with guests Oakman

Read our review of Arkells live in Norwich

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Album Reviews

Editors

Editors

EBM

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EDITORS – EBM – ALBUM REVIEW

Editors debuted the single, ‘Heart Attack’, back in April with the announcement of Benjamin John Power joining the band. New album, ‘EBM’ was set for release and a number of subsequent singles have hinted that Power’s arrival on keys, synths and electronics coincides with a focus on such from the band.

Born in the indie landfill mid-noughties, Editors always stood apart and above from their contemporaries by infusing an electronic element into their dark guitar-centric sound. Throughout the next decade or so they’ve continually evolved with the times and that has seen guitars and synths swap places in the mix.

What has helped Editors both grow their audience and retain their core following is that they’ve done so well with quality music at the forefront. They’ve never abandoned their beliefs for the glory of chart success, but have found chart success nevertheless.

The shift of focus almost fully into the world of electronics hinted at in the pre-album singles is fully borne out on ‘EBM’. This is now far removed from the all out indie rock of debut album, ‘The Back Room’. It helps that the transition has been gradual and not the instant transformation that many bands have tried and often failed to enact.

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Editors – ‘Heart Attack’

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‘EBM’ feels like an honest record from the band, in that this is clearly what the band want to be doing. Sonically this is Editors being themselves, after all they’ve never been the pandering type of band. For some of those indie rock fans that bought into the band early doors this may prove to be a step too far, but for those that have enjoyed the journey this is another collection of solid tracks.

Whilst some fans may be turned off, this isn’t a bad album. This also isn’t a great album. When you’re consistently unique, you eventually are bound to become generic. You either die a hero or see yourself become the villain. The tests of time will ultimately judge ‘EBM’ on Editors’ behalf, and I feel they are unlikely to be either cruel or kind. Again, when all your work is memorable, eventually parts of it become forgettable.

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Read our review of ‘Will of the People’ from Muse

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Live Reviews

Lonely The Brave

Lonely The Brave

Junction, Cambridge

Wednesday 21st September 2022

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LONELY THE BRAVE – CAMBRIDGE – LIVE REVIEW

It feels like an eternity ago that Lonely The Brave burst onto the scene with their incredible early EP, ‘Backroads’. That’s probably because that actually was almost a decade ago, and wow has the world been through some tough times since then.

It hasn’t all been smooth sailing for the band either, with the switch of vocalist in 2018 a major hurdle. Thankfully the band secured the talented Jack Bennett to fill the very big shoes of David Jakes.

The problem for the band now is that just when they would need momentum the most, the world stopped moving. The pandemic disrupted all people in all walks of life with the music industry hit very hard.  Imagine then the impact on Lonely The Brave as they looked to move seamlessly into their new era.

New album, ‘The Hope List’, was released in the midst of lockdown in January 2021 and plans to tour in support were naturally delayed. That time has belatedly arrived now and tonight they play a special hometown show at the Junction in Cambridge.

There are two support acts on tap with VLMV up first, captivating the early audience with a sonic smorgasbord of guitars, synths and vocals. Cult icon Jamie Lenman then blasts though a short set of new material which ramps up the intensity in the venue. Both acts have done a good job warming up a slightly lethargic crowd ready for the hometown heroes to arrive.

Welcomed warmly onstage Lonely The Brave instantly mix new tracks such as ‘Keeper’ and ‘Distant Light’ with old favourites like ‘Black Mire’ and ‘Trick of the Light’. This is a theme that continues throughout the evening.

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Lonely The Brave – ‘Trick of The Light’

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Bennett as we say has had big shoes to fill vocally and he manages to do those old favourites justice tonight whilst also adding new layers both sonically and corporeally.

There is an unusual tense atmosphere in the venue tonight, which feels highlighted by this being a hometown show. It’s only really when the likes of ‘The Blue, The Green’, ‘Backroads’ and ‘Black Saucers’ appear towards the end of the show that the audience relaxes a bit.

Performance wise the venue witnesses three strong sets tonight from three acts at varying stages of their careers. The industry is in a tough spot right now, but you’d hope there is enough talent on show here that these acts can kick on from here.

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Live Reviews

The Xcerts

The Xcerts

Portland Arms, Cambridge

Tuesday 20th September 2022

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The cost of living crisis currently strangling the UK has become the latest threat to the future of our independent grassroots music venues. The Music Venue Trust had already engaged with The National Lottery for the #ReviveLive campaign in answer to the pandemic, but now it takes on even greater meaning.

It’s venues such as the Portland Arms in Cambridge where we are tonight that are vital to the music ecosystem. No introductory venues – no cultivating superstars. No regional venues – unsustainable travel to gigs for fans. No new superstars and unaffordable costs for fans – the collapse of the music industry! That may seem dramatic, but it’s the short, sharp and real threat that we are facing.

Tonights #ReviveLive show features Scottish rock band The Xcerts and has been pushed back a day to avoid the Queen’s funeral. Despite the change and the lack of a support act, the venue is suitably stocked with audience members come the time for the band to hit the stage.

The setlist tonight comprises tracks from all four of the bands studio albums but focuses heavily on latest effort, 2018’s ‘Hold On To Your Heart’. ‘Drive Me Wild’ and ‘Daydream’ from that album start us off and ease the audience into the show, before ‘Shaking in the Water’ really gets things moving.

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The Xcerts – ‘Daydream’

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That album is a masterpiece so fans are more than happy to hear multiple tracks from it. There is an audible delight however at the presence of two brand new songs in the set tonight. Both ‘Everything I Cannot Live Without’ and ‘Jealousy’ sound promising for more stunning work to come from the band.

The Xcerts deserve all the success in the world and the final run of ‘Show Me Beautiful’, ‘There Is Only You’, ‘Crazy’, ‘Hold On To Your Heart’, ‘Aberdeen 1987’ and ‘Feels Like Falling In Love’ is a real testament to their quality.

There are great nights like this happening in every major city and town in the UK every night of the week. The venues these are happening in and the bands killing it onstage need your support now. If you are able to, get yourself to a show and ensure that when all our problems hopefully dissipate, we still have venues and bands to enjoy!

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EP Reviews

The Skinner Brothers

Lonedon

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If you attended a UK music festival this year you would’ve had a high percentage chance of catching The Skinner Brothers. The hotly-tipped band have kept busy since supporting Kasabian last year and now feels an ideal time for them to release some new music.

Well, that’s exactly what they’ve done in the shape of new four-track EP, ‘Lonedon’.

The title track is up first and showcases their Britpop influenced indie-rock perfectly. Second track ‘Mellow’ demonstrates their dexterity and ‘Loaded Gun’ sounds like it was recorded for the FIFA video game soundtrack.

Final track, ‘Make It Count’, is a superbly crafted softer sing-a-long anthem which ensures that this is a well rounded collection.

In fact, if your looking for a short taster of this much hyped new act, then this EP is exactly what you need!

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Read our review of Reading Festival