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The Subways

The Waterfront, Norwich

Thursday 23rd September 2021

The Subways Young For Eternity Tour

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THE SUBWAYS – THE WATERFRONT, NORWICH – LIVE REVIEW

The Subways were mid-way through a 15 year anniversary celebration of their debut album ‘Young for Eternity’ when the pandemic hit. An album that catapulted them into the mainstream, garnered much success and gathered a dedicated fan base.

With the second half of the tour postponed, we now find ourselves at The Waterfront in Norwich to celebrate the 16th anniversary of the record!

Before The Subways grace the stage however we have the support act Art Brut. Another band to release their debut album in 2005, Art Brut are a great way to start the show. There are two types of audience member for the band; those familiar with the band and those that take a little while to jump aboard. By the end of their near hour long set however, everyone is on the hype train!

WATCH ‘ROCK & ROLL QUEEN’ 2020 VERSION ON YOUTUBE
The Subways – ‘Rock & Roll Queen’ 2020

Then it’s time for the main event and the spectacle of The Subways playing their seminal debut album in full. The band go the traditional route for this type of performance and play the album from front to back beginning with a sing-a-long of ‘I Want to Hear What You have Got to Say’.

The quality of the album is there for all to see as the likes of ‘Rock & Roll Queen’, ‘Mary’, ‘Oh Yeah’, ‘No Goodbyes’ and ‘With You’ delight the crowd. This is a band that seems criminally undervalued these days. From their songwriting to their ability to deliver those tracks live with such energy and passion, The Subways are a top tier act.

With new drummer Camille Phillips joining Billy Lunn and Charlotte Cooper the band seem to have a new lease of life. This is shown with the penultimate song of the evening, ‘Fight’. The fact that on an evening where we celebrate a 16 year old album, a new song gets one of the best reactions can only be a good thing.

Listen to ‘Fight’ on our Spotify Hot List!

After the album run through, fans are treated to ‘Turnaround’, ‘We Don’t Need Money to Have a Good Time’ and ‘Girls & Boys’ among others before the band finish with another blast of ‘Rock & Roll Queen’.

With new music on the way and the band firing on all cylinders, the future looks bright for The Subways.

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Read our review of Lost Evenings Festival 2021

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Live Reviews

Lost Evenings

Roundhouse, Camden

Thursday 16th – Sunday 19th September 2021

Lost Evenings

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LOST EVENINGS – ROUNDHOUSE, CAMDEN – LIVE REVIEW

Few musicians command such a passionate and dedicated fanbase as Frank Turner does. Since 2017, he has held an annual pilgrimage known as Lost Evenings. 4 days of activities based on the man himself punctuated by 4 headline sets each offering something different.

Last years event in Berlin was cancelled for obvious reasons and with the world not out of the woods yet Turner has chosen to return to the spiritual home of the event, Camden.

Whilst the main event takes place at the legendary Roundhouse, the festival takes over most of Camden. There are multiple stages of music, pop up gigs, panels, tattoos and much more.

THURSDAY

So let’s start unpacking the events of Lost Evenings 4! The event commenced on Thursday for the solo show of the weekend. No Sleeping Souls (well, just one – Matt Nasir on mandolin), as Turner explores some of the hidden gems of his back catalogue.

There are two fantastic support slots on the main stage from Emily Barker and Grace Petrie. Two incredible musicians who both manage to grab the audience with both hands, each joining the other during their sets as they encapsulate the spirit of the event.

Throughout the weekend Beans on Toast acts as master of ceremonies introducing each act. Next he welcomes Turner for the first of four occasions!

Turner and Nasir proceed to serenade the partisan audience who relish the opportunity to hear a few lesser played numbers. Turner states that he will endeavour to repeat only a few songs over the weekend.

Thursday highlights include new single ‘Haven’t Been Doing So Well’, the emotional ‘A Wave Across A Bay’, rarer numbers ‘Losing Days’, ‘Substitute’, ‘Tattoos’, ‘Josephine’ and special sing-a-long cover ‘Somebody To Love’ with Turner joined by Petrie and Barker. All in all a great way to start the festival.

FRIDAY

Friday sees Turner joined by his band The Sleeping Souls for a set billed as “the first three albums plus new songs”.

As far as support goes we start with the new – PET NEEDS. The young band from Colchester showcase tracks from their brilliant debut album including ‘Toothpaste’, ‘Pavlovian’ and ‘Tracey Emin’s Bed’, which receive big reactions from the crowd.

Read our review of ‘Fractured Party Music’ from PET NEEDS

Next up it’s something old with longtime Turner contemporary Jamie Lenman joining the party. Given the theme of the evening you’d assume those in attendance would be aware of Turners hardcore past, but there are more than a few deer in headlights reactions to Lenman’s hard and heavy outing. It is however an excellent performance that ensures any first night hangovers are blown away.

It’s then Turner time again and tonight we get a carefully curated set of early favourites. Fans again get some rarer tracks from the vault including ‘Live Fast Die Old’, ‘Once We Were Anarchists’, ‘Back In The Day’, ‘This Town Ain’t Big Enough for the One of Me’, ‘To Take You Home’, ‘Nashville Tennessee’, ‘Imperfect Tense’ and ‘Sons of Liberty’.

There is also a special section where fans get to hear three new songs from upcoming album ‘FTHC’ in the shape of ‘Non Serviam’, ‘Punches’ and ‘Haven’t Been Doing So Well’ again.

Listen to ‘Haven’t Been Doing So Well’ on our Spotify Hot List!

The night is rounded off by ‘I Knew Prufrock Before He Got Famous’, ‘Father’s Day’, ‘St. Christopher Is Coming Home’ and ‘Photosynthesis’ sending the crowd home happy.

SATURDAY

Saturday now and we first head to the Lock Tavern for an Xtra Mile Recordings takeover with special acoustic sets from PET NEEDS, BERRIES and Johnny Lloyd.

Both BERRIES and PET NEEDS play delightful sets to a packed room which go down very well. Sadly it is then announced that Johnny Lloyd is unable to make it. Thankfully master of ceremonies Beans On Toast is on hand to play an impromptu set.

As expected Beans On Toast has the audience in the palm of his hand as he regales them with tales and songs relating to Camden. A lovely afternoon that represents all that is great about Lost Evenings.

It’s very quickly time to head to the Roundhouse for round number three, which on Saturday sees Turner play his seminal album ‘England Keep My Bones’ in full.

Watch Frank Turner on Episode 1 of the Full Pelt Music Podcast!

Before we get there we have two more fantastic support acts. First up this evening is the highly entertaining The Lottery Winners. With their catchy songs and endearing onstage banter, the group are a delightful opening act.

Next the incredible Nova Twins take to the stage and initially elicit somewhat of the same response as Lenman the day before. However by the end of their set they have captured the imagination of the whole crowd. Nova Twins future is bright and on the evidence of tonight it shouldn’t be long before they are headlining venues this size.

The next may well be the most hotly anticipated performance of the entire weekend. The main man playing, in full, an album that catapulted his career and won a legion of fans. Those in attendance know that this will be special…

..And special it is! Not just said album in full but all accompanying b-sides and associated tracks. From the moment Turner takes to the stage and opens with ‘Sailors Boots’ the energy in the room of immense. This is only amplified when playing the likes of ‘I Am Disappeared’, ‘One Foot Before the Other’, ‘Peggy Sang The Blues’, ‘Redemption’ and ‘I Still Believe’.

Joined at times by string and horn sections the finale sees everything come together with ‘Eulogy’, ‘If Ever I Stray’ and ‘Glory Hallelujah’ delivering a memorable and worthy finale to the evening.

SUNDAY

The final day of the festival is billed as the greatest hits day. Turner who has kept to his promise to limit repeats, has held back some of his most loved songs. But first, Guise! Fronted by Jess Guise, the band do a great job warming up the crowd. They may be on home turf with Guise married to Turner, but it’s their music that earns the fans adoration come the end of their set.

Our last support act of the weekend is another band Turner fans are familiar with. Skinny Lister are possibly the perfect band to raise any tired spirits after a busy weekend. They bring the party, get the crowd moving and ensure the stage is set for Turner to close out the event in style

Read our review of Frank Turner live at Coda, Colchester

Tonight’s mission statement is clear from Turner – send the fans home happy. ‘Get Better’, ‘1933’ and ‘Little Changes’ kick off a set full of fan favourites.

In a well structured set list Turner includes some lesser played favourites such as ‘Thatcher Fucked The Kids’ and ‘Glorious You’. From start to finish he has the audience in the palm of his hand.

The encore of ‘The Ballad of Me and My Friends’, ‘Photosynthesis’, ‘Recovery’ and ‘Four Simple Words’ provides just the ending required to what has been another incredible weekend.

As we said at the start, not many artists could create and sell out a weekend like Lost Evenings, but Turner has built something very special and Lost Evenings 5 is surely in the pipeline already!

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Read our feature on the ‘Independent Venue Love’ series from Frank Turner

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Royal Blood

UEA LCR, Norwich

Friday 27th August 2021

Royal Blood Tour Poster

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ROYAL BLOOD – UEA LCR, NORWICH – LIVE REVIEW

With Royal Blood set to headline some of the first festivals to take place as live music returns, the duo announced a run of intimate warm-up shows. As expected all these shows sold out instantly including tonight at the UEA LCR in Norwich.

With an enormous sense of anticipation surrounding the venue, fans were first treated to a short and intense support slot from Tigercub. The band preview their latest album, ‘As Blue as Indigo’ with ‘Stop Beating on My Heart (Like A Bass Drum)’ and ‘In the Autumn of My Years’ going down particularly well with the already packed audience.

Sometimes with such a high level of expectation for the headline act, support bands can fall short, but tonight Tigercub prove their own credibility and win over some new fans in the process.

Listen to our Spotify Hot List!

Soon enough it’s time for Royal Blood to take to the elevated stage. Kicking off with ‘Typhoons’ and ‘Boilermaker’ the band are backed by a subtle yet highly effective light show that helps to bring this new material to life.

Yes, Royal Blood are another band to release a new album during the absence of live music. Absence clearly making the heart grow fonder for both band and audience, as the UEA dancefloor descends into chaos from the opening note to the very last.

Material from ‘Typhoons’ garners great reactions from an eager audience who are ready and willing to lap up whatever the band can offer. Well, with three albums behind them now, the band can offer an endless stream of fan favourites.

Tonight sees a mix from across their catalogue with ‘Lights Out’, ‘Come On Over’, ‘Little Monster’ and ‘How Did We Get So Dark?’ filling the first half of the show with memorable moments.

Check out The Full Pelt Music Podcast!

Mike Kerr and Ben Thatcher always have had a knack for creating magic both on record and on stage but tonight has that extra special feel. Perhaps it’s the atmosphere flamed by the return of live music or perhaps the duo have spent their downtime perfecting their craft. Whatever it is it’s very clear that Royal Blood are simply on another level.

‘Trouble’s Coming’, ‘Oblivion’ and ‘Loose Change’ sound absolutely huge before ‘Ten Tonne Skeleton’ and ‘Limbo’ cause pandemonium in Norwich. The encore of ‘Out of the Black’ and ‘Figure It Out’ bring it all home, remind us of what we’ve all been missing and demonstrate just why Royal Blood are now festival headliners.

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IDLES

PRYZM, Kingston

Thursday 26th August 2021

IDLES PRYZM Kingston, Live Review

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IDLES – PRYZM, KINGSTON – LIVE REVIEW

Album release shows would normally happen around the time that a new album is released. We all know why this isn’t the case for any artist releasing new music over the past 18 months but finally for IDLES the time has arrived to play these special intimate shows. With two hometown Bristol shows and an Oxford gig in the bank, the band arrive in Kingston for their opportunity to grace the PRYZM stage.

‘Ultra Mono’ was released in September 2020, so these release shows happen almost a year on from the album’s arrival. For some acts this could cause issues, but not for IDLES. If the euphoria for fans seeing the band after the last year or so isn’t enough, they have also waited patiently to hear these new songs live.

Listen to our ‘Discover’ New Music Playlist on Spotify

It actually feels wrong to call them new songs, as they’ve helped many a fan through a difficult period in all our lives. These songs are now part of our lives, but IDLES songs always seem to grow wings in the live setting. So as the clock strikes half past nine, it’s time to let these track soar.

Straight out the bat fans are treated to ‘War’, ‘Grounds’, ‘Mr. Motivator’ and ‘Anxiety’ as ‘Ultra Mono’ comes to life for a sold out Kingston crowd. With so much pent up frustration there is immediately a cathartic release of energy with the audience and the band clearly up for it tonight.

As the evening continues and the setlist weaves between the bands three albums, it becomes clear that the new(er) tracks more than hold their own live. ‘The Lover’, ‘Kill Them With Kindness’ and in particular ‘Reigns’ all sound monstrous tonight.

Check out our ‘Discover’ New Music Podcast!

When you add these tracks to a set that includes ‘Mother’, ‘1049 Gotho’, ‘Samaritans’ and ‘Divide and Conquer’ you come to realise how formidable a back catalogue IDLES have amassed over a relatively short period of time.

The band has always been ferocious yet incredibly tight live and they have lost none of this innate ability during their enforced time away from the stage. Finishing with ‘Never Fight a Man With a Perm’ and ‘Danke’ you know that opportunities to catch this band in venues this size are going to be few and far between.

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Read our review of ‘Into the Blue’ from The Joy Formidable

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Twin Atlantic

Norwich Waterfront

Wednesday 18th August 2021

Twin Atlantic Norwich Waterfront Live Review

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TWIN ATLANTIC – NORWICH WATERFRONT – LIVE REVIEW

It may be an overcast summers evening, but for tonight all is right with the world. That’s because there is a queue waiting outside The Waterfront, Norwich for the first time in around 18 months.

On offer this evening for the venues first main room show since the beginning of the pandemic is a special Music Venue Trust & National Lottery #ReviveLive show featuring Twin Atlantic!

There is a late change of support act for the evening with Lucia & The Best Boys unable to attend. Step up local band The Islas who recently featured on our ‘Discover’ New Music Playlist!

LISTEN TO OUR ‘DISCOVER’ NEW MUSIC PLAYLIST ON SPOTIFY!

This is quite the result as The Islas deliver a great set to a receptive audience. With the likes of recent single ‘The Absence of You’ joining older tracks ‘Back of Your Neck’, ‘Aileen’ and ‘Close’ the band are building an impressive live set. And with performances such as tonight’s they will also be building an impressive fan base, with many in the venue won over.

Tonight, though is all about our headliners Twin Atlantic who just released a new single, ‘Bang On The Gong’, and what better way to kick off their set. If the band think their new track is well received, those in attendance continue to build their appreciation throughout the night.

We recently caught the band at the Download Pilot Festival so know that they are an incredible live act. But, put the band in a sweaty little venue with a full set and they are up there with the best.

Read our review of Download Pilot Festival

The rest of the setlist is a carefully crafted selection from across their albums with fan favourite ‘Free’ getting the lions share. The title track, ‘Make a Beast of Myself’, ‘Edit Me’, ‘Yes, I Was Drunk’ and an emotive ‘Crash Land’ sing-a-long showcase the albums quality.

There is quality across their catalogue however and ‘No Sleep’, ‘Hold On’, ‘Brothers & Sisters’ and ‘The Chaser’ all naturally receive big reactions from the crowd.

CHECK OUT THE FULL PELT MUSIC PODCAST

Perhaps somewhat surprisingly though, some of the best tracks of the evening and most warmly welcomed come from their 2020 release ‘Power’. Coming weeks before the first lockdown, now represents the first real chance for the band to embed the tracks into their show.

The likes of ‘Volcano’, ‘Oh! Euphoria!’, ‘Novocaine’ and ‘Barcelona’ all slot in seamlessly as Twin Atlantic blow off the cobwebs and begin their latest era.

With their anthem ‘Heart and Soul’ seeing the night out, the fans are left to wander out into the now slightly chilly Norwich night. As they do so they will be reflecting on the return of live music, and also on just how great a live band Twin Atlantic have become!

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Read our review of ‘Pressure Machine’ from The Killers

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Frank Turner

Coda, Colchester

Tuesday 10th & Wednesday 11th August 2021

Frank Turner Coda Colchester

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FRANK TURNER – CODA, COLCHESTER – LIVE REVIEW

Having already attended and reviewed the Download Pilot Festival and Seasick Steve since the reopening of the live music sector, we want to stop referencing the pandemic. The problem is that nights like the two that Frank Turner serves up at Coda in Colchester simply act a reminder of what has been missing for the past almost 18 months.

Thankfully, mercifully, cautiously, live music is back. For two consecutive evenings, fans cram into the awesome independent venue in Colchester known as Coda. The reason? If any opportunity for a gig isn’t excuse enough, the one and only Mr. Turner is introducing himself to an area of the country he now calls home.

Whilst more likely to be found in much larger venues these days, Turner still has the grassroots familiarity to instigate a hot, sweaty drunken sing-a-long session. Everybody packed into this bar knows every word to every song and passionately sings them back in unison. It’s like live music never went away.

Playing the two shows in the same venue, Turner mixes his set list each night. Realistically the man has enough in his arsenal to cover many more nights here, as he demonstrated with his Independent Venue Love series during Lockdown.

Read our feature on the ‘Independent Venue Love’ series

All the fan favourites are on tap for those in the bar with ‘Long Live The Queen’, ‘1933’, ‘The Road’, ‘The Way I Tend To Be’, ‘The Ballad of Me and My Friends’, ‘Be More Kind’, ‘The Next Storm’, ‘Photosynthesis’, ‘Recovery’, ‘Get Better’ and set closer ‘I Still Believe’ amongst the songs available both nights.

The guest ales such as ‘Polaroid Picture’ and ‘If Ever I Stray’ on Tuesday and ‘I Knew Prufrock Before He Got Famous’, ‘I Am Disappeared’ and ‘Four Simple Words’ on Wednesday help to differentiate the shows for those in attendance both nights.

Having started out his solo career on his own (and still performing solo regularly), Turner is now often accompanied by The Sleeping Souls. In recent times solo shows have been billed as duo shows and see Turner joined by Sleeping Soul member Matt Nasir. This dynamic works extremely well both for musical accompaniment and also for onstage banter.

As mentioned, Turner now resides in Essex. He has a song called ‘Wessex Boy’. Yes, he did the obvious switch, which for every other artist would have been incredibly tacky, but somehow for Turner here it works and elicits a proudly fierce reaction from the crowd.

THE FULL PELT MUSIC PODCAST

Check out Episode 1 of our Podcast with guest Frank Turner

A new album is on the horizon for Turner and over the two nights fans are treated to glimpses of the record in the shape of ‘The Work’, ‘Muhammad Ali’, ‘Little Life’, ‘Fatherless’ and new single ‘The Gathering’.  There certainly appears to be plenty more to come from an artist for whom their next album will be their ninth solo effort.

The future appears bright. Over two nights the stage was graced by four support acts with bright futures with Wilswood Buoys and Jess Guise on Tuesday and Gin Twins and Josiah Mortimer on Wednesday all impressing the packed audience.

So, yes, the future does indeed appear bright. Bright for Turner, bright for a great new venue, bright for young musicians, and bright for live music! There really isn’t anything better.

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Every week we roundup the best music news from the past week in our News Report. Read the latest here

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Seasick Steve

Norwich Arts Centre

Wednesday 21st July 2021

Seasick Steve Norwich Arts Centre

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SEASICK STEVE – NORWICH ARTS CENTRE – LIVE REVIEW

It has been a devastating 16 months for humanity. Every country, every community and every industry has suffered profound and unprecedented loss. The fact remains that we are far from free, the p word is still ongoing and we must be careful.

There is however hope, just a glimmer that some form of normality or dare we say a “new normal” could be possible. The music industry has been decimated over the past year or so, but it is the music industry now that is offering us hope.

We recently attended the Download Pilot Festival and saw a preview of how live music can return. There was testing involved, masks in certain situations, extra sanitisation and a sense of community that only live music brings.

Read our review of Download Pilot Festival

Now it is time to head indoors again. The Music Venue Trust has always done an incredible job, but that has been amplified by the events of the last year or so. The organisation has now teamed up with The National Lottery to help to #ReviveLive.

They aim to help the return of music fans to music venues across the country and ticket holders can bring a Lottery playing friend in for free. Tonight feels special for so many reasons. The first gig back would always be special but by putting an act the size of Seasick Steve into the intimate surrounds of the beautiful Norwich Arts Centre only ramps the feeling right up!

Entry is smooth, fans have been encouraged to take Lateral Flow tests, there is hand sanitizer aplenty and masks are encouraged in certain areas. Attendees are respectful of each other and of the significance of the evening.

Read our review of ‘Lo! Soul’ from Roddy Woomble

The atmosphere truly is special, and it is a special talent here to entertain us. With no support, Seasick Steve and his trusted companion on drums enter the stage at half past eight just after an emotional welcome from the venue director.

Seasick Steve is a captivating artist at the best of times, but tonight he truly has the audience in the palm of his hand. Despite lingering fears of being part of a gathering and despite the intense heat inside the venue, there is nowhere else you’d want to be.

Fans are regaled with tales of Steve’s life and serenaded with his signature blues numbers. The likes of ‘Roy’s Gang’, ‘Walkin’ Man’, ‘Barracuda ’68’ and ‘Dark’ are highlights before Seasick Steve sends fans home with ‘Thunderbird’ after nearly two beautiful hours.

It’s an incredible feeling to be able to head out into the night, sweaty and reminiscing on a stunning evening of music once again. It’s an experience that has been missing for too long, but it is back.

There are a plethora of dates and artists performing this series of MVT shows. Do yourself and your local venue a favour, grab a ticket, take a test and enjoy the return of live music!

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Download Pilot Festival 2021

Donington Park

Friday 18th – Sunday 20th June 2021

Download Pilot Festival Poster

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DOWNLOAD PILOT FESTIVAL 2021 – LIVE REVIEW

The live music industry is built on togetherness, built on shared experience and built on the power of emotion. The last 18 months have been highly emotional for all the wrong reasons. Together the world has shared an experience that has terrified and devastated us.

The events of the last 18 months have taken an incomprehensible toll on humanity. The pandemic has destroyed lives and livelihoods. The live music industry was obliterated overnight. The people that make the spectacles that we enjoy happen were forgotten about.

While the world attempts to peek through the curtains at a “new normal”, the live music industry is left waiting. Waiting for support, waiting for proper guidance, waiting for a chance. Well, just four weeks ago that chance arrived.

A Government trial event to test the viability of the return of packed festivals and events you say? Spring into action the incredible people behind the scenes who make the live music industry work! In a short period of time, heaven and earth have been moved and here we are at Download Festival.

A much smaller, makeshift, Pilot version of Download Festival at the hallowed grounds of Donington Park. 10,000 people in a field, no social distancing, no masks, no inhibitions.

Credit goes to all involved for creating an event of that scale on such short notice, and to all the acts playing with no preparation. As the gates open, one thing is for sure, the fans want this, no, the fans needs this.

The reality of the situation is that the organisers could have put an old man playing the spoons on stage and the fans would have lapped it up. The opportunity after all that everybody has been through to witness live music is cathartic.

DOWNLOAD PILOT FESTIVAL – FRIDAY

The fact that this may be the most exciting Download Festival line-up of all time only helps to amplify the anticipation as fans gather in the tented second stage for Death Blooms. Almost every person on site crams in to witness that first taste of live music in far too long.

The band make the most of the atmosphere with a storming set that sees the audience let go of all remaining inhibitions. I doubt the majority of those in the tent knew of the band in advance, but they certainly left with a memory that will last forever.

For this special event there are just two stages. Next to the tent is the outdoor main stage which opens with a raucous set from Hot Milk. Kicking off with their latest single ‘I Just Wanna Know What Happens When I’m Dead’ the band show the crowd just what they’ve been missing.

Listen to ‘I Just Wanna Know What Happens When I’m Dead’ from Hot Milk on our Spotify Hot List!

There is no need to worry about those dreaded clashes at Download Pilot Festival. That’s because the acts on the two stages alternate, allowing the music starved fans the opportunity to watch every single band if they so wish to.

Every band this weekend gets a good sized crowd and a warm reception with it, especially the early bands on Friday. Malevolence are next to grace the second stage and assist the audience in releasing their pent up energy with a heavy hitting set.

A repercussion of the pandemic has been the amazing new albums that have been released without the showcase of the live setting. One such album is ‘Glue’ from Boston Manor. That wrong is righted next however as the band storm the main stage and air the likes of ‘Everything Is Ordinary’.

An early standout performance from the band sees them mix new and old with ‘England’s Dreaming’, ‘Laika’ and ‘Halo’ eliciting some of the first full blown sing-a-long moments of the weekend.

Those sing-a-long moments continue with Holding Absence on the second stage as they get to unleash tracks from their sensational album ‘The Greatest Mistake of My Life’. ‘Afterlife’ in particular is a contender for song of the weekend as the band present their credentials for superstardom!

Read our review of ‘The Greatest Mistake of My Life’ from Holding Absence

The Friday action continues with two bands with extremely dedicated fanbases. Neck Deep get the main stage bouncing before Sleep Token captivate the second stage.

It is then down to Frank Carter & The Rattlesnakes to bring the first day to a close on the main stage. Always an unstoppable force of nature on stage, the band make the most of the platform to make a statement. That statement says that this band is ready to headline the regular event.

With a setlist spanning their three albums, the band even treat fans to a selection of new tracks including the catchy ‘My Town’. There are guest appearances from Joe Talbot, Cassyette and Lynks, there is a giant circle pit around the sound tower and there is even a cover of ‘Ace of Spades’.

Frank Carter & The Rattlesnakes saw an opportunity to headline a festival, to headline the first festival back, and they grabbed it with both hands. This was one of those sets that will be talked about forevermore!

Listen to ‘My Town’ from Frank Carter & The Rattlesnakes on our Spotify Hot List!

After hours entertainment comes from a silent disco as the hastily arranged festival shows the skills and creativity of the music industry. You have to stand back and admire the achievement of those involved to create an event on this scale in the time given.

DOWNLOAD PILOT FESTIVAL – SATURDAY

On to Saturday now and the musical delights continue as Lotus Eater, Conjurer, As Everything Unfolds and Bleed From Within blow the cobwebs of the early morning audience.

Next two young bands with big futures introduce themselves to festival audiences. Both The Hara on the second stage and Wargasm on the main stage elicit strong reactions from those watching.

Listen to ‘Your Patron Saints’ from Wargasm on our Spotify Hot List!

After a solid showing from Tigercub, one of the veteran acts of the weekend, A, school the up and coming bands on how to engage an audience. An age appropriate walking circle pit being a nice change of pace in the midst of a hectic weekend. Finishing with ‘Nothing’, A show why they are the perfect festival band.

Two things become apparent as the weekend progresses. When dissecting the hastily put together line-up, the quality of British rock music is put in the spotlight and it more than holds its own. Secondly a good deal of that talent is female. Vukovi and Yonaka both deliver set of the weekend contenders next.

Listen to ‘Seize the Power’ from Yonaka on our Spotify Hot List!

Those Damn Crows, Twin Atlantic and Stone Broken all put in crowd pleasing performances before While She Sleeps attract and entertain a huge crowd on the main stage.

Soon though it’s time for the scorecard for band of the weekend to be thrown out the window. Creeper are able to deliver an out of body experience as they headline the second stage. There are goosebump raising moments galore as the band turn the festival into their own theatre of oral and visual magnificence.

Listen to ‘Midnight’ from Creeper on our Spotify Hot List!

It is then left to Enter Shikari to bring the Saturday night party and they don’t disappoint. If there was ever a band born to get you moving it’s Enter Shikari. They do just that as they also get to showcase newer songs live for the first time.

‘satellites**’, ‘{ The Dreamer’s Hotel }’ and ‘THE GREAT UNKNOWN’ fit in perfectly with classics like ‘Sorry, You’re Not A Winner’, ‘Juggernauts’ and ‘Mothership’. Much like Frank Carter & The Rattlesnakes and Creeper, you can see the special treatment Enter Shikari have given this opportunity and that makes for a stunning spectacle.

DOWNLOAD PILOT FESTIVAL – SUNDAY

Come Sunday you’d imagine fatigue would be setting in. All this action after so many barren months, you could forgive the crowd for tiring and the festival atmosphere sapping. Instead energy is pumped in by bands such as Static Dress, Saint Agnes, Cassyette and Employed To Serve.

The fans reciprocate said energy as they continue to let loose to Chubby and the Gang, Loathe and Higher Power. The passion and pure joy of both fans and musicians to be at a festival is at times overwhelming. This event was destined to be an emotive affair but even through that emotion the quality of the music on offer shines.

Next on the main stage is Lonely The Brave complete with change in singer. A set mixed with fan favourites and new tracks from ‘The Hope List’ shows the band are still an exciting prospect. Can the band now finally take that next step? On their showing here, yes they can!

Read our review of ‘The Hope List’ from Lonely The Brave

For those fans catching every band the pace is relentless and it’s to the second stage next for Jamie Lenman. Lenman powers through a sublime set that gets the crowd moving and features another appearance from Wargasm.

The quirky goodness of Elvana attracts a huge crowd to the main stage as the festival heads towards its climax. The band show just why they are perhaps the perfect Sunday afternoon festival act as they get the crowd singing along to every word.

Massive Wagons are able to take the second stage by storm before a sadly technically challenged The Wildhearts limp off stage. The Wildhearts are a top quality band and the issues with their sound perhaps show the effects of an enforced hiatus for musicians and crew members alike.

It’s on that note that once again praise must be heaped on the organisers, the crew members, the festival staff and yes the bands for making this event such a success. That is only amplified by the incredibly short timescale.

Realistically this has been a once in a lifetime event (we hope). Download Pilot Festival as an event is excellent and would be a great addition to the main Download Festival. It’s the atmosphere and camaraderie however that makes this festival so special.

We are down then to the final four bands, the final acts before reality is set to strike again. Up first on the second stage are Trash Boat who get the tent bouncing, especially with a stunning cover of Linkin Park classic ‘Given Up’.

If there is a perfect festival band it’s Skindred. Put them on any stage in any slot and they will attract a huge crowd. With a sub-headline slot on the main stage, the field is full as Benji Webbe and co put in a seamless lesson in crowd engagement.

The final act on the second stage is also no stranger to the festival scene. Although Frank Turner has played Download Festival in the past, even he acknowledges he may not be the typical Download act. Nobody cares though, as he puts in a typically euphoric performance.

The crowd are not just treated to the set staples but also to new song ‘The Gathering’ and heavier version of ‘Little Changes’. There are sing-a-longs aplenty as Turner does what he does best and that is entertain!

Check out The Full Pelt Music Podcast with guest Frank Turner!

That just leaves Bullet For My Valentine to close out Download Pilot Festival. A festival which we wish was never needed but are so glad that it happened. Bullet For My Valentine are long time Download favourites and they deliver an apt conclusion to the event.

We are treated to a unique take on ‘Run To The Hills’ from Iron Maiden complete with a perplexing vocal contribution fron Benji Webbe. We get new material in the form of ‘Knives’ and of course we get favourites such as ‘Scream Aim Fire’ and ‘Tears Don’t Fall’.

‘Waking The Demon’ is the final song to ring around Donington Park, and we can only hope and pray that this event can wake the demon that is the festival scene. The fans may have been lab rats, but what a stunning lab it was! Thank you Download Pilot Festival for such a cathartic weekend.

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Live Reviews

Frank Turner

Thursday 14th January 2021

Livestream

Frank Turner Independent Venue Love 15 poster
Independent Venue Love 15 event poster

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Frank Turner – Live Review

Throughout the first national lockdown musicians were forced to find creative and innovative new ways to connect with their fans. This unique time saw the popularity of the music livestream rise as exponentially as the cases of the horrible virus that created the situation.

read our blog on the impact of livestreams on the music industry

The pandemic has caused us all to feel many negative emotions such as fear, worry, grief and sadness. For music fans, it has robbed us of a vital outlet which impacts greatly on our mental health. I recently discussed the immense impact of music on my mental health in my blog post ‘Mental Health, Music and Me’.

For musicians and everybody that works within the music industry it has caused significant crisis. Our beloved grassroots music venues are at risk. Musicians and live events workers employment has vanished overnight. Plus a light has been shone on the unfair recompense for artists from streaming.

read our blog on the #BrokenRecord Campaign

In amongst the darkness however there has been the odd glimmer of light. One man that has taken the power of livestreaming to heart is Frank Turner. Not only that but he has used this platform to raise awareness and valuable funding for those struggling venues, becoming a champion of the #SaveOurVenues campaign.

read our blog on the #SaveOurVenues Campaign

Turner’s Thursday night livestreams dubbed ‘Independent Venue Love’ have been a huge success. They have provided Turner with a connection to his fans. They have provided those fans with a vital distraction to raise their spirits. Whilst importantly they have raised the aforementioned funds. The success of these livestreams was one of the reasons we gave Turner the ‘Artist of the Year’ award in our review of 2020.

Now as we enter what has been dubbed Lockdown 3, Frank Turner has picked up his guitar once more ready to serenade his adoring fans. Turner will also again raise some much needed money and awareness for struggling venues. Tonight that venue is The Lantern in Halifax and the crowdfunder is here.

During his initial wave of livestreams, Turner focused on albums, or periods of his career to structure the events. This time around however, having exhausted his back catalogue, in order, last time around, Turner is handing the setlist over to his fans.

This ‘All Request’ format works extremely well with Turner’s wife Jess Guise behind the keyboard, monitoring requests and feeding them to Turner. It must be said that Turner’s ability to remember how to perform obscure songs from his catalogue at the drop of the hat is very impressive (‘English Curse’ aside ? )!

Turner has always been an artist that can turn the largest room into the smallest space, so the ability to watch him from your own living room certainly brings a new meaning to an intimate venue.

Whilst some of the livestream events that have taken place during these troubled time have felt somewhat soulless affairs akin to watching a soundcheck video on Youtube, the same certainly cannot be said of Turner’s livestreams. Tonight he once again somehow manages to captive and enthral us from his own house. This is a quality that cannot be taught and is an assertion of Turner’s talents as both a musical showman and a human being.

The requested setlist tonight is a mixture of the usual suspects with ‘If Ever I Stray’, ‘Be More Kind’ and ‘Get Better’ intertwined with rarer numbers such as ‘Romantic Fatigue’, ‘Cleopatra In Brooklyn’ and ‘Rivers’. These events certainly provide Turner fans with the opportunity to hear some tracks that wouldn’t normally get a look in at a regular gig.

The highlight of the evening however comes around the midway point of the 90 minute show when Turner delivers two new tracks. With a new album on the horizon fans will be eager to hear what new music is on offer. Tonight Turner whets the appetite with two excellent tracks, the sombre tribute to Scott Hutchison ‘A Wave Across the Bay’, and the punchy ‘Punches’.

With the tease of more Thursday night streams to look forward to, Frank Turner continues to provide a vital public service not just to his fans in need of entertainment but music venues in desperate need of help.

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Live Reviews

FIVE4FIVE FEST

Friday 18th – Saturday 19th December 2020

Five4Five Fest makes triumphant return to help #SaveOurVenues!

Back at the height of the initial national lockdown, a streamed festival entitled Five4Five Fest did two things. It provided much needed entertainment to struggling music fans and raised money for heroic NHS workers.

Now in Lockdown version 364 or something like that, the festival returns to once again provide an escape from the horrors of real life. This time the event is raising money for a cause close to home for music lovers, the Music Venue Trust and the Save Our Venues campaign. We recently wrote about the reasons why this support is desperately needed in our blog Why We Need To #SaveOurVenues.

As with the May event, Five4Five Fest takes place over a Friday and Saturday night with an array of musical talent performing from their homes/garages and this time even a school! The festivities are streamed across multiple channels and at present you can still catch up on demand on Youtube here.

There are probably fewer ‘household’ names on the line-up this time around, but there is no lack in talent. The Friday kicks off with a gentle performance from Paper Mill who include former Lower Than Atlantis guitarist Ben Sansom. There are more sombre moments to follow with both Holiday Oscar and Rob Lynch serenading us with emotionally charged songs including Lynch’s hauntingly festive school assembly set.

There is plenty of rocking to be done too however, with headliners Yonaka particularly bringing the party with the likes of ‘Rockstar’ and ‘F.W.T.B.’. Yonaka are stars and deservedly close the Friday night. To end night one, we are treated by the band to a festive outing of ‘Last Christmas’.

Both nights include afterparty DJ’s for those at home looking to continue the party. In true festival fashion there is also merch available at five4fivefest.com. There are also numerous raffle prizes all raising money for the Save Our Venues campaign.

Onto Saturday and the lineup for day two is certainly louder with the fantastic Haggard Cat blowing away any cobwebs. Nova Twins and Hacktivist both also deliver the goods before a slight change in pace with the brilliant Get Cape. Wear Cape. Fly.

The event is closed out by two fine young bands Normandie and finally Holding Absence. Again both performances provide great entertainment for those watching from home and whet the appetite for the return of live music.

The sad reality is however that many of the venues that these bands will frequent may not be around when music can finally return. They haven’t been properly supported by the government and they desperately need support. The good news is that you can help, by donating to the #SaveOurVenues campaign.

Once again Five4Five Fest has been a massive success and over the two evenings has showcased some amazing young talent. With your support and with hopes of battling this virus raised by recent vaccine announcements, lets hope and pray that soon enough we are able to return to watching these bands in our favourite venues!

You can still watch Five4Five fest and until Monday 27th December 2020, you can still donate, buy merch and enter raffles at five4fivefest.com.