Upon his departure from Betraying The Martyrs, vocalist Aaron Matts was quick to reveal his next project ten56.. With the world and the music industry still in the midst of the pandemic and all the uncertainty that would bring, some may have questioned the logic in leaving an established entity to start afresh at such a time.
Clearly Matts would’ve required a great deal of faith in what he had lined up and over the past year or so that faith has paid dividends with ten56. taking the scene by storm and notching up some seriously impressive streaming metrics. A debut EP and a run of live dates have been well received and now ten56. are ready to capitalise on all that momentum with new EP ‘Downer Part.2’.
This EP is a full frontal assault on the senses with Matts’ ferocious vocals taking centre stage and underpinning the progressive sound of the group. ‘Downer Part.2’ certainly feels like a breakout moment for a band already breaking out. Yes, over a period just under twenty minutes, Matts has shown the world just why he had such faith.
Only time will truly tell, but at this point you’d have to put money on ten56. becoming one of the biggest metal acts of the next decade!
It’s been another big revival year for the music industry following the pandemic years, and it’s been another year of growth for us at Full Pelt Music! We’ve reviewed 67 albums, 7 EP’s, 6 festivals and 38 gigs in 2022 as some level of normality or even stability has returned to our industry.
That said, there are still many issues facing the industry with livelihoods, venues and organisations at risk for a plethora of reasons. Whilst government action is required in many places, what we as fans can do is support the industry with our money. Times are tough for us all, but purchasing an album, buying a t-shirt, nabbing a ticket and grabbing a drink whilst at a gig does so much to support the industry that we love.
In our now annual end of year awards we’ll be giving out seven hotly contested awards looking at both the recorded and live sides of the industry. Adding to our well established Album of the Year award this year will be the new EP of the Year award. We’ll also once again be revealing our Single of the Year. All awards have seen fierce competition, as once again it’s been a high quality year for new releases.
On the live side of things, we’ll announce both our Gig and Festival of the Year awards. This year of course provided our first full calendar of music since 2019! We were able to witness many great performances this year and we can’t wait to share with you are favourites.
Lastly we’ll look at the artists who’ve had special years as we award our Artist and ‘Discover’ New Artist of the Year awards. So without further ado, let’s work through those award catagories!
ALBUM OF THE YEAR
It has been a truly magnificent year for album releases and getting a spot anywhere in our Top 50 was hard enough but in particular the Top 10 was incredibly tightly fought. You can read the full list here.
‘IMPERA’ from Ghost was able to take the crown this year but any of the top 10 could’ve taken that spot. ‘Reeling’ from The Mysterines in particular would likely have won in any other year, but the majesty and magnificence of ‘IMPERA’ proved unbeatable.
Winner:
‘Impera’ by Ghost
The contenders:
‘Reeling’ by The Mysterines, ‘FTHC’ by Frank Turner, ‘Skinty Fia’ by Fontaines D.C. & ‘The Price of Life’ by Bob Vylan
Previous Winners:
2021 – ‘Blue Weekend’ by Wolf Alice 2020 – ‘Ultra Mono’ by IDLES
EP OF THE YEAR
For the first time this year, we are separating EP’s out of our main award and giving them their own pedestal. That alone is the truest compliment to the quality of EP’s on offer this year.
Again, all EP’s in our top 5 are worthy of the number one spot, but it’s ‘coming of (r)age’ from As Sirens Fall that pips it. Catchy as hell single, ‘heaven (spat us back out)’, helps elevate the release to be crowed our first ever EP of the Year.
Winner:
‘coming of (r)age’ by As Sirens Fall
The contenders:
‘False Start’ by James and the Cold Gun, ‘SCP’ by Oakman, ‘Tyrants’ by IOTA and ‘BLACKGOLD’ by BLACKGOLD
SINGLE OF THE YEAR
We look now at our Single or Song of the Year. In considering the award this year we’ve considered the ear worms that have stayed with us after live performances. We’ve also pondered which songs instantly struck a chord and created a buzz of excitement for the albums and live shows that would follow.
Songs which fell into both of these considerations competed for the award and it was again a tight decision, but ultimately for us this year ‘Dangerous’ from The Mysterines has not just ticked both boxes but also remained on heavy rotation throughout the year despite being an early arrival in 2022. That’s why that track is our 2022 Single of the Year!
Check out the winning single below:
The Mysterines – ‘Dangerous’
Winner:
‘Dangerous’ by The Mysterines
The contenders:
‘Talk Hard’ by Jamie Lenman, ‘Compliance’ by Muse, ‘Wicked Ways’ by Halestorm, ‘Spillways’ by Ghost
Previous Winners:
2021 – ‘Test of our Resolve’ from Press To MECO 2020 – ‘Obey’ by Bring Me The Horizon feat. Yungblud
FESTIVAL OF THE YEAR
2022 was the first full festival season since 2019 and what a return it was. All eyes were on Glastonbury once again, British Summer Time curated a stunning line-up, Download Festival breathed fire and 2000trees was able to remind everyone what’s so great about smaller festivals.
Our winner this year though is Reading & Leeds who went big, sold out and delivered an action packed weekend even with the huge loss of Rage Against The Machine amongst others. Always a perennial contender for this award, 2022 felt like the year the event reclaimed its identity.
Glastonbury Festival, British Summer Time, Download Festival, 2000trees Festival
Previous Winners:
2021 – Download Pilot Festival 2020 – Wild Fields Festival
GIG OF THE YEAR
We’ve reviewed many gigs this year but in reality there could only ever be one winner. Rammstein’s tour is less of a concert and more of an experience; one that everyone, fan of the band or not, should experience at least once.
Beyond that there was still some incredible, top tier gigs in 2022 and our contenders are all worthy of glory, but Rammstein are currently on a whole different level.
Royal Blood @ O2 Arena, London, Ghost @ Resorts World Arena, Birmingham, Muse @ Eventim Apollo Hammersmith, London, The Killers @ Carrow Road, Norwich, The Hella Mega Tour @ London Stadium, London, Creeper @ Roundhouse, London, Idlewild @ O2 Kentish Town Forum, London
Previous Winners:
2021 – Bring Me The Horizon @ O2 Arena, London 2020 – Frank Turner @ Arboretum, Nottingham
ARTIST OF THE YEAR
Artist of the Year now and for this award we look for somebody who has had a huge, perhaps even career-defining year. Previous winners Frank Turner and Biffy Clyro have done so by delivering incredible feats, far above the norm.
This year was a big year for many acts, but we’ve gone for Bring Me The Horizon as a band that have had a career-defining twelve months. Long tipped as festival headliners at a major event, many felt that the time would never come for one of the best live bands on the planet. Big releases, sold-out tours, no matter what the group did they never seemed to be given that torch, that is until this year!
Watching Bring Me The Horizon step up and headline at Reading & Leeds this summer felt like a real moment, not just for the band but for the whole scene. For any metal band, let alone one once considered so unfashionable to headline the biggest festivals in the UK is massive.
Already announced to finally headline Download Festival in 2023, 2022 will forever be linked for Bring Me The Horizon to taking that final career-defining set. Throw in their genre-defying collaboration with Ed Sheeran, 2022’s Artist of the Year had to be Bring Me The Horizon.
Winner:
Bring Me The Horizon
The contenders:
Ghost, Rammstein, Biffy Clyro, Muse
Previous Winners:
2021 – Biffy Clyro 2020 – Frank Turner
‘DISCOVER’ NEW ARTIST OF THE YEAR
As a publication we always want to put new music at the heart of what we do, and that’s why our final award is perhaps our most important! Our ‘Discover’ New Artist of the Year is awarded to the act we’ve chosen to highlight on our ‘Discover’ New Music Playlist and Podcast who we feel has made the biggest impact this year.
At the beginning of 2022 we put the spotlight on new Colchester act PET NEEDS as they continued to promote their debut album, ‘Fractured Party Music’. From that point on the band never looked back with a world tour, a second album (‘Primtime Entertainment’) and a sold out hometown show all under their belts.
They even found the time to become the first (and only at the time of writing) band to progress from our ‘Discover’ New Music Podcast and appear on The Full Pelt Music Podcast! Yes, fighting off some stiff competition for the ‘Discover’ New Artist of the Year award in 2022 is PET NEEDS!
Winners:
PET NEEDS
The Contenders:
BERRIES, As Sirens Fall, Oakman, James and the Cold Gun, Daytime TV, MOSKITO
Previous Winners:
2020 – Miss Vincent
So, that’s it! Another year in the record books, it’s been another difficult year and it has again been particularly tough on the music industry. That said, we’ve had a full year of live music for the first time since 2019 and the creative juices remain flowing with some absolutely stunning new releases over the past twelve months.
Below you can enjoy some of our favourite gig photos of the year courtesy of our wonderful photographer Denis!
All 📸 (c) Denis Gorbatov / Full Pelt Music
We hope you’ve enjoyed our The Year in Review 2022 and we wish you a very Happy New Year. Here’s hoping 2023 is a good one!
As the year draws to a close, music publications such as us turn our attention to our end of year lists. There will be nods to the best albums, singles, festivals and gigs as December progresses towards it festive finale. The only problem is that 2022 isn’t quite done yet!
Tonight for example the O2 Arena in London welcomes a fantastic package tour with three incredible acts set to grace the stage. Perhaps then those engravers should hold fire on etching the award winner’s names just yet!
This evening is the final night of a tour that has hit five other UK and Irish arenas already this month having first made its way around Europe, and there’s an end of tour / end of year atmosphere in the venue.
The first band up is Mammoth WVH led by Wolfgang Van Halen who showcases his natural talent and feels right at home on this massive stage. Playing a blistering set of material from their self-titled debut release, the band finish with ‘Don’t Back Down’ and leave the stage with many more fans than when they arrived.
Next up are a band who debatably should be headlining arenas themselves these days, as the screams of Lzzy Hale welcome Halestorm to the stage. Opener, ‘The Steeple’, sets the theme with new album, ‘Back From The Dead’ taking centre stage. That’s no bad thing though as it’s a fantastic album as demonstrated by the likes of ‘Wicked Ways’, ‘Mine’ and the title track.
All the usual Halestorm fun is packed into an abridged set where we still get crowd interaction, over-sized drumsticks and massive rock songs such as ‘Love Bites (So Do I)’ and ‘Familiar Taste of Poison’. ‘I Miss The Misery’ closes out the short but sweet set and leaves you thinking surely a Halestorm arena headline tour must be next on the cards.
WATCH ‘SILVER TONGUE’ FROM ALTER BRIDGE ON YOUTUBE
Alter Bridge – ‘Silver Tongue’
A band very familiar with headlining arenas at this point though is our headline act tonight, Alter Bridge. Another band with a new album to show off, the huge ‘Silver Tongue’ gets the ball rolling as the group once again demonstrate their obscene talents.
A musically sublime performance features their debut album more than recent tours with ‘Shed My Skin’, ‘Burn It Down’ and ‘In Loving Memory’ all highlights. The set list weaves between albums and highlights the musical dexterity of the band along with the commitment of their fans that stand in awe through hits and deep cuts alike.
‘This Is War’ and title track ‘Pawns & Kings’ show that the band remain very much on form as far as new material goes, but naturally it’s favourites such as ‘Metalingus’ and ‘Blackbird’ that elicit the best audience responses tonight.
An encore of ‘Rise Today’ and ‘Open Your Eyes’ seals the deal and sends the crowd into the wintery embers of 2022 happy and thoroughly entertained. It’s tours like this that remind us what we’ve been missing in the past couple of years, and serve as grounds to hold back on those end of year awards until all the entries have made their case!
Shinedown fans have long wondered why the band had yet to progress to Arena’s in the UK. Having grown exponentially in this region over the past decade, recent tour expectations had been larger venues for the group, only for the band to opt again for academies. Not this time though, welcome Shinedown fans to Wembley Arena!
The final date of their first full arena tour, tonight feels like a big moment for the band and the atmosphere in London echoes this. Outside may be a Christmas wonderland but inside the venue rock fans are more than ready for an evening of entertainment.
Opening proceedings on this run of dates is rapper Zero 9:36 who does well to warm up the early attendees with his brand of rock. Next up, Asking Alexandria get a hero’s welcome as they arrive onstage and they return the favour with a solid set featuring a number of clear fan favourites which really ramps up the energy levels.
Both bands have done a great job, but tonight is really about one band and there isn’t long before Shinedown make their big entrance. The band have a new album out, ‘Planet Zero’, which is incidentally their highest UK charting album; so it’s fitting that they open with new track, ‘The Saints of Violence and Innuendo’, as they begin their biggest UK show to date.
WATCH ‘THE SAINTS OF VIOLENCE AND INNUENDO’ ON YOUTUBE
‘Devil’, ‘Planet Zero’ and ‘How Did You Love’ all follow as they band stamp their authority on the stage. For their biggest UK shows, they’ve brought their biggest ever production to these shores and the visuals tonight are just as stunning as the music.
Amongst the newer material of the last decade or so, we get a splattering of early material such as ‘45’, which is up next and helps elicit just one of many huge sing-a-long moments.
The band have amassed a seriously deep back catalogue and the setlist tonight is well curated to showcase all the talents of the group from the heavy to the heartfelt. The juxtaposition of ‘Cut the Cord’ straight into ‘Second Chance’ really highlights their dexterity.
By the time ‘Sound of Madness’ brings the show to a close, there can be no doubters that Shinedown absolutely belong on the biggest stages. There are many Download Festival t-shirts in the audience tonight and it’s fitting because this was a performance worthy of headlining the UK’s premier rock festival!
‘Tyrants’ is the debut EP from Bristol’s IOTA, who featured on our ‘Discover’ New Music Playlist back in July with their single, ‘Take It’. Four new tracks feature on this short but expansive record as the band stretch their creative legs.
The signs have been there for a while that this band can be something special and from opening track, ‘Demons’, it’s immediately apparent that this EP is a real statement from the band. Abrasive and packed full of angst, each track feels like a release from a group ready to explode.
The whole sound of the band is huge on this EP and singer Jodie Robinson really excels, with her delivery a real highlight of each track. ‘Ballet Box’, ‘Sometimes’ and ‘Control’ which make up the rest of the record evidence the progress that IOTA have made clearly – this is a band capable of breaking out in a big way!
Watch Episode 26 of our ‘Discover’ New Music Podcast with guests IOTA
Wow. Ever sit and think to yourself that a certain artist’s latest work has hit upon something special? Well, that’s the feeling we get from listening to ‘The Athiest’, the new solo release from Jamie Lenman!
Having seen the campaign for previous album, ‘King of Clubs’, seriously disrupted by the pandemic, Lenman has emerged from these troubled two years with a masterpiece of an album.
‘The Athiest’ sees a change in direction from Lenman, whilst maintaining his charm and sound of previous records. There is a delicateness and vulnerability to this new material which opens it up as his most accessible work yet.
‘Talk Hard’ is an absolute banger of a song, which leads the album by example. Perhaps his most singly single yet, we dare you not to lose yourself in that catchy as hell chorus. Fellow single, ‘Lena Don’t Leave Me’ is further evidence of the pop-esque songwriting on offer on this album.
This is a deeply personal record for the iconic Lenman, as both lyrically and musically he stretches himself further than ever before. Equally, there is plenty here which will be familiar to old school fans, creating a perfectly blended mix for fans old and new to enjoy.
It’s great to see an artist earn a freedom in their career to explore themselves without the pressures of the industry. Lenman has seemingly arrived at this point and the results are spectacular.
Watch Episode 13 of The Full Pelt Music Podcast with guest Jamie Lenman
The Full Pelt Music Podcast – Episode 13 – Jamie Lenman
For people who love to hate musicians they’ve probably never listened to, today is the day! You can rejoice because today delivers new albums from both Nickelback and Disturbed!
Many of the same issues we just identified in our review of that Nickelback album also relate to Disturbed. One big criticism being the ‘by numbers’ approach to their releases, each album a clone of the previous, and that may well be true.
Still, its horses for courses, odds are if I’m hitting play on a Disturbed album I’m after some simple, relentless metal that allows me to sing-along and punch my fist in the air. If I’m after straight rock I’ll go for Foo Fighters, something a little softer then its R.E.M., a bit of indie rock then I may revisit Oasis, radio rock then hey I’m headed for Nickelback!
Well, you get what I’m getting at. If I’m listening to Disturbed, it’s because they’re what I want to listen to. So, how do you review an album by such a divisive band? It certainly helps when they name that very album, ‘Divisive’.
Opinions will naturally differ on any new Disturbed album. Ultimately, does it deliver for the bands fans? Does it hold up to their previous work? Does it get those fists pumping and voices singing?
Undoubtedly, the answer to all of the above is yes. Everything that you’d want from Disturbed album is here and the band are still doing what they do and they are doing it well!
So there you have it, if you already like Disturbed, check out this album it’s very much for you. If you don’t like Disturbed, why are you reading this review, the chances are that there is nothing I could write that would change your mind on the band!
Love them or hate them, and for most it’s one or the other, but Nickelback’s success is incredible. Commercially one of the biggest acts on the planet, the bands creative consistency also should be admired.
Whilst the standard Nickelback formula is one of the cited reasons for the hysterical hatred of the Canadians; if you ignore the repetitive stock sound of their back catalogue and focus on craftsmanship, consistency and catchiness than you really should admire their ability to constantly churn out quality music.
‘Get Rollin’’ is the groups tenth studio album and again from the moment you press play you are greeted by an onslaught of radio-friendly hard rock with foot stomping, head nodding, fist pumping, rifftastic, sing-a-longs throughout.
WATCH ‘SKINNY LITTLE MISSY’ FROM NICKELBACK ON YOUTUBE
Depending on your viewpoint of the Nickelback blueprint then there either isn’t a bad track on the album or there isn’t a good one! But we encourage you to listen to ‘Skinny Little Missy’ without stomping your foot, nodding your head or humming along to that catchy tune.
The inevitable stories and memes are already making the rounds as the band promote ‘Get Rollin’’, with the focus so often diverted from the fact that actually the band has released another solid album.
Either way you look at it, Nickelback will be in the public eye, you either love them or hate them and as such you’ll either love this album or hate it!
Is there anything better than heading to an independent venue, checking out unknown supports acts before enjoying a familiar face present their latest work? Well, not for me and tonight is a prime example as we head to the Corn Exchange in Hertford.
The venue is a new one for us having never been to Hertford before let alone the newly refurbished Corn Exchange. Small, yet spacious with a well stocked bar and great views all around, the new management team have done a great job setting up this top venue.
DROWN
The unknown support act tonight is Drown, who don’t drown and in fact swim! Metaphorically that is, as they deliver a well received, well rounded opening set which gets the crowd ready for the main act, whilst also giving a glimpse of the talents the band clearly possess.
Soon enough it’s time for that familiar face to grace the stage and serenade us with songs both new and old. Tonight, that act is Jamie Lenman who is gearing up for the release of his latest solo album, ‘The Athiest’ on November 25th.
JAMIE LENMAN
Playing the fourth show of a small run of pre-release dates, the focus tonight is very much on that new album and ‘This Is All There Is’ and the fantastic single, ‘Talk Hard’ provide an energetic start to the set. ‘Talk Hard’ particularly stands out tonight in the live setting as a phenomenally catchy song.
With the highly accessible sound on ‘The Athiest’, Lenman has struck gold in both maintaining his identity and expanding his sound further than ever before. This album should gain the well travelled songsmith many new fans; with show closer ‘Lena Don’t Leave Me’ another example of why.
Older fans are also catered to tonight though with tracks from each of Lenman’s solo albums and a couple of tracks from his previous life in Reuben thrown in for good measure. There can be no complaints come the end of the night that Jamie Lenman has fully entertained those that have made the journey.
Yes, nights like these are very special indeed; a great new venue, a new musical discovery and the chance to savour one of the most effortlessly talented musicians on the road live. Do yourselves a favour, get down to your local venue and join in the fun!
Evanescence / Within temptation – london – live review
In many ways the world is broken, but in others the world is now healing after the previous two to three years. All regular gig attendees had their carefully curated schedules wiped out by the pandemic. Cancellations, postponements, uncertainty, changed plans, travel and hotel arrangements in tatters; it’s not been easy for music lovers.
Most of those tours have now finally taken place, but tonight is another where digging out the tickets reminds you just how long ago you actually brought them! So, understandable then that anticipation is high and the venue is full early.
Of course the opportunity to catch both Evanescence and Within Temptation together in the same night may well be a big reason for the atmosphere in London’s O2 Arena. Before that though we get our support act Veridia, who instantly look at home on the big stage.
The group are a fitting opening act and get the crowd suitably warmed up for what’s to come. A tender performance of ‘I’ll Never Be Ready’ with Amy Lee gets those mobile phones up in the air, but there is enough in the set as a whole to warrant further investigation from new fans.
Our co-headliners are rotating the closing slot on this tour and tonight that will be Evanescence, so up next it’s Within Temptation who take to the stage complete with stunning production.
If the stage show wasn’t headline worthy alone, the moment the band arrive their presence and energy is truly off the charts. ‘Faster’, ‘Paradise (What About Us?)’ and ‘Stand My Ground’ all help to build on that early atmosphere and create a real moment.
The fact that singer Sharon den Adel is clearly under the weather makes the beauty of their performance even more incredible. The final run of ‘Ice Queen’, ‘What Have You Done’ and ‘Mother Earth’ provides a superb climax to the set and leaves you wondering just how Evanescence can top it!
Soon enough it’s time for them to try, albeit with a much simpler stage show. Evanescence are a rarer proposition on these shores and them going on last feels right in many ways, but as the show gets going it’s clear that the energy levels have dropped.
Their latest album, ‘The Bitter Truth’, is very good and deserves the spotlight live, but tonight following Within Temptation’s huge show it’s clear the audience are after the classics. The atmosphere therefore feels a little flatter, only rising again for the likes of ‘Going Under’, ‘Call Me When You’re Sober’ and ‘Imaginary’.
New tracks like ‘Wasted On You’ do sound epic tonight however and showcase where the band are very well. Amy Lee reminds everyone what an incredible talent she is and their finale of ‘My Immortal’ and ‘Bring Me to Life’ is probably the highlight of the night.
Having waited for years for this tour neither band disappoint and with two headline worthy performances the show represents great value for money. Both bands have just been announced as returning at Download in the summer, so do the right thing and get them noted on your clashfinder now!
