Our weekly music News Report has evolved into the Full Pelt Magazine, and you can download the fourth issue now for free!
Volume four includes an update from cover stars Creeper, a review of âConfessions of the Fallenâ from Staind plus a special feature on Metal for Good!
We have our News Report rounding up new releases from Bruce Dickinson, Blink 182, The Dollyrots, Chelsea Wolfe, Alien Weaponry, Helmet, VEXED, The Cadillac Three, P.O.D., The Vaccines, Against The Current, The K’s, Casey, Jack Valero, Little Man Tate, The Sleeping Souls, Interlaker, The Pale White, Florence Black and North Atlas!
Plus new live announcements from Bury Tomorrow, Poppy, Hot Water Music, Jake Bugg and Grade 2.
Welcome everyone to another edition of our weekly music News Report!
We start this week with the best new releases from the past week and up first is the latest single from Creeper.
This week saw the band share, ‘Teenage Sacrifice’, which you can check out above. The track comes ahead of the release of new album, ‘Sanguivore’, out on Friday 13th October.
Singer William ‘Von Ghould’ says: âThe song introduces Mercy, the protagonist of the Sanguivore narrative. Sheâs deceptively innocent yet savagely violent, and her ability to make people fall under her spell is just one indication that Mercy is not all that she seems.â
Next up is the return of Lonely The Brave, the band this week sharing their brand new single, ‘The Lens’, which you can check out above.
The track will feature on newly announced upcoming album, ‘What We Do To Feel’, which will arrive on November 10th.
Guitarist Mark Trotter comments: “You can plan it out as much as you want, but you’re just along for the ride. That’s the most exciting part, seeing what it decided to be. With this album, we’re certainly more mature as people and as a band. That makes sense with everything that has happened since our last one.”
Singer Jack Bennett continues about the single, saying it “is a track about the way we value each other. It’s different for everyone and we each have a unique perspective towards the world.”
The Struts are next in our News Report as this week saw the band reveal details of their new album, ‘Pretty Vicious’, which will be out on November 3rd.
The band also shared a live visualiser for their recent track, ‘Too Good At Raising Hell’, which you can check out above.
âThis record showcases each individual member’s strengths,â vocalist Luke Spiller says of their impending album. “Itâs some of my favorite music, hands down, weâve ever conjured up. Itâs the record everyoneâs been waiting for.â
This week also saw Daughtry debut their new single, ‘Artificial’, which you can check out above.
“‘Artificial’ is about the potential nightmare that AI could become and the idea that everything and everyone could eventually be replaced, essentially to perfection, and rendered obsolete,” Chris Daughtry explains. “However, the heart and soul of humanity and the ability to feel love, sadness, and compassion can never be replaced. While there are plenty of applications where AI can improve our lives and assist in many areas of creativity, I feel it’s imperative that we find a way to protect our musicians, actors, writers, and all creative outlets from being destroyed.”
Teenage Fanclub continue to gear up for the release of new album, ‘Nothing Lasts Forever’ on September 22nd.
This week saw the band unveil their latest pre-release single, ‘Back To The Light’, which you can check out above.
The track was written by Norman Blake who says:
âI liked the idea of using being in a band as a metaphor for a personal relationship. They are not entirely dissimilar experiences. Like a few others on the album, this song has saxophone on it. The first time weâve had that since Songs From Northern Britain. Stephen Black (Sweet Baboo) played those parts; we really like the richness it brings to the song. Steve will be with us when we head out on tour in October in Europe.â
Saint Agnes recently released their new album, ‘Bloodsuckers’ and this week the band shared a video for the track, ‘Follow You’, which you can check out above.
The band will be joining us this week on The Full Pelt Music Podcast!
The Pale White have debuted new single, ‘Validate Me’, which you can check out above.
The track will feature on new EP, ‘A New Breed’, which is will released on October 20th.
“Ever felt like the world is against you? It probably is… Look around! Weâre surrounded by social pressures of what is perceived as ânormalââ say The Pale White.
“âValidate Meâ explores the mental tug of war between following your true purpose, and conforming to what society thinks you should be. It was born during the pandemic when we all lost our social identity and this heightened self-sabotaging paranoia was just as contagious.â
Finally for this section of our News Report we have a big hit single from Gen and the Degenerates who have revealed their latest single, ‘BIG HIT SINGLE’, which you can check out above!
Speaking on their new single, vocalist Genevieve Glynn-Reeves comments:
âIf you want the highbrow answer, then BIG HIT SINGLE is about the experience of creating art under late capitalism. If you want the lowbrow âand slightly more honestâ answer, then BIG HIT SINGLE is me trying to wind up our label.â
âTheyâd made quite a reasonable requestâŠâPlease can you write more songs like the song that did well and stop experimenting with every genre under the sun in a completely chaotic and hedonistic manner?â Unfortunately, I have issues with authority…My parents often regale me with the tale of my Year 4 parentâs evening, in which my teacher described me as âtoo wild, in the bohemian sense.â
âIf Mrs Baker couldnât get me to behave, then what chance did Marshall Records have? Luckily, they have a good sense of humour over at Marshall.â
Some festival news now in our News Report and whilst this year’s event was still in progress, Bloodstock organisers have confirmed the first wave of artists for the 2024 event.
Both Architects and Amon Amarth have been confirmed as headliners, whilst they’ll be joined by the likes of Malevolence, Clutch, Flogging Molly, Green Lung and more.
The city based version of Live At Leeds returns on October 14th and this week saw the event share a massive line-up of great acts.
You can catch the likes of Another Sky, Benefits, Big Special, Feet, Hamish Hawk, Hotwax, Jack Valero, Lynks, Pigs x7, Pip Blom, Shame, Snayx, The Mysterines and Wunderhorse.
Next in our News Report we focus on the best live announcements from the past week and we begin with Neck Deep.
The welsh band will be taking over Alexandra Palace in London on March 28th for a huge headline show.
Sharing the news the band said, “Itâs been a long time coming but weâre stoked to be finally headlining Ally Pally. Weâve always loved the venue, now itâs our turn for our biggest headline show. Weâre expecting it to be the best Neck Deep show ever, & you wouldnât wanna miss that would ya?”
Kerrang have team up with the Music Venue Trust for Conjurer to join the ‘United By Music Tour’ next month!
Support will come from Unpeople.
Conjurerâs Brady Deeprose says: âConjurer simply would not exist without the UKâs extensive network of Grassroots Music Venues. We cut our teeth playing everywhere from Merthyr Tydfil to Barrow-In-Furness for years, and we were lucky to be able to do so. The threat that GMVs are under is an utter travesty, and something that we are so thankful to MVT for getting involved in – without this network, everyone from fans to bands suffers. Throughout my childhood, I would go to The Roadmender in Northampton, The Vault in Rugby (RIP), The Flapper in Birmingham, and Corporation in Sheffield to both play shows and see my favourite bands – that thriving scene inspired me to pick up a guitar and start a band. If we donât protect it, we lose the next generation of musicians. Itâs that simple.
“To come full circle, Kerrang! putting us forward for this tour is a real privilege, their support for not just us but the UK heavy scene in general, has been untouchable over the last few years. We hope that MVT continues to have success, and that the UK can continue to foster exceptional talent with a strong roster of grassroots venues to support it.â
Luke Morton, editor of Kerrang!, says âThe UK heavy music scene is thriving right now, thanks in large part to the community and support of grassroots venues up and down the country. Iâm so excited and proud for Kerrang! to partner with the Music Venue Trust for this very metal incarnation of the United By Music Tour, featuring the mighty Conjurer â a band Iâve seen cause absolute chaos in some of our best independent venues over the years. As fans of rock, metal and alternative music, it’s vital we all champion the homegrown, grassroots venues that are the lifeblood of our scene. Support your local venue and make sure you catch Conjurer tearing it to shreds!â
Mark Davyd, CEO and founder Music Venue Trust, says: âIt’s great to be teaming up with Kerrang on The National Lottery’s United by Music Tour. The team at Kerrang! were so supportive to Grassroots Music Venues during the pandemic, and the heavy music scene is such an integral part of what makes live music in the UK so essential and vibrant.â
Vocalist Elin Allan comments –Â “When we were writing âThe Tideâ, I donât think I realised how much this song was a cry for help. Itâs such an energetic, in your face song and I was so angry at this point in my life that I honed in on a very cutthroat approach to life. I had just gone through a huge, very tough break up and was having one of the lowest points in my life and with time, now itâs finally released, I think I have accepted that anger and turned it into power.“
Bristol rock outfit Little Thief share their latest single ‘Geronimo’.
Vocalist and lyricist Charlie Fitzgerald states: âPeople do incredible things when up against it and true colours often show when everything falls apart. For me, it signifies sticking together through good times and bad.
We spent a few days in the basement of our place on Albany road in Bristol working together on a bunch of new tracks and Geronimo came from that batch. It was one of the first tunes where the music came first and the lyrics followed. I really enjoyed writing the words for this as they are a bit cheesy, fun and simple with a very repetitive nature. We had the demo banging around for ages and really enjoyed playing it live.â
Swear Blind – ‘Still’
Alt-Rock Nottingham natives Swear Blind share new single ‘Still’.
Drew Lawson says: âa certain global event gave us the time to finish a project weâve been working on for many years and to continue our writing. It gave us a new focus in doing the things that we love doing, plus it gave us a good reason to hang out! Weâve been mates for years so that wasnât an opportunity we wanted to miss.â
Nevrlands – ‘Chemicals’
NYC-based trio Nevrlands share a second track âChemicals‘ from their forthcoming debut album, ‘Timeless’.
“‘Chemicalsâ is about catching yourself in the heat of the moment,â shares Neverlands collectively. âAbout painting a portrait of passion and finding that distinction between love and lust in real-time. Thereâs a very fine line that can sometimes be blurry, or sometimes itâs crystal clear. Is this real? Or is it just another fugazi? âChemicalsâ is all about questioning whether or not that perfect chemical connection will last once the moment ends.â
Welcome everyone to another edition of our weekly music News Report!
This week we begin with the best live announcements from the past week and up first are Skindred!
Coinciding with the release of their new album, ‘Smile’, the group revealed details of three new live dates set for next March. These dates are punctuated by a headline show at the historic Wembley Arena.
Regarding headlining Wembley Arena for the first time, singer Benji Webbe says: âStanding on that stage is a mark of sheer hard work.We have stood upon that stage supporting many truly great acts. Now itâs Skindredâs time to take the headline slot.You may think youâve seen us, however this is our opportunity to rise, and to step up like never before!My Sound we come to take over and truly come to rock Wembley with a heart full of gratitude and a set full of the most rockinâ tunes that we have ever played live. Unity, love and togetherness. Letâs âave it. Quadruple XL.â
This week also saw Simple Plan announce details of a new EU/UK Tour which will begin in January next year!
Support on all dates comes from Mayday Parade and State Champs.
Drummer Chuck Comeau shares, âWeâre super excited to be coming back to Europe and the UK early next year! After an amazing arena tour with our good friends Sum 41 last fall and some incredible festival shows this spring, weâre thrilled to come back on our own headlining tour, playing full shows for our UK and Euro fans all over the continent.â
âItâs gonna be great to play a bunch of new songs from our latest album âHarder Than it Looksâ as well as all the fansâ favourites from our early records. We might even throw in a few jams we rarely play live to celebrate, as 2024 marks the 25th anniversary of the band and the 20th anniversary of our second album,âStill Not Getting Anyâ!.
Weâre stoked to bring our friends State Champs and Mayday Parade with us, two fantastic bands that we and our fans love! This is probably one of the strongest UK / European tour line-up weâve ever put together and we canât wait for it to kick off next year!â
This week saw Muncie Girls share news of their split. Thankfully the group will treat fans to one final Farewell Tour later this year!
The band shared, “After nearly 13 years, a demo CD, a demo tape, three 12â EPs, three 7â singles, a 12â split record and two albums, weâre saying goodbye to our band Muncie Girls. We started this band when we were 17 and the biggest goal we could muster up was to release a 7â single. We ended up doing more things and going to more places than we could ever have imagined. We were lucky to be from a town with such a brilliant music scene and venue, the Cavern, and I remember how it felt to travel to so many cities and discover other scenes just like ours.
The community we found ourselves a part of was so special and really became our lives. If it werenât for the kindness of total strangers putting on shows for us, feeding us and letting us stay at their houses, we would never have been able to do any of the things that weâve done. We were even once temporarily adopted by a family in Texas when we went to play SXSW and they baked us cherry pie and drove us to our gigs. We were taken on a tour around Australia by complete strangers who became some of our best friends. We went to Japan after some strangers offered to book us a tour and we travelled around on trains and borrowed local bandsâ gear, guitars, everything. We spent most of our time touring in mainland Europe where we made friends for life, playing in squats, venues, gardens, bunkers, wherever.
I often heard stories of bands having to sleep in their vans or in parks or service stations. We always had somewhere to stay, no one ever let us sleep rough. I know we were incredibly lucky and we have our scene and our friends and fans to thank for that. Weâve relied so much on peopleâs kindness; I hope that we were always grateful enough.
Weâve decided to do a farewell tour and we hope that youâll join us at a show. Muncie Girls will always be a massive part of our lives and we will each always play music, just in different projects now. Thank you everyone!”
Stockholm trio, Normandie, have today returned with, âBlood In The Waterâ, their first new music since 2021âs âDark & Beautiful Secretsâ album.
Speaking of the track, frontman Philip Strand says, âBlood In The Water is about how “hurt people, hurt peopleâ, how negativity is contagious and how it can lead people into negative spirals, where they unknowingly hurt the ones around them.â
‘Dark & Beautiful Secretsâ subject matter drew heavily from Philipâs religious childhood, as the band moves into a new era, ‘Blood In The Water’ touches on that a little and acts as the perfect bridge.
âEven though i left the church at a very young age, I was raised with the belief that every person is born with a clean slate, and then our experiences and traumas form us as people. I’ve always seen hurtful people as damaged, sad and maybe even wrongfully judged by their behaviour, rather their past. Nobody was born evil, it’s something we pick up along the way and usually comes from pain and suffering in some way.
With this song, i wanted to get into the mind of the hurtful/hurt person and try to understand their behaviours and patterns. “Love me til my heart stops, hit me like a freight truck” is one of my favourite lines. Iâm positioning love as a drug, with the personâs tolerance building, leading them to seek being really blown away by their feelings, to cover the pain inside.â
Haunt The Woods have shared their new single, ‘Now Is Our Time’, which you can check out above.
The track comes from upcoming new album, ‘Ubiquity’, which is released on September 29th.
The band comment: “Written during the global lockdown, ‘Now Is Our Time’ is an angered proclamation of the struggle to sustain oneself in this modern world. Forced to sell our lives by the hour in order to survive, without security or peace of mind and without a feasible alternative.
“Now is the time for change, and the only way for change is to come together against the oppressive, archaic system we find ourselves living in.”
This week saw Delaire The Liar share new single, ‘angel number.’, which you can check out above!
The track will feature on upcoming new EP, ‘Self Defence’, which is set for release on September 1st.
Speaking on ‘Self Defence’, the band said: âIn the throes of desperation, there’s no telling the lengths a person will go to preserve themselves or their loved ones. This EP presents a series of fictional scenarios to challenge the typical understanding of self defence. The usual themes surrounding the topic are present; antagonism, violence, action and reaction, but with a focus on the more drastic instances that require a less reflexive and more considered approach. Instances that require a deeper understanding of the self, emotional capacity for pain, physical capacity for punishment, moral detachment and sacrifice for the benefit of yourself or someone else. This EP explores whether there is any defence too drastic or too difficult to justify when love, pride and responsibility is involved.â
Grove Street are next up in our News Report with their latest single, ‘Ulterior Motives’, which you can of course check out above!
The single is the latest taste of their upcoming debut album, ‘The Path To Righteousness’, which is out on September 29th.
“Ulterior Motives is a song that goes through the motions of someone who is stuck in a toxic and abusive relationship with someone or something – be it a partner, friend or substance, or even a vice like gambling – and cannot find a way out. They keep getting pulled back into the situation at hand; theyâre in love, addicted, and canât see the impact of damage thatâs being done to them, because theyâve got rose tinted glasses on.
The second verse changes focus from the relationship/addiction itself to how people around that person turn a blind eye to whatâs going on, because itâs easier for many to just play ignorant to issues than to call it out or address it, which in turn just enables the problem to manifest further.
The outro finds the person coming to the realisation that theyâre better off out of the relationship/addiction, and in order to live a better life they gotta move on.
Musically this is one of our favourite tracks on the record, I feel like it captures our sound as a whole perfectly; from the bouncy hip-hop inspired grooves in the intro that lead into the thrash feel. The outro is personally my proudest part of the record, I remember writing that and being so surprised with myself – like, where the fuck did that come from!!” – Sandy (guitars)
“The Ulterior Motives video started life as a ‘Tour Survival Guide’ skit imagined by Sully (vocals). We were spitballing ideas in the van about all the trials and tribulations we’ve faced being in a touring band, reminiscing about all the previous funny ventures weâve experienced together. Most of these skits are based on true stories, like the time our van got clamped in Slovenia and Joe (bass), using nothing but brute force, managed to rip it off. We hope that other bands can relate to our experiences, and itâll also give people an insight into the touring lifestyle.” – Josh (drums)
Sydney Sprague has shared new single, ‘Nobody Knows Anything’, which you can check out above.
The tracks features on new album, ‘Somebody In Hell Loves You’, which is out September 15th.
âWhen I started writing songs for this record during covid lockdown it felt like the movie had ended and the credits had rolled on life but we were all still here for some reason,â explains Sydney going into the process of recording the new album.
âEverything was just floating in this void and because of that I felt like I had all the time in the world to just do whatever I wanted. It was weirdly the freest I’ve ever felt. Writing became a way to entertain myself and make myself laugh instead of a way to wallow. I spent a lot of time reflecting on the past and the people around me and processing things Iâd never been able to. I was able to be more honest than Iâd ever been in my songs. The fact that I’m able to share them now feels a little scary because when I was writing them they were really just for me, but I hope they can bring people the same sense of escape that they brought me.â
Lewis continues, âThe animated music video (by Studface Productions) was influenced by âone flew over the cuckooâs nestâ and is set in an old rundown insane asylum. This is the archaic perception of mental health and we wanted the video to symbolise that society has thankfully escaped those outdated ways of thinking and the band are rescued by an unlikely hero; Atticus T. Mouse.â
Danish newcomers Cold Culture present you with their infectious new single âDownfallâ
“Downfall is about when the person you need the most is being distant, in a difficult time in your life. A lot of feelings and thoughts go through people, when theyâre unsure of what they want, which can lead to mistakes, and misunderstanding.” – Mads Zelasny (Vocalist)
Tribe of Ghosts – ‘HIVE’
Brightonâs Industrial / Post Metal band Tribe Of Ghosts have today shared a brand new single titled âHIVEâ.
âWhen we were writing Hive, we felt that we were at a point where we understood our sound and what we wanted to create. With this in mind, we wanted to craft a song that sets the scene of the world that we build with our music, that explores the electronic and the organic, and declares our intent of giving into the chaos that oozes out of us on stage and in the writing process.” – Guitarist Adam Sedgwick.
Welcome everyone to another edition of our weekly music News Report!
We start this week with festival announcements and we can’t begin anywhere else other than Slam Dunk Festival. The dual location event has revealed the first batch of bands set for Leeds and Hatfield next year and it’s a stunner!
On tap are The Offspring, Enter Shikari, Billy Talent, Bowling For Soup, Less Than Jake, Creeper, Holding Absence, Trash Boat and Kids In Glass Houses amongst many more.
Rou Reynolds of Enter Shikari comments:
“Iâve been intoxicated by the idea of headlining Slam Dunk again ever since our Take To The Skies celebration headline set back in 2017. Itâs such a great festival, always nails its bills, and has the added bonus that us lads can actually cycle to the Southern date, being that Hatfield is a neighbouring town to us!
In fact, essentially, this will be our biggest âhometownâ show ever, now that the festival has grown even more. I cannot wait. In fact, I will not wait. I demand we play this tomorrow!
I think playing outdoors is my favourite thing to do in life. Just being able to look up and see the sky, with the expanse of people underneath it, all sharing the same emotions and experience, itâs just such a raw, beautiful, and reifying thing.
Slam Dunk is a festival I try to attend every year regardless of whether weâre playing it. I love both the sites, and itâs always full of mates and has such a convivial vibe. (Thatâs my word of the week).
Weâre already thinking about stage production ideas, weâre going to do everything we can to make this our biggest show yet.â
Staying in Leeds, and Live At Leeds: In The City grew by some 80+ acts this week.
Joining the already announced Pale Waves, Dinosaur Pile-Up and Baby Queen will be the likes of Sundara Karma, White Lies, Swim Deep, Lottery Winners, King No-One, The Pale White, The Hara and many more.
Speaking about the new additions to Live At Leeds: In The City, Festival Promoter Joe Hubbard said: âAfter the incredible reaction to our first wave of names, weâre delighted to announce over 80 new artists joining us across Leeds City Centre this October. Thereâs something incredible about bringing together some of the most exciting names in new music that us in the Live At Leeds office have been playing constantly or lucky enough to see this year – and Live At Leeds: In The City 2022 feels like the perfect combination of artists we know are set for massive things in the year ahead.
I canât wait to dive around the city catching set after set of must-see moments, and weâre sure that everyone will come away from the festival with countless new favourite artistsâ
Another fantastic looking line-up comes from Mutations Festival in Brighton.
Announced to play the November event are the likes of Bob Vylan, Pussy Riot, Squid, Do Nothing, Gaffa Tape Sandy, Pip Blom, Crows, Coach Party, Lynks and Hamish Hawk.
Our News Report moves on to the biggest tour announcements from the past week, but we start off with another huge summer show set for 2023.
Courteeners will be returning to Heaton Park to celebrate the 15th Anniversary of their debut album, ‘St.Jude’.
Speaking about the special âSt Judeâ Heaton Park show, Liam Fray says: âThey grow up so fast. Canât believe our darling St. Jude is 15 next year. Think itâs time for a celebration and we all know that great things come in threesâŠ.The Star Wars Trilogy, Sooty, Sweep & Soo and now, here we are, with the third instalment of âCourteeners at Heaton Parkâ.
June 2015. June 2019 and now June 2023 âŠ
This time, to celebrate the 15th anniversary of its release weâll be playing ST. JUDE (in full) PLUS (of course) THE HITS. I canât think of any better way to celebrate than to make the pilgrimage to Heaton Park with like-minded souls and lose ourselves like itâs 2008. And, because weâre good like that, weâve remastered the original album ⊠GOD BLESS THE BAND. GOD BLESS THE FANS. OMNE TRIUM PERFECTUM.â
Fresh from performing at Reading & Leeds Festivals, Fever 333 have announced a full UK/EU Tour for early next year culminating with a huge show at London’s famous Roundhouse.
Kid Kapichi have revealed a new UK Tour set for early next year. The news comes ahead of the release of new album, ‘Here’s What You Could Have Won’, which arrives September 23rd.
The final tour announcement in our News Report this week comes from Daytime TV. The band will be playing a handful of headline shows this October alongside a Glasgow support slot with The Amazons.
Watch Daytime TV on our ‘Discover’ New Music Podcast
‘Discover’ New Music Podcast – Episode 14 – Daytime TV
Arctic Monkeys debut new single ‘There’d Better Be A Mirrorball’
Arctic Monkeys – ‘There’d Better Be A Mirrorball’
Our News Report turns now to the best new music releases from the past week and we start with the iconic Arctic Monkeys.
Last week the band revealed that new album, ‘The Car’, will be released on October 21st. This week the band debuted the first single from the album, ‘There’d Better Be A Mirrorball’, which you can check out above.
Gorillaz debut new single ‘New Gold’ with Tame Impala & Bootie Brown
Gorillaz – ‘New Gold’ feat. Tame Impala & Bootie Brown
Our News Report is packed with great new music this week and next is the latest new track from Gorillaz. ‘New Gold’ features both Tame Impala and Bootie Brown, and you can check it out above.
This week also saw Gorillaz announce that new album, ‘Cracker Island’, is out February 24th.
Next up is Yungblud who released his self-titled new album this week. Ahead of the release the singer debuted latest tack, ‘Tissues’, which you can check out above.
Editors are preparing for the release of new album, ‘EBM’, on September 23rd. This week they debuted the latest track from the album, ‘Vibe’, which you can check out above.
The Wonder Years share ‘Old Friends Like Lost Teeth’
The Wonder Years – ‘Old Friends Like Lost Teeth’
As we continue our News Report we look now at The Wonder Years who this week shared new track, ‘Old Friends Like Lost Teeth’, which you can check out above.
The track will feature on upcoming album, ‘The Hum Goes On Forever’, which is out September 23rd.
“As much as I try not to dwell on loss, I can’t help myself from thinking about it, writing about it, singing about it,” Vocalist Dan Campbell explains. “This is a song for another friend who passed too soon and about how I wish I could stop myself from opening the sutures, about how I know it’ll be painful to play live, and how powerless I am to do anything else.”
Boston Manor this week shared new track, ‘Inertia’, which you can listen to above. The track comes from new album, ‘Datura’, which is out October 14th.
Our News Report continues with news that there was new music on offer this week from Pierce The Veil as they debuted new single, ‘Pass The Nirvana’, which you can listen to above.
Pulled Apart By Horses share ‘Sleep In Your Grave’
Pulled Apart By Horses – ‘Sleep In Your Grave’
Pulled Apart By Horses this week shared new track, ‘Sleep In Your Grave’, which you can check out above. The track comes ahead of fifth album ‘Reality Cheques’, out September 30th.
Commenting on the bandâs sonic evolution for the new record, vocalist Tom Hudson says: âOne major thing we all chatted about was the âless is moreâ approach, so we made a collective decision for me to ditch my guitar. It was a logical and simple way of trimming the fat, it gave us a more direct âto the pointâ urgency. Instead of the racket of multiple duelling guitars and a cacophony of noise, everything had a pocket to sit in. A sonic corner. PABH 2.0.â
âWhilst we were working through writing and jamming, we also experimented with load of different recording techniques, an array of vintage microphones that weâd accumulated, trashed 70âs WEM guitar combo amps, routing vocals through old fender spring reverb heads, manipulating sounds with Space Echo tape effects and a load of other things for us to play around with.â
October Drift released new single, ‘Waltzer’, this week, which you can check out above. The tracks will feature on upcoming album, ‘I Don’t Belong Anywhere’, which is out October 14th.
Regarding the single frontman Kiran Roy says, ââWaltzerâ always makes me think of Robert Eggars film The Lighthouse. The isolation and spiralling madness of the film really echoes with this song. I guess it’s mainly about the fog of depression. Itâs a kind of focus lens on my lowest and darkest thoughts, as well as a reflection of people I love and care about who have themselves battled with these kinds of things.â
Check out Episode 10 of The Full Pelt Music Podcast with guests October Drift
The Full Pelt Music Podcast – Episode 10 – October Drift
Charlotte Wessels shares latest single ‘Toxic’
Charlotte Wessels – ‘Toxic’
Charlotte Wessels debuted her latest single, ‘Toxic’, this week which you can listen to above. The track will feature on new album, ‘Tales From Six Feet Under Vol II’, which is out October 7th.
On ‘Toxic’, Charlotte says: “‘Toxic’ is a direct response to the populism, greed, misogyny and victim blaming that come screaming from our screens on a daily basis, and with the recent overturning of Roe v Wade, it has sadly become only more relevant since its initial release on Patreon. I hope you like the song but I mostly hope the issues it deals with will be a thing of the past before I am.”
Doom trap pioneer Mimi Barks has announced her highly anticipated upcoming mixtape âDEADGIRLâ which is set for release in December 2022. She has also dropped a new offering in the form of defying single ânihilâ.
âânihilâ is the first track I wrote after having my entire music collection and visuals wiped off all DSPâs including YouTube in 2020. And just when I entered the void, thinking this is it, my brother KOEN sent this beat, which lead me to writing the first song for what would later become the DEADGIRL Mixtape. I needed to move forward from this, and ânihilâ be my reboot in a paradoxical way.ââThere lies great power in resistanceâ – Mimi Barks
Sunsleeper – ‘Quitter’
Indie rock band Sunsleeper have shared their new single ‘Quitter’.
ââQuitterâ is about the pains and joys of being a band,â says vocalist Jeffery Mudgett. âHow touring is both incredibly fulfilling while also being a detriment to normalcy and comfortability. Poking fun at the comparison game. The realization that creating music in a live scenario is often the place I feel the most present, when I allow myself to be.â
noyou – ‘Same Old Story’
Having recently exploded onto the scene, Synthetic Pop-Rock band noyou have dropped their new single âSame Old Storyâ.
“Same Old Story explores the anxieties and stresses that come with adult life. Are we ‘on track’ with where we’re supposed to be for our age? The track deals with the repetition and monotony of the everyday and the struggles of wanting to be released from it. The train never stops, but what is our destination?â – noyou front man Connor Jobes.
Keep an eye on our Socials this week for the latest episode of the ‘Discover’ New Music Podcast with guests noyou!
Festival season is in full swing, the weather is warm, and the women are setting the standard for football, in many ways life is good. Of course in many other ways things are tough right now.
Music has always been an escape from reality, and we certainly need a distraction right now, so as Y Not Festival open their gates for the first time in three years, itâs time for tens of thousands of fans to let their hair down and celebrate. That is once they can actually get in, with some enormous queues upon entry dampening early spirits.
Now, the last and only time I attended Y Not Festival was the fateful 2017 event which ended in cancellation midway through. I wrote a scathing review for another publication and swore never to return.
Well, watching from a distance the festival has put out some stunning line-ups since then, and organisational changes appear to have improved things and returned the events reputation to pre-2017 levels. This year is in fact billed as their first year back as an independent festival.
Having decided to give the festival a second chance on the basis of their 2020 line-up, Iâve since witnessed the line-up change multiple times for the worse based on my personal preferences. There is no doubting however the overall quality of the line-up at a tough time for festivals.
Iâm interested to see how the event will progress and whether it can change my opinion of the festival after the 2017 debacle, so the huge entry queues on Thursday and Friday arenât the best start.
Thankfully once inside, things pick up quickly! The general layout is well thought out in the main arena, with the main stage, the second stage (The Quarry) and numerous other attractions in the main section of the arena, and the third stage (The Giant Squid) and various other stages and attractions located in a smaller area.
This almost creates two distinct festival areas, with a busy walkway connecting them. The only issue here is that later on in each day this thoroughfare does bottleneck and makes movement very difficult. At one point on Sunday night, this reaches a near dangerous level as fans flood the area trying to catch an Oasis tribute band on one of the smaller stages.
Whilst I quite liked the two separate areas concept, in future additional access would need to be installed at the other end of the second area to avoid any disastrous incidents and make crowd movements flow better.
Now on to the music! Thursday is an add-on day and those to fork out and arrive early are given a splattering of acts to enjoy.
The first such act that we catch is Lucy Spraggan who does a great job in getting the audience into the spirit of things. Spraggan has the crowd singing along to the likes of The Proclaimers cover âIâm Gonna Be (500 Miles)â, and fan favourites âLast Night (Beer Fear)â and âWait for Meâ.
Next, The Hunna grace the main stage and also deliver a crowd pleasing set. The bandâs momentum seems to have stalled slightly, but that upwards trajectory is set to relaunch if the reaction to new single, âTrashâ, is anything to go by. âSheâs Casualâ and âBonfireâ serve as a reminder of what the band is capable of, and leaves the audience fully pumped up for our Thursday headliners.
WATCH ‘TRASH’ FROM THE HUNNA ON YOUTUBE
The Hunna – ‘Trash’
Those headliners are indie stalwarts The Kooks. The band have been celebrating their debut album, âInside In/Inside Outâ, whilst they have also recently released a new album, ’10 Tracks to Echo in the Darkâ. Itâs no surprise then that 15 out of 21 songs tonight come from those two releases.
The new tracks manage to hold up well with the hits such as âOoh Laâ, âShe Moves In Her Own Wayâ, âAlways Where I Need To Beâ and âNaĂŻveâ. All in all this equates to a fun headline show which sets the standard for the weekend to come.
Friday on paper is the best day musically for me heading in with a great mix of the new and established acts that Y Not Festival has managed to book so well.
Itâs a new act we start with on the main stage as Lauran Hibberd brings her charismatic indie pop to Y Not Festival. The early risers are treated to a glimpse of a star in the making and those that make the effort donât regret it. Hibberdâs debut album, âGarageband Superstarâ is out this month, and based on todayâs showing it will be a breakthrough record.
Hibberd has featured previously on our âDiscoverâ New Music Playlist, and next we headed to the âGiant Squidâ stage for the first time to catch fellow playlist alumni Daytime TV.
Daytime TV showcase their incredible debut album, âNothingâs On But Everyoneâs Watchingâ, as they quickly blast out the likes of âWe Canât Be Friendsâ, âHushâ, âUglyâ and âZombieâ. This is another band with a great future, and today they deliver the goods for the early crowd.
Watch our ‘Discover’ New Music Podcast with guests Daytime TV
‘Discover’ New Music Podcast – Episode 14 – Daytime TV
Continuing the run of fantastic young acts we catch MarthaGunn in the âGiant Squidâ and The Skinner Brothers in the âAllotmentâ. Two very different acts, but two more acts that make the very most of their time on stage, clearly winning over any fans not already converted.
We then return to the main stage for another newer act, but one that already feel established. The Snuts burst onto the scene with their debut album, âW.L.â, and have dominated festival stages this year. Today fans are treated to a look at what comes next with new songs âBurn the Empireâ and âZuckerpunchâ sounding massive. Expect The Snuts to continue to climb festival bills over the next few years, and donât be surprised when they are eventually headlining the likes of Y Not Festival.
The Pale White continue what has been a consistently brilliant day of music with a powerful set in the âGiant Squidâ, before we head to the âQuarryâ for the first time this weekend.
Festival favourite and all round legend Beans On Toast assembles a huge crowd for a sing-a-long session. The heralded folk singer serenades his crowd with favourites such as âThe War on Warâ, âM.D.M.Amazingâ and âOn & Onâ. Really, there should be a law that dictates that Beans On Toast appears at every single festival.
Watch The Full Pelt Music Podcast with guest Beans On Toast
The Full Pelt Music Podcast – Episode 3 – Beans On Toast
Even before the major issues struck in 2017, one gripe I had about Y Not Festival was the apparent disorganisation in relation to set times. I worry next that perhaps this issue hasnât been fixed as Manic Street Preachers fail to appear for their advertised start time. Eventually a message appears on the screens citing technical difficulties, and the band finally arrive almost an hour late on stage.
This of course has a knock on effect to our headliners Stereophonics, and also means when the Manics do arrive, they quickly depart again only playing for half their originally scheduled time. The technical difficulties seemingly continue to dog the band throughout their short time on stage, which causes more set changes on the fly. A lesser band may have given up, but Manic Street Preachers force their way through.
Stereophonics are a safe bet as a festival headliner, guaranteed to deliver the goods and give the audience a good time. Thatâs exactly what they do to close out Friday night, with a set mixed of hits and deep cuts from throughout their distinguished career.
The double header of of Welsh icons Manic Street Preachers and Stereophonics was a major selling point for many fans, so itâs disappointing that the technical issues leave a sour taste in the mouth.
Saturday soon arrives and we start off on the main stage for another double header of established acts. The Futureheads and Levellers bring the crowds in early as the festival rights the wrongs of last night. Both bands deliver solid sets which the audience lap up, and the party is in full swing as we head deeper into Saturday afternoon.
We refocus next however back to the fresh new acts that help to make this festival so appealing. Do Nothing, King No-One and the excellent The Mysterines all draw big crowds to the âGiant Squidâ stage and all three acts are able to produce perfect festival sets to the delight of the packed tent.
Sea Girls are one of the bands leading the new wave of indie and they are next up on the main stage, where they are greeted by an army of their fans. The band and fans then reciprocate energy for the next forty-five minutes and the result is a very enjoyable watch.
Our Saturday night is then spent back in the âGiant Squidâ for two bands that personify the festival. First up is a hot new band on the cusp of greatness in the form of Yard Act. This is a band that has been touring solidly and making a name for themselves. Today they put the spotlight on debut album, âThe Overloadâ, which gets the entire tent bouncing along.
Lastly is an established act of indie folklore, We Are Scientists! The band finish out the night with a fan pleasing set full of favourites such as âItâs A Hitâ, âThe Great Escapeâ and âNobody Move, Nobody Get Hurtâ.
WATCH ‘THE GREAT ESCAPE’ FROM WE ARE SCIENTISTS ON YOUTUBE
We Are Scientists – ‘The Great Escape’
Itâs during this time that the heavens open for the first time. Back in 2017 it was the Saturday night when the festival organisers decided enough was enough, come Sunday morning the last day was cancelled and a disorderly evacuation of the site commenced.
One massive criticism of the event that year was a lack of foresight with heavy rain predicted well in advance, the site saw little or no preparation for the weather. Itâs great this year then that prior to the rainfall we see straw spread at key points in the arena.
The result is that despite a night of rain, the arena is still in good nick come Sunday morning and we are able to continue with the high quality entertainment. Kudos then to the present organisers for taking proactive action rather than waiting until the horse has already bolted!
So, onto my first Y Not Festival Sunday! We again are on the hunt for new talent early on and catch both Marty and Cucamaras in the âQuarryâ and Baby Queen capturing the imagination of the main stage. All three showing that the future is bright.
Sunday really sinks it teeth in on the main stage with back to back performances from Amy MacDonald and Jake Bugg. Two more established acts with stacked back catalogues, two more artists that are able to deliver polished and well received sets as the shine really starts to break through.
After some sing-a-long action with MacDonald and Bugg, itâs back to the fantastic new music offerings as The Hara and Rews in the âGiant Squidâ, and Vistas and Dream Wife in the âQuarryâ all deliver blistering performances which really rile up the audience.
Soon there is a great moment on the main stage where The Vaccines get to announce the incredible result of the Football mid-set. The atmosphere is electric as fans celebrate with more great music.
For us that great music sees us conclude our weekend back in the âGiant Squidâ, firstly with Blood Red Shoes, who have released one of the albums of the year in âGhosts On Tapeâ. Their belated set is an intense and ferocious explosion of rock which instantly enters the race for performance of the weekend.
Watch The Full Pelt Music Podcast with guests Blood Red Shoes
The Full Pelt Music Podcast – Episode 4 – Blood Red Shoes
That honour is hotly contested as across four days of music we somehow havenât seen a bad performance. The pure quality on offer despite the multiple line-up changes since 2020 is a testament of the work of the booking team for Y Not Festival.
The last band of the weekend for us is Black Honey, who decide that the crown for set of the weekend belongs to them. They deliver an energetic yet majestic performance that is the perfect way to end what has been a great weekend.
I must admit scepticism coming into the event, and whilst I hoped that a great weekend would be had, I wasnât sure. The organisers have rectified the issues of 2017 and have earned themselves a clean slate from me.
Whether you just want to chill at the main stage, or go hunting for the best kept secrets in the tents, Y Not Festival had it all this year. The ghosts of the past have been put to bed by the acts of the future!
