Pale Waves only released their second album last year, but with momentum in their favour they are back already with album number three. âWho Am I?â was a huge release for the band, taking them to number three in the charts and taking them into larger venues and bigger festival slots.
Eighteen months later and the band are ready to capitalise on their hard work and push for greater success. With a date already set for the legendary Brixton Academy this November, could new album, âUnwantedâ, be set to push them into arenas?
Well, opening with the epic, âLiesâ, is a very good start for the album, and the pace doesnât really ease as the group let their pop punk side out!
Across their three albums the band has now shown strong evolution and confidence in creating an eclectic mix of sounds. That being said each album has been distinctively a Pale Waves album with a familiar sonic undertone throughout.
With Heather Baron-Gracie at the helm their sound continues to feature an uplifting element despite the often dark and personal themes. This album fits a continued narrative of relatable music which helps to create a strong connection between band and listener.
Tracks such as âThe Hard Wayâ, âJealousyâ and âReasons To Liveâ have given a accurate view into the make-up of âUnwantedâ as a whole. If youâve enjoyed the pre-release singles then youâll love this uninterrupted tour de force of an album.
If âWho Am I?â was the album to put Pale Waves on the map, then âUnwantedâ is raising their flag aloft and stating their ambitions for world domination!
KASABIAN – THE ALCHEMIST’S EUPHORIA – ALBUM REVIEW
To say that Kasabianâs seventh studio album, âThe Alchemistâs Euphoriaâ, comes with a burden of added pressure would probably be an understatement. When one of the biggest bands in the country loses an iconic member then eyes will naturally be on what comes next, this is amplified when that iconic member is the singer!
Not to mention that itâs the nature of the world that we live in that those eyes watching are bound to be highly critical. No doubt, there will be many looking on and hoping to see Kasabian fail for various reasons.
Thankfully for the band they have already taken the time out to prove the doubters wrong in the live setting, with the band confirming that they are still one of the best live acts on the scene, the question is now turned to their studio output.
One of the reasons for Kasabianâs success over the years has been their adaptability and willingness to experiment. This works in their favour when reflecting on âThe Alchemistâs Euphoriaâ, as whilst it doesnât give the band a free pass it certainly allows extra freedom to explore their sound.
With guitarist Serge Pizzorno moving to the vacated lead vocals position, some clearly wondered if he would take the band down the more electronic route of his SLP side project. Alternatively would the band return to their early sound or maybe just continue on the path of 2017âs âFor Crying Out Loudâ.
The answer here is the one that probably shouldâve been expected from the start â all of the above!
You can certainly feel the Pizzorno influence taking a bigger hold, there are nods to the early lad-rock leanings of the band and there are some playful festival favourites the likes of which emerged from the albums predecessor.
To an extent this is clearly Kasabian pressing the reset button. With âThe Alchemistâs Euphoriaâ, the band has reassured fans that the past isnât forgotten but the future remains one of exploration just as it would of done.
This album does what it needs to do to shore up the ship, but it almost leaves you now asking whatâs next. This isnât a forgettable album but it is a cleansing album to purge the difficulties of recent years and set up whatâs to come.
Welcome everyone to another edition of our weekly music News Report, where we roundup the best news from the past week. We start this week with the latest tour announcements, including the above from The Hunna!
Having just revealed the details of their upcoming new self-titled album, the band have now scheduled in a lengthy UK Tour for later this year. Support comes from Kid Kapichi and Lucy Deakin.
‘Trash’, the lead single from the new album kicks things off by giving the music industry both barrels, taking pot-shots at the execs who told them âTikTok, TikTok or else you get droppedâ.
âWeâre not calling anyone specific out,â explains Ryan. âitâs just overall industry suckiness. It highlights things weâve experienced in the industry over the years and things we see going on and hear about now. Thereâs a lot of bad shit that still goes on in the industry and a lot of it gets swept under the rug. But weâre in the position where weâre on our fourth album, we feel refreshed and confident and this is what weâre going to say. You either like it or you donât, itâs cool either way. We are who we are.â
Speaking of lengthy tours, Blossoms will truly be putting the work in at the end of this year with the above trek around the UK. With shows already starting to sell out, these aren’t ones to sit on.
Nile Rodgers & Chic announces End of Summer Parties
The legendary Nile Rodgers and Chic have announced two massive concert appearances at the iconic London venue O2 Academy Brixton, on Monday 19th September 2022 as well as a second show at O2 Victoria Warehouse, Manchester on the 21st of September.
Nile Rodgers said, âAfter the blues of Covid weâve had an incredible summer in the UK getting up front and close with all of our incredible fans. What better way to celebrate the last day of summer and the first day of autumn than with our final UK shows of the year at Brixton and Manchester. We want to invite all the Lionesses whoâve made the whole country so proud to get up on stage for what will truly be Good Times!â
Black Honey this week announced a special one-off show at OMEARA in London. The band has teased the show as the beginning of their new era. Tickets have already sold out, for more info check here.
Another band with new tour dates to reveal as we continue our News Report is none other than The Wonder Years, who will hit the UK this November!
Speaking of the tour, frontman Dan ‘Soupy’ Campbell, says “Fun Fact: Weâve been touring the UK longer than anywhere in the world, including the US. This year marks 15 years since our first UK tour and the memories weâve madeâfrom playing literal basements up to Alexandria Palaceâhave been and continue to be some of our most treasured. So itâs with an immeasurable joy that we get to tell you today that, for the first time since 2019, weâre doing a headlining UK tour this November. We canât wait to play everything for youânew stuff from THGOF, old favourites, the whole damn thing.”
A single piece of festival news in our News Report this week and it comes from Manchester event Neighbourhood Festival.
The festival has revealed a second wave of acts including Pastel, Himalayas, Michael Gallagher, Planet, Rats, Rosellas, and Youth Sector.
They join the already announced The Snuts, Everything Everything, Sundara Karma, Baby Queen, Lauran Hibberd, Louis Dunford, Stone, Ten Tonnes, The Goa Express, The Royston Club, The Skinner Brothers and Courting!
We move our News Report onwards now to the best new releases from the past week and we begin with Slipknot.
The band continue to prepare for their upcoming album, ‘The End, So Far’, which is out September 30th. This week the band debuted new track, ‘Yen’, which you can listen to above.
Another massive rock act with new music this past week is Alter Bridge. The band shared their latest track, ‘Silver Tongue’, which you can listen to above.
The song will feature on upcoming album, ‘Pawns & Kings’, which is out October 14th.
This week also saw IDLES debut the video for their track, ‘Stockholm Syndrome’.
Speaking on the video, directors Charlotte Gosch and the bandâs own Lee Kiernan explain, âThe process of making the video was very fulfilling for the both of us as we were able to physically create what we were imagining. Both the masks and shapes were handmade and painted by ourselves and friends.
Working with our DOP Rob French we were also able to realise the long shots of each verse and the opening scene of the dancers. We both love the exhaustive and immediate feeling that a long shot can convey, like in Gus Van Santâs Gerry, which we referenced quite literally.
The initial idea of the video was to try and visualise the monotony hell of having to work to survive and how the âmachineâ eventually engulfs you and strips you of your freedoms. But we wanted to achieve this in a metaphorical way that kept the meaning as open as possible. So it becomes rather a visual representation that can be read in many different ways.”
There was also new music from LIFE this week as they debuted new single, ‘Duck Egg Blue’, which you can check out above.
The track will feature on new album, ‘North East Coastal Town’, which is out on August 19th.
Speaking on the new release vocalist Mez says: ââDuck Egg Blueâ is a realist’s love song. The journey of trying to navigate through each otherâs feelings and emotions, the strains of close quarters trapped in a tiny flat, the minutiae of everyday life. The overarching sentiment is that no matter what happens, after all that is said and done, we love each other, and we are there for each other.â
Pet Needs debut new single ‘Fear for the Whole Damn World’
Pet Needs – ‘Fear for the Whole Damn World’
‘Discover’ New Music Playlist alumni now, and Pet Needs have shared their brand new single, ‘Fear for the Whole Damn World’, which you can listen to above.
The track comes ahead of new album, ‘Primetime Entertainment’, which is out September 9th.
Fellow previous ‘Discover New Music Playlist members Oakman have also released new music this week. You can listen to new single, ‘All The Way Up’, above.
About the song, the band says, ââAll The Way Upârepresents this long journey in a life between fear, hesitation and the desire to never stop going further. Since we were born, we all have dreams that we never stop fighting for. For which we will always be regarded as an alien by others because we are often misunderstood and not supported. And when everything else gets in the way, it’s often psychologically hard to continue to find strength. But every day is a new day and every day brings a new strength to keep going all the way up.â
The Lounge Society have shared new track, ‘Upheaval’, the latest track to be taken from their upcoming debut album ‘Tired of Liberty’, out August 26th.
The band comments, “Upheaval has a calmer atmosphere than anything weâve done before and looking back on the album as a whole, it may in fact be one of the most important tracks on there. In the studio Dan [Carey, producer] really helped us bring a certain vintage feel to life – with deep textured acoustic guitars, heavily impacted by the ambient room mixing we focused on in the closing stages of the album. This song, more than anything else weâve ever done, feels like us together as four mates playing a song that we love.â
Grave Goods – ‘Source’
Grave Goods have shared their new single, âSourceâ, taken from debut album ‘TUESDAY. NOTHING EXISTS.’, which is out 9th September.
On the track, drummer Sarah Grimes said, âThis was the second song we wrote. It was written on drums and guitar first, we wanted it to be really minimal in the verse with drums and vocals and contrasted with louder choruses with the guitar and drums working together with bass added later. When we were structuring the song we took the guitar line from the chorus and used it as the intro to hook people in.
When we wrote the song initially, I had a mic set up beside me and I whispered âha haâ at the end of each bar during the verses. Those were dropped as we started to play the song live but while we were recording we decided to add it back in – me whispering âHa Haâ on my tiptoes trying to reach Loisâ mic.â
ENOLA – ‘Strange Comfort’
Melbourne-based singer, songwriter, producer and multi-instrumentalist ENOLA, sharesnew single âStrange Comfortâ.
ENOLA says of the track, âThere is a comfort in knowing that suffering can be a universal experience. We are alone, yet together in our aloneness.â
On the accompanying video they say, âIn the film I am not playing a role or character & Iâm not playing myself as I am today. I am looking back at a past self and a time & place gone. A time of fearlessness, hopelessness & rebellion.â
Youâll likely have seen The Interrupters name gracing many festival bills over the past five years. You may also have noticed their name moving higher and higher up those line-up posters. Yes, there has been a slow but meaningful buzz building around the band for a while now.
It hasnât been overnight success for the band and new album, âIn The Wildâ, is their fourth album; their debut self-titled release coming in 2014. As with many bands the pandemic came at the worst time as far as career momentum is concerned, with the hype surrounding The Interrupters fully taking hold.
Now then is probably the ideal time for the band to release a new album and get back on that horse, there has also never been a better time than now for you to jump on the bandwagon!
âIn The Wildâ sets its stall out early with âAnything Was Betterâ and âAs We Liveâ which features Tim Armstrong and Rhoda Dakar. This is another anthemic riot of ska punk that will grab you by the hand and pull you onto the dancefloor.
Musically this album is packed full of the upbeat ska infused punk that has garnered The Interrupters such attention. They really do seem to have perfected a mix of these genres that works to elevate that basic punk sound without reaching the potentially comical capabilities of ska.
Lyrically this a personal, unshackling record in which singer Aimee liberates her troubled past. It can be tricky to tackle difficult subjects whilst pumping out ska punk, but on âIn The Wildâ, Aimee and the Bivona brothers have managed to do so faultlessly.
There isnât a bad song on this album and too many highlights to bother listing. Realistically the best thing for you to do, is go and find âIn The Wildâ and press play. You won’t regret the time spent savouring these incredible songs and you will get to jump on that bandwagon just before the band takes that final leap to superstardom!
Festival season is in full swing, the weather is warm, and the women are setting the standard for football, in many ways life is good. Of course in many other ways things are tough right now.
Music has always been an escape from reality, and we certainly need a distraction right now, so as Y Not Festival open their gates for the first time in three years, itâs time for tens of thousands of fans to let their hair down and celebrate. That is once they can actually get in, with some enormous queues upon entry dampening early spirits.
Now, the last and only time I attended Y Not Festival was the fateful 2017 event which ended in cancellation midway through. I wrote a scathing review for another publication and swore never to return.
Well, watching from a distance the festival has put out some stunning line-ups since then, and organisational changes appear to have improved things and returned the events reputation to pre-2017 levels. This year is in fact billed as their first year back as an independent festival.
Having decided to give the festival a second chance on the basis of their 2020 line-up, Iâve since witnessed the line-up change multiple times for the worse based on my personal preferences. There is no doubting however the overall quality of the line-up at a tough time for festivals.
Iâm interested to see how the event will progress and whether it can change my opinion of the festival after the 2017 debacle, so the huge entry queues on Thursday and Friday arenât the best start.
Thankfully once inside, things pick up quickly! The general layout is well thought out in the main arena, with the main stage, the second stage (The Quarry) and numerous other attractions in the main section of the arena, and the third stage (The Giant Squid) and various other stages and attractions located in a smaller area.
This almost creates two distinct festival areas, with a busy walkway connecting them. The only issue here is that later on in each day this thoroughfare does bottleneck and makes movement very difficult. At one point on Sunday night, this reaches a near dangerous level as fans flood the area trying to catch an Oasis tribute band on one of the smaller stages.
Whilst I quite liked the two separate areas concept, in future additional access would need to be installed at the other end of the second area to avoid any disastrous incidents and make crowd movements flow better.
Now on to the music! Thursday is an add-on day and those to fork out and arrive early are given a splattering of acts to enjoy.
The first such act that we catch is Lucy Spraggan who does a great job in getting the audience into the spirit of things. Spraggan has the crowd singing along to the likes of The Proclaimers cover âIâm Gonna Be (500 Miles)â, and fan favourites âLast Night (Beer Fear)â and âWait for Meâ.
Next, The Hunna grace the main stage and also deliver a crowd pleasing set. The bandâs momentum seems to have stalled slightly, but that upwards trajectory is set to relaunch if the reaction to new single, âTrashâ, is anything to go by. âSheâs Casualâ and âBonfireâ serve as a reminder of what the band is capable of, and leaves the audience fully pumped up for our Thursday headliners.
WATCH ‘TRASH’ FROM THE HUNNA ON YOUTUBE
The Hunna – ‘Trash’
Those headliners are indie stalwarts The Kooks. The band have been celebrating their debut album, âInside In/Inside Outâ, whilst they have also recently released a new album, ’10 Tracks to Echo in the Darkâ. Itâs no surprise then that 15 out of 21 songs tonight come from those two releases.
The new tracks manage to hold up well with the hits such as âOoh Laâ, âShe Moves In Her Own Wayâ, âAlways Where I Need To Beâ and âNaĂŻveâ. All in all this equates to a fun headline show which sets the standard for the weekend to come.
Friday on paper is the best day musically for me heading in with a great mix of the new and established acts that Y Not Festival has managed to book so well.
Itâs a new act we start with on the main stage as Lauran Hibberd brings her charismatic indie pop to Y Not Festival. The early risers are treated to a glimpse of a star in the making and those that make the effort donât regret it. Hibberdâs debut album, âGarageband Superstarâ is out this month, and based on todayâs showing it will be a breakthrough record.
Hibberd has featured previously on our âDiscoverâ New Music Playlist, and next we headed to the âGiant Squidâ stage for the first time to catch fellow playlist alumni Daytime TV.
Daytime TV showcase their incredible debut album, âNothingâs On But Everyoneâs Watchingâ, as they quickly blast out the likes of âWe Canât Be Friendsâ, âHushâ, âUglyâ and âZombieâ. This is another band with a great future, and today they deliver the goods for the early crowd.
Watch our ‘Discover’ New Music Podcast with guests Daytime TV
‘Discover’ New Music Podcast – Episode 14 – Daytime TV
Continuing the run of fantastic young acts we catch MarthaGunn in the âGiant Squidâ and The Skinner Brothers in the âAllotmentâ. Two very different acts, but two more acts that make the very most of their time on stage, clearly winning over any fans not already converted.
We then return to the main stage for another newer act, but one that already feel established. The Snuts burst onto the scene with their debut album, âW.L.â, and have dominated festival stages this year. Today fans are treated to a look at what comes next with new songs âBurn the Empireâ and âZuckerpunchâ sounding massive. Expect The Snuts to continue to climb festival bills over the next few years, and donât be surprised when they are eventually headlining the likes of Y Not Festival.
The Pale White continue what has been a consistently brilliant day of music with a powerful set in the âGiant Squidâ, before we head to the âQuarryâ for the first time this weekend.
Festival favourite and all round legend Beans On Toast assembles a huge crowd for a sing-a-long session. The heralded folk singer serenades his crowd with favourites such as âThe War on Warâ, âM.D.M.Amazingâ and âOn & Onâ. Really, there should be a law that dictates that Beans On Toast appears at every single festival.
Watch The Full Pelt Music Podcast with guest Beans On Toast
The Full Pelt Music Podcast – Episode 3 – Beans On Toast
Even before the major issues struck in 2017, one gripe I had about Y Not Festival was the apparent disorganisation in relation to set times. I worry next that perhaps this issue hasnât been fixed as Manic Street Preachers fail to appear for their advertised start time. Eventually a message appears on the screens citing technical difficulties, and the band finally arrive almost an hour late on stage.
This of course has a knock on effect to our headliners Stereophonics, and also means when the Manics do arrive, they quickly depart again only playing for half their originally scheduled time. The technical difficulties seemingly continue to dog the band throughout their short time on stage, which causes more set changes on the fly. A lesser band may have given up, but Manic Street Preachers force their way through.
Stereophonics are a safe bet as a festival headliner, guaranteed to deliver the goods and give the audience a good time. Thatâs exactly what they do to close out Friday night, with a set mixed of hits and deep cuts from throughout their distinguished career.
The double header of of Welsh icons Manic Street Preachers and Stereophonics was a major selling point for many fans, so itâs disappointing that the technical issues leave a sour taste in the mouth.
Saturday soon arrives and we start off on the main stage for another double header of established acts. The Futureheads and Levellers bring the crowds in early as the festival rights the wrongs of last night. Both bands deliver solid sets which the audience lap up, and the party is in full swing as we head deeper into Saturday afternoon.
We refocus next however back to the fresh new acts that help to make this festival so appealing. Do Nothing, King No-One and the excellent The Mysterines all draw big crowds to the âGiant Squidâ stage and all three acts are able to produce perfect festival sets to the delight of the packed tent.
Sea Girls are one of the bands leading the new wave of indie and they are next up on the main stage, where they are greeted by an army of their fans. The band and fans then reciprocate energy for the next forty-five minutes and the result is a very enjoyable watch.
Our Saturday night is then spent back in the âGiant Squidâ for two bands that personify the festival. First up is a hot new band on the cusp of greatness in the form of Yard Act. This is a band that has been touring solidly and making a name for themselves. Today they put the spotlight on debut album, âThe Overloadâ, which gets the entire tent bouncing along.
Lastly is an established act of indie folklore, We Are Scientists! The band finish out the night with a fan pleasing set full of favourites such as âItâs A Hitâ, âThe Great Escapeâ and âNobody Move, Nobody Get Hurtâ.
WATCH ‘THE GREAT ESCAPE’ FROM WE ARE SCIENTISTS ON YOUTUBE
We Are Scientists – ‘The Great Escape’
Itâs during this time that the heavens open for the first time. Back in 2017 it was the Saturday night when the festival organisers decided enough was enough, come Sunday morning the last day was cancelled and a disorderly evacuation of the site commenced.
One massive criticism of the event that year was a lack of foresight with heavy rain predicted well in advance, the site saw little or no preparation for the weather. Itâs great this year then that prior to the rainfall we see straw spread at key points in the arena.
The result is that despite a night of rain, the arena is still in good nick come Sunday morning and we are able to continue with the high quality entertainment. Kudos then to the present organisers for taking proactive action rather than waiting until the horse has already bolted!
So, onto my first Y Not Festival Sunday! We again are on the hunt for new talent early on and catch both Marty and Cucamaras in the âQuarryâ and Baby Queen capturing the imagination of the main stage. All three showing that the future is bright.
Sunday really sinks it teeth in on the main stage with back to back performances from Amy MacDonald and Jake Bugg. Two more established acts with stacked back catalogues, two more artists that are able to deliver polished and well received sets as the shine really starts to break through.
After some sing-a-long action with MacDonald and Bugg, itâs back to the fantastic new music offerings as The Hara and Rews in the âGiant Squidâ, and Vistas and Dream Wife in the âQuarryâ all deliver blistering performances which really rile up the audience.
Soon there is a great moment on the main stage where The Vaccines get to announce the incredible result of the Football mid-set. The atmosphere is electric as fans celebrate with more great music.
For us that great music sees us conclude our weekend back in the âGiant Squidâ, firstly with Blood Red Shoes, who have released one of the albums of the year in âGhosts On Tapeâ. Their belated set is an intense and ferocious explosion of rock which instantly enters the race for performance of the weekend.
Watch The Full Pelt Music Podcast with guests Blood Red Shoes
The Full Pelt Music Podcast – Episode 4 – Blood Red Shoes
That honour is hotly contested as across four days of music we somehow havenât seen a bad performance. The pure quality on offer despite the multiple line-up changes since 2020 is a testament of the work of the booking team for Y Not Festival.
The last band of the weekend for us is Black Honey, who decide that the crown for set of the weekend belongs to them. They deliver an energetic yet majestic performance that is the perfect way to end what has been a great weekend.
I must admit scepticism coming into the event, and whilst I hoped that a great weekend would be had, I wasnât sure. The organisers have rectified the issues of 2017 and have earned themselves a clean slate from me.
Whether you just want to chill at the main stage, or go hunting for the best kept secrets in the tents, Y Not Festival had it all this year. The ghosts of the past have been put to bed by the acts of the future!
Welcome everyone to another edition of our weekly music News Report, where we roundup the best news from the past week. This week we start off with tour announcements and the above run of dates from You Me At Six.
The band will be joined by Waterparks, The Maine and Bears In Trees for the tour that finishes up at Alexandra Palace in London.
The fantastic Beans On Toast this week revealed another lengthy trek around the UK for early next year.
Speaking about the upcoming tour Beans says:
âFolk music is an age-old art form, and itâs more relevant than ever in these wild and crazy modern times. You can expect an inspiring and entertaining gig, a relaxed and fun affair that leaves you feeling like you’ve met up with an old friend, and you’re all the better for it.â
Kodaline have announced a special intimate run of UK shows in support of their forthcoming stripped-back live album ‘Our Roots Run Deep’, out October 14th.
Speaking about the tour the band say, âWe canât wait to be back in the UK to bring you some super intimate shows to celebrate the release of Our Roots Run Deep with some of our favourite Independent Music stores around the country. These will be some of the smallest shows weâve done in a long time and we cannot wait to see you there.â
Marking the announcement they have also released the new single âWherever You Areâ taken from the album. You can check it our below.
Kodaline – ‘Wherever You Are’
Regarding âWherever You Areâ vocalist and multi-instrumentalist Steve Garrigan says, ââWherever You Areâ is a song I originally wrote as a present for my girlfriend. Itâs a newer song from our fourth album One Day At A Time. Itâs connected with a lot of people around the world and has been fun to play live at festivals and full band shows. It was great to hear the crowd singing along to this acoustic version in such an intimate setting. Itâs a moment we wonât forget.â
Continuing about the album the band say, âThis album is something weâve wanted to do for a very long time, itâs also something entirely new to us. Itâs a stripped-down acoustic show with no click, which basically means, itâs very raw and unfiltered. We wanted to try and capture the energy and atmosphere of the night as best we could. It was an intimate show recorded in one of our favourite venues in the world, in Dublin City at home in Ireland. We hope you enjoy it as much as we enjoyed playing it.â
Burn It Down Festival adds Wargasm as special guests
Our News Report turns now to festivals and Torquay event Burn It Down, who this week added Wargasm as special guests.
They join a stunning line-up featuring Trash Boat, Deaf Havana, Static Dress, Our Hollow Our Home, Cassyette, VUKOVI, Tigercub, Death Blooms, As December Falls, Salem, Haggard Cat, IOTA and many more!
Smith/Kotzen announce new release ‘Better Days… And Nights’
Smith/Kotzen – ‘Hate and Love’ (Live)
New music releases now as our News Report continues. We start with the Smith/Kotzen collaboration and their news this week that they will be releasing ‘Better Days… And Nights’ on September 16th!
The release will comprise five previously unreleased live tracks, plus for the first time ever on CD, the four studio tracks featured on their sold out, limited edition 12â vinyl EP, ‘Better Days’, released in conjunction with Record Store Day in November 2021.
Adrian Smith comments, âI think everyone in the band was extremely happy with how our very first tour turned out. We were all naturally a little anxious as weâd never played live together before but once we got out there, everything fell into place really easily and we all had a tremendous amount of fun. I canât wait until we can do it again and get to play in many more places next time round.â
Richie Kotzen adds, âWe spent a lot of time discussing which of the songs from the live show to include on this CD. We wanted to capture an accurate snapshot of the special vibe we all felt on the tour and I think weâve achieved this in the songs weâve selected, and hope our fans will agree. Weâre looking forward to seeing everybody again on future tours.â
The Hunna have announced their brand new self-titled album to be released on October 28th. The album is preceded by new single, ‘Trash’, which you can listen to above.
âWe had so much fun writing the lyrics,â recalls vocalist and guitarist Ryan Potter. âAll of us were together, joking around and letting loads out. Even though it has got an angst to it, we donât take life too seriously, weâre just having fun.
âWeâre not calling anyone specific out, itâs just overall industry suckiness. It highlights things weâve experienced in the industry over the years and things we see going on and hear about now. Thereâs a lot of bad shit that still goes on in the industry and a lot of it gets swept under the rug. But weâre in the position where weâre on our fourth album, we feel refreshed and confident and this is what weâre going to say. You either like it or you donât, itâs cool either way. We are who we are.â
Charlotte Wessels shares new single ‘Human To Ruin’
Charlotte Wessels – ‘Human To Ruin’
Charlotte Wessels will release her new album, ‘Tales From Six Feet Under Vol II’ on October 7th. This week saw Wessels share the second single from the album, ‘Human To Ruin’, which you can check out above.
On the song, Charlotte comments,
âWith ‘Human To Ruin’ I wanted to make a song that has an old school symphonic feel to it, but at the same time doesnât get too polished or âprettyâ to reflect the theme of the track. The vocal processing on the choruses is inspired by 90âs grunge and the instrumental middle part gives off something psychedelic, all in all itâs quite eclectic.
Thematically, the words in ‘Human To Ruin’ are the things you say to yourself when you feel undeserving of love, or when you feel like you want love just for selfish reasons. I felt compelled to indulge in this feeling without nuancing it, because when you exaggerate a feeling like that, or make it larger than life in a song, it allows you to shout out the frustration on the one hand but it also reminds you that it is probably not all THAT bad in reality.â
Next in our News Report, we head to The Wonder Years, who continue to build towards their new album, ‘The Hum Goes On Forever’, which is released on September 23rd.
This week the band shared their latest single, ‘Low Tide’, which you can listen to above.
“This is my pandemic depression song. I feel like everyone gets one.”. The Wonder Years vocalist Dan Campbell describes the band’s new song out today with unflinching honesty.
“Itâs searching for some semblance of normalcy through small, newly formed rituals. Itâs being unsure if Iâll ever get to do the thing I love again, if live music will ever come back. Itâs deciding to just give up and then deciding not to give up and then deciding to give up again in alternating intervals. Itâs watching old movies and unconsciously thinking âOh my god, where are your masks?â when people are in public places because a deep anxiety now exists within me that may never fully leave. You know, all the normal stuff.”
Glaswegian rockers Gun have this week released a brand new version of their seminal single, ‘Word Up’, which you can listen to above.
Itâs the latest track to be cut from their upcoming album, âThe Calton Songsâ, out 14th October.
Jools Gizzi says of the album:
âWhen the pandemic hit we realised that it was the perfect time to try and counteract the bleakness that was all around. It felt like we couldnât write anything, or of course tour. Out of that darkness came a desire to completely rework these songs that we know the fans love, and bring a different, stripped down vibeâ.
Whilst Dante Gizzi adds:
âItâs ironic that those feelings of negativity led to something so positive, a celebration of our career up to nowâ.
noyou have shared the first single, ‘The Way You See Me’, from their upcoming debut EP, ‘This Game We Started’!
“‘The Way You See Me’ tells a story of long lost relationships and their eventual reunion, from the perspective of a not so perfect person. Friends, Family & lovers, will things be the same after time has had its way with us? Or has the distance changed us too much?â- NOYOU front man Connor Jobes.
Final Stair – ‘Headgames’
Final Stair release their very intimate single, ‘Headgames’.
The band comments: âIstvan, the band’s singer, fell into a severe life crisis a few years ago and suffered from extreme panic attacks and an intense anxiety disorder that took complete control of his body, soul and everyday life. He was guided only by the fear of fear. This vicious circle ended in alcohol and depression and in mind games that made him a helpless person. He developed into a small, helpless boy who could no longer cope with his life.
This song tells the story of this disease on the one hand, but also contains the strength to overcome it and to learn to live with it. With this song, the band wants to draw attention to the fact that there are many people among us who suffer from depression and similar illnesses. With “Headgames” they want to say: you are not alone!â
Oxbowlake – ‘Louis Theroux’
Oxbowlake unleash their latest track, ‘Louis Theroux’, on the world.
“Our latest single âLouis Therouxâ was released Friday 22nd July.
We wrote it in lockdown 2020 and it was inspired by the thought of partners not coping spending too much time together and arguing over watching too much TV! When some of their most magical moments were probably snuggled up watching TV together!
Recorded and produced by George Marriot of Pet Needs and includes group chants of âTheroux Therouxâ by Johnny Marriot, their partners and ourselves.”
THE KOOKS – ’10 TRACKS TO ECHO IN THE DARK’ – ALBUM REVIEW
The Kooks have been busy celebrating their seminal debut album, âInside In/Inside Outâ, on recent tours, but they are a nostalgia act just yet!
New record, ’10 Tracks to Echo in the Darkâ, is the groupâs sixth studio album, which isnât the most prolific discography but is on par with most of their contemporaries. What the band has done however is deliver consistency with each of their previous efforts showcasing their talents well.
Over the course of these releases The Kooks have evolved sonically and the differences between that debut and this latest release are clear. ’10 Tracks to Echo in the Darkâ features the bands now signature expansive sound and bursts straight to life with opening track âConnectionâ.
At just over half an hour this isnât a long album, which I feel helps it maintain the listeners attention. There is much ground broken on the record, now that youâre really expecting or wanted experimentation from The Kooks in 2022. That said there is enough here to fend off that nostalgia scene for a little longer.
The band do appear to have found their groove which is far removed now from the sound that broke them into the mainstream. Of course, those songs still exist and feature heavily in their live shows but if you are expecting another âInside In/Inside Outâ from The Kooks youâll be disappointed.
Expectation therefore is key when approaching ’10 Tracks to Echo in the Darkâ, something which the slightly ostentatious title does assist with. This was never going to be the so called âclassicâ Kooks sound.
Thatâs not a bad thing though and this isnât a bad album by any stretch of the imagination, it just needs a little perspective. The album isnât a bad way to spend half an hour, but it wonât leave much of a lasting impression either.
Welcome everyone to another edition of our weekly music News Report! This week is dominated by incredible new releases, so that’s exactly where we begin; and where better to start than with superstars Muse!
This week the band shared their latest single, ‘Kill or Be Killed’, which you can check out above. The single will feature on their upcoming new album, ‘Will of the People’, which is out August 26th!
ââKill Or Be Killedâ is MUSE at their heaviest! We wanted to update our hard rock sound on this album and with KOBK we found a modern metal sound featuring double bass drum action and even a death growl. Lyrically the song takes influence from my favourite Paul McCartney song âLive And Let Dieâ, a dark take on how lifeâs adversity can sometimes bring out the worst human instincts to survival at any costs.â â Matt Bellamy
Red Hot Chili Peppers announce ‘Return of the Dream Canteen’
Red Hot Chili Peppers surprised fans this week with the revelation that they will be releasing a new studio album this year!
‘Return of the Dream Canteen’, will be available October 14th, and the band had the following to say:
“We went in search of ourselves as the band that we have somehow always been. Just for the fun of it we jammed and learned some old songs. Before long we started the mysterious process of building new songs. A beautiful bit of chemistry meddling that had befriended us hundreds of times along the way. Once we found that slip stream of sound and vision, we just kept mining.
With time turned into an elastic waistband of oversized underwear, we had no reason to stop writing and rocking. It felt like a dream. When all was said and done, our moody love for each other and the magic of music had gifted us with more songs than we knew what to do with. Well we figured it out. 2 double albums released back to back.
The second of which is easily as meaningful as the first or should that be reversed. ‘Return of the Dream Canteen’ is everything we are and ever dreamed of being. Itâs packed. Made with the blood of our hearts.”
The iconic Ozzy Osbourne continues to prepare for the release of his latest studio album, ‘Patient Number 9’, which is due for release on September 9th.
This week saw the debut of new single, ‘Degradation Rules’ featuring Tony Iommi, which you can listen to above.
New music was also forthcoming this week from The Murder Capital, who debuted new track, ‘Only Good Things’, which you can listen to above.
Speaking on the new single, frontman James McGovern says,
âThis track for us has been an exciting evolution for the band. Itâs so bright. Itâs so colorful. This is a part of the narrative of the overall record that we feel reaches a real place of inner calm, inner peace but at its core, itâs a love song.
You get a song like this where, the protagonist in this song is quite simply asking – not pleading – just willing to ask their counterpart to rid them of their intrusive thoughts, the devils on their shoulders and to be truly vulnerable. Weâre so excited to go to a place like this because perhaps itâs not what is expected of us.
It stood out to me during the creation of this record that it is more about the friends that are still here and celebrating those connections, those relationships and being unafraid of life and itâs many seasons. Where âOnly Good Thingsâ stands within the record is at a moment where the sonic and the lyrical narrative especially, are of newfound joy.â
Another band with an album on the way is Dub War who will release ‘Westgate Under Fire’ on August 5th. This week they shared the latest single, ‘Art Of War’, which you can listen to above.
Speaking on the new single, Benji Webbe says, “Mikee âKRUPAâ Gregory was reading the book âThe Art of Warâ at the time that I was working on songs for the album, I thought it was a great title and just wrote a lot of words about Newport & Nazis.
Frankie Lodge (mentioned in the lyrics) was a guy with mental difficulties who once sang opera in the subway in Newport. Frankieâs mural features on the back cover of the album as he’s another piece of Newport history.
Spike T Smith really stepped up and brought the magic on the drums on this track.â
More great new music as our News Report continues and we turn now to The Virginmarys. The duo this week debuted new track, ‘You’re A Killer’, which you can listen to above.
VUKOVI also have a new album on the way. ‘NULA’ arrives on October 7th, but this week the duo debuted new single, ‘I EXIST’, which you can check out above.
Finally in our new releases section of our News Report, we have Deux Furieuses.
In a big news week the duo debuted new single, ‘Know The Score’, which you can listen to above, and announced new album, ‘Songs From Planet Earth’, which is out November 11th.
We do have a handful of tour announcements in our News Report this week, so let’s get started!
Japanese genre-blenders Crossfaith have announced the UK & EU leg of their upcoming ‘Atlas Of Faith World Tour‘, celebrating 15 years of the band!
Speaking of the tour, frontman Kenta ‘Ken’ Koie, says, “We just got back from festival run in Europe and had such a great time out there. As promised, weâll be returning back to UK & Europe and this will be our first headline tour since COVID.
I know that you guys have been waiting for it just like us so we are very excited to celebrate our 15th anniversary with all of you! We will play new songs and older songs as well, make sure to follow our discography and get sweaty with us! See you in the pit!”
Our final live announcement in our News Report this week, with no noteworthy festival updates, comes from Beans On Toast. The singer will return to the Clapham Grand next June.
Northern indie-pop artist Ellur returns with her new single ‘Close To You’.
Speaking on the single Ellur says, â’Close To You’ is a song about rejection and coping with it. I decided, last year, I wanted to write more songs that were about me and my relationship with myself. I think this process birthed some of my favourite lyrics Iâve ever written.â
3REE – ‘Demons’
Australian pop punk duo 3REE have teamed up with fellow Aussie and emo rapper Yung Gwopp for their brand new single âDemonsâ.
Speaking about the inspiration for the track 3REE drummer Sean Tighe says, âThis song came to me in a dream, after a nightmare I had. I woke up in the middle of the night with the lyrics and melodies still distinctly in my mind. I immediately put it all down in a voice note and sent it to Mitch. It was that powerful.â
Continuing vocalist and guitarist Mitch Volcan says, âSean sent me the voice memo and I quickly went to the studio with the verse he sent me and the chorus just came to me all in one go. Itâs definitely from a dark place but itâs also the realest thing weâve ever written.â
About the collaboration Yung Gwopp says, âWhen the boys sent me âDemonsâ I was instantly a fan. I just knew I had to throw a verse down.â
Elessar – ‘GOLD’
Pop-Rock trio Elessar present their foot stomping new single âGOLDâ.
âI wrote GOLD at a time when the entire world had been locked up, itâs about the good vibes only with friends who have inevitably moved on to their next stages in life, kids, marriage, houses. And how the pandemic lockdown made us realise how much we took our friends for granted. Iâd have given it all up to go back to that one weekend when money and inhibitions werenât an issue.â – Front man Ricky Powell.
To say this week has been hot would be the understatement of the century. So, whilst the opportunity to cram into a sold out UEA LCR in Norwich isnât the most appealing; doing so to catch indie rock royalty Kasabian play an intimate headline show makes it unmissable.
The dust has firmly settled on the well publicised line-up change in the band, and massive slots at the Isle of Wight and Knebworth this summer have just solidified what fans discovered on the bands return tour last year â new look Kasabian remain one the best live bands on the circuit.
This show was originally set to be part of their lowkey return tour, but illness saw the show postponed to now. The show is in effect now a small warm-up for their headline set at Tramlines this weekend.
The band are given a heroâs welcome from the pumped up audience as they arrive on stage. The atmosphere in the venue tonight is as hot as the weather has been and it all goes off as Kasabian kick off with âClub Footâ, âIll Ray (The King)â and âUnderdogâ!
Sweaty bodies are everywhere as the band continue to showcase their reinvigorated live show. Newly minted frontman Serge Pizzorno stalks the stage like a man possessed, he controls the crowd with natural ease as he steps out of the shadows to the forefront of the band.
Kasabian always were a phenomenal live act, and the line-up switch doesnât change that. The genius step that the band has taken is to add The Music frontman Rob Harvey to their live line-up. Harvey fills the huge void left by Pizzorno in his previous role and adds a whole new level to the groups sound.
Nobody can doubt the quality of their back catalogue with tracks like âYouâre In Love With a Psychoâ, âShoot the Runnerâ, âstevieâ, âEmpireâ and âVlad the Impalerâ on offer tonight. What the band does in the studio next will be interesting but new tracks âCHEMICALSâ and âALYGATYRâ show they still have plenty to offer.
Any doubt that Kasabian remain a viable live entity has been dispelled and come this winter, the band will once again be gracing arenas across the UK.
They sign off this evening with an encore of âBless This Acid Houseâ, âL.S.F. (Lost Souls Forever)â and âFireâ. Itâs been a night to remember for the audience and another statement made by a reinvented and rejuvenated band.
Speaking also of special one off London shows, this week saw the return of We Are The Ocean who revealed that they will play at OMEARA in the capital this October!
Within Temptation debut video for ‘Don’t Pray For Me’
Within Temptation – ‘Don’t Pray For Me’
We move our News Report on now to the best music releases from the past week and begin with the new video from Within Tempation. You can check out ‘Don’t Pray For Me’, above.
Vocalist Sharon den Adel comments: ââDonât Pray For Meâ strives against forcing beliefs and fears onto others and bears witness to being acceptive of everyoneâs own journey. It is an anthem about coming to terms with the fact that beliefs can be fluid, multiple or frankly: different. The song is about allowing people to pursue their own destiny.â
Finally our News Report concludes the week’s releases with the new single from Skid Row. Listen to their latest track, ‘Tear It Down’, above.
ââTear It Downâ is about breaking down barriers, because coexisting isnât about building walls, itâs about getting rid of them.â â Rachel Bolan
Bristol-based rock five-piece IOTA share their new single, ‘Take It’.
Speaking about the single, the band reveal, âTake It was inspired by the fight with yourself in a multitude of circumstances, work, relationships, socially and mentally. The continuum of holding yourself back and having this other side to yourself that is constantly telling you, âyou arenât good enough, you wonât make anything of yourselfâ.
The persistent reminder of how well everyone else is doing, social media controlling us and having a huge effect on us mentally. Constantly taking that push back and battling with your own mind as if it is a whole other person inside of you.
We wrote the song during and before lockdown with Lee Kiernan who helped us build on the track instrumentally and melodically.â
Rosen Bridge – ‘Watchers’
UK Metal outfit Rosen Bridge make their return with a punishing new offering titled âWatchersâ. The Welsh originated 5-piece have teamed up with vocalist Jot Maxi of the formidable Hacktivist on the track.
âWe were privileged to have Jot Maxi feature on the track having been huge fans of Hacktivist for some time. The song continues the sound weâve established in our recent singles, pairing an intense heaviness with big melodic moments. We enjoyed experimenting with lots of dark electronic sounds in the track as well, with platinum producer Andrew Wade bringing the cohesiveness we needed in the final mixâ â Alex Woodall, vocalist.
“It’s crazy that they (Rosen Bridge) approached me to feature on a song that’s about corruption within organised religion because I actually spent the first 26 years of my life in a cult! In fact, I didn’t find the true God of the bible until very recently… So, directing my verse against false, man-made and twisted religions that are designed to glorify humans instead of God was very natural for me, as I obviously have a lot of passion for the subject!â â Jot Maxi of Hacktivist.
Trashed – ‘Memories’
Bristol-based emo punk-rock three-piece Trashed have released their new single âMemoriesâ, the third single taken from their debut full-length album due later this year.
Speaking about the single, the band state, âMemories came together very quickly. Itâs about trying too hard to let go of someone while your brain clings tighter and tighter to them. Of course written during a dose of heartbreak Jimmy was going through, itâs relatable and sincere⌠and will probably stick in your head like heartache does.â
Watch Trashed on our ‘Discover’ New Music Podcast
‘Discover’ New Music Podcast – Episode 20 – Trashed
