BLACK STONE CHERRY – SCREAMIN’ AT THE SKY – ALBUM REVIEW
Black Stone Cherry have been a constant to UK hard rock fans now for almost two decades. Regular tours and releases have kept the band relevant and they’ve established themselves as one of the most adored bands around for their core demographic.
Whilst many other bands have undergone drastic changes and re-births, Black Stone Cherry have shown modest sonic exploration and largely stuck to their signature sound. For other bands this tact often inevitably leads to dips in quality as the ideas run out. Not Black Stone Cherry however as they’ve demonstrated a rare knack for delivering consistently quality albums.
In recent years though the band have had to navigate the pandemic, the first loss of a member and what was a slightly lukewarm response to previous album, ‘The Human Condition’. Perhaps fatigue was finally kicking in for the band?
Well, any whispers of a downturn in fortunes can be quickly dispelled because on their new album, ‘Screamin’ at the Sky’, the band are here to you remind you why you fell in love with them in the first place!
The title-track and ‘Nervous’ kick the album off with a full throttle attack and neither the pace or quality drop over the course of the record. Each track feels shorter and more succinct, akin to those on ‘Between the Devil & the Deep Blue’ and their self-titled debut.
That winning formula is followed closely, with the band taking something of a back to basics approach as clichéd as that may sound. This really is an album that old school fans with relish and new fans can jump on board with.
Yes, any concerns that the beginning of the end may be upon us are squashed to a pulp by a band still capable of harnessing their raw power and creating something magic. Eight albums in, Black Stone Cherry are as consistent as ever and they remain a reassuring constant in an ever-changing world!
Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the fourth issue now for free!
Volume four includes an update from cover stars Creeper, a review of ‘Confessions of the Fallen’ from Staind plus a special feature on Metal for Good!
We have our News Report rounding up new releases from Bruce Dickinson, Blink 182, The Dollyrots, Chelsea Wolfe, Alien Weaponry, Helmet, VEXED, The Cadillac Three, P.O.D., The Vaccines, Against The Current, The K’s, Casey, Jack Valero, Little Man Tate, The Sleeping Souls, Interlaker, The Pale White, Florence Black and North Atlas!
Plus new live announcements from Bury Tomorrow, Poppy, Hot Water Music, Jake Bugg and Grade 2.
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with BIG SPECIAL, Humour and headcage!
Staind are the quintessential early-noughties US radio-rock band. A nostalgic string of hit singles and multi-platinum albums has long established their position in the industry, but they will also know that they’ve hit their commercial peak.
Many in this position have chosen to milk the nostalgia, others have long separated to seek new opportunities and a small handful continue to release records and try to stay relevant. Over the past decade or so, Staind have mainly been the middle option whilst occasionally dipping into option one, but now they are going all in on option number three!
Whilst their own fanbase will be overjoyed at the news, there will also be many naysayers of will laugh, such is the popularity of shooting down bands of Staind’s ilk. Call it the Nickelback effect if you want but there is an equal amount of love and hate out there for radio friendly rock music of their generation.
This combined with singer Aaron Lewis’s outspoken politics the band are something of an easy target, but ‘Confessions of the Fallen’ deserves to be separated from all of the above. After all it’s a brave decision to put out a new album after 12 years, and one that they didn’t need to make.
Fans will be glad they did though as musically the record feels like they’ve never been away. Ten tracks spread across thirty-five minutes and you can’t really fault what the band have created at all. The likes of album opener ‘Lowest In Me’ had given a good indication of what to expect and the record fellows suit.
Staind have managed to capture what shot them to great heights in the first place, and this album wouldn’t have felt out of place twenty years ago. That said, it still manages to feel fresh enough that to avoid any nostalgic pitfalls.
There probably weren’t many clamouring for this album to be made, and the band certainly didn’t need to make it, but those that do find themselves checking out ‘Confessions of the Fallen’ will be pleasantly surprised by the quality.
North Atlas made their emphatic arrival with 2021’s ‘A Weight for the Heavy Handed’ EP, and now they are ready to double down on their enormous potential with new EP, ‘The Longest Shadow Attached to the Ankle’.
This EP is a brutal sonic onslaught of intense, soaring heavy rock. Carefully infused electronic elements and deep analytic lyrics help to set the band apart from the pack musically and you really sense that this is an elevation of the North Atlas sound.
In an industry now filled with formulaic acts trying to find their place without setting themselves apart, this is a refreshing glimpse of a band ready to separate themselves from any pre-conceived notions. Gloriously heavy but catchy as hell, North Atlas have set their bar high with their future output!
Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the third issue now for free!
Volume three includes an update from cover star Chris Shiflett, and a review of ‘Race the Night’ from Ash.
We have our News Report rounding up new releases from Don Broco, Lonely The Brave, Dream Wife, TesseracT, DragonForce, Staind, Duff McKagan, Skinny Lister, All Time Low, While She Sleeps, K.Flay, The Meffs, END and Mother Mother!
Plus new live announcements from British Lion, Fozzy, KITE THIEF, VV, The Amazons, The Coral, Twin Atlantic and Lonely The Brave.
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with Major Moment, Tropic Gold and Future Static!
At this point in their thirty year career Ash are something of a safe bet with consistently good records and always solid live. When other bands have self-destructed, lost the magic or faded away, Ash have remained a constant.
The relationships within the trio will of course be one key reason behind this longevity and when early press releases teased Tim Wheeler as describing ‘Race the Night’ as “the sound of the band reveling in the sheer joy of being a band after being separated by time and distance through the insanity of the early 2020s.”, the seeds were sewn for a change.
Change probably isn’t the right word to use though, perhaps re-emergence would suit better because as the band have drip fed singles from the new album many have likened the sound to 2004’s ‘Meltdown’ album in terms is heaviness.
The constant will to pigeonhole and connect releases is always is kneejerk temptation from music press though, and whilst sonically the connection is obvious, ‘Race the Night’ actually stands out for the reason highlighted by Wheeler. That is plain and simply that this sounds like a band having fun and making an album that follows no set rulebook just a desire to unleash their creativity and see what happens.
Well what has happened with ‘Race the Night’ is a sublime slice of pop rock perfection. Fans of the band that have enjoyed recent offerings ‘Kablammo!’ and ‘Islands’ and observed how good those releases are will perhaps be surprised by the quality of this album. That’s because both those albums were very decent and maintained the legacy of the band, but ‘Race the Night’ sees the band take a giant leap forward.
There are of course radio hits, delicate melodies and rifftastic moments spread throughout the well balanced release as you’d expect from Ash, but if in doubt just listen to the fantastic album closer, ‘Like A God – Reprise’. You just can’t help but picture a young band just jamming together in a garage!
Yes, whilst Ash have never failed to deliver the goods, ‘Race the Night’ feels like a special present indeed.
Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the second issue now for free!
Volume two includes reviews of October Drift and Philip Seth Campbell.
We have our News Report rounding up new releases from Demob Happy, The Struts, The Rolling Stones, Dream Nails, Militarie Gun, REWS, Haunt The Woods, Scaler, The Cadillac Three, Pendulum, Wargasm, Daytime TV, HourHouse, Black Water County, The Pearl Harts, Gama Bomb, The Hyena Kill, Amongst Liars, Dead Poet Society and Death Of Me!
Plus new live announcements from Enter Shikari, Keane, The Big Moon, Wayward Sons, Of Mice & Men, Meryl Streek and BIG SPECIAL.
Finally, we round up the latest additions to our ‘Discover’ New Music Playlist with PLAIINS, Unschooling and paradise fell.!
ROYAL BLOOD – BACK TO THE WATER BELOW – ALBUM REVIEW
Royal Blood have been one of the biggest success stories for new rock bands over the past decade. All three of their albums thus far have reached the coveted number one spot and the band have elevated themselves to arena and festival headline status.
All of this creates a natural pressure on the band to keep delivering consistently high standards, and the time has arrived to see whether the band can achieve an incredible quadruple of number one albums.
‘Back to the Water Below’ sees the band handling production fully themselves for the first time having previously worked alongside the likes of Josh Homme and Tom Dalgety. The positives of such a move of course include the unadulterated freedom, but the double-edged sword is that there is nobody to offer assurance and quality control.
After all the bells and whistles that accompanied predecessor ‘Typhoons’, the album title this time around may also refer to the back to basics approach taken by the duo. From opener ‘Mountains At Midnight’ onwards it’s evidently clear that the band have gone back to their roots to use another tired cliché.
That’s not to say that they haven’t added plenty of polish to the finished product but that there is a slower more methodical sonic style on this collection. That Royal Blood DNA is evident throughout but the album is much more melancholic than those that came before.
This does in many ways feel the least hyped of all of the bands albums and the limited pre-release campaign feeds into that. It feels like messrs Kerr and Thatcher want to let the music do the talking on this record, and they are clearly talented enough to do so.
Whilst this may be a completely different album compared to any of their three previous efforts, Royal Blood have still created something distinctly Royal Blood. The band have seen their fair share of criticism in the past both somehow for failing to evolve and for changing too much! On ‘Back to the Water Below’, the band merge everything they’ve done before and evolve into something new.
So, while musically this record is a fantastic genesis of the their style, commercially it will be interesting to see if this is an album that can secure that illustrious fourth consecutive number one?
Foolhardy Folk Festival – Nottingham – Live review
Towards the end of the original lockdown, the ever creative music industry sought ways to bring people back together to experience the unparalleled joy of live music. The Arboretum in Nottingham hosted a number of events including a couple of shows from folk favourite Frank Turner.
That is where the story of the Foolhardy Folk Festival begins as the man behind the festival, fellow folk icon Beans On Toast played in support of Turner. From there on Beans has affectionately taken over and curated his own festival which this year is a complete sell out.
A large part of this is the stunning line-up put on but another is the fantastic sense of community that exists in this portion of the folk scene and the lovely audience that has taken this back to basics event to heart.
Opening his own event Beans On Toast highlights the great music, great food and great beer theme. On the music front Beans serenades the already full venue with the likes of ‘Major Oak’, ‘The War on War’ and ‘Humans’ as the festival gets into full swing.
The festival is family friendly and this is punctuated by the vibe created by attendees in that we are all family. Beans own daughter lays on kids activites, there is live art and lots of merch offer as well but with short changeovers the attention is mainly on the one stage where both Vona Vella and Tensheds play delightful early sets.
Soon enough it’s time for our special guest to take to the stage and this year that means Frank Turner himself as he returns the favour three years on from that socially distanced affair.
As you’d expect Turner gets a hero’s welcome as he begins his set with ‘Be More Kind’ and ‘The Ballad of Me and My Friends’. The crowd’s singing voices are in fine fettle which is a good thing considering the sing-a-longs continue through to final song ‘I Still Believe’.
Another beautiful thing about this community is the lack of ego on show, Turner as always appearing eternally grateful for the opportunity to play. The same can be said for your next three acts Truckstop Honeymoon, Ferris & Sylvester and Jeffery Lewis & The Voltage. All three acts are given equally as passionate reactions from the audience who can clearly appreciate beautiful music.
Considering we’ve brought our two little monsters with us another great thing about Foolhardy Folk Festival is that the music is wrapped up by 9pm! But before then we still have two highly anticipated performances.
First up are the always joyous Skinny Lister who bring their traditional party atmosphere to the festival. Perhaps more so than any other set today, the Lister crew get the fans up and dancing to the likes of ‘Cathy’, ‘This Is War’ and ‘Trouble on Oxford Street’. The band are surely now established as one of the best live acts in the UK and with a new album and tour on the horizon, there will thankfully be lots of opportunities to catch them again in the near future!
Finally the event ends just as it began… with our gracious host Beans On Toast! With backing band in tow this time around the show feels different and special as our headline performance. Kicking off with ‘Life’ and ‘Not Everybody Thinks We’re Doomed’ the set is an uplifting celebration of our existence and is the perfect way to end a wonderful day.
The cutest cameo from Beans daughter, new material and old favourites ensure that despite having to follow some sensational artists, Beans On Toast is able to send the crowd into the night reminiscing about a beautiful day, many including our kids still singing the chorus of ‘On & On’!
With another edition already announced for next August, the Foolhardy Folk Festival has quickly established itself as a must attend date on the folk calendar. This is of course a credit to Beans On Toast, but also to everyone involved behind the scenes and of course the fan community that makes the event so special.
All Points East has now firmly established its place in the UK festival calendar having already brought some huge names to Victoria Park in London in recent years.
Those names included The Strokes in 2019 when their headline set was struck by sound issues. That perhaps is the reason for their relatively quick return this year, but fans also have the prospect of hearing material from 2020 release ‘The New Abnormal’.
But before we get there we have a lot more to get through, that is after we get through traffic issues outside of London which sadly means with miss both HotWax and FEET.
When we do arrive in the arena, we head straight to the East Stage (one of two huge outdoor main stages) for the reformed Be Your Own Pet. The band only reunited last year but they own the stage today as if they’ve never been away. With their fantastic performance, Jemina Pearl starts a theme of woman stealing the show today.
A brisk walk is then required to get over to the West Stage for another reunion! The Walkmen have recently returned and draw a good early crowd to the stage. The band return the favour with a career-spanning crowd pleaser of a set.
Soon though, it’s time for the woman to take centre stage again with Amyl and the Sniffers quickly making the West Stage their own. Frontwoman Amy Taylor already has the audience in the palm of her hand when an almighty downpour commences. For most acts this would kill their momentum, but the band are able to hold the crowd and ramp up the intensity, creating a moment that will last long in the memory.
Another short wait on the West Stage is all it takes for another incredible female artist to steal the show. The iconic Karen O leads Yeah Yeah Yeahs through a headline worthy performance which is absolutely enthralling.
By the time the band closes out their set with ‘Maps’, ‘Heads Will Roll’ and ‘Date With The Night’, they’ve proven themselves to be one of the best live bands on the planet. Captivating, dazzling and glorious, you start your walk back to the East Stage wondering how on earth our headline act can match that performance.
Sadly for The Strokes the fateful enemy has a say once again with sound issues somehow a problem once more. Many in the crowd complain that the volume is too low, something perhaps not helped by the meandering pace of the setlist.
That said, when the band do dig out the hits the crowd comes to life. The setlist features many of the same staples as 2019 but we do get ‘Ode to the Mets’ and ‘The Adults Are Talking’ from their latest studio effort.
Through their ninety minute set the band are able to evidence why they are one of the most acclaimed acts of the past two decades and it is far from a bad performance.
You just leave with the same disappointment as last time due to sound problems dampening the show. Perhaps that means the band will be back again in a couple of years, but either way All Points East continues to go from strength to strength and this year is another resounding success!
