Amber leaves lay sodden on the ground, there is a crisp chill in the autumnal air and there is an awful lot of black clothing amongst the excited crowds gathering at the UEA LCR door. Yes, whilst the ghouls and spooks are out guising across Norwich this All Hallows’ Eve, the city’s metal community are haunting its largest venue.
There are no tricks here this Halloween, just the treat of a hard hitting night of action from the double-headed monster that is the co-headlining Bury Tomorrow and August Burns Red, albeit with a re-jigged undercard.
Gone just days ahead of the tour are Miss May I, joining Thornhill in departing the tour originally booked some 3 years ago (we all know what has transpired in that time!). Jumping in on short notice however are Novelists FR who receive a warm welcome.
As they arrive onstage in a venue festively decorated with ghostly figures, the early crowd show that they are here for some fun tonight. The French latecomers are able to deliver just what is needed to warm everyone up for the barrage of noise that is set to follow.
AUGUST BURNS RED
Up next is August Burns Red, who instantly rile the audience up with a quick run-through of System of a Down classic ‘Chop Suey!’. Clearly the band have many fans in the audience and those fans are treated to an hour of brutality from a band well versed in serving up crowd pleasing performances.
Our headliners Bury Tomorrow arrive onstage, dressed in white paper suits, and instantly bring the ferocity and intensity that has earned them their pedigree as a live act. The opening three tracks instigate a hot atmosphere in the crowd, until sadly a lengthy medical incident in the audience derails the momentum.
It has to be said the response from the band, the crowd, the security, the venue and medical staff is fantastic, and hopefully that individual is ok! It naturally takes a short while to find the same level of energy again, but Bury Tomorrow ensure that soon enough the party is back in full swing.
‘LIFE (Paradise Denied)’ particularly does well in getting the atmosphere back on track and helps return the band to their stride. It isn’t just Halloween that has the bodies moving tonight, and by the time the show comes to an end everyone in the venue, be it human, monster, vampire or ghost as had a great time.
Soon this tour heads off into Europe, and next year Bury Tomorrow will return with their seventh album. But right now we return to the dark, cold and creepy outdoors.
Welcome everyone to another edition of our weekly music News Report!
This week we start with tour announcements and the mighty Iron Maiden, who have revealed the ‘Future Past’ tour that includes a run of UK arena dates next Summer.
The show will feature previously unperformed songs from the band’s most recent studio album, ‘Senjutsu’, along with a focus on 1986’s iconic, ‘Somewhere In Time’ record, plus other classic cuts.
Says founder member and bassist Steve Harris, “Following the release of our latest album, Senjutsu, we updated the current Legacy of the Beast Tour a little by opening the show with the first three songs from it, with the Japanese Palace stage set.
As it doesn’t make a lot of sense to repeat this for a Senjutsu album tour, we thought about other options and we’ve decided to revisit Somewhere In Time as that tour didn’t feature in the various retrospective history tours we’ve played over the years. They were based on our 80’s concert videos and sadly we did not film that tour (blame the manager!!).
We have had lots of requests from fans over the years for many tracks on it so we are now going to play them, plus of course a few others we know you will like! It will also be particularly satisfying to finally get to play some of the more epic tracks on Senjutsu, it’s been a long wait! 2023 is going to be an exciting time and we’re really looking forward to seeing everyone again in the UK, Ireland and around Europe”.
Manager, Rod Smallwood adds, “This combination of the two albums we feel is very exciting. We know fans want to hear those epic cuts on Senjutsu for the first time live and we think that by combining it with an iconic album like Somewhere In Time it will make for another really special tour for fans old and new!
Of course, for a new album tour in Europe and the UK we will go back largely to the relative intimacy of arenas and we know fans will be very happy about that too!”
Depeche Mode announce London Twickenham Stadium date
Another iconic act to announce a show for early Summer is Depeche Mode, who will takeover Twickenham Stadium in June.
The Memento Mori Tour will support the band’s forthcoming 15th studio album, ‘Memento Mori’, due out in Spring 2023.
In speaking about Memento Mori, Martin Gore commented, “We started work on this project early in the pandemic, and its themes were directly inspired by that time. After Fletch’s passing, we decided to continue as we’re sure this is what he would have wanted, and that has really given the project an extra level of meaning.”
Dave Gahan added, “Fletch would have loved this album. We’re really looking forward to sharing it with you soon, and we can’t wait to present it to you live at the shows next year.”
Bury Tomorrow have shared new single, ‘Abandon Us’, which you can listen to above. The track arrives as they reveal that their latest album, ‘The Seventh Sun’, will be released on March 31st.
“We are proud to present, ‘The Seventh Sun’. It is an understatement to say we are excited to share the new era of Bury Tomorrow with you all and the first single from the album, Abandon Us, is the perfect way to showcase our intent for the next phase of our band,” say the six-piece. “Visceral and heavy, this track is for each and every one of you that has stood by us either from the beginning, or supported us along the way.”
Of the song’s origins, the band share, “it started with a demo simply entitled, Abandon. Taken from a time of loss, uncertainty and insecurity, the intent was to create a heavy track that mirrored these feelings. The lyrics highlight the frustration and anger at the current state of our society and how our so-called leaders seem intent on satisfying self-interest above the collective needs of humanity.”
The Subways this week debuted their latest single, ‘Black Wax’, which you can listen to above.
The track comes from upcoming album, ‘Uncertain Joys’, which is out January 13th.
Commenting on the track, front man Billy Lunn says: “Caught mid-wintertime during the pandemic, hibernating in the warmth of the band’s studio, I’d indulge in days’ worth of spinning my favourite artists’ records on my turntable. Following one particularly beautiful session, I felt compelled to express my gratitude for music itself. Not just the inspiration my favourite artists offer me as a songwriter, but all the various aspects music holistically offers us as people: the respite, the sense of belonging and being understood (and thus the validation), but also the mere aesthetic pleasure of the space between our ears being tended to.”
“Given that our first ever gig was on the hallowed stage of The Square in Harlow, which, following over a decade of Tory rule is now resigned to rubble, it felt only right to record my guitar parts with the guitar that had been built from the wood lifted from The Square’s bar. This guitar, built by local legend Murray Torkildsen, was lent to me by a very good friend, Adam Smith, who fought so hard to save The Square in its final days. It’s no coincidence that his handle online is Black Wax. Long live The Square. Long live music.”
Cult hero Jamie Lenman has shared the details of his fifth album, ‘The Atheist’, which will be released November 25th. This week also saw Lenman debut new single, ‘Lena Don’t Leave Me’, which you can listen to above.
“I’ve got into the habit of saying, whenever I have a new record out, ‘I’ve been trying to do something like this for a really long time’, because they typically have very lengthy gestation periods with a lot of thought going in,” says Lenman of what fans can expect from the new album.
“This one is no exception – I’ve always loved mellowed-out indie rock like Gemma Hayes and Pete Yorn and I’ve always wanted to make an album with that sound. Trying to focus on simple songs, looking for any place we could add a bit of extra sugar – a little bit saccharine, but also slightly snide and in some places softly sad. The end result is – I hope – a bittersweet experience.”
Commenting on the track, which channels both his love of stadium rock giants Queen and his wife and long-term partner Lena, Lenman says: “It’s a song about what it actually means to refer to your partner as your ‘other half’. That’s how I feel about my wife and I. We started out as two separate people and over the past twenty five years we’ve grown into two halves of a whole person. She fills up my missing parts and I fill hers – not that she has as many as I do. I always feel when people are talking to me that they’re only really getting half the story if she’s not around, just like it says in the song. And not the best half, either!”
“When I was a kid I loved bands like Queen with all their pomp, and then as a teenager I turned the other way with Nirvana’s punk philosophy. I went through the post-hardcore thing with all the awkward timings and chonky riffs, and now I find myself leaning back towards those giants of stadium rock. I wrote ‘Lena’ to see if I could do something like Toto, with my best impression of Brian May’s guitar solos. It’s my love letter to all those classic power ballads – it’s so uncool, it’s cool.”
The track comes with an official video homaging that particular brand of nostalgic 80s music video which always centred around the star’s desire for an unattainable, idealised lover.
“I wanted to do it with heart and genuine emotion instead of just spreading some poor model over the bonnet of a porch,” says Lenman of the concept. “I wanted the viewer to see my wife through my eyes, as this amazing, dazzling creature that I just get to be around. We went to the beach on the hottest day of the year and tried to forget the camera was there. It’s nice for people to see all those old photos and how we’ve grown together, just like in the lyrics. And it’s nice for us too!”
This section of our News Report comes to a close with the new single from From Ashes To New. ‘Until We Break’ features Matty Mullins of Memphis May Fire, and you can check it out above.
Reciting lyrics from the song, Matt Brandyberry said, “‘Close our eyes ‘cause there is nothing to see. We’ll all be fine if all we do is believe.’ It seems we are increasingly taking the path of least resistance. Although, that is often the wrong path. Closing our minds to the truth because a lie is easier to believe…A short term solution for a long term problem. We are following our leaders one by one until we break.”
LA based Militarie Gun have shared their latest single, ‘Let Me Be Normal’.
Ian Shelton says: “‘Let Me Be Normal’ is a plea for normality despite no matter what you achieve or how much money you have, “normality” can’t really ever be achieved if you grew up in a messed up situation. There’s no unseeing what you’ve seen, something will always poke you in the ribs and remind you of the trash you come from.”
Doodseskader – ‘Alive & Not Well’
Belgium’s Doodseskader are gearing up for the release of their debut album, ‘Year One’, on November 18th with new single ‘Alive & Not Well’.
On the track, vocalist/bassist Tim says, “‘Alive & Not Well’ is things clicking for us.It was half Sigfried, half me. Half of it describes us struggling, but half of it also is us grabbing misery by the throat and facing it head first. It’s the fifth song on the record and I feel like this is the point where things started shifting and we realised that while the record served as a document of our hardships and us trying to come to terms with the past we’d put on display in MMXX : Year Zero, from that point on it’d be us using our honesty and this band as both a weapon and an armour. “Forty fucking five, I wear the number like a vest”. Fortune gave us a shitty hand. Now we’re slowly turning it into the fist that’ll strike back.”
ROLLA – ‘Ease My Mind’
ROLLA have preview their upcoming debut EP with new single, ‘Ease My Mind’.
Rolla commented, “‘Ease My Mind’ was written as a reaction to feeling the constant pressures of daily life, the same old routine and all that shite. I guess it’s kind of a cliché, but it’s an anthem to get you up and get you going and prove to people that you are more than just your daily grind, and that there’s more to life than just answering to your bosses. For a lot of people that whole other world is rock ‘n’ roll, it will always give you all the answers.
We recorded it at Rockfield, which was a week to never forget. It’s a cool old place, and it was a pleasure to work with local legend Nick Brine. Creative carnage at its finest.”
With the pandemic taking a hold back in early 2020, Download Festival became one of the first major festival victims. It was perhaps fitting therefore that the small Pilot version of the event was the first step on the road back to normality last year.
That does mean though that as we head into Donington Park in 2022, it is the first fully fledged festival since the 2019 edition. After three long years, it is finally time for rock and metal fans to convene again on these hallowed grounds.
There are a number of changes this year to the layout of the festival but the best change is the installation of a strange golden orb in the sky. The usual brown flooring has also been painted green. Yes, goodbye Drownload and hello sunburn!
The main changes to the festival relate to the layout of the campsites, parking and transport hubs. Given these new changes, a little extra signage may have assisted seasoned attendees finding their way around, but in general the changes work well. There is a lot of walking required, however there always is at Donington Park however the event is laid out.
Once inside the area the setup is pretty standard if a little cut back with smaller stages, fewer food stalls and no wrestling or other extra areas. But, it’s Download and everyone is just glad to be here.
So then, on to the music! Opening the main stage on Friday are NWOCR favourites Wayward Sons who make the most of their short time on stage. They are quickly followed by Canadians Theory (of a Deadman) who also only have a short time to show their stuff. Thankfully for them they are able to call upon some festival-perfect material as the crowd sing along to ‘Bitch Came Back’, ‘Hate My Life’ and ‘Bad Girlfriend’.
Recently rejigged Bury Tomorrow follow on the main stage and bring the first real taste of heavy to the festival. The band are clearly honoured by the opportunity and try their best to win over the audience, with our first pyro of the weekend helping to add to the occasion. By the time the band leave the stage and a pile of bodies in the audience, the set has to be considered a success.
We go walkabout next and visit first the second stage for a man who has already played Download Festival with both Alter Bridge and Slash, Myles Kennedy. With two solo albums now to his name, Kennedy only grows his legacy with another top class performance.
Secondly we head to the Avalanche Stage for something new. American pop-punk band Meet Me @ the Altar have intensifying hype around them, and keeping with the tone of the day they are able to grasp this opportunity with both hands. Expect bigger things from the band in the near future.
As day one begins to draw to a close with catch two of Download’s house bands with Skindred on the main stage and Airbourne over on the second stage. Both bands attract big crowds, because fans know what to expect from them. High energy, entertaining rock shows are delivered by both as fans get to revel in what they have missed over the last three years.
Having delivered an incredible headlining performance at the Pilot event last summer, Frank Carter & The Rattlesnakes return to Donington Park next to headline the second stage. Carter and co show the crowd what they missed last year with another stunning performance. This band must be considered one of the best live bands on the planet and who would put it past them headlining the main stage in the future.
Download Festival after all needs to begin focusing on that next generation of headline acts, because many of the old guard are saying farewell. It is the ‘End of the Road’ for KISS, but not before one final triumphant showcase this year.
The band are able to deliver all the pageantry of a KISS show with every party trick played with precision. As the fans walk away with ‘Rock and Roll All Nite’ stuck in their heads, the band have brought the party and night one is closed out in style.
Saturday morning brings a fresh day with the sun still shining bright, but early risers at the main stage are left waiting with opening act The Raven Age almost forty minutes late. When the band do arrive they are able to show their continued growth with a matured performance.
This delay subsequently leads to a 30+ minute lag on main stage times throughout the rest of the day which plays havoc with fans carefully curated schedules. It does mean however that we can head to the second stage and catch the energetic Cassyette who is capitalising on the momentum earned over the last year.
It’s then back to the main stage for the classic rock sounds of Those Damn Crows and Monster Truck. Both bands continue the impressive start to the festival. Clearly every act is out to cast off the shackles of recent years and make an impression.
Both of these bands leave the fans wanting more, which is all a band can do with these early festival slots. It’s probably a good thing then, that these two bands will be touring the UK together later this year!
Up next for us is one of the performances of the weekend from Holding Absence over on the Avalanche stage. With songs like ‘Afterlife’ and ‘Wilt’ seemingly made for festival crowds to sing along to, the band completely own the packed tent during their time on stage.
Shinedown are also a band that knows how to control a crowd, and they have a large crowd to play with next on the main stage. With a new album on the way, the band incorporate new tracks ‘The Saints of Violence and Innuendo’ and ‘Planet Zero’ into their tried and tested, crowd pleasing set.
It’s then back to the Avalanche stage for another standout performance. This time it’s Creeper on the stage, the band again showing an innate ability to hold the audience in the palm of their hands. Creeper continue to grow and evolve and it will be interesting to see where the band head next.
We stick next to the Avalanche stage for headliners Funeral For A Friend. Perhaps it’s the fact that we’ve just witnessed two fantastic performances on this stage from Holding Absence and Creeper but something feels a little off for this set. It’s not a lacklustre performance as the band give it their all, but on a weekend full of great performances what is probably a really good one feels a little underwhelming.
There is never anything underwhelming however about Iron Maiden. The band are icons for a reason and their current stage show is possibly their best ever. With Maiden on form and a packed Donington Park in fine voice, this headline set was always going to be one for the ages, and it doesn’t disappoint.
Now onto Sunday morning, with hangovers taking hold, feet aching and stamina’s waning. It’s up to Wargasm to blow away any cobwebs as they open the main stage, and that’s just what they do. The band are developing into something of a marmite band, but there is no doubting the passion and energy that they put into every performance; and judging by the reaction they go down very well this morning.
Sidetracking from the music for a moment, we commented in our Neck of the Woods Festival review about the cost of food and drink this year. There are no surprises therefore that prices are high at Download Festival, but the quality on offer at that price is disappointing. Inflation is one thing, but shrinkflation begins to rub, and more than one meal this weekend leaves a sour taste in our mouth (figuratively and literally in one case!).
Well, if the amenities on offer are disappointing, thankfully the music isn’t. As we have said, the quality of performances this weekend is consistently high. Both The Velveteers in the Dogtooth tent and The Last Internationale on the second stage are fine examples of this quality from top to bottom.
Massive Wagons follow on the second stage and again appear on top form. As many bands have this weekend, they tailor their set list perfectly for their time on stage and it’s wall to wall bangers as the kids would say.
Tremonti next are more methodical as they display their technical prowess. Mark Tremonti and co are mightily impressive and the audience are equally receptive.
We shoot then across to the main stage where Rise Against are another band that fail to meet expectations. The band are an incredible force, but sadly today they struggle to translate from the stage for whatever reason.
Volbeat have no problems though as they are instantly able to grab the audience. They deliver a career spanning setlist to the delight of the field, which shows just why they have established themselves as potential future headliners.
We then find time to dart across to the Avalanche stage one last time as Trash Boat showcase one of the albums of last year, ‘Don’t You Feel Amazing?’. Trash Boat have really come into their own and have the entire tent bouncing along.
Korn are the penultimate band to play the main stage this weekend and they make the most of their position with one of the best performances of the festival. The band are longtime Download Festival favourites and they evidence today just why that is.
There is another look at the future next as Yonaka pack out the Dogtooth tent. Those that have made the effort to catch the band are rewarded by an incredible performance from one of the most exciting young rock bands around.
Last but certainly not least with have Biffy Clyro who are one of the biggest rock bands in the UK, but seemingly another marmite band amongst regular Download Festival goers.
One thing for certain is that those that chose to the stay until the end are rewarded by way of a sublime headlining performance. Biffy Clyro are another level live act and tonight they deliver a superb closing show fitting of closing this event.
Consistent high calibre performances have encapsulated the return of Download Festival this weekend. The event has a special place in the hearts of its fan base and will celebrate next year with a special four day 20th anniversary celebration. We can’t wait!
Welcome everyone to another edition of our weekly music News Report! We start this week with the best tour announcements from the past week, and up first is the above run of dates from Kasabian.
Fresh from playing Knebworth with Liam Gallagher, the band has announced four huge shows set for later this year. Support for the shows comes from The Lathums.
Kasabian also debuted their latest single this week ahead of their new album, ‘The Alchemist’s Euphoria’ on August 5th. Listen to ‘CHEMICALS’ below.
“It is me telling myself that it is going to be okay” Serge Pizzorno said of the track.
“It was me seeing myself in those few weeks when everything kicked off. It’s the future me saying to that person: ‘This is shit, but don’t worry, it will get better.’ So having a song about talking to yourself is universal, I think. We all have to find a way to deal with the complications, the mess and the mortality of life.”
Of the new album Serge adds: “One thing about this record I feel over the other ones, is it definitely feels like a body of work that belongs together. It was a beautiful moment in mastering hearing it as a piece. I think it really holds up in our seven albums….The Magnificent Seven”
We move now onto the best festival announcements as our News Report continues.
With Live at Leeds holding this first outdoor event this week, they also revealed the line-up for their traditional city based event.
Acts includes Pale Waves, Working Men’s Club, Sea Power, Dinosaur Pile-Up, The Skinner Brothers, Anorak Patch, Chappaqua Wrestling, The Native and many more.
Speaking about headlining Live At Leeds: In The City, Heather Baron-Gracie of Pale Wavessaid: “We’re super excited to be headlining this year’s Live At Leeds: In The City! It’s always been a great city for us and a fun one to play, we can’t wait to be back to play some tracks from our new album ‘Unwanted’.”
Speaking about Live At Leeds: In The City 2022, Festival Promoter Joe Hubbard said: “As we get ready for the inaugural edition of Live At Leeds: In The Park, we’re delighted to announce the first wave of names for the festival that started it all – Live At Leeds: In The City.
It’s been formative for so many artists’ careers and we’re excited to be criss-cross across Leeds City Centre this October to discover more of our favourite new artists who are set to takeover in 2023 and beyond! Headliners Pale Waves are a great example of this, having stormed the Brudenell Social Club back in 2018 for an unforgettable set – so having them return to headline the festival as a whole is sure to be a real moment.
With many more to be announced, it’s going to be an incredible day and we can’t wait to see everyone this October!”
We move our News Report onwards now to the best new releases from the past week.
Where else to start other than Muse? The band debuted their latest single, ‘Will of the People’ this week. You can listen to the track above, which comes ahead of the album of the same name on August 26th.
Matt Bellamy says, “‘Will of the People’ is fictional story set in a fictional metaverse on a fictional planet ruled by a fictional authoritarian state run by a fictional algorithm manifested by a fictional data centre running a fictional bank printing a fictional currency controlling a fictional population occupying a fictional city containing a fictional apartment where a fictional man woke up one day and thought ‘fuck this.’”
Bury Tomorrow release new single ‘LIFE (Paradise Denied)’
Next up in our News Report, we have Bury Tomorrow. The band this week released their latest single, ‘LIFE (Paradise Denied)’, which you can check out above.
Frontman, Dani Winter-Bates admits “as we head into this new era of Bury Tomorrow we want our fans to be as excited as we are and equally as we head into festival season and this year’s touring we hope this track gets people ready to go wild and celebrate the ‘reopening’ of the live music industry. Life and Death were recorded as stand-alone singles and a small taste of what’s to come next.”
The accompanying music video was directed and produced by the band’s long time friend, Aaran McKenzie (bassist in While She Sleeps). “Aaran is super-talented, proving his skills time and time again, we are grateful he could work his magic on such short notice and create such an awesome, raw video, that really suits everything the song is about.”
Speaking of the new era, the band share: “We have all collectively faced the craziest upheaval in both our personal and professional lives over the last few years. However, this time has given the band a chance to focus on what Bury Tomorrow means to them, and has equally provided a chance to channel influences, creatively expand and move forward with a new, driven direction.”
This week also saw Hot Water Music share the video for their track, ‘Turn the Dial’, which you can watch above. The song features on their new album, ‘Feel The Void’.
Guitarist/vocalist Chris Cresswell had the following to share about the song itself: “Turn the dial for nothing’ is in reference to searching for something that’s out there, while knowing that nothing you’ll find will ever make you as happy as what you can create yourself. Finding yourself so tapped and so exhausted by all this kind of life entails, but also never being able to put that fire out. The search always continues.”
London duo WOOZE have announced their return with a propulsive new single titled ‘Bittersweet Timpani’.
Speaking on the new single, the band say the track is, “A song about walking home alone, dejected and rejected. We thought the pitiful, pity-party lyrics would juxtapose nicely with the muscular glam-rock bravado of the music.”
Headshrinkers – ‘The Sea Has No Friends’
Black Country-based newcomers Headshrinkers, release their new single, ‘The Sea Has No Friends‘, a stately slice of poetic rock that arrives in tandem with new EP, ‘Doorway Conversations’.
Of the story behind the track, vocalist and songwriter Garran Hickman explains:
“It was quite the reflective day when I wrote that piece. Words and melody were both written in half an hour. It’s just two entwined memories really: one is of my older relatives sharing stories of their loved ones in the war, and secondly the opening line, ‘the sea has no friends’, are words my dad used to describe the sea.”
Final Stair – ‘Dreamhunter’
Berlin based three-piece Final Stair announce the launch of their new single and video, ‘Dreamhunter’.
The band comments: “Every person pursues big goals, ambitions or a lifelong dream. But these are not always achievable, as they are made more difficult by hurdles or fate. Even if you fail in striving for your goals and dreams, you are always first and foremost a wonderful and unique person.”
Frank Carter & The Rattlesnakes to headline Marshall Hootie
Welcome everyone to a special Easter edition of our weekly music News Report. We hope that you’re having a cracking weekend, and we have a cracking line-up for you as we begin with the latest festival announcements.
Marshall will be hosting a special celebration of their 60th anniversary this May. Frank Carter & The Rattlesnakes will be headlining the Marshall Hootie in Viaduct Meadow, Hanwell.
They will be joined by Hot Milk, Crashface and Lyoness! Tickets are available here.
Fusion metal pioneers Dub War this week debuted their new single, ‘War Inna Babylon’ and you can listen above. The track features guest vocals from Roger Ranking of The Beat.
This song comes ahead of their new album, ‘Westgate Under Fire’ which arrives August 5th.
Speaking on the track and collaborating with Ranking Roger, Webbe says, “The original song by Max Romeo was in my family record collection as far back as I can remember. When meeting Ranking Roger, we discussed how punk rock and dub reggae had a massive influence on our lives. This song for us both was a massive hit, and we spoke about doing a collaboration and reviving the original with that Clash/The Ruts British punk rock energy to it.
Sadly, not long after we got to record the song with Roger, he passed away. But this song is one that we are very proud of, and we didn’t just do a cover – we really made this unique cover of “War Inna Babylon” our own.”
As always we close out our News Report with the latest additions to our ‘Discover’ New Music Playlist on Spotify. This week we have doubled up on the additions to celebrate Easter with the best new music!
‘MIRRORS’ – JUST MUSTARD
Dundalk five-piece Just Mustard share new single, ‘Mirrors’ taken from upcoming album, ‘Heart Under’.
Guitarist and “Mirrors” co-vocalist David Noonan says of the single: “”Mirrors”” was one of the final songs to be written for Heart Under, the lyrics and music arrived together in what felt like one moment and we wanted to keep the feeling of one thought or moment constant throughout the song”.
‘INSTRUCTION MANUAL’ – ALL BETTER
Brighton’s alt-punk trio All Better join the playlist with their single ‘Instruction Manual’. The song features on upcoming debut album, ‘How To Be Alone’ which arrives May 6th.
‘RESTITUTION’ – MODES
Kent metallers MODES feature with their new single, ‘Restitution’.
MODES frontman Ted Berry reveals that the new single“is a song that stems from difficult times that we have seen our closest friends and loved ones go through. Needing to give them support and a shoulder to lean on, while feeling that we can’t explain how or why we know what it’s like to be there because in that moment it’s not about us ,it’s about helping them”
‘BLESSED BE THY’ – WITCH FEVER
Witch Fever return with new single, ‘Blessed Be Thy’.
Bassist Alex Thompson says of the track, “it just goes heavy”, as it boasts a crunchy wall of noise akin to bands like Show Me The Body and Gilla Band
Alex adds, “it was literally the last song we wrote before we went into the studio but came together really quickly. I think it still has an essence of some of our older material, so it’s a good way to bridge the gap.”
‘I KNOW WHEN YOU LEAVE’ – GUISE
Ahead of the release of their debut album ‘Youngest Daughter’, ‘I Know When You leave’ is the latest offering from London-based GUISE is a dazzling, vocal harmony led track that sees the foursome joined by singer-songwriter Emily Barker.
Discussing the story behind the heartfelt new track Jessicaexplains “I wrote the words to ‘I Know When You Leave’ on a bus in Italy, and the tune came to me later back in London, Separation from the person I love is a pretty normal part of my life, but that doesn’t make it easy all the time; things are generally just a bit worse when we’re apart, and that’s what this is about.”
‘BLACKMOSS’ – SCRUFFY BEAR
Playlist and Podcast alumni Scruffy Bear return with new single, ‘Blackmoss’.
“The world is a proper heavy place. I hate that everything is spun so negatively and we are trained to look for the worst in people and situations. Blackmoss is trying to work through the mud of confusion that everything is in and not getting too bogged down with it, but also learning to be open to other people’s experiences” – Lead singer Georgy Eaton
Welcome to another edition of our weekly music News Report. We are starting off this week with the latest festival news including a brand new event set for May!
Neck of the Woods will take place in Norwich this Spring and will feature a headline performance from The Kooks. The headline act announced details this week of their latest studio album. ’10 Tracks To Echo In The Dark’ will arrive July 22nd, and you can pre-order your copy here.
The Kooks will be joined in Norwich by the likes of DMA’s, Sea Girls, Lottery Winners, Yonaka, NOISY and The Goa Express.
One piece of tour news this week in our News Report and it comes from American rockers Godsmack. The band will make their way across to the UK and Europe next October for a rare run of dates over here.
Glasgow, Manchester, London and Birmingham will welcome the band as part of the tour. Find your tickets here.
Welcome to another edition of our News Report, where we roundup the best music news from the past week. We start this week with festivals and the behemoth that is Reading & Leeds Festivals. The twin events take place in just two weeks!
This week organisers revealed that Dinosaur Pile-Up, Loathe and Holding Absence will join a bill already including Biffy Clyro, Liam Gallagher, Wolf Alice, Yungblud, Fever 333, Creeper, Wargasm, Bob Vylan, Yonaka, Boston Manor and Demob Happy.
Biffy Clyro have a busy summer lined up as they headline Reading & Leeds Festivals alongside shows in Cardiff and Glasgow. A new addition to their schedule is a special show at Dreamland in Margate which was announced this week.
American metal lords Trivium have this week unveiled their latest single, ‘Feast of Fire’ which you can check out above. The song comes ahead of their new album, ‘In The Court Of The Dragon’ which you can pre-order here.
At Full Pelt Music we are eager to put the spotlight on new music. We recently debuted our ‘Discover’ New Music Playlist on Spotify where we feature some of the hottest fresh talent from across the globe.
Now, we are proud to announce the accompanying ‘Discover’ New Music Podcast! Yes, we’ll be talking to some of those bands being spotlighted by our Playlist.
You can find the latest episodes here, or catch the video edition here.