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Album Reviews

The Cadillac Three

The Cadillac Three

The Years Go Fast

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THE CADILLAC THREE – The YEARS GO FAST – ALBUM REVIEW

The Cadillac Three have made their name on the back of their unstoppable ability to write sublime country rock songs. Singer Jaren Johnston’s songwriter capabilities are so sought after these days by other artists that it’s a surprise that the band have time to write a new album!

But they have! Yes, ‘The Years Go Fast’, represents the trio’s sixth studio effort and again sees them in fine form. Album opener ‘Young & Hungry’ provide the title of the album in its lyrics and sets the tone for the record from the opening notes.

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The Cadillac Three – ‘Young & Hungry’

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Since releasing two albums in 2020, the band have experienced a pandemic, the loss of loved ones and the birth of new life after which Johnston admits the band needed a “breather”. It should be no surprise that when the band reconvened the source material has been big life changes. The outcome is perhaps naturally a more mature sound which is reflected perfectly by the lyrical content and album title.

Whilst there is an added maturity, there is still a playful experimentation in the albums sonic palatte with elements of country, rock, funk and metal all evident at times. Ultimately this feels like a stock take record, whereby the band fuse everything that they’ve learned over the past decade or so and produce these twelve tracks as a document of their career thus far.

‘The Years Go Fast’ is a very apt title as it does seem that despite the tedium of lockdown, recent years have flown pasts; perhaps as a consequence of all the big life events that have cascaded into a short timeframe. That does mean that this a highly relatable album and musically, lyrically and relevancy wise that makes this The Cadillac Three at their very best.

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The Struts

The Struts

Pretty Vicious

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THE STRUTS – PRETTY VICIOUS – ALBUM REVIEW

The world is a serious place right now, and inevitably the musical landscape follows trend. An awful lot of bands take themselves far too seriously these days and seem almost afraid to just let it all hang out and have a little fun.

It’s unlikely though that anybody has ever accused The Struts of taking themselves too seriously. Their incredible live reputation comes from the outlandishness of their performance and on record they are just as enthrallingly enjoyable!

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The Struts – ‘Too Good At Raising Hell’

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‘Pretty Vicious’ represents their fourth studio effort and perhaps acts as the truest testament of their personality. Opening with the all out ‘Too Good at Raising Hell’, the album sees the band wearing their collective hearts on their sleeves.

From all out rockers like ‘Do What You Want’ and ‘Rockstar’, to slower grooves like the title-track and ‘Bad Decisions’, the band really flex their songwriting muscles. The album almost feels like a band trying to prove themselves as more than just a great live act.

Ultimately there can be no doubt that the band are in top form and that with ‘Pretty Vicious’ they’ve managed to create a glorious rock n roll hurricane.

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Black Water County

Black Water County

The Only Life Worth Living

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BLACK WATER COUNTY – The ONLY LIFE WORTH LIVING – ALBUM REVIEW

Over the past decade Black Water County have built their reputation through great live shows and two albums full of traditional folk storytelling delivered with a punk rock attitude. Now they share their third studio album which manages celebrate everything that makes the band who they are but also offers a glimpse of where their story takes them next.

‘The Only Life Worth Living’, is a passionate and urgent stand against life’s pitfalls, trials and tribulations. The music is uplifting and encourages the listener to make the most of the life that they’ve been given. It may be a tale as old as the sun but it’s never been more relevant than it is now and the band deliver the message superbly with their innate ability to craft a fine song.

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Black Water County – The Only Life Worth Living’

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Sonically this album is an encapsulation of everything you’d expect from the band but dialled up to eleven. There are songs here that go harder than the band ever has before and that adds to the urgency of the overriding themes perfectly.

Four of the albums ten tracks appeared in advance of the release and did give a good insight into what to expect, because the rest of the album is just as stirring. This isn’t a case of the singles standing out above a mediocre album – no, every track here stands on its own and the album as a whole is sublimely inspiring.

Ten years in and Black Water County feel like they are just about to really hit their stride and take themselves to new heights. ‘The Only Life Worth Living’, may just be their catalyst for earning wider respect and appreciation for their talents.

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Within Temptation

Within Temptation

Bleed Out

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WITHIN TEMPTATION – BLEED OUT – ALBUM REVIEW

‘Bleed Out’ represents another evolution for Within Temptation as their sound and lyrical content takes a darker more resilient tone. Across the album the band show that they aren’t afraid to speak about the issues that matter to them, and the result is perhaps the most important record of their career.

It’s a record that was created over a longer time due to the pandemic and has seen the band share over half of the tracks ahead of the release. There’s perhaps not a lot here to surprise fans therefore as they should’ve gotten the gist already but the overall progression is more than enough to capture and hold interest.

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Within Temptation – ‘Bleed Out’

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As touched upon, the sonic gravitas of the album is much more encompassing with less emphasis on the expected operatic vocals of Sharon den Adel. Those spectacular soaring choruses are still on here but there are many moments where den Adel hits the lower registers and the band down-tunes with darker guitar sounds.

Given the subject matters including war and women fighting oppression this tweak in sound fits well and shows a greater range from the band than we’ve fully experienced before. It’s refreshing for a band pushing three decades in and with such a distinctive sound to be brave enough to do things differently.

With ‘Bleed Out’, Within Temptation continue to grow their brand, so it’s also valiant that they are willing to call out issues and to sneak a pun in ‘stand their ground’! Whether you are a fan already or just picking up on the band, ‘Bleed Out’ is well worth your time.

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Blink 182

Blink 182

ONE MORE TIME…

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BLINK 182 – ONE MORE TIME… – ALBUME REVIEW

 “from strangers into brothers, from brothers into strangers one again”. The Blink 182 story doesn’t sound real when you recount all the trials, tribulations and brushes with death. “I wish they told us it shouldn’t take a sickness or airplanes fallin’ out the sky”.  

It is real however and now for the first time in twelve years (and only second time twenty years!) the iconic trio of Tom DeLonge, Mark Hoppus and Travis Barker are releasing a new studio album. Anticipation is therefore extremely high, even if expectation is relatively low following the much maligned ‘Neighborhoods’ and initial lukewarm response to first single, ‘EDGING’.

Since first returning with ‘EDGING’ however, the band have released a string of singles which have increasingly established greater excitement for new album ‘ONE MORE TIME…’.

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Blink 182 – ‘ONE MORE TIME’

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At 17 songs and 45 minutes, the band are certainly making up for lost time on this album and it’s a clichéd back to basics approach all round. There are some great songs on the album and there are a handful which could’ve probably been left off, but ultimately you just can’t help but smile and be glad that after all this time these three are making music together again.

As with the quoted lyrics at the start of this review, there are more than a few tellingly knowing nods to their own past and the heartstrings are tugged hard when DeLonge sings “Do I have to die to hear you miss me?”.

There are also lighter moments here too including traditional shorter jams such as ‘FUCK FACE’ however, and whichever era of Blink 182 you jumped on board with there will be something here for you.

It’s great to have Blink 182 back (although you do feel sorry for Matt Skiba who delivered some great moments), and ‘ONE MORE TIME…’ is leaps and bounds ahead of ‘Neighborhoods’ as a comeback album. You just have to hope this time that Tom, Mark and Travis can keep it together to further explore their creativity!

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Skinny Lister

Skinny Lister

Shanty Punk

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SKINNY LISTER – SHANTY PUNK – ALBUM REVIEW

Over the past decade, Skinny Lister have established themselves as a phenomenal live act and a consistently creative band on record. Now on their sixth studio album they do their best to merge these two qualities.

‘Shanty Punk’ has been written and recorded with an aim of capturing the essence of the bands live shows and putting it on record. This is a notoriously difficult thing to do but is something which Skinny Lister has managed to achieve well here.

Over their previous albums fans have come to expect drunken sing-a-long anthems full of folk punk crossover with a sprinkling of shanty call and response fun. This album goes all in on the themes and musical overtures that the band have perfected. ‘Shanty Punk’ is the most ‘Skinny Lister’ Skinny Lister album that the band have made, and it’s glorious!

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Skinny Lister – ‘Mantra’

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There are plenty of those famous sing-a-longs on ‘Shanty Punk’ with the likes of ‘Company of the Bar’, ‘Down on the Barrier’ and the Party George featuring ‘William Harker’ sure to be set staples for years to come. Shanty’s are covered with ’13 Miles’ and ‘Mantra’ acts as a traditional poignant tale.

If you’ve ever seen Skinny Lister live then you’ll know what the band are all about, and if you haven’t – where have you been! The bands reputation has already been well earned, but if any album could act as an introduction for the uninitiated it would be ‘Shanty Punk’.

The band should be proud to have managed to truly capture their spirit and soul across the eleven tracks and ultimately ‘Shanty Punk’ must be heralded as possibly their very best collection of songs so far.

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The Full Pelt Music Podcast – Episode 39 – Skinny Lister

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REWS

REWS

Meridians

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REWS – MERIDIANS – ALBUM REVIEW

Like all too many, REWS aka Shauna Tohill found the promotion of previous album, ‘Warriors’, disrupted by the pandemic. After initially deciding to allow time to take stock and reassess, REWS now present their third studio album, ‘Meridians’!

The record picks up where ‘Warriors’ left off with a fierce and soaring collection of hard rock hooks and elegant pop melodies. The drip fed pre-release singles ‘The World That You Left Behind’, ‘Pretty Face’, ‘Not Your Soldier’ and ‘Misery’ give the album a very strong first third and showcase the well established talents of Tohill.

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REWS – ‘Lock Your Horns’

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REWS has proven to be an incredibly consistent project in terms of quality since the release of debut album, ‘Pyro’ in 2017. As the album progresses with ‘Tears of a Lion’, ‘Addicted to You’ and ‘Psycho Maniac Killer’, you’ll once again be astonished at the sonic and vocal dexterity of Tohill.

The inspiring anthem ‘Lock Your Horns’ will then smack you right in the face with its huge chorus and stirring message. This song in particular is a testament to the songwriting capabilities of Tohill as the album hits new levels.

As the record reaches its conclusion through ‘Breathe Into Me’, ‘On My Back (Giant’s Roar)’ and ‘Everything’, it finishes as big and bold as it began. There really isn’t a bad track on another astonishing album from the ever evolving REWS, and ‘Meridians’ is well worth your time and energy to check out.

Anybody familiar with REWS will know the sheer talent on offer, you just have to hope that ‘Meridians’ will reach a wider audience because this is as good of an album that you’ll hear this year!

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Creeper

Creeper

Sanguivore

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Creeper – sanguivore – album review

The evolution of Creeper from their early EP releases to now is quite astonishing. Each release has seen the band grow exponentially and now on their third full studio album, ‘Sanguivore’, we see the band ascend to a higher plane of creative mastery. What other band out there would dream of opening an album with a grandiose nine minute saga!

Yes, this album is a work of sheer majesty and magnificence. ‘Cry To Heaven’ follows the epic ‘Further Than Forever’ and sees the band fully embrace the synth-laden, 80’s-esque, theatrical sound that emerged over the course of ‘Sex, Death & the Infinite Void’ and the ‘American Noir’ EP.

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Creeper – ‘Cry To Heaven’

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The influences on this album though stretch far and wide, with the scope of its sonic exploration only matched by its ambition. As the record progresses the listener is taken on a musical and mythical journey of vampires, horror and intrigue.

The word masterpiece is overused these days, but the urge to use it for ‘Sanguivore’ is just too irresistible. The problem that Creeper have produced is that with every release you think that they’ve peaked and couldn’t possibly top what they’ve created… and then they go ahead and do just that!

It should probably be illegal to have this much imagination and ingenuity because it’s simply not fair on the competition. The reality is though at this point, certainly in their chosen sphere, there is no competition and Creeper are in a league of their own.

It’s easy to wax lyrical here about this album, because it’s such a well rounded record. There are fantastic singles, or bangers as the kids would say, yet there is also such depth present as well. Pre-release singles such as ‘Teenage Sacrifice’ and ‘Black Heaven’, certainly gave a good insight into what to expect, but listeners really need to dig deep and immerse themselves into ‘Sanguivore’ to fully comprehend its brilliance!

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Dream Nails

Dream Nails

Doom Loop

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DREAM NAILS – DOOM LOOP – ALBUM REVIEW

Dream Nails have been slowly building momentum and breaking down doors since their formation in 2015. Their self-titled debut album emerged mid-pandemic and gave a glimpse of a band ready to breakout. Sadly, as with all bands releasing music at this time, they were unable to properly capitalise with the world hiding away.

Well the world is now back in full flow for better or for worse and with new vocalist Ishmael Kirby in place so are Dream Nails, ready to smash boundaries once again!

New album, ‘Doom Loop’, opens with a bang as the band call out toxic masculinity on ‘Good Guy’, and continues as it means to go on. This may be deemed a political record due to the various subject matters highlighted but respecting fellow people for who they are without question shouldn’t be a divisive ideal.

Dream Nails – ‘Good Guy’

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To that point ‘Doom Loop’ is a celebration of the power and resilience of diversity, putting the spotlight on the mutual accountability that our communities share in tackling misogyny and discrimination of all kinds. And given recent political statements, you may feel that an album like ‘Doom Loop’ has never been more relevant.

Musically the album is a clear evolution to the sound offered by that self-titled album. Despite the serious and sinister themes of the lyrics, sonically ‘Doom Loop’ is a fun and bouncy record which emphasises the happiness as an act of resistance mentality. This is perhaps best demonstrated on another of the albums singles, ‘Ballpit’.

Dream Nails convey a vitally important message through great music and despite promotional frustrations with their debut and subsequent line-up changes, it would appear with ‘Doom Loop’ the band are still on a trajectory to shatter any glass ceilings above them.

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The Full Pelt Music Podcast – Episode 37 – Dream Nails

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Black Stone Cherry

Black Stone Cherry

Screamin’ at the Sky

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BLACK STONE CHERRY – SCREAMIN’ AT THE SKY – ALBUM REVIEW

Black Stone Cherry have been a constant to UK hard rock fans now for almost two decades. Regular tours and releases have kept the band relevant and they’ve established themselves as one of the most adored bands around for their core demographic.

Whilst many other bands have undergone drastic changes and re-births, Black Stone Cherry have shown modest sonic exploration and largely stuck to their signature sound. For other bands this tact often inevitably leads to dips in quality as the ideas run out. Not Black Stone Cherry however as they’ve demonstrated a rare knack for delivering consistently quality albums.

In recent years though the band have had to navigate the pandemic, the first loss of a member and what was a slightly lukewarm response to previous album, ‘The Human Condition’. Perhaps fatigue was finally kicking in for the band?

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Black Stone Cherry – ‘Nervous’

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Well, any whispers of a downturn in fortunes can be quickly dispelled because on their new album, ‘Screamin’ at the Sky’, the band are here to you remind you why you fell in love with them in the first place!

The title-track and ‘Nervous’ kick the album off with a full throttle attack and neither the pace or quality drop over the course of the record. Each track feels shorter and more succinct, akin to those on ‘Between the Devil & the Deep Blue’ and their self-titled debut.

That winning formula is followed closely, with the band taking something of a back to basics approach as clichéd as that may sound. This really is an album that old school fans with relish and new fans can jump on board with.

Yes, any concerns that the beginning of the end may be upon us are squashed to a pulp by a band still capable of harnessing their raw power and creating something magic. Eight albums in, Black Stone Cherry are as consistent as ever and they remain a reassuring constant in an ever-changing world!

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