Vol. 128
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 22 is features our cover stars Saint Agnes as they take ‘Bloodsuckers’ on tour. We also have album reviews for The Last Dinner Party and Florence Black.
Our News Report has all the latest music news including live announcements from Download Festival, Reading & Leeds, 2000trees, Slam Dunk, Victorious Festival, Beautiful Days, Tomorrow’s Ghosts Festival, Cambridge Folk Festival, Demob Happy, Bury Tomorrow, The Last Dinner Party, Troy Redfern, Trophy Eyes and iDKHOW!
Plus all the best new releases including Bowling For Soup, Indoor Pets, Royal Tusk, VENUES, The Cheap Thrills, From Ashes To New, ERRA, Banks Arcade, Aaron West & The Roaring Twenties, Normandie, The Farm and Job For A Cowboy!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Gallus, Loose Articles and IRKED!
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📸 (c) Denis Gorbatov / Full Pelt Music
It’s Independent Venue Week and our lifeblood of grassroots music venues are celebrating the community and experience that these rooms provide us. Our escape from the scary realities of life, the breeding ground for the next big thing, without independent music venues the whole ecosystem of the industry is broken.
It’s incredibly tough out there for these venues, it’s becoming more and more difficult to survive and that is adding to the pressures on young acts trying to prove themselves. Not all is lost though and it’s incredibly refreshing to see this show is sold out!
Tonight is exciting for a number of reasons, of course our headliners Saint Agnes are an enticing prospect as is our support act BEX, but tonight is also the first gig at this newly relocated venue.
Voodoo Daddy’s has been building its name over the past few years and has now given itself an upgrade across town. Unlike the old venue with its music room upstairs, here we head down into the basement and can see the makings for an essential stop off for new acts in Norwich!
Up first is BEX, who immediately and ferociously grabs the crowd by the horns and commands their attention. The three-piece create one hell of a noise as they conduct a valuable test on the buildings infrastructure!
Last year’s cutting debut EP ‘SCUM’ is at the heartbeat of her set tonight and the likes of ‘Filthy’, ‘Trust No One’ and ‘SPDYD4 K1NG’ truly create a primeval connection between BEX and the energetic audience. Let’s face it though, it’s hard not to let go when faced with the otherworldly force emanating from the stage.
BEX ends her set with a new single and you’d imagine that 2024 is set to be a big one for an artist with the youthful tenacity required to thrive in the current landscape.
Another band that has been thriving of late is Saint Agnes, our headliners this evening. Last year saw the group launch their new era with ‘Bloodsuckers’ and they’ve been building momentum ever since. It’s always good to see a show like tonight sell out and that indicates that their support slots with the likes of Skindred and their festival appearances are paying dividends in terms of new fans.
Of course everyone knows the band here tonight and as they propel themselves into opening duo ‘Bloodsuckers’ and ‘Animal’, you instantly feel the intensity levels turned up a notch.
The crowd have been up for it all night and they really ramp the energy levels up as the evening progresses. ‘Bloodsuckers’ really is an album built to be enjoyed live and the likes of ‘I Mean Nothing to You’ and ‘At War With Myself’ go down particularly well.
The Saint Agnes live experience is a visceral, in your face one and singer Kitty Austen is able to enthral the audience with mystifying ease. Indeed, the new breed of rock band is able to create a sense of something bigger than just the music, be that the community around the band or the aesthetic and presence of their artistry.
Our headliners seem to be well on the way with both of those points and again if you were looking to put your money on rocks next stars you’d have to think it’s more than worth a punt on Saint Agnes!
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Read our review of ‘Bloodsuckers’ from Saint Agnes
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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!
Volume 16 is a special edition where we run down our Top 50 Albums of the Year! 2023 has seen some amazing records released, but who will take the coveted number one spot?
Our News Report is still here also covering the latest from Vended, Slam Dunk Festival, Liam Gallagher & John Squire, Teddy Rocks, Brighten the Corners and LeeStock!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Telltale, Shooting Daggers and Fraser Morgan!
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The 2023 Full Pelt Awards are here and you can have your say from our shortlists below!
Votes here will be tallied with those on Social Media, plus weighted votes from our Full Pelt staff with the winners all revealed in a special Magazine on New Year’s Day!







Our 2023 Album of the Year will be revealed on our Social Media on Christmas Day! Let us know your favourite album of the year in the comments and be sure to follow us across social media to be the first to see who wins our award!
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Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the ninth issue now for free!
Volume nine includes an update from cover stars The Hunna and exclusive interview with The Pale White. Plus we review Fall Out Boy live in London and album reviews from The Cadillac Three, The Struts, WARGASM and Black Water County!
We have our News Report rounding up new releases from Green Day, Chelsea Wolfe, Beans On Toast, Dead Poet Society, Casey, Mother Mother, The Beatles, New Model Army, Pet Needs, Pendulum, Therapy?, Normandie, Bob Vylan, Amongst Liars, Buzzard Buzzard Buzzard and Kid Kapichi!
Plus new live announcements from 2000trees, Isle of Wight Festival, Takedown Festival, Radar Festival, Bearded Theory, Bruce Springsteen, Hayseed Dixie, Feeder, Delain, Saint Agnes, Chris Shiflett, Black Honey, The K’s, Lake Malice, Kaiser Chiefs, King Nun and Blossoms!
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Tropic Gold, Interlaker and Jock!
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The rise of Saint Agnes to this point has been slow and steady, but post pandemic the band have certainly been growing their cult following and making an indent on the masses. If you’ve been following their development then it’s obvious that ‘Bloodsuckers’ is an important release for the band as it could smash down a considerable amount of barriers.
The pre-release singles such as the title-track and ‘Animal’ undoubtedly set the stall perfectly for the band to catapult themselves into the rock mainstream, and as soon as you hit play on ‘Bloodsuckers’ you have to sit back and admire a band taking things to the next level!
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The record begins with a ferocious defiance interwoven between the gothic aesthetic and modern nu-metalesque sonic exploration. Lyrically this is an angry yet stubborn start with singer Kitty Austen full of hatred but offering hope such as “…never feel afraid to be the outsider, I promise you’re never alone, because what the fuck do they know…” on the biting ‘Outsider’.
As the album develops you begin to hear a more diverse palate of musical and lyrical delivery with the likes of ‘This Is Not The End’ and ‘At War With Myself’ and ‘Forever and Ever’ making this more of a well rounded record.
There is still plenty of rage on the second half of the album however with the double header of ‘Middle Finger’ and the Mimi Barks featuring ‘Body Bag’ offering a tonne of controlled fury to maintain the fierce pace.
If this album needed to be big and bold to continue the rise of Saint Agnes, then the band has delivered exactly the record that was called for.
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