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Album Reviews

The Hunna

The Hunna

Self-Titled

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THE HUNNA – SELF-TITLED – ALBUM REVIEW

The Hunna have been perennial contenders for superstardom since their hugely successful debut album, ‘100’, released back in 2016. Two further albums have followed with neither 2018’s ‘Dare’, nor 2020’s ‘I’d Rather Die Than Let You In’ able to elevate the band to that next level.

It’s a harsh reality of the music industry that the opportunities to truly breakthrough are severely limited these days. Even modern day success stories are never likely to reach the levels attained by their predecessors. It must also be said that audience attention spans are more akin these days to that proverbial goldfish.

That is a callous but pragmatic view on casual music fans. Dedicated, hardcore music fans however are a different animal all together, they are able to engage longer and deeper with the acts that deserve it. That is no doubt why The Hunna have been able to garner such a passionate and dedicated fanbase.

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The Hunna – ‘Trash’

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This deep philosophical insight into the depravity of the music industry comes not from a random thought, but from the impactful opening to The Hunna’s self-titled fourth album. Single, ‘Trash’, is an abrasive punk rocker taking aim at the pitfalls of the industry. The storming track takes firm aim at the darker aspects of the industry that most artists are fearful to call out.

That sets up the album spectacularly, both sonically and lyrically, as the band are both honest and unashamed. From soaring pop ballads, to indie hits, all out rockers and everything in between, this is a diverse collection that represents well everything The Hunna have been and everything that they want to be.

There are moments that those goldfish will enjoy (albeit temporarily), and there is certainly plenty on this album for the diehards to sink their teeth into. The Hunna are a band that continue to grow and evolve, and this album ensures that they are as relevant now as they were back in 2016!

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Album Reviews

Asylums

Asylums

Signs of Life

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ASYLUMS – SIGNS OF LIFE – ALBUM REVIEW

Southend rockers Asylums have been one of the best kept secrets in the music world since arriving on the scene with 2016 debut, ‘Killer Brain Waves’. Two more albums have followed in 2018 and 2020 with the band continuing to grow sonically and put themselves on the cusp of mainstream success.

Now, the prolific group return with their fourth studio album, ‘Signs of Life’, prepared to conquer the world once again!

Recorded at the legendary Rockfield Studios (in the room that Queen recorded ‘Bohemian Rhapsody’ no less), with the revered producer Dave Eringa (Manic Street Preachers, Idlewild), you can sense that level of creative genius running through this superb collection of songs.

There is a real diverse palette of genre-bending output spread across an album that rocks hard, has indie mainstream appeal and leans into some off the cuff influences as well.

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Asylums – ‘Instant Coffee’

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Whilst tracks such as ‘Instant Coffee’ and album opener ‘Scatterbrain’ are instantly gratifying just like those much needed early morning gulps of caffeinated goodness, every track on this album deserves attention.

In fact, there is so much here to sink your teeth into that you could describe this album as a real smorgasbord of music.

From start to finish ‘Signs of Life’ is a joy to listen to and is most definitely Asylums at their very best. Perhaps it’s finally time that the secret gets out and Asylums make an indelible mark of this hyperactive industry!

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Architects

Architects

the classic symptoms of a broken spirit

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ARCHITECTS – THE CLASSIC SYMPTOMS OF A BROKEN SPIRIT – ALBUM REVIEW

Just 18 months removed from their stunning and evolutionary ninth album, ‘For Those That Wish To Exist’, Architects are back album with their tenth album, ‘the classic symptoms of a broken spirit’!

Momentum is certainly on the bands side, so striking while the iron is hot, the band are right to release their follow up so soon after such a well received record. This is borne out through the substantiated quality of this album.

A dud of an album at this point could be a momentum killer – see ‘Temper Temper’, so this is a calculated risk from the band. That calculation however was right with them clearly knowing the quality of the music they had.

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Architects – ‘deep fake’

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The album is straight into the action on opener ‘deep fake’, and manages to keep a relentless pace throughout the next forty plus minutes. There is no dip in either ferocity or excellence as the likes of singles ‘tear gas’, ‘when we were young’ and ‘a new moral low ground’ demonstrate.

The depth on this album is truly impressive though as beyond the singles you still have tracks as good as ‘spit the bone’, doomscrolling’ and ‘all the love in the world’. In reality there isn’t a bad track on another superb offering from one of heavy music’s biggest hopes.

They may now be ten albums in, but over the past three, Architects are shown their development and progression to something much bigger than their beginnings. Their upcoming tour with Biffy Clyro will introduce them to an even more diverse audience, and as they continue to break the mainstream and pickup fans, the world very much is their oyster!

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Arctic Monkeys

Arctic Monkeys

The Car

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ARCTIC MONKEYS – THE CAR – ALBUM REVIEW

Arctic Monkeys are undoubtedly one of the biggest, most talented bands on the planet. They have very much earned the right to do whatever they want musically… but wow.

How do you follow up an ill received, lacklustre, bloated, flop of an album such as ‘Tranquility Base Hotel & Casino’? Well if you are Arctic Monkeys, you double down and again ditch your signature sound and attitude to release another collection of boring lounge pop dirge.

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Arctic Monkeys – ‘I Ain’t Quite Where I Think I Am’

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It’s difficult to write a balanced review of new album, ‘The Car’ in all honesty. If everybody is honest with themselves, this is not the album we wanted from the band this time around. Although I’m sure that many old school fans would love a return to the sound of their first two albums, that was never going to happen.

But after the enormous success of generational release, ‘AM’, which appeared to be the perfect middle crowd, ‘The Car’ just sucks the enjoyment out of this once formidable band. This stubbornness from the band has though, as we said earlier, been earned. It’s their well earned right to record and release the music that they want to.

It just makes you wonder what happened to that rock ‘n’ roll, eh? You know that rock ‘n’ roll, that singer Alex Turner said just won’t go away, that will never die and there’s nothing anybody can do about it! Well after these past two albums, you can’t help but wonder did Turner think to himself – challenge accepted!

If you enjoyed ‘Tranquility Base Hotel & Casino’, congratulations, you will also very much enjoy, ‘The Car’. It demonstrates just how musically talented and dexterous the band are. If however that last album wasn’t for you, I wouldn’t even bother hitting the play button on ‘The Car’!

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Album Reviews

Red Hot Chili Peppers

Red Hot Chili Peppers

Return of the Dream Canteen

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RED HOT CHILI PEPPERS – RETURN OF THE DREAM CANTEEN – ALBUM REVIEW

Just 6 months ago Red Hot Chili Peppers released their first record having reunited with iconic guitarist John Frusciante. It was something of a surprise therefore, in July, when the band announced another new album, ‘Return of the Dream Canteen’ would be coming.

Well, that album is already here and it’s time to see whether the band were correct in saying it isn’t just a b-side record. Now, for context it should be noted that these songs were written and recorded during the same Rick Rubin produced sessions that spurned ‘Unlimited Love’.

Given that album ran to almost 75 minutes and 17 songs, and this album runs to 75 minutes and 17 songs, those were some hefty recording sessions!

The worry here, before even pressing play is that ‘Unlimited Love’ felt a handful of songs too long. In reviewing that album we also commented; “this feels like four old friends reconnecting and testing the waters”. So again, is this more of the same?

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Red Hot Chili Peppers – ‘The Drummer’

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The first half of the album harks back to some of the bands earlier funky and psychedelic work and is very digestible with time moving quite quickly. Sadly as the album progresses into the depths of its 17 songs, time does start to lag and the songs all blend in together.

I would agree with the band that this isn’t a b-side record and is of similar standard to ‘Unlimited Love’, unfortunately that means that again it feels too long. Cutting four or five tracks would greatly improve the album, and just picking the 12 best songs from across the two albums would’ve given us a superb return from the band.

Instead we have two lengthy albums full of good yet uninspired songs with a splattering of single quality tracks mixed in. On the positive side this is an easy listening album that you could happily work away to with it on in the background.

Ultimately this is one for the diehard fans to enjoy, but it won’t do anything for the casuals, which really makes it feel unnecessary!

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Alter Bridge

Alter Bridge

Pawns & Kings

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ALTER BRIDGE – PAWNS & KINGS – ALBUM REVIEW

What an incredible story Alter Bridge are when you sit back and think about it; forming from the ashes an enormously successful band, with a relatively unknown but highly talented singer, with said singer even later auditioning for Led Zeppelin.

That singer then joining the legendary Slash for a new project and the original act briefly reforming; and then both the singer and guitarist of this band pursuing very successful solo careers. There is even a Frank Sinatra covers album in the mix now, but throughout all this Alter Bridge have remained ever present and ever evolving.

Now regrouped again, the band have bestowed upon us their seventh studio album, ‘Pawns & Kings’. Despite all the distractions, this continues their record of a new album every three years having started that pattern with debut album, ‘One Day Remains’ back in 2004 – which is somehow almost twenty years ago!

During this time the band have delivered many hits and a few misses, but this album feels important. The band have established themselves in rocks arena filling ranks, but haven’t shown any measurable growth in a decade or so. Whilst charting reasonably well their previous two albums have met mixed reviews and it does seem like Alter Bridge need an injection of momentum.

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Alter Bridge – ‘This Is War’

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‘Pawns & Kings’ may well be just what the doctor ordered. Starting out fast, heavy and soaring, the band set the bar high with ‘This Is War’, ‘Dead Among The Living’ and ‘Silver Tongue’.

‘Sin After Sin’ and ‘Stay’ then demonstrate that evolution we mentioned. Myles Kennedy as a vocalist and Mark Tremonti as a guitarist are often ranked as amongst the best in their fields. In recent years the two have proven themselves well equipped in each other’s departments and on ‘Pawns & Kings’ the two show just how far their dexterity has come.

Throughout the second half of this album, Alter Bridge maintain the quality that has perhaps tapered off on recent albums. This isn’t a token effort with a handful of quality singles. This is an old school Alter Bridge album which shows the cohesion that made sophomore album ‘Blackbird’ such a success.

The story of Alter Bridge is truly unique and it’s a testament to the talents of those involved that this far into their career, even with multiple side projects, they can still deliver a album as magnificent as this!

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Read our review of ‘Marching In Time’ from Tremonti

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October Drift

October Drift

I Don’t Belong Anywhere

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OCTOBER DRIFT – I DON’T BELONG ANYWHERE – ALBUM REVIEW

October Drift have spent the year slowly building towards the release of their second album. A steady stream of superb singles has signalled what was coming and now ‘I Don’t Belong Anywhere’ is here and fans are in for a real treat.

The band continue down the euphoric path they set with their 2020 debut ‘Forever Whatever’. That year of course was a show stopper for most bands and many new acts were lost to the pandemic.

Thankfully, October Drift have emerged not just intact but firing on all cylinders. ‘I Don’t Belong Anywhere’ is an incredible achievement considering the restraints in which it was written and recorded. The difficult past two years are referenced on tracks such as the hauntingly beautiful ‘Webcam Funerals’, but there is much more do dissect on this album.

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October Drift – ‘Webcam Funerals’

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‘I Don’t Belong Anywhere’ finds the band again in a reflective mindset but this time they are analysing the world around us. This is a sombre yet uplifting record packed with intensity and controlled ferocity. There are tender moments, brutally honest lyrics and a constant visceral sonic onslaught.

You can feel that the band has poured everything into this album, and that work pays dividends with a stunning collection of songs. Pre-release singles such as ‘Airborne Panic Attack’ and ‘Insects’ promised something great and ultimately October Drift have delivered something very special indeed!

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The Full Pelt Music Podcast – Episode 10 – October Drift

Read our review of ‘NULA’ from VUKOVI

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Album Reviews

VUKOVI

VUKOVI

NULA

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VUKOVI – NULA – ALBUM REVIEW

After more than a decade of scratching and clawing, momentum is finally behind VUKOVI as they release their third album, ‘NULA’. Both of this albums predecessors, 2017’s self-titled debut and 2020 follow up ‘Fall Better’ have felt like breakthrough moments only for momentum to stall.

In the aftermath of their debut, two members departed and soon after ‘Fall Better’ was released, the world stopped for the pandemic that derailed so many bands. Thankfully VUKOVI are one band that have made it through and have new music to show for it!

Top tier live shows and a slew of promising singles have rebuilt that all important momentum and now ‘NULA’ is upon us to surely push the band to the next level. The stars finally appeared aligned but there is one all important deciding factor remaining – is the album any good?

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VUKOVI – ‘LASSO’

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Ominous opening ‘DEPATURE’ instantly sucks us in and prepares us for the journey we are about to embark on. ‘TAINTED’ and ‘LASSO’ then lock the listener in and ensure they are going nowhere.

Musically immediate and fearless, ‘NULA’, feels like a statement in every sense of the word. Pre-release singles ‘SLO’, ‘I EXIST’, ‘KILL IT’ and ‘HURT’ all set what could’ve been an unattainable standard for the album as a whole. Thankfully the remaining tracks and the cohesiveness of the album manages to maintain and elevate that standard.

Whichever way you want to look at it this is the statement we suggest is it – sonically, thematically and in relation to the viability of the band. The album finishes with a statement of a song in ‘XX’ to really drive the message home.

What message? Well amongst other socially important ones, the fact that the time is very much now for a band long overdue sustained success!

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Slipknot

Slipknot

The End, So Far

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SLIPKNOT – THE END, SO FAR – ALBUM REVIEW

There has always been a mystique surrounding Slipknot, from their early days as unknown masked maniacs through to present day’s constant speculation on their future. The latter was fuelled further by the title of their seventh album, ‘The End, So Far’.

This album signals the end of their working relationship with Roadrunner which started way back in 1998. The purposefully triggering title however will leave fans wondering what the future holds. Promotional tactic, genuine end in sight, or just fun and games, perhaps not even the band themselves know.

What we do know however is that we have just shy of an hour of new Slipknot music to sink our teeth into, and as demonstrated by interesting album opener, ‘Adderall’, we also know this will be another divisive album for fans old and new.

Bands the size of Slipknot almost always become a victim of their own success. For some they can do no wrong, for others they can do no right. The reality, as is usually the case in life, is often somewhere in the middle.

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Slipknot – ‘Adderall’

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‘The End, So Far’ is one of those albums. There are some stunning moments, some weaker moments, some songs built for their old school fans and some material so far removed from the realms of Slipknot that it may alienate portions of their fanbase.

Ultimately Slipknot have always been anti-establishment in terms of the music industry, and they remain so now even if they’ve become that establishment! Slipknot are going to do whatever they want to do and they’ve earned that right.

The question to ask here is perhaps if this (which is very unlikely) is the final stand of Slipknot, does this album do them justice. The answer is yes, there is more than enough quality on this record to ensure this isn’t in the bottom few of any ‘All Slipknot albums ranked’ lists.

Almost predictably at this point in their career, it’s also not going to trouble the top of that list; which brings us back around to that point of the truth often being in the middle! Fans just need to enjoy this album for what it is, and make the most of the band whilst they are still around.

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The Snuts

The Snuts

Burn The Empire

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THE SNUTS – BURN THE EMPIRE – ALBUM REVIEW

2021 saw The Snuts snag a surprise number one album with their debut, ‘W.L’. Since then the band has hit the road hard, touring all over and gracing plenty of festival main stages. If world domination isn’t their aim, then they may want to slow down!

Read our review of ‘W.L’ from The Snuts

That however is very unlikely to happen as the band return with sophomore album, ‘Burn The Empire’. This is a naturally important release for the band, and not just because of good old fashioned second album syndrome.

No, ‘W.L’, whilst a huge hit for the band was a collection of tracks from the bands career thus far, honed and crafted on the road. This is the band’s debut album in terms of writing and recording in a short period of time. This may then be the first true snapshot of the group’s talent and potential longevity.

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The Snuts – ‘Burn The Empire’

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Starting with the politically charged duo ‘Burn The Empire’ and ‘Zuckerpunch’, it’s clear that this also signifies a shackles off moment for the band. Having recently also called out their own record label, clearly The Snuts have no fear, and that’s refreshing considering the often maligned, play it safe culture in music these days.

The themes that run through the album feel particularly relevant right now and the band certainly get credit for their open and direct dialect. They also deserve credit for their musical bravery, showing a willingness to experiment away from the lad rock that has got them this far.

For a band to grow and evolve they need that willingness to experiment and can be forgiven for the odd misstep, such as ‘Cosmic Electronica’, which doesn’t quite hit the spot that they were no doubt aiming for.

All too often when bands have a highly successful debut, subsequent albums only require a hit or two to add to the bands legacy with the rest of the album often instantly forgettable. ‘Burn The Empire’ definitely provides a handful of hits to bolster the setlist, but whilst there is the odd tedious moment the rest of the album also holds up well.

This album will do exactly what it needs to do for The Snuts, as they continue their momentum towards world domination. We’ve needed a new breakout indie band for a while now, and don’t put it beyond this band to be the one to do it!

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