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Full Pelt Magazine

Vol. 44

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TV

Full Pelt TV

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Love music videos? Check out Full Pelt TV with new and classic videos from Limp Bizkit, The Warning, PET NEEDS, Garbage, Kasabian, The Mysterines, newshapes, Kid Bookie, House of Protection and Foo Fighters!

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Album Reviews

Kasabian

Happenings

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KASABIAN – HAPPENINGS – ALBUM REVIEW

Playing a surprise set at Glastonbury Festival last weekend, Kasabian reminded the world that despite obvious line-up changes they remain a viable proposition live. Since said line-up alteration however, they’ve still yet to truly convince fans that they can also produce the goods on record – not at least in the way that fans want.

Therewithin lies the wider issue facing the band. Any act experimenting with their sound will always face backlash from fans reticent towards change, but when you remove an iconic singer and reshuffle the deck that scrutiny is bound to reach unfair levels.

It’s important therefore to not try and assess ‘Happenings’ against the first six albums, because through sentimentality and rose-tinted glasses anything new will always fall short and the cold reality is that the same would probably be true even with the original line-up.

More relevant therefore is how does ‘Happenings’ stack up against 2022’s reinvention record, ‘The Alchemist’s Euphoria’? We described that record as a cleansing album that reset the story for the band stating, “This album does what it needs to do to shore up the ship, but it almost leaves you now asking what’s next?”

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Kasabian – ‘Darkest Lullaby’

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Well, what’s next is a ten song collection with a runtime of nearly 28 minutes dead, which means it’s a succinct and to the point album designed to capture their live energy on record. Frontman Serge Pizzorno has discussed writing this album from the perspective of how the songs will sound live, and the early songs on the album all will translate well on this front.

‘Darkest Lullaby’, ‘Call’, ‘How Far Will You Go’, ‘Coming Back To Me Good’ and the previously released ‘Algorithms’ will all fit into a modern Kasabian setlist with ease and from that standpoint it’s mission achieved for Pizzorno and co.

That said and returning to the earlier point – there are no big hitters on this album. No song that you instantly hold up as on par with their early hits. That however is an impossible measuring stick and shouldn’t take away from the fact that this is another decent if unspectacular showing for this new look version of Kasabian.

If you forget the past, and only focus on the now then you’ll find this to be a short, sharp fling of upliftingly fun dance-indie tunes. If however, you long for indie-rock anthems you’re better off looking into the new breed of indie rock band presently emerging.

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Magazine

Full Pelt Magazine

Vol. 42

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Full Pelt Magazine

Vol. 32

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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!

Volume 32 features our cover stars The Hives as they show just why they are regarded as one of the greatest live bands. Plus we review the new albums from James and Gun.

Our News Report has all the latest music news including live announcements from Reading & Leeds Festivals, Graphic Nature, Rise Against, Mammoth WVH, Elles Bailey and St. Vincent!

Plus all the best new releases including The Meffs, Delilah Bon, James and the Cold Gun, Slash, Joanne Shaw Taylor, The Commoners, NOTHING MORE, FM, Like Moths To Flames, Dea Matrona, Robert Jon & The Wreck, Black Country Communion, The Lemon Twigs, Cane Hill, Royal Republic, The Treatment, The Mysterines, Kasabian, Gaffa Tape Sandy and Giant Walker!

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including The Rolling People, Regent and DeadWax!

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Magazine

Full Pelt Magazine

Vol. 25

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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!

Volume 25 features our cover stars The Mysterines as reveal details of their sophomore album. We also review new albums from The Snuts, Gen and the Degenerates and Blackout Problems, and we review The Zutons live in Norwich!

Our News Report has all the latest music news including live announcements from Liam Gallagher, Kings of Leon, Bullet For My Valentine, Trivium, Alice Cooper, The Pearl Harts, Greta Van Fleet, Royal Blood and Radar Festival!

Plus all the best new releases including Kasabian, Kings of Leon, Paul Weller, Frank Turner, Linkin Park, Sum 41, Daytime TV, Crossfaith, The Cruel Knives, TheCityIsOurs, Between You & Me, Susan Santos, Raven Numan and The Struts!

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist including Major Moment, Caroline Romano and DeadWax!

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Magazine

Full Pelt Magazine

Vol. 14

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The latest issue of the Full Pelt Magazine is here, and you can download your copy for free below!

Volume 14 features cover stars Don Broco as they conclude their ‘Amazing Things’ era. We also catch Halestorm play their biggest headline show to date and The Darkness as they celebrate 20 years of ‘Permission to Land’!

We have our News Report rounding up new releases from Green Day, IDLES, Dream State, While She Sleeps, Architects, Marisa and the Moths, TheCityIsOurs, DragonForce, Scott Stapp, South of Salem, Royal Tusk, Casey, Bad Touch and I DON’T KNOW HOW BUT THEY FOUND ME!

Plus new live announcements from Victorious Festival, Steelhouse Festival, Radar Festival, Maid of Stone, All Points East, Noel Gallagher’s High Flying Birds, Dream State, Rituals, Scorpions, Creeper, The Cadillac Three, Limp Bizkit, Bloc Party, Twin Atlantic, Knocked Loose, The Almighty, Sepultura, Orbit Culture, Deaf Havana, Kasabian, Millie Manders and the Shutup and The Zutons!

Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with SAVE USThe Gems and Interlaker!

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Album Reviews

Kasabian

The Alchemist’s Euphoria

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KASABIAN – THE ALCHEMIST’S EUPHORIA – ALBUM REVIEW

To say that Kasabian’s seventh studio album, ‘The Alchemist’s Euphoria’, comes with a burden of added pressure would probably be an understatement. When one of the biggest bands in the country loses an iconic member then eyes will naturally be on what comes next, this is amplified when that iconic member is the singer!

Not to mention that it’s the nature of the world that we live in that those eyes watching are bound to be highly critical. No doubt, there will be many looking on and hoping to see Kasabian fail for various reasons.

Thankfully for the band they have already taken the time out to prove the doubters wrong in the live setting, with the band confirming that they are still one of the best live acts on the scene, the question is now turned to their studio output.

One of the reasons for Kasabian’s success over the years has been their adaptability and willingness to experiment. This works in their favour when reflecting on ‘The Alchemist’s Euphoria’, as whilst it doesn’t give the band a free pass it certainly allows extra freedom to explore their sound.

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Kasabian – ‘CHEMICALS’

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With guitarist Serge Pizzorno moving to the vacated lead vocals position, some clearly wondered if he would take the band down the more electronic route of his SLP side project. Alternatively would the band return to their early sound or maybe just continue on the path of 2017’s ‘For Crying Out Loud’.

The answer here is the one that probably should’ve been expected from the start – all of the above!

You can certainly feel the Pizzorno influence taking a bigger hold, there are nods to the early lad-rock leanings of the band and there are some playful festival favourites the likes of which emerged from the albums predecessor.

To an extent this is clearly Kasabian pressing the reset button. With ‘The Alchemist’s Euphoria’, the band has reassured fans that the past isn’t forgotten but the future remains one of exploration just as it would of done.

This album does what it needs to do to shore up the ship, but it almost leaves you now asking what’s next. This isn’t a forgettable album but it is a cleansing album to purge the difficulties of recent years and set up what’s to come.

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Live Reviews

Kasabian

UEA LCR, Norwich

Thursday 21st July 2022

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KASABIAN – NORWICH – LIVE REVIEW

To say this week has been hot would be the understatement of the century. So, whilst the opportunity to cram into a sold out UEA LCR in Norwich isn’t the most appealing; doing so to catch indie rock royalty Kasabian play an intimate headline show makes it unmissable.

The dust has firmly settled on the well publicised line-up change in the band, and massive slots at the Isle of Wight and Knebworth this summer have just solidified what fans discovered on the bands return tour last year – new look Kasabian remain one the best live bands on the circuit.

This show was originally set to be part of their lowkey return tour, but illness saw the show postponed to now. The show is in effect now a small warm-up for their headline set at Tramlines this weekend.

The band are given a hero’s welcome from the pumped up audience as they arrive on stage. The atmosphere in the venue tonight is as hot as the weather has been and it all goes off as Kasabian kick off with ‘Club Foot’, ‘Ill Ray (The King)’ and ‘Underdog’!

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Kasabian – ‘SCRIPTVRE’

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Sweaty bodies are everywhere as the band continue to showcase their reinvigorated live show. Newly minted frontman Serge Pizzorno stalks the stage like a man possessed, he controls the crowd with natural ease as he steps out of the shadows to the forefront of the band.

Kasabian always were a phenomenal live act, and the line-up switch doesn’t change that. The genius step that the band has taken is to add The Music frontman Rob Harvey to their live line-up. Harvey fills the huge void left by Pizzorno in his previous role and adds a whole new level to the groups sound.

Nobody can doubt the quality of their back catalogue with tracks like ‘You’re In Love With a Psycho’, ‘Shoot the Runner’, ‘stevie’, ‘Empire’ and ‘Vlad the Impaler’ on offer tonight. What the band does in the studio next will be interesting but new tracks ‘CHEMICALS’ and ‘ALYGATYR’ show they still have plenty to offer.

Any doubt that Kasabian remain a viable live entity has been dispelled and come this winter, the band will once again be gracing arenas across the UK.

They sign off this evening with an encore of ‘Bless This Acid House’, ‘L.S.F. (Lost Souls Forever)’ and ‘Fire’. It’s been a night to remember for the audience and another statement made by a reinvented and rejuvenated band.

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Read our review of ‘C’MON YOU KNOW’ from Liam Gallagher