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Metallica

Metallica

72 Seasons

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Metallica – 72 seasons – album review

A new Metallica album has become quite the event these days due to the timeframes between releases. ‘72 Seasons’ represents the first new album in almost seven years and only the third album over the past twenty years since the much maligned ‘St. Anger’.

Realistically Metallica have reached a point in their career where they don’t need to release any new music. Their legendary status is secured and fans will flock to see them live regardless of new material.

They have however lived something of a renaissance with their last two albums, ‘Death Magnetic’ and ‘Hardwired… to Self-Destruct’, both being very well received and termed by many as a mythical “return to form”.

It may be then that rather than a need to release new music, the band want to release new music. That again is a right that they well and truly earned and realistically no matter what they do musically, they are never going to lose stature because of any missteps – awful 2011 Lou Reed collaboration ‘Lulu’ proved that.

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Metallica – ‘Lux Æterna’

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What does all this mean then for ’72 Seasons’? Well to an extent free reign for the band to indulge. What we get however is a continuation of the previous two albums, which in many ways is a good thing, after all both records were Metallica at their very best. And that is arguably what we have again here, Metallica doing Metallica incredibly well.

Over the length of their career though some of their finest (and yes agreed worst) moments always came when they pushed the parameters a little. That is perhaps where ’72 Seasons’ finds itself lacking slightly and risks it being “just another Metallica album”, albeit a very good one!

When you also factor in the 77 minute runtime, it’s rather monotonous listening. It’s all very good as I say but that consistency somehow ends up hurting the album as nothing in particular stands out.

If you’re a diehard Metallica fan, you’ll pick up this album and thoroughly enjoy it. If you are a fair weather fan then there is nothing to hate but you’ll likely stick to listening to the ‘Black Album’ on repeat after your first listen.

The band didn’t need to release this album, and whilst I’m glad they did, given how little appears to be left in the tank before retirement, it would’ve been nice to be given one more curveball from them. That said and to drill the point home this is still a very good Metallica album!

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Album Reviews

Fall Out Boy

Fall Out Boy

So Much (For) Stardust

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FALL OUT BOY – SO MUCH (FOR) STARDUST – ALBUM REVIEW

20+ years, eight studio albums, the highest of highs, the lowest of lows, a hiatus, a reunion and a steady stream of hit singles. Yes, the career of Fall Out Boy has been an entertaining follow over the years, but right now the band appear to be at the peak of their commercial powers.

Nobody can argue that they’ve taken their live show to the next level and that’s why you find them regularly selling out the largest venues in town. Their studio output however has always been a target for critics, with previous effort ‘Mania’ being particularly picked apart and written off.

Admittedly, even I would say beyond a handful of fun tunes that album lacked any real depth and felt slightly like a band going through the motions. Last time Fall Out Boy felt like that they went on a lengthy hiatus before returning better than before.

There has been not hiatus this time, but as the band geared up for the release of their new album, ‘So Much (For) Stardust’, you did get a sense of maturity from the group. You’d argue a band two decades into their career should take themselves seriously, but then Fall Out Boy have always been a band that appeal to younger generations of music fan.

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Fall Out Boy – ‘Hold Me Like A Grudge’

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What we get then on this record is a balance. The band deliver a fresh album which appeals to fans old and new. The opening trio of ‘Love From The Other Side’, ‘Heartbreak Feels So Good’ and ‘Hold Me Like a Grudge’ are right up there with the best the band has ever produced, and there are a number of great tracks scattered around the album which instantly provides greater strength in depth then ‘Mania’.

The pace of the album works well and keeps you engaged even in the weaker moments. Overall this is probably the ideal answer to anybody questioning the band, even if it won’t be held in the same esteem as some of their earlier work. A good number of the tracks will sound huge live and add to the bands momentum as they continue their path to world domination.  

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Theory of a Deadman

Theory of a Deadman

Dinosaur

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theory of a deadman – dinosaur – album review

With the release of their latest studio album, ‘Dinosaur’, Theory of a Deadman continue a streak of releasing a new album every three years that started back in 2002. That self-titled release feels a long time ago, because it is! 20+ years in fact, but as we arrive at album number eight, Theory of a Deadman feel more relevant than ever.

The band have always been rather marmite, you know – you either love them or hate them. They’ve been maligned by many doubters over the years but through this they’ve still managed to amass an impressive catalogue of hits.

There has always been an element of juvenility to their lyrical content but for those that enjoy the band that has been a large aspect of the charm of the band. On ‘Dinosaur’, the opening song and title-track of this record, you’re instantly struck by the maturity and seriousness of the subject matter.

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Theory of a Deadman – ‘Dinosaur’

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Thematically and sonically, this album is the straightest and most genuine and mature offering from the Canadians yet. Both the simple hard rock formula on the heavier tracks and the standard approach to the more melodic moments suits the album well.

Whilst overall you get a more grounded Theory of a Deadman, there is also plenty to occupy the fans of the over the top nature of their past work.

On ‘Dinosaur’ it may well be that a band who are always having their identity questioned have found their true sound. This is indeed an ideal mix that will satisfy fans old and new, and demonstrate that unlike the subject matter of the lead single, there is plenty of life left in these old rockers yet!

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Album Reviews

All Time Low

All Time Low

Tell Me I’m Alive

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ALL TIME LOW – TELL ME I’M ALIVE – ALBUM REVIEW

“You either die a hero, or you live long enough to see yourself become the villain”

The juvenile lyrical content and ability to mimic whatever the popular music of the scene is of the time is ultimately what endeared All Time Low to their legion of fans in their early years. Their knack for jumping on trends and still producing solid musical output has allowed them far greater longevity then perhaps they could’ve expected when they broke through.

Whilst, like many others from that scene, they have evolved musically, they also feel like the one band still desperate to cling to the past. It’s this mismatch of philosophies that makes their new album, ‘Tell Me I’m Alive’, so disjointed and well, just plain cringey.

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All Time Low – ‘Calm Down’

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The lyrical content alone feels like its purposefully devolved back into the infantile and over-simplistic work of kids lacking life experience. The band feel like a creepy caricature of themselves on this record which is just odd and uncomfortable.

Musically they still seem to be reaching for whatever they feel will sell to the youth of the day. This is a sound business technique and it’s served them well in the past, largely due to their ability to pull this off better than most of their contemporaries. This time though it feels like that charm has worn off, and we are left with another re-tread of tired old tropes.

Over the course of their career All Time Low have always shown ambition and have tested themselves creatively whilst maintaining the essence of what they are. This is their first release that feels like a lazy replica and that almost makes it stand out more.

They may want us to tell them that they’re alive, but with this album, you find yourself asking if it’s time for the band re-evaluate, do something drastic or they may well see themselves become the villains.

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Black Honey

Black Honey

A Fistful of Peaches

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BLACK HONEY – A FISTFUL OF PEACHES’ ALBUM REVIEW

Black Honey come out of the traps early on their third studio album, ‘A Fistful of Peaches’. Yes, ‘Charlie Bronson’ is the punch in the face needed to grab your attention and captures the band taking the gloves off!

The band have always been unashamed to be just who they are and that has often made them a tricky band to pigeonhole. Those that need to label things may struggle, but realistically the band’s crossover appeal is enormous and the simple undeniable fact is that they have now delivered three sublime records of infectious music.

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Black Honey – ‘Up Against It’

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Yes, ‘A Fistful of Peaches’ may have a lot to live up to following the quality of its predecessors, but it easily handles that pressure. The likes of ‘Heavy’, ‘Up Against It’, ‘Out of My Mind’ and ‘OK’ all sound absolutely massive and you feel that every song brings something special to this album.

This may be the most honest reflection of Black Honey as a band thus far as the group pour their hearts into their art. Each element of their sound is turned up and the results are magnificent. Whilst they’ve always demonstrated this quality, the strongest achievement on this album is the mix of relatability with aspiration.

‘A Fistful of Peaches’ is both vulnerable and ferocious in equal measures as singer Izzy Phillips is able make you feel a full palate of emotions; ultimately though Phillips and co are simply able to empower you through their reflective, decisive and uplifting collection of soaring tracks.

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Hundred Reasons

Hundred Reasons

Glorious Sunset

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HUNDRED REASONS – GLORIOUS SUNSET – ALBUM REVIEW

I’ve always held a belief that whilst the enormous success of Nu-Metal brought great attention on rock music, it also buried what was an incredible British rock scene. That scene was packed full of fantastic bands that whilst they had success they never reached the levels that their output deserved.

One key band of this scene was Hundred Reasons, who won’t register on many young rock fans radars these days, but are likely your favourite bands favourite band! The influence of the likes of Hundred Reasons stretches far and wide even if you don’t know it.

Having entered a hiatus well over a decade ago, it seemed that Hundred Reasons would remain a wonderful memory from the past. That is, until late last year when the band surprised fans with news of a brand new album, ‘Glorious Sunset’!

Well, that album is now with us and it’s time for the band to show a new generation of rock fans just what made them so special the first time around.

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Hundred Reasons – ‘Replicate’

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As soon as you press play, you are instantly sucked in to those beautiful soaring hooks, those delicate, emotive moments, those brash riffs, those all out rocking flashes and just the pure majesty that the band is able to create.

Whilst naturally the pre-album singles like ‘Glorious Sunset’, ‘New Glasses’, ‘Replicate’ and ‘The Old School Way’ lead the way, there really isn’t a bad track on this album. At just thirty-six minutes, the album absolutely flies by and leaves you eager to hit the play button again.

So many criminally underappreciated rock bands from the early 2000’s have sadly been lost to the ages, but thank goodness that we have Hundred Reasons back in our lives and that they return at their magnificent best!

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You Me At Six

You Me At Six

Truth Decay

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YOU ME AT SIX – TRUTH DECAY – ALBUM REVIEW

‘Truth Decay’ is the eight studio album to come from You Me At Six and as is often the case they’ve transitioned over that fifteen years from the hot new thing to the band it’s cool to hate!

Over the course of those eight albums there may well have been some missteps but nobody could accuse the band of resting on their laurels. They could have released five more carbon copies of ‘Sinners Never Sleep’, pocketed the money and run but instead they’ve experimented, tested waters and pushed boundaries.

Some may argue they’ve often been found playing catch-up to the latest fads and they may be correct. Music is after all a lot of trial and error and even the greatest artists have followed the wrong path at least once.

The danger that a band like You Me At Six can fall into at this stage of their career is to both try to appease the old school fans whilst also testing themselves creatively. Often this actually just leads to bands achieving neither of the above! The 2021 predecessor to ‘Truth Decay’, ‘Suckapunch’, did ultimately feel like this, so there were trepidations as we hit play this time around.

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You Me At Six – ‘Deep Cuts’

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Any lingering fears soon evaporate however as ‘Deep Cuts’, ‘Mixed Emotions (I Didn’t Know How to Tell You What I Was Going Through’ and ‘After Love In The After Hours’ all manage this balance perfectly. Even a potentially cringeworthy song title like ‘God Bless the 90’s Kids’ turns out to be a super fun little tune.

Rou Reynolds featuring ‘No Future? Yeah Right’ and fellow single ‘heartLESS’ see out a strong first half and hopes rise that this could be the bands best work in years.

The second half of the album continues the trend thankfully and cements the status of ‘Truth Decay’ as just that – the best You Me At Six album in a decade!

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Paramore

Paramore

This Is Why

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PARAMORE – THIS IS WHY – ALBUM REVIEW

Some six years have passed since Paramore released their previous record ‘After Laughter’. A lot has happened in the intervening time and the world is a different place now, a this is reflected in their new record, ‘This Is Why’, which is their most mature offering yet.

Speculation and conjecture over the last few years attempted to deduce the sonic composition of Paramore’s next album. Would guitars become more prominent? Would singer Hayley Williams solo direction impact on the band? Well, Williams herself offered Bloc Party as a heavy influence and on the first half of this album that is clear for all to hear.

With their recent releases Paramore have shown that they are far greater than their simplistic pop-punk beginnings, although many fans will always clamour for a return to that style. The band have certainly found themselves entrenched in those circles again through recent festival appearances, but alas those fans will be left unfilled by ‘This Is Why’.

The answers to the above questions are probably a little of everything. This is distinctly a modern Paramore record, and one that isn’t afraid to dig into some wide-ranging influences. The biggest influence (sans Bloc Party!) though may be their own musical identity. This feels like perhaps the most honest album yet from the band, unshackled and ready to fully explore themselves.

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Paramore – ‘The News’

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The second half of the album particularly feels like a band testing what they are capable of when they work outside the confines of their own past. This being a relatively short album at thirty-six minutes, the listening experience is succinct and the delivery precise. There are tracks that will flourish live such as the title track and ‘The News’, but there is also plenty to dissect here beyond the obvious.

This is one of those albums that deserves your undivided attention, just stick in your head phones, close your eyes and enjoy a band mastering their craft.

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The Murder Capital

The Murder Capital

Gigi’s Recovery

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THE MURDER CAPITAL – GIGI’s recovery – ALBUM REVIEW

With their debut album, 2019’s ‘When I Have Fears’, The Murder Capital fully thrust themselves in the burgeoning post-punk scene and gained themselves a dedicated fanbase in the process. A lot has happened in the intervening years but now the group are back with their all so important sophomore album, ‘Gigi’s Recovery’!

This second record certainly sees the band stretching their legs and testing the boundaries of their art. Expansive and explorative this is a delicate yet decisive collection of songs which brims with belief.

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The Murder Capital – ‘The Stars Will Leave Their Stage’

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This is undoubtedly a brave sonic adventure undertaken by a band confident in their ability to conjure magic and assured by the acceptance of their audience. The album slowly leads us on the journey that the band has creatively been on over the past few years.

It’s methodical yet loose, meticulous but elegant, and therefore has no real standout moments. The album as a whole is the standout moment as The Murder Capital evolve into something very special indeed.

Already identified as a great hope, now it’s clear to all that The Murder Capital are not to be slept on as they endear themselves with their triumphant second album!

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Black Star Riders

Black Star Riders

Wrong Side of Paradise

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BLACK STAR RIDERS – WRONG SIDE OF PARADISE – ALBUM REVIEW

It hasn’t been an easy road for Black Star Riders, formed from the backlash against the idea of the last incarnation of Thin Lizzy creating new music. The group has proved all doubters wrong with their subsequent output – four albums of undisputed rock and roll class, and ten years of effortless cool, delicious riffs and belting melodies.

Black Star Riders have long established themselves as a credible entity in their own right and that’s despite numerous line-up changes testing their resolve. The biggest line-up change however came in 2021 with the departure of guitar-slinger extraordinaire Scott Gorham. Gorham was integral to the formation of the group and his departure leaves singer/guitarist Ricky Warwick as the sole remaining original member.

With Warwick firmly at the helm though, the band retain the heart and soul of their signature sound and presentation. Warwick’s career renaissance may have started in Thin Lizzy, but Black Star Riders allowed him to rediscover himself and unleash his natural talents back on the world.

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Black Star Riders – ‘Riding Out the Storm’

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New album, ‘Wrong Side of Paradise’, may be another new beginning but it’s also a continuation of the essence of Black Star Riders. That signature sound remains firmly and passionately intact, and Warwick’s distinguished vocals remain front and centre issuing that iconic battle cry as only he can!

Those famous riffs remain also as the album presents the perfect stable yet evolutionary prose that acts as the necessary statement to show that sans Gorham, this band remain a powerful force with a prosperous future.

Fans have a fifth album of pure rock and roll majesty, which still owes all to the faith that the initial cohort placed in themselves. They knew they had something special and now ten years later, the world knows it too!

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